"The highly anticipated re-release of an updated 777 is still in the pipeline and we are expecting a late 2024 arrival. Also, in the coming months, you will also be notified of the release of the Eurorack mounted, TRANSFER filter. Stylistically matching the Trax and Transient, this filter is an expanded version of the analogue filter found in the Vectra.
We cannot provide any information concerning hard release dates or prices until the units are completed and ready to be shipped."
"Prototyping almost available Error instruments errorinstruments presents on controller made out of Springs that’s generating control voltage difference trigger and gate but also audio output to play with a Cinematic style in a delay, or aReferb soon available in Eurorack and Standalone on www.errorinstruments.com"
"Experimenting with Embodme ERAE Touch connected to Heritage Modular DIY MPE Polyphonic synth. This is a wonderful controller, still need to learn how to use it!
I will be present at SynthFest France with this setup."
Heritage Synthesizers SFF2024 Video #1
"Single take track, tuning the software before the SynthFest. Lot of improvements, since last year: MIDI MPE, ADAT, new ADSR, enhanced VCF, touchscreen module, etc ..."
Beneath the Bush of Ghosts is a 26hp Quad Lo-fi sampler based on the ISD1820 IC chip which is an old answering machine chip. This module is inspired by several other projects based on the ISD1820 chip. Each of the four channels are identical to each other with some sneaky normalisation going on between the channels for extra fun!
There is a mix output which combines all the dry inputs with the sampler outputs, while the individual outs of each channel only contain the sampler output. Each individual output is cross modulated with the channel next to it in pairs, so 1-2 modulate each other and 3-4 the same way. Each output is also normalled to the following input, 1-2-3-4 and 4 goes back to input 1. This means you can do generation loss (i.e. disintegrating loops) with some clever patching. Each channel has a filter with lowpass to the left and high pass to the right, as well as a pitch knob with a dedicated cv input and attenuator. There is also a dedicated trig input for each channel, and control buttons for the following functions: record in, momentary play and full play of the sample. The trig inputs need a +5v gate to operate. Samples can be played on loop by engaging the ‘Loop’ switch at the top of each channel.
Recording instructions: In order to record you need to turn the loop switch off, set the pitch to around the 10 to 2 o’clock (you can experiment with this), the CV knob will usually influences the sample speed so make sure it is fully CCW. Insert an input signal (or use the looping sampler next to it) and hit record, the LED will turn off while recording, and light up again when the memory of the chip is full. It’s a simple as that!
"today I recived the Flame Airlectron Proximity Sensor. It's a D Beamer for Eurorack.I ask Per along time ago to build it. I tested the module with my Flame modules Airlectron, 4 Vox , Talking Synth Module (2x), VocoRder, Curves, +Mirror, Panmix, Memoslider, Q Slider, FX 16. and some other modules: Doepfer A 156, A 143-9. Tunefish Modular 2x µOrnament & Crime ~ Harmonic Minor Scale, Temps Utile, µYarns, 2x Typhoon, µPeaks,Peaks, CV Peaks,Veils, Minx, Links, µ Frames. Mutable Instruments Shades, 4x Ripples 2x Strymon Cloudburst ~ Midi CC by 16n Faderbank!"
"The Airlectron Sensor Recorder module is equipped with a sunlight independent distance sensor to generate CV output voltages. A distance sensor reacts to hand movements and varies the CV output voltages (bipolar/max +/- 5 V, unipolar/max 0-+10 V). The range control adjusts the detection distance (2-50 cm). The freeze function keeps the voltage when there is no continuous movement. The recorder/looper can be used to record motion sequences for up to two minutes. This recorded data can be played back in a loop or once and restarted at the START/RESET input. LEDs indicate the status of the gate inputs and outputs. Features: 3x controller 1x Vishay distance sensor 3x gate/trigger in- and outputs 2x CV outputs unipolar/bipolar Power supply via Doepfer connector"
"Prototype type boards came in and I couldn’t resist building one up at the end of the day. A board rev needs to be made. I completely forgot to condition the newly added Saw and Double Saw (DUO) outputs so they are 0-5V and not +/-5V. But you can get some really fun wave shapes including square when you mix them in an external processor (a crossfader would be a fun pairing for sure! Also need to tweak the FM input. It’s a little weak."
"candy cloud synthesizer, an experimental patchable synthesizer with an effect processor designed for kids aged eight and above up to 108 years old. This synthesizer allows users to create happy accidents, psychedelic soundscapes, and strange rhythms, providing a lot to explore. It will be available in a do-it-yourself kit during workshops for both children and adults, with pre-assembled versions also available. The candy cloud synthesizer is part of Errorinstruments and the Error Academy."
Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
If you'd like to support the channel consider buying music from bandcamp ;)"
"Stray Drum" is a macro oscillator firmware based on FM and ring modulation for the Versio platform. This is a beta release, and it contains rough edges; even some parts of the front panel aren't in use yet, such as the audio inputs, the Trig button, and one of the switches. The pitch input can track V/Oct after calibration. However, a calibration mechanism has not been implemented yet. Pitch: Spans 5 octaves and can track V/Oct but requires calibration.
Spread: Introduces 2 harmonics to the root. Allows seamless adjustment between different chords and dissonant ratios, ideal for percussive sounds.
Feedback: Applies FM feedback to the operators, introducing harmonics up to noise into the base signal.
Attack: When turned to the left, it adds transitional noise that is pitch-filtered.
Decay: Provides a traditional decay effect.
Mode: Alters the modulation function applied to the base signal. It transitions seamlessly from no modulation to exponential decay to a sine wave. In the sine wave section, it can change the modulator frequency, up to a ratio of 5.
Amount: Governs the primary modulation. In exponential decay mode, moving it to the left produces ascending pitch, while moving it to the right creates a descending pitch. Extreme left and right settings select the longest pitch-shifting times.Now, switch to sine wave mode. When the amount is set to the right, it controls the degree of FM modulation. To the left, it adjusts the level of AM modulation, transitioning into ring modulation where the modulator transforms from a sine wave into a square wave.
How it sounds
With this set of controls you can shape its sound to powerful kick drums, classic snares and hihats. Percussive sounds like congas, claves, metallic objects, bells, electronic claps, etc. It also works as a chord machine, giving a wide range of deep and obscure chords perfect for dub techno stabs. Especially when selecting a chord, apply FM to it and some reverb/delay effect."
S&H In 8, S&H Trig 9, and S&H Out 10 are a set of sampling and holding circuits. S&H In 8 inputs the signal that needs to be sampled,S&H Trig 9 inputs the Trig signal that samples the input of S&H In 8, and the sampling result is held until the next Trig signal triggers a new sampling, and the result is output at S&H Out 10. When S&H In 8 is not plugged in, the Trig signal of S&H Trig 9 samples the Noise Out of 2, resulting in a nearly random sampling result. The sampling-hold function can be triggered by pressing button 5 when the S&H Trig 9 has no insertion line.
Noise Trig & Noise Out
Noise Trig 1 and Noise Out 2 are part of the Noise generator, which continuously outputs a Noise without any input, which is the result of the sound amplified many times after the breakdown of the Zener tube. If a wire is inserted into the Noise Trig jack, the Zener tube will stop the breakdown state. At this time, give a signal, which can be Trig, square wave or any other signal, only if it is higher than 3.3v, it will again break through the Zener tube, constantly reciprocating, changing the output effect of the Noise Out.
Offset Out
Knob 3 changes the output voltage value of Ofset Out 4, when the button is pressed 5.Ofset Out 4 will output voltage according to the position of the knob, release the button, and the output is terminated.
Aux in & out
Aux In 6 and Aux Out 7 are a set of envelope non-tunable Vcas triggered by button 5. Aux In6 can be an audio input or other signal input, press button 5,Aux In6 input will be output from Aux Out 7 after adding an envelope control. Noise Out2's noise output is added to AuxIn 6 when AuxIn 6 is not plugged in. This means that you can directly control the noise output in Aux Out 7 by pressing button 5."
"GSDrum, or Gimme Some Drum, or Gimme Some Kick Drum is a 10 hp drum synthesizer module. It really shines as a kick module, but can do other drum sounds such as toms or something out of the syncussion, or act as a bass synth tracking it 1v/oct.
This is not a typical kick oscillator using the 'Twin T' approach, GSDrum uses a v/oct tracking triangle core VCO with an OTA based VCA.
There is CV control for the trigger of course, along with v/oct tracking, Linear FM, and VCA accent inputs.
The Timbre knob shapes the oscillator starting at a sine wave, to a triangle wave, all the way to an overdriven square wave.
Influenced by the Korg ER-1 drum synthesizer.
The accent input can simulate midi velocity or drive your sound even more.
You can jump to any section of the video here:
00:00 Opening
01:03 Introduction
01:42 Walkthrough Begins
01:50 Pop
02:07 VCA Envelope
02:58 Pitch Envelope
04:05 Tune Knob
04:15 VCA Knob
05:07 Timbre Knob (Waveform morphing)
06:16 Accent Input
06:57 v/Oct Input
07:10 Linear FM Input
07:40 Feedback Patching
08:43 Kick and Drum Sounds (Minimal Talking)
10:11 v/Oct Bass Line Demo (Minimal Talking)
11:17 Accenting with Sequenced Gates (Minimal Talking)
14:25 Frequency Modulation with Sequenced Gates (Minimal Talking)
Special thanks to Blue Lantern Modules for providing the modules for this video."
"Part of the 'Gimme Some' series. Gimme Some Drum....
What does this module do?
This module is a complete mini synthesizer that specializes in making analog kick drum sounds.
This product does not use a "Twin T" approach to make it's drum kick sound. This is using an actual 1v/octave
triangle core vco, and ota based vca. The shaper circuit that converts a triangle wave into a sine wave was brought to the front panel. The shaper knob was calibrated to start its shaping at the beginning of a sine wave, and end with an overdriven square wave.
This parameter is called 'Timbre'.
This product can produce a wide variety of ultra generic analog kick drum sounds.
Influenced by the Korg ER-1 drum synthesiszer, but laid out in an analog fashion.
-toggle switches are connected to 'timing' capacitors. You can select decay legnths on the fly.
-Depth Knobs let you precisely dial in how much punch, and loudness you want.
-Accent input lets you simulate 'Midi' velocity but with a positive CV input signal. This makes the Amplifier go louder in volume.
This is basically a CV input for the VCA circuit.
-POP parameter creates a clicky sounding, short audible pulse.
All the internal circuitry was optimized for drum kick. You really can't goof up and not make a percussive sound.
All you need is a triggering signal.
Internally Pre-Patch Products: OTA Triangle Core VCO + Sine Wave Shaper + Assist Percussion Utility
Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!
You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.
The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!
FEATURES
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.
SPECS
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona
Space-conscious lowpass filter and volume processor.
A combination of VCF + VCA + Mixer that lets you mix three different sound sources, and shape their tone, and levels in a breeze.
The Pony Filter is built around the SSI2144 FATKEYS™ Chip. Has the elegant sound of the classic transistor filter without the associated distortions, due to Dave Rossum’s “improved ladder” topology.
FEATURES
3 Channel Mixer (Out normalized to channel three for feedback)
Temperature-compensated Q and frequency.
Compensated Volume VS Resonance
2 Cuttof CV INs.
CV 1 Selectable routing Cut-Off or Cut-Off+VCA
Voltage controlled Q
Two Segment Peak Meter
SPECS
Four-pole, 24 dB/octave
Current needs: +12V=50mA, -12V=45mA
Width: 6 HP
Depth Assembled Version: 22mm
Depth DIY Kit Version: 35 mm
Designed, kits prepared and assembled in Barcelona.
I saw this Sequencer for the Elektor Formant in some Vids in the Net - but i couldn't get the original circuit. So i created an easy circuit that is based on the Baby 10- Sequencer. Its a 555-Clock with a 4017-Counter.
The Sequencer can be driven by an external Clock and it has two Gate and CV-outputs.
I connected the Gate and CV directly with the Formants Gate and KOV inputs. If you don't want to make this internal connection then you can do this via the CV and Gate output Jacks."
"Join us on Saturday the 23rd of March at 4pm CET (Spain) for the launch party with 3 new Befaco modules on show at the EU Elevator Sound store in Barcelona.
I'll be in person with Befaco to talk about new modules, patch, make music and sounds and hangout both in the stream and in person for the event."
Opp Ned comes with 12 pre-programmed arpeggios, including tetrads, major, pentatonic major, minor third, and pentatonic minor arps, but the Load/Edit/Save functionality makes it easy to create your own custom patterns. Factory presets can easily be restored at the Noise Engineering Customer Portal.
Opp Ned features four outputs that can be individually advanced: a reset input to keep all your patterns in time and a Transpose input to easily create changes on the fly. The octave range, arpeggio direction, and pattern of the arp are all configurable, and all settings are CV-able.
Other controls include configurable octave range and arp direction,
International customers:
Opp Ned is shipping to retailers. Check in with your favorite shop if you want to avoid the hassle of international shipping.
Make the most of your ups and downs with Opp Ned."
Press release follows:
Los Angeles, CA — Modular synthesizer company Noise Engineering, known for their unique Eurorack and software instruments, has announced a new arpeggiator and sequencing utility: Opp Ned.
Noise Engineering’s expansive product line includes many sequencers, mostly focussed on generative rhythm generation and randomization. Opp Ned is a new style of sequencing for the company, allowing the user to define 12 different arpeggios (or use a number of creative presets right out of the box), CV between them, and advance four different outputs individually. There are switches for playback pattern, direction, and octave range, and a clever note display for viewing the current arpeggio and editing patterns.
According to Noise Engineering, Opp Ned was designed to make a common synthesis task easy. Arpeggiators are found regularly in fixed-architecture keyboard synthesizers, but arpeggiators in Eurorack are few and far between. Opp Ned’s interface and controls were designed to make arpeggiation quick and fun, while also offering enough flexibility to generate some very interesting results.
Opp Ned lends itself to a number of different patching styles. The only necessity for creating arpeggios is a clock signal, but all of its parameters are CV controllable, so arpeggios can be modified on the fly with external modulation sources. It also features a pitch-accurate transpose input that can be used to modulate the four outputs with another sequencer for deep integration in more complex patches.
Opp Ned is a cheerful sequencing utility that works well for adding melodic elements to patches, as well as experimentation with more technical chord-based patching.
Opp Ned is available in both black and silver, and is available now at https://noiseengineering.us and at retailers globally.
Features * Arpeggiator with four outputs * Save and edit up to 12 different arpeggios * Swap between arpeggio patterns with CV * Fully CV-controlled interface * Simple controls make pitch sequencing easy * External transpose input for integration with other sequencers
Availability and pricing: Opp Ned: In stock in black and silver. Shipping from Noise Engineering and retailers starting March 21st, 2024; MSRP US$347
"Announcing the MKIII version of the WMD Digital VCA eurorack module. This new and improved dual VCA and Polarizer (bipolar VCA) has a zero-crossing detector and noise source. At only 8HP, this module can do many cool things for any modular synth in a small space."
"WMD is back and finally in production with the new Digital VCA MKIII eurorack module. This modern take on a classic WMD design combines a Zero Crossing Detector (ZCD), a Voltage Controlled Attenuator (VCA), and a couple noise sources to make a super versatile tool at only 8HP. Watch as Alex Anderson explains many of the features and use cases.
00:00 Overview
00:54 White Noise Explanation
02:16 VCA overview
04:55 Remove clicks and pops the ZCD
07:59 Trigger Mode
14:06 Amplitude modulation and the Bipolar functions
18:51 Normaling of 'B' inputs with Dual VCA patch example
20:56 Mixing capabilities
23:00 ZCD Outputs"
"I've done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.
The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.
The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.
Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.
Limited run of 410 units for Eurorack Modular Synthesizer systems. I won't be making more or doing another version in the future."
"ADDAC813 Stereo Mixer+5 features 5 stereo channels, 4 of them with attenuators, a mono send/return path for parallel processing plus stereo and mono outputs. Th mono send/return path allows for easy integration of mono effects in a stereo chain!"
0:00 Intro
0:08 Main features
0:30 Pre-fader mono effects loop
1:02 Granular freeze
1:17 Line or synth level
2:06 Mono filter on stereo drums
2:54 Mono filter on plucked strings
3:52 Mono distortion on stereo VCO
"ADDAC813 is a straight forward stereo mixer. Featuring 5 stereo channels, 4 of them with attenuators, a mono send/return path for parallel processing plus stereo and mono outputs
Four channels with stereo input and gain knob. Fifth channel with stereo input without gain knob, which are the prefered inputs to cascade several ADDAC813s when more channels are needed. Master Output controls the level of the Inputs mix. Two leds monitor the inputs mix.
Mono Send / Return return path allows for easy integration of mono effects in a stereo chain. Plug your favorite module through it (filter, bbd delay, spring reverb...) or any mono pedal.
The Return Gain works in parallel with the Master Output, just like regular wet / dry controls. The send output can be configured to be line or synth level via a jumper in the back.
Stereo output sums the Inputs Mix with the Return signal. The Mono output is the sum of Left and Right outputs
Effect Pedals Using the send output at Line level, the user can connect the send output directly into mono effect pedals and have the pedals output connected directly into the return input without the need of an attenuator/amplifier module."
"Présentation of the prototype 'HERITAGE SYNTHESIZERS' from Frédéric Rible.
Digital modular 8 voices synthesizer with complete legacy analog interface & analog like sound!
All sounds and effects are made by the Heritage Synthesizers in 6 lives sessions.
Sounds created by Frederic & kurtz.
Up left camera : Heritage Modular main stéréo sequence live work / Keystep pro Arturia.
Down left camera : Mister M across Heritage modular filter, "PPG like" pads & effects & Bigbass end line
Up Right Camera : Heritage Modular second stéréo sequence rythm noises, strings like pad, bass line.
Down Right camera : 'Inside' the Heritage, first Triangle solo , second Formant solo and big analog end pad.
Track by Jean-Luc Briançon.
Links : https://www.heritagesynthesizers.fr/ https://kurtzmindfields.bandcamp.com/
Title will be availble on Bandcamp april 2024 on new EP."
"The Heritage Modular synthesizer has been designed to mimic the typical look and feel of an early 1970s modular synthesizer but with full polyphonic capabilities. The feasibility is tightly linked to the usage of digital technologies available in 2020 to DIY enthusiasts.
From a musician perspective, the system should provide the illusion of using a classical analog modular synthesizer with knobs, switches and patch cables.
The core of the synthesizer is based on Pure Data: a powerful sound engine for the generation and processing of audio signal. The underlying algorithms has been chosen for faithful emulation of analog circuitry characteristics. As the goal is to provide with hardware user experience, the Pure Data GUI is only used during the software development phase.
A dedicated set of hardware modules has been designed to act as controllers for Pure Data. These modules are populated with knobs, switches, lights and jack sockets, as for any other classical modular synthesizer. The communication between Pure Data and these hardware modules is done via an I2C bus implemented over a standard 16-pin Eurorack connector.
This project has started in July 2020 as a DIY effort, with a first version up and running in July 2022."
"When Roland developed the System 100M they created a quad signal gate module, the 171, which also had a ton of multiples. The AM8173 module contains the same four signal gates built with modern components, and an onboard LFO clock, making it a very useful sequential switch, for both audio and CV signals.
This video is NOT sponsored/compensated by Amsynths. The following is NOT an affiliate link.
Here is a link to the module:
https://www.amsynthstore.co.uk/produc...
TIMECODE
0:00 - Introduction
0:30 - Installation (in my System 55)
1:28 - Detailed look at Inputs/Outputs/Controls
3:00 - Use Case 1 - Single Gate
4:10 - Use Case 2 - Two Gates - alternating with Sequential Clock
8:28 - Use Case 3 - Audio or CV Multiplexor - Event Sequencer or CV Modulation Sequencer
9:57 - Conclusion
10:26 - Bonus footage"
Update: 3rd video, pics, and details added below. Check with the dealers on the right for availability.
"The 'CIZZLE' is a dual digital 'phase distortion' VCO inspired by the classic Casio 'CZ' series synthesizers. It brings the specifics of 'CZ' style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound.
The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.
The 'CIZZLE' finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch."
Time Stamps:
0:00 - Intro
1:08 - Frequency Controls
4:20 - OSC A Controls
12:38 - OSC B Ring Mod
18:08 - OSC B Noise
23:30 - Chord Mode
28:57 - Patches - Acid Bassline
30:58 - Patches - Ambient Chords
32:46 - Patches - Beat
34:38 - Outro
"ALM / Busy Circuits invited artists Satoshi and Makoto, renowned Casio CZ synthesists, to the Clockface Modular shop and studio in Tokyo, Japan to try out the new ALM CIZZLE module. This short film documents the visit and provides a translated interview.
Satoshi and Makoto are a twin duo that received international acclaim in 2017 with the release of their debut album 'CZ-5000 Sounds and Sequences' on Safe Trip. In 2020, their follow up album "CZ-5000 Sounds and Sequences Vol. II” was released, solidifying their dedication to the Casio CZ synthesizer.
The new ALM CIZZLE is a dual digital 'phase distortion' VCO inspired by the classic Casio CZ series synthesizers. It brings the specifics of CZ style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound. The CIZZLE is available now from fine ALM stockists worldwide.
"Cizzle is a Eurorack synth voice from ALM Busy Circuits based around Phase Distortion synthesis, which Casio pioneered in their CZ series back in the 1980s.
It contains two digital oscillators that would typically be combined and used as one voice, but you can also use them independently. Each oscillator can produce four-note chords and has its own VCA, so all you need is an envelope or two to start using this as a complete voice.
Chapters:
00:00 Intro
00:43 Patch previews
02:10 What is phase distortion?
02:48 Cizzle overview
06:27 Deep house chords
09:34 Ring mod electro synth
12:34 Sweeping synth arpeggios
13:56 Jacking house loops
16:22 Two separate voices
18:12 Dual stepped modulation
20:16 Chord progression sequencing
23:06 Freaky techno loops
The ’CIZZLE’ is a dual digital ’phase distortion’ VCO inspired by the classic Casio ’CZ’ series synthesizers. It brings the specifics of ’CZ’ style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8-voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific ’end of chain’ ring modulation and noise modes that are key to the CZ sound.
The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.
The ’CIZZLE’ finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch.
Feature List → Dual phase distortion VCO with direct and voltage controlled parameters.
→ Easy, quick and accurate tuning via an encoder control.
→ 9 morphing phase distortion ’Algorithms’ (Osc A) with direct and CV control.
→ PD Offset ’Shape’ with direct and CV control.
→ Unique CZ resonance waveform (Osc B) with direct and CV control.
→ Multiple Osc B modes; Rez, Ring Mod, and Noise based on classic CZ synthesis.
→ Mode switchable via direct and trigger control.
→ Optional Osc B frequency tracking of Osc A with offset.
→ Voltage controlled chord mode with inversion and up to 8 voices.
→ Dedicated oscillator output level VCAs.
→ Separate dual or mixed outputs with stereo widening effect.
→ Skiff friendly with reverse power protection.
→ 2 Year Warranty.
→ Made in England.
Ideal For
→ Flexible and precise primary digital voice duties in a Eurorack system.
