Soundfreak SVS rows

video upload by Todd Barton

"A quick look/listen to the various row outputs from the Soundfreak Sequential Voltage Source: A, B, C, D, A+B+C+D, A+B, C+D.
More at https://www.soundfreak.io/
My Patreon: / synthtodd"

True Trance Sounds V4 for Arturia JUP-8000 V by NatLife

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/tru...

Let's welcome True Trance Sounds V4 for Arturia JUP-8000 V by NatLife.

Version 4 is an absolute True Trance blockbuster of sounds for Arturia JUP-8000 V. An exceptional set of diverse sounds was created for this installment, which perfectly complement each other. Every sound is steeped in the atmosphere of 90s Trance, the era when it was born and sounded incredibly inspiring.

The soundbank contains 70 Trance presets & patches for JUP-8000 V, which are:

4 Special voice-type AAH sounds
2 new ARP's
17 Punchy Basslines, which include special Uplifting Trance Basses and the deepest Basses
3 Unusual FX's for your transition
13 absolutely incredible Leads, in which you will find everything from new Supersaw's to Vintage-inspired, poignant Lead sections
14 super deep Pads that will take you from Classic Trance pads to the most unusual and deep atmospheres
12 of the Most Beautiful Plucks Ever Created
3 Sequences packed and ready to go
2 Synth sounds

All of this was created with absolute love for the true and divine Trance music that we all fell in love with in the 90s, and so that you could enjoy these beautiful sounds that take us back to that golden era.

Timeline:
00:00 - NatLife - Fly To The Sky
00:56 - Armin - Communication (NatLife rework)
02:20 - NatLife - Back to Borki (in 90s chilhood)
03:16 - Plastic Boy - Sylver Bath (NatLife 2026 rework)
04:13 - Ian Van Dahl - Castles In The Sky (NatLife rework)
05:09 - Chakra - Love Shines Through (NatLife 2026 rework)
06:07 - Rank 1 - Airwave (NatLife 2026 rework)"

MS-20 Moon Odyssey — Live Transmission

video upload by Alex Simesky

"An MS-20 performance built around a Koyaanisqatsi motif, evolving through analog textures with tape echo and transmission fragments.

Recorded during the live Artemis II Moon approach broadcast, combining synthesizer (duophonic) play, reel-to-reel processing, NASA pictures and Blender animation.

This piece gradually drifts from structure into signal, and back again.

0:00 Signal detected (Koyaanisqatsi)
1:38 Leaving the signal — lunar approach
2:51 Drift
7:40 Arrival

https://simesky.bandcamp.com"

For Eliane Radigue

video upload by Giorgio Sancristoforo

"A little hommage to Eliane Radigue with Homework experimental modular workstation,
now available at giorgiosancristoforo.net for Mac OS.
Windows soon!"

Live #1 - Eurorack Drone Ambient Soundscape

video upload by Ghost In Translation

"Jamming with the rack, nothing planned."

NEW MODULES: ORIGAMI

video upload by LARIX ELEKTRO

"Soon the ORIGAMI, a complexe oscillator based on trinagle waveform and wavefolders
...and 2 indepndant friends: HARMONICS and WVTWSTR: two different wavefolder tha can be used to increase teh ORIGAMI power, or any other signals.

Meet them at SUPERBOOTH !"

First transmission from new location

video upload by Meska (Meska)

"First jam on the new location, studio is still unfinish, but i start redoo video and jam :)

Voices: Sampled radio to Reonant FB bank to Warp vocodeur and Gotharman's tuul granulator.
ARP: FM sound made with 2 FM OP and C4rbon in oscilator mod to LPG
to Phaser and delay from gotharman's Tuul, parallele processing via Typhoon for granular sound
Stereo texture: Paraelle procesing of the bassline to ikary (via waveshaper)
Bass: gotharman's tuul sin oscilator FM by c4arbon, mixed with noise to tube distortion and feedback to Centaur gate for filter

sequenced by Blueberry and transpose with Gliss
all this mixed to Jumble heng to polydactil versio and BiB for the FX

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com"

Korg Arp 2600 Lawnmower Patch (the Original)

video upload by HanzVolt

HWJ - DROPLETS IN THE WIND

video upload by FL3SHB4CK

"Hardware Jam Challenge: 2 BOXES/

VHIKK X, PLAITS

Recorded live thru Syntakt delay & reverb

‪@forge_tme‬"

SWAYED - "Ambient Analog Fm Patches" 64 Presets

video upload by LFOstore

"FM Synthesis is Back!

BUY: https://lfo.sellfy.store/p/swayed-amb...

The SY series synths are very complex and organic sounding.

And now we are having virtual emulator of this wonderful SY77 machine -SWAYED https://strydeaudio.com/swayed as a plugin for PC&MAC.

Introducing unique 64 patches for older brothers for SWAYED

Made by Nick Klimenko, author of WS Universe pack for Korg Wavestation & Organica pack for Waldorf Blofeld in collaboration with Loki (Ivan Vasiliev)

Here you will find:

Lush & complex ambient pads, swells, drones, textures.
Great strings from JP, JX, Juno series (emulations)
Very organic solo leads with dedicated expressively
Beautiful FM bells, plucks, complex structures
Powerful FM basses combined with advanced AWM osc's
Our great "Alive" patch created specially for this series

All patches working with MW + Aftertouch.
Also working with TG77 & SY77."

The Terminal Island Freeway (CA 47 & 103) | Synthesizer soundtrack

video upload by CatSynth TV

"We return to Terminal Island to explore its freeways anew after several major construction projects, starting with California highways 103 and 47, which form the Terminal Island Freeway. The island and its surroundings are at the southern end of Los Angeles, and host the massive ports of Los Angeles and Long Beach. This gives the drive an industrial, surreal, and delightfully dystopian vibe. The music, which combines metallic sounds with a sense of solitude, reflects the experience.

The Terminal Island Freeway begins at an intersection near the southern terminus of Interstate 710 and heads north, crossing the Commodore Schuyler F. Heim Bridge onto the mainland, where 47 and 103 split. We stick with CA 103 and the freeway, passing by some large industrial facilities and CA 1, and ending at modest intersection with Willow Street in Long Beach.

Synthesizers used:
Arturia Augmented Persia and CMI V
Yamaha RX5 vintage drum machine
Anukari 3D physics modeling synth
Cherry Audio DS-2, Spirit, and Filtomika
AudioThing Wires
EastWest Fab Four, Stormdrum 3, and Orchestral Percussion"

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

0:00 Introduction
0:11 Starting out on Terminal Island
0:29 The start of the Terminal Island Freeway (CA 47 and CA 103)
0:54 CA 47 leaves the freeway, which continues with CA 103
1:42 Crossing CA 1 and entering Long Beach
2:22 The freeway and CA 103 end at Willow Street in Long Beach

This Tiny Setup Still Blows His Mind

video upload by Pocket Trax

"This duo just hits different. The PO-33 + Monotron are such a perfect jungle combo.

PATREON PAGE:
👉 / pockettrax
Tutorials + downloadable PO-33 backup files + sample packs and much more.

Music:
Pocket Trax - 'MewEX'

#jungle #po33 #monotron #teenageengineering #electronicmusic"

Two KORG MINILOGUE Back To Back Demo!

video upload by Woody Piano Shack

MORE WOODY PIANO SHACK
► https://woodypianoshack.com

Alien Abduction w/ HanzVolt

video uploads by HanzVolt

Playlist:
1. Alien Abduction Pt#1 GR-MEGA with Keys?? #granularsynthesis #synthrenegades
2. Part #2 Alien Abduction GR-MEGA #synthrenegades #sounddesign #granularsynthesis

Korg R3 — A Forgotten Synth From the Future

video upload by A Force Truly Evil

"Sound Pack available here: https://sci-fiaudio.com/product/legac...

74 sounds covering everything from basses, evolving pads, textures, and experimental tones.

Many of these programs include dual timbres, combining two patches within a single sound for richer layers, splits, and more complex motion.

The pack also includes Formant Motion data with vocoder textures, bringing the unique character of the Korg R3 synth engine to life."

There's a New Plugin That Uses Wavetables as Spectral Filters — Wavefield by Fine Increments

video upload by Keith Crosley

"Two new uses for wavetables today — and neither is synthesis. First: smallcircles.net/waveforms, a web tool by KRC Mathwaves user Quentin that renders any audio file as stacked ridgeline plots — instant Peter Saville/Joy Division "Unknown Pleasures" album cover art. (Fun fact: the cover visualizes radio pulses from pulsar CP 1919, originally plotted by Harold Craft Jr. for his 1970 Cornell PhD thesis.) Second: Wavefield from Fine Increments, a brand-new spectral filter plugin by Seth Watson that turns wavetable frames into FFT gain curves — three modes (Magnitude, Spectral IR, Phase Warp), tempo sync, stereo spread, and wavetable import. We also drop Wavefield into a Bitwig delay feedback chain for spectral delay, feature Authentic Soundware's new Space Age Colors library, and close with Liminal Space reverb for that Blade Runner/Lexicon 224 vibe. So grab your spectral filter and hold on to your pulsar for this wavetables-a-go-go episode of your favorite talky synthesizer content show!

─── WHAT YOU'LL LEARN ───
What the smallcircles waveform visualizer does and why wavetables are perfect input
How to export your own ridgeline waveform art as SVG for shirts, posters, and album covers
Why Wavefield's spectral filtering sounds different from EQ or conventional filter automation
How Wavefield's three modes (Magnitude, Spectral IR, Phase Warp) differ — and when to use each
How to drive Wavefield with your own wavetables, including KRC Mathwaves
How to put Wavefield inside a Bitwig delay feedback loop for a spectral delay effect

─── PLUGINS & TOOLS FEATURED ───
🛠️ smallcircles Waveforms Visualizer (free web tool by Quentin): https://smallcircles.net/waveforms/
🎛️ Wavefield by Fine Increments (14-day free trial, $39 intro / $49 regular): https://www.fineincrements.com/wavefield

🌊 KRC Mathwaves (160,000+ wavetables, $29 — great input for the smallcircles visualizer and Wavefield):
https://www.wavetables.lol/l/wavetables/
🌊 Free Wavetables Sampler (1,600+): https://www.wavetables.lol/l/free?lay..."

─── CHAPTERS ───
00:00 Intro & today's two new wavetable uses
01:49 The smallcircles waveform visualizer
02:55 The Joy Division "Unknown Pleasures" connection
05:00 KRC Mathwaves exponential-saw demo in the visualizer
06:23 Exporting your waveform art as SVG
06:50 Introducing Wavefield by Fine Increments
08:00 Wavefield on a pad track
11:52 Magnitude, Phase Warp & Spectral IR modes
13:10 Wavefield vs. Kilohearts Filter Table
13:45 Sync and speed modes
17:00 WT Start and WT End controls
20:03 Importing your own wavetables into Wavefield
25:57 The Bitwig delay feedback loop trick
26:20 Authentic Soundware Space Age Colors sample library
29:00 Liminal Space reverb for vintage Blade Runner vibes
31:00 The "Beep Boop" factory preset
32:45 Final thoughts

SCJS#91 - PROTOCELL

video upload by FL3SHB4CK

"Small Case Jam Sessions #91 - PROTOCELL

GITGUD, TABOR, BATTERING RAM, ZERSTORER

Recorded live thru Syntakt delay & reverb

‪@Jolin_wbs‬ ‪@ShakmatModular‬ ‪@4msCompany‬"

Strange Ideas On The Elektron Digitone II // Chord and Melody Programming

video upload by EZBOT

"Let's talk about the tools we have to write melodies and chord progressions. Let's write some tunes using the all the melodic tools the Digitone has to offer. Tools like: chord mode, arpeggiator, note offset, and scale modes!

The Ultimate Wavetable Pack: / ultimate-pack-1-153880313 and https://ko-fi.com/s/b7bb5da64b"

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com"

Korg multi/poly - Oblivion Vol.1 OUT NOW! (Demo 3 - Performances 71 to 101) #custom #korg #multipoly

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Video 3 of 3
it's finally here!
Yes finally after many many requests, the ‪@korgukofficial‬ ‪@KorgOfficial‬ multi/poly - Oblivion Volume 1 is now complete!

Containing 260 individual programs contained in 100 Performance patches, along with a few custom effect presets too. This banks is not one to be missed!

I can't believe I have had the multi/poly since 2024 and this is the first bank i have managed to do for it!, the synth is amazing, such a powerhouse, and really proved itself with anything I asked from it!

very excited to finally get this released for you good folks!

Thanks as always for checking them out!

Scott"

GRADIENT NOISE Coming to ICMC 2026

Gradient Noise: Work in Progress with Dirtywave M8 and Processing.org
video upload by John C.S. Keston

https://audiocookbook.org/gradient-noise-at-icmc-2026/

"I'm pleased to announce that I will be performing the world premiere of my piece Gradient Noise at the International Computer Music Conference (ICMC) in Hamburg, Germany on May 11 at 9:30pm. The following video except represent the work in progress. The final piece will be 10 minutes long and contain up to four layers of instruments with independent, corresponding, video objects.

Since 2019 I have been composing animated graphic scores for ensembles and soloists. Examples include Parking Ramp Project, SYNTAX, and Rhodonea. These generative works are projected for both the performers to read and audience to experience. I write software to generate and animate the geometric forms, and establish rules on how the forms are read, whilst allowing improvisation and the emotional response of the performer to play an integral part in each piece.

Gradient Noise, written using the Processing.org language, translates values generated by the Perlin noise algorithm into independent layers of seamless loops repeating at variable intervals. These loops are visualised as geometric forms, abstract visualizations, and evolving structures. The data generated is aleatoric, but the values can be tuned to range between slowly moving gradients or rapid, angular forms. When the sound and visuals are synchronized I respond not only to the animation but also to the changes in the timbre of my instruments.

Through Gradient Noise I am rethinking the relationships between musicians and machines. By translating the properties of n-dimensional Perlin noise into a musical language, the piece presents a unified ecosystem with coordinated timbres and geometric forms. Thus generating a living environment that requires active participation and improvisation. Ultimately, the work presents a contemporary model for computer music where the performer does not simply follow a score, but negotiates a path through a responsive, multi-sensory experience.

More on AudioCookbook.org:
https://audiocookbook.org/gradient-no...

ICMC Official Conference Website:
https://icmc2026.ligeti-zentrum.de

Audio in this video entire produced using the Dirtywave M8 tracker:
https://dirtywave.com/"