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"Roland Juno-106 in excellent cosmetic and working condition. The chassis is almost immaculate, with hardly any visible scratches, making this a very clean example of an increasingly sought-after classic. It has also been recently serviced, so you can buy with confidence knowing that everything works exactly as it should. The synth has been thoroughly cleaned and is ready to be plugged in and enjoyed right away. A fantastic opportunity to own one of the most iconic analog polysynths ever made — perfect for collectors, studios, and musicians looking for that unmistakable Juno sound."
"The Roland SH-5 is possibly the most feature rich vintage mono synth ever made by the legendary Japanese company. With 2 LFO's, 2 VCO's, 1 variable state VCF, 1 bandpass filter, 2 Envelopes, 1 VCA, S&H, Ring Mod and a simple but powerful switch matrix for routing modulation this synth is more than capable of making some of the most incredible tones and textures you can imagine!
Made in the late 1970's 'green face' Roland era, when their synths had a certain magic sound that is hard to describe. Fizzling and alive with electricity!
A handful of patch points on the back give you access to all the essential controls via CV so that this can play along nicely with a modern set-up.
This particular SH-5 has just been fully serviced in our Synthesizer Rejuvenation and Wellness Centre and comes with a 90 day warranty of good health. Original lid included."
"Vangeli's Secret Weapon, the other half of Blade Runner, the warmth machines can’t fake. The 505 String Machine brings the legendary RS-505 back with ultra-deep sampling and unmistakable analog motion.
Coming soon to Soundpaint with a custom 505 C.A.F™ modeled filter.
Soundpaint™ is a new analog-style sampling technology.
Soundpaint renders all instruments in real-time in 127 dynamic velocity layers. It shortens the distance from idea to realization. Instantly morph a waterdrop with a violin. Play the most iconic instruments of all time in exquisite realism and fidelity. True analog-modeled effects. Advanced and organic arpeggiator. A deep matrix for those who desire.
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"Roland Juno-60 61-Key Polyphonic Synthesizer with Minerva MIDI All perfect working condition. Some cosmetic marks here and there but overall condition is fine. New wood panel installed (also included the original one) Be in mind VAT/TAXES MUST APPLY for those buying outside European Union. Shipment from Spain is 60€"
TB-303 ready: added a more 'squashed / pressed' response so acid lines feel dense and consistent, with better note-to-note stability cleaner high-gain: reduced hiss and unwanted artifacts at extreme drive settings while keeping the same aggressive maximum gain range. more musical dynamics: improved touch response and transient control so the drive feels more alive instead of flat new 'Fairfax'-style, asymmetrical drive character: smoother, more amp-like breakup with a tighter feel and richer mid harmonics dive more stable at high sample rate (96 kHz): optimized oversampling/filtering for premium distortion quality without CPU spikes. What type of drive is it? It’s a high-gain soft-clip overdrive / distortion: amp-like saturation at lower settings, and full distortion territory at high drive with smoother harmonics and more sustain. hall reverb is lusher: denser diffusion + more modulation depth gives a wider, more spacious 'big hall' feel predelay for all reverbs is smoother: knob adjustments are cleaner with fewer artifacts while turning. reverse reverb is more polished: improved wet shaping and saturation for smoother, more musical reverse tails. spring stereo behavior improved: more consistent left/right output and a more natural 'drip' feel. more stable LRRL and LRLR taps behavior: they pass properly thru the LP/HP tone filter inside the delay tank creamier resonance: resonance behavior is more musical, with less clipping at extreme resonance sweeps. comb filtering smoother when tweaking: reduced zipper/crackle when moving controls; more stable, playable comb textures. delay: 7/4 divider changed to 3/8 (=dotted 1/16), 5/4 divider changed to 2/3 (=triplet 1/4). Meanwhile 3/4 = dotted 1/8, 3/2 = dotted 1/4, 1/3 = 1/8 triplet are working as is dividers knob action inverted to properly match the scales around the knob dry and wet properly phase aligned with less chorusing - still any MIX with filters applied may cause phasing effects which are unavoidable hall reverb is selected after soft reset (to defaults parameters) fixed an issue where very fast MIDI preset switching by Program change could cause the pedal to freeze."
"So, I sold my JX3P, my amazing condition JX3P, because I had the System 8 and the Jupiter 6. Fast track to now, a friend sells me a beat up JX3P and I think "I'll test it out again..." And man what a synth. The System 8 really doesn't do it justice. I can't believe I kept the JP6 over the JX3P, which sounds far better than the JP6 or System 8. What a bummer. Now, just like the D-50, I sold a mint condition one, and ended up with a junker :/ Sigh... well, the Jupiter 6 is gone (couldn't be more glad to be honest), and I'm eyeing the System 8...
"Recreating Aphex Twin’s “Pulsewidth” using modern hardware synths: the Elektron Digitakt II, Roland SH-01A, and Sequential Prophet Rev2.
This is my cover version of one of the most iconic tracks from Selected Ambient Works 85–92, carefully crafted to capture its hypnotic pulse and raw analog character.
To rebuild the drum section true to the original, I used Roland R-8 drum samples (the same machine Aphex Twin used) loaded into the Digitakt II, and programmed its sequencer for the rhythmic patterns.
And for the iconic melody the same sample Aphex used: the first seconds of the track Butterfly Holocaust by Neutron 9000."
Here is the setup that will be available to visitors at SynthFest France, taking place from 17 to 19 April 2026 in Nantes. This isn’t a stand where everyone tries out a different instrument. It’s a Jam Station designed to get several musicians playing together. There’s one session per hour – sign up when you arrive; it’s free!
"Recorded 'as live'. Bassline is a blend of Roland System 100M + Roland System 500. Lead-ish lines on the Arp2600M moving across Osc 1 through 3. Top line is the Befaco Oneiroi. Drums by the Metamatic-tastic CR78. Effects by Strymon (Bigsky, Nightsky, Timeline, Volante). Sequencing by OXI One."
"Today we are comparing the Roland Jupiter-X and the Roland Juno-X: Two of Roland's flagship ZEN-Core synthesizers that share a LOT of similarities and some important differences.
Both synths share the same core sound engine, thousands of presets, model expansions, and modern features like I-Arpeggio, but they differ significantly in build, feel, controls, and vibe. In this video we compare:
Keyboard feel and aftertouch
Build quality, weight & portability
Control layout and hands-on workflow
Speakers, connectivity, and size
Price and value for money
Who each synth is best for (stage, studio, live performance, etc.)
If you're deciding between the Jupiter-X and Juno-X, this comparison will help you make the right choice."
