"This one has the amazing TAUNTEK upgrade installed on it which adds these unique features:
MIDI clock, in, sync. Custom Patterns program editing using the WS-1 method, but now without needing the rare WS-1!! MIDI module mode, which let you control and play each individual sound (kick, snare, hi hat, tom, ecc) 15 User programs for saving your patterns no battery installed anymore FULLY SERVICED by pro tecnician
100% perfectly working conditions
Amazing aestetics conditions (just some marks on the wooden case)
This one was lucky to not suffered of usual battery leakage. Inside circuitry is perfect."
"This vintage drum synthesizer still works perfectly. The sounds are incredibly real. The unit is versatile, providing many rock, jazz, Latin, and waltz templates. 24 distinct rhythm templates in all. Each of the 24 can be shuffle or straight. And you can add cymbals, high hat, congas and more, each with individual volume to any template. There are also eight fills to choose from, each with frequency choices. Three momentary foot switches allow control during live performances."
"A sound pack for the Roland GAIA2 with 32 Sounds in total. This Walk Thru Video is demonstratig all tones. "One Finger Fun" says it all: You only need one finger for performing patterns with this Wavetable/VA-Synth."
In this video I talk through my process of using a small ALM 52hp Eurorack Case to expand my percussion options within a setup. It is driven via a Digitakt which feeds into an African rhythm derived trigger module. Everything is then fed into an SP404.
This is the basis for my attempt at creating and performing live music. In the future I hope to show more developments into this process and eventually film a live set for this channel."
"This is a demo of an older Nonlinearcircuits VCO, based on a Mikulic/Electronotes core with phase sync and pan-pulse circuitry from the Aries AR-338.
The video starts with a sequence, and scope shots of four of the five waveforms the VCO puts out. I didn’t bother with the triangle, but there is a pulse, then saw, then pan pulse and processed saw. These are eventually blended together, and then the left side VCO is faded in. This one is hard synced to another VCO. The equipment list is at the bottom of the description.
The PCB is not designed for Eurorack so I built a dual version to fit them behind a double panel. I originally built it in 2015, made a new panel in 2018, and it stopped working shortly after that. Each VCO required 50 hookups, so 100 wires, 200 solder joints. Ouch!
When it failed, for no apparent reason, I removed all of the point-to-point wiring, couldn’t figure out what happened, and put it aside for quite a few years. If only I had known then what I know now, the failure was a simple IC problem. I had purchased TL074s from eBay that turned out to be pirate versions. It would’ve been a one minute fix. I decided to tackle it again recently, and re-soldered all of the wires. Unfortunately, I used crap wire, so off those came, and I did it again! Still had some issues but with substantial help from John at PM Foundations, we were able to bring it back to life.
Sequence – Pamela’s Workout, Analogue Solutions Oberkorn, NLC VCO, PM Foundations 3080 VCO, Doepfer A-143-2 Quad ADSR, Bastl A B C (X2), Frequency Central Waverunner (X2), ALM Pip Slope, d:Machinery Red LFO, PM Foundations Mod+
"The Roland Jupiter 6 is in UNISON mode. YLF plays the left hand of Frédéric Chopin’s “Nocturne in E-flat major, Op. 9, no. 2” as chords into the ME20A, with the playback pattern set to UP, which results in a recognizable arpeggio.
"The left hand of Frédéric Chopin’s “Nocturne in E-flat major, Op. 9, no. 2” is translated into a sequence by the Akai ME20A MIDI sequence arpeggiator and played back on the Roland Jupiter 6 (cross modulation). The Jupiter 6 audio output goes into the Alesis Midiverb II, with the input overloading. Tape echo from the Roland RE-301 is applied on the Mackie Onyx 1640 mixer."
4/26/24 Chopin’s “Nocturne in E-flat major, Op. 9, no. 2” according to Akai ME20A & Roland Jupiter 6
"YLF plays the left hand of Frédéric Chopin’s 'Nocturne in E-flat major, Op. 9, no. 2' again, but this time as chords, which the Akai ME20A translates into a Bach-icized sequence. The Roland Jupiter 6 is in SOLO mode first, until it is switched to POLY-1 at 1:17, with some wiggling of filter cutoff and resonance, and the sustain and release on envelope 2, throughout the video, particularly towards the end.
"This is a video I have made for a live music video 'challenge' at the German synth forum sequencer.de. I won with that. But there was nothing to win but experience and honor.
The center of this setup is the MPC One. It plays just midi pattern that I composed beforehand for the GS Music E7, the small Roland and the Novation Peak. The Kurzweil is not controlled, but the E7 runs through the audio ins and is used as a FX processor with delay and reverb for the E7. The PC4 is just played with internal sounds here. Switches and sliders are either set to control internals, the E7 or the fx. I progammed a multi that is able to play the sounds via switch and control the fx as well.
The last pattern is a respectfully stolen melody of Ehsan Gelsi. The whole style of this live sequencing is the technique he shows in his videos."
"Red Sh101 with power supply, keytar and strap not included. This unit was refurbed with all new sliders from Dinsync.info, dust guards from Syntaur and power switch. Key contacts were cleaned and the case went for a bubble bath. Clean unit. There are scratches on the case, see photos. The keys also have a bit of scruffs. Plays great and 100% functioning. Sliders were $100, dust guards $37, and power switch $20. 4 hours of labor."
"This listing is for a Roland CR-78. It has been tested and works perfectly. All switches respond well. A foot switch is included. A demonstration video has been uploaded for your viewing pleasure."
