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Showing posts sorted by date for query HEAD DRESS. Sort by relevance Show all posts

Tuesday, October 28, 2025

Craig Padilla - JOURNEYS THROUGH SPACE - Live June 1990 FULL CONCERT SHASTA COLLEGE THEATRE


video upload by Craig Padilla

From below:
This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawai K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."
"Please consider donating a much appreciated monetary tip to:
PayPal.me/CraigPadillaMusic

Notes from Craig Padilla:
This was my first public performance on June 8, 1990. It was at the Shasta College Theatre in Redding, CA, and it was my college final project for my Creative Sound Design class. Many people involved with the theater department helped out with this project.

I came from a theatrical background, and I had been used to facing the audience, which is why I performed while facing the audience during this show. My Uncle Joe saw this video and suggested that I should perform sideways so that the audience can see what I'm playing. Thanks to that advice, I've been performing that way ever since. This concert is the only time that I've performed while facing the audience.

This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawaii K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."

Please be mindful of the visual quality of this video. It has been remastered from standard definition and upscaled to 1080p HD with audio remastered from a chrome stereo cassette tape. I am fortunate that it looks and sounds as good as it does.

The original broadcast video aired on Redding Community Access TV in 1990 and 1991. It was shot on VHS tapes from two camera angles and edited on a Super VHS tape. Unfortunately, the audio on the broadcast video was recorded from the main onboard camera microphone, which had a muddy sound. (At the time, I thought that it was better to use that audio than to have no publicity for my music.) 35 years later, thanks to current technology, the stereo audio from the master cassette tape has replaced the original audio track. It has been pitch-corrected to sync up with the video, which is something I never thought would be possible! The video was also enhanced to brighten some of the shots.

There is a small black bar on the second camera angle, and that was to cover up a graphic date that was imbedded in the video of that camera. I had decided that the black bar was less distracting than a graphic on the screen whenever I switched to that camera.

I am fortunate that I knew people who would loan me their cameras for this performance, and equally thankful to my friends who offered their time to operate the cameras!

Matt Denton, a long time friend from high school, was the main camera operator. I met Bryan Arnold while attending college. Bryan loaned me his Kawaii synthesizer for the music, and was the second cameraman who had to briefly step away to perform a song. T. Owen Smith designed the light show, and he suggested that I throw a flame out of my hand at the end of the last song. I had known Dwight Husted since high school, and he was the lighting operator who ran the light-show. My college friends, Jeff Yarnell, Karen Wodsack, and Dale Gipp, were the stage crew who also contributed the idea to use actors in body bags and dress as aliens for a song. And Dale Kilpatric helped me produce the show, and he performed with his amazing classical guitar for a song. (More people helped, and their names are listed in the end-credits of the video.)

Over 100 people attended the performance which was a benefit for the Shasta Summer Theatre Festival. I give many thanks to DJ Ron Dare for hugely promoting my music on his radio show, "KCHO's Music for A New Age" in 1989 and 1990 (and years beyond that). Also, thanks to Robert Soffian, the head of the theater department, for allowing me to not only act in his plays, but to also have me record many songs for the various theatrical productions during that time. And many thanks to everybody who helped to make this concert possible so many years ago.

Extra big thanks to everybody who supported my music then and continues to support it now.

Song list:
00:00 - KCHO DJ Ron Dare Announcement
02:30 - Shanda's Song
08:05 - Waltz of the Planets (dedicated to my friend Derrick Guderian)
14:15 - Spanish Journey (featuring Dale Kilpatric on guitar)
19:50 - Destiny's Flight (dedicated to my Grandmother)
30:43 - Path of the Falling Stars (featuring Bryan Arnold)
36:00 - UFO Theme
42:05 - Other Beings (featuring many theater friends)
47:45 - Journeys through Space

A 24-bit download of this performance will be available at www.CraigPadilla.com [https://craigpadilla.bandcamp.com] in November 2025."

Wednesday, September 29, 2021

Arturia MatrixBrute Noir Edition - 150 BPM


video upload by HEAD DRESS

"Just plain fun. This thing rips. Sounds so much better in black."

Saturday, September 25, 2021

Tower | Elektron Analog Four MK2


video upload by HEAD DRESS

"4 evolving sequences shift high probability trig positions to a dual instance backdrop of Barry Martin's Hopalong Orbits Visualizer.

https://iacopoapps.appspot.com/hopalo..."

Thursday, September 23, 2021

Ligature | IME, Fauxland, Matriarch


video upload by HEAD DRESS

"Heavy ambience with Industrial Music Electronics, Fauxland System 100 and Moog Matriarch."

Tuesday, March 30, 2021

WASH | GR 1 / Digitakt


video by HEAD DRESS

"Quick capture using the Digitakt's class compliant USB audio out to feed the GR-1's live sampling mode. A murky wash of dread."

Wednesday, March 10, 2021

"Ichika's Brand New Dress" - Akai MPC X, Korg Wavestate, Minilogue XD, Sequential Prophet REV2


video by Patrick Manderson

"'Ichika's Brand New Dress' - recorded live on February 27, 2021 using a MIDI sequencer, 3 mixers and room full of synthesizers.

The roots of "Ichika's" was composed on a Yamaha RS7000 sequencer and left unfinished for several years. The intricate timings and swing notes were too difficult to mix when overdubbing and editing on the RS7000 and was nearly abandoned altogether. Fast forward to December 2020 - I don't think I would have ever finished this without the Akai MPC X. It's essentially a sports car wrapped around a Rolls Royce. The 10" display is comfortable to use and the generous physicality of buttons, knobs, OLED displays make editing a breeze. Mixing straight notes, with triplets and swing was something nearly impossible to manage on the RS. The MPC not only made it easy, but I never felt constrained to try things out. Although I may never touch its sampler and built-in synths, the MIDI capabilities alone are amazing and worth the price - especially coming from the RS7000.

The breakout stars of this piece are the Korg Wavestate and the Sequential REV2 which due to its versatility played the bulk of parts [00:11​], [01:13​], [0:31​], [05:50​] both layered and split all throughout [02:27​], [02:56​], [04:32​]. Its generous modulation capabilities allowed nuance everywhere needed especially since the MPC X made editing so much easier. Velocity and the MOD wheel are used primarily to articulate notes; discrete use of specific CC modulations were also used. The digital distortion and filter modulations were synchronized with MIDI [04:52​].

The Wavestate's factory patches are so expertly designed although I found it difficult to fit them in initially. Luckily I know enough to adjust the envelopes to get a good fitting. Still the Wavestate remains a challenge for me to wrap my head around. Swirling strings [02:03​], [02:38​], [03:50​] and bell tones [02:29​].

Drums - I'm surprised how many drums are in this. The Roland TR8s was used to replace RS7000 analog kit used in the original 'Ichika's'. The MDX 1400 was used to compress the 808 kick. Two acoustic kits from the Yamaha Motif XS were tweaked to make use of its built-in VCM compressors - room reverb first, then the compression. Most of the acoustic kit performance was sequenced on the RS7000 and later tweaked on the MPC X. The crash choke was made by playing a regular crash using a second note at a lower velocity (greater than zero) at [05:14​]. The delicious sound of the Boss DR-660 [03:26​] was added to "Ichika's" recently as new sections using the Wavestate were created. The Alesis 3630 was used to tame the dynamics of the DR-660, especially the toms. Lastly, my custom "noise and sine" kit on the Korg Radias embellishes all through the piece.

The Korg EX-8000 had a minor role except for the amazing sweeping patch showered in its digital delay [03:27​], [03:48​]. I believe an original preset patch with minor tweaks on the envelopes.

Upbeat vox played by the Korg Radias near the beginning [00:12​] and at the end [05:25​], also modulated here [01:22​] and here [01:32​].

The original Minilogue wears its characterful filter again throughout "Ichika's", reusing patches from previous arrangements. Layered up, the Minilogue XD *high-def* embellishments filled in when needed.

The lightning acrobatics of the Novation Bass Station II and its ability to switch patches on a tick emphasized individual notes in a few places [01:27​], [03:36​]. Unfortunately my mixing isn't sufficient to put these subleties out front enough to hear.

Brassy swells [00:53​] and stringy melodies [02:06​] on the Prophet 6. Digital voice chatter here [02:30​] and here [03:18​], melodic emphasis on the main parts [00:11​] on the Korg MS 2000 - shining near the end with a chaotic sequence of LFO modulations [04:52​].

The Yamaha Tx81Z played a minor part filling in space when needed [01:00​], [05:17​].

Video from a Canon EOS SL3 was captured over a two day period while the audio was recorded after getting a satisfying take."

Tuesday, March 09, 2021

I Am Nothing | Ambient on the Industrial Music Electronics system w/ patch notes


video by HEAD DRESS

"Live ambient remix of 'I Am Nothing' performed on the Industrial Music Electronics system.

'I Am Nothing' is the opening track from Obituary, originally released on Audio. Visuals. Atmosphere in 2020.

Head Dress - Obituary (Audio. Visuals. Atmosphere.) https://head-dress.bandcamp.com/album...

Follow me on Instagram: https://www.instagram.com/wielding_sc...

http://headdress.co

///"

Monday, March 01, 2021

HEADLESS | Industrial Music Electronics system ambient


video by HEAD DRESS

"More hypnotic ambience with the Industrial Music Electronics system, Sequenced by 2 Stillson Hammer MK2s. Source Audio Nemesis and Ventris connected to Black Locust. Elektron Analog Heat and OTO BAM on the main output.

Add to your Music for Sleeping playlist.

My latest releases: https://head-dress.bandcamp.com/"

Monday, February 22, 2021

STONE | Waldorf Quantum Live Granular Guitar Processing


video by HEAD DRESS

"Recording a quick multi-tracked guitar sketch and processing the results with Quantum's live granular mode.

If you like this video, buy a record: https://head-dress.bandcamp.com"

Wednesday, February 17, 2021

IME Hertz Donut MK3 Piano


video by HEAD DRESS

"2 short, looping 'piano' sketches with the Industrial Music Electronics system. Stillson Hammer MK2 instructing Hertz Donut MK3, fed to Tyme Sefari MK2 through Bionic Lester MK3.

My latest releases:
Head Dress - Languish (Neologist Productions)
https://head-dress.bandcamp.com"

Friday, February 12, 2021

2x IME Bionic Lester MK3 Comb Filter Exploit


video by HEAD DRESS

"Driving an Industrial Music Electronics Hertz Donut MK3 & Double Andore MK2 with Toraiz Squid, which clocks Stillson Hammer MK2. Stillson Hammer MK2 & 2x Kermit MK3 modulate 2x Bionic Lester MK3 which mitigate the Hertz Donut MK3 audio. Direct recording. Heavy comb filter exploitation. No effects.

Get my latest releases: https://head-dress.bandcamp.com/"

REPETITION | Industrial Music Electronics modular system.

"No-crystal, succulent-void modular performance.

4-voice patch, utilizing 2 Hertz Donut MK3, Hertz Donut MK2, Piston Honda MK2, sequenced via 2 Stillson Hammer MK2."

Tuesday, June 30, 2020

Excerpt from Gravestone in Święciechowa | Waldorf Quantum, OTO BIM


HEAD DRESS

"Self-sequencing Waldorf Quantum output through OTO BIM and Elektron Digitone Keys effects. Live multi-cam 'performance' of Excerpt from Gravestone in Święciechowa. Long, repetitive and intentionally minimal ambient music with patch notes."

Tuesday, March 31, 2020

Emerald | Waldorf Quantum / Toraiz Squid "AMBIENT" with walkthrough


Published on Mar 30, 2020 HEAD DRESS

"Using Toraiz Squid to sequence the Waldorf Quantum in this video. 8 Squid tracks in use, each with different pattern lengths and probability amounts all sending a single note each to the Quantum. In this video I walk through my patch via text so you can follow along with what I'm doing or nod off on the couch."

Monday, March 23, 2020

Jade | Waldorf Quantum, K Devices ESQ


Published on Mar 23, 2020 HEAD DRESS

"3 Waveform oscillator Waldorf Quantum patch driven by K Devices ESQ. Finished off with the OTO BAM and Elektron Analog Heat.

Latest releases:
Head Dress - Surfaces (Drowning Signals)

Head Dress - Obituary (Audio. Visuals. Atmosphere.)
https://head-dress.bandcamp.com/album..."

Tuesday, January 14, 2020

Effigy | Digitone Keys, Analog Heat


Published on Jan 14, 2020 Head Dress

Reminds me of early 4AD bands like Cocteau Twins' Victorialand album.

"Elektron Digitone Keys track 1 program loops, off-time arpeggio weaves throughout. Analog Heat and OTO BAM finish off the chain.

Latest release on Audio.Visuals.Atmosphere:
Head Dress - Obituary
https://audiovisualsatmosphere.bandca..."

Friday, January 12, 2018

French Suite No. 3 in B Minor, BWV 814 Menuet for Modor NF-1.


Published on Jan 12, 2018 Head Dress

"French Suite No. 3 in B Minor, BWV 814 Menuet for Modor NF-1.

Rough take with my OnePlus 5T shooting video with my left hand. Left my tripod in the car. Stock electronic image stabilization. Video faded out with VSCO X."

Monday, September 26, 2016

Make Noise 0-Coast & 9U System, Elektron Analog RYTM - "DARS II"


Published on Sep 25, 2016 Ted James Butler

"A little drum & bass with the Make Noise 9U, 0-Coast and Elektron Analog RYTM.

Rene is sequencing the Telharmonic. Pressure Points has control over the DPO and 0-Coast. 0-Coast is running through a Malekko Ekko 616 Analog Delay, Earthquaker Devices Ghost Echo & The Warden before hitting the 9U system. 9U system audio out is being fed to the Analog RYTM and being compressed against the rhythm track. Audio is recorded direct into Logic via a Mackie ONYX with no additional processing.

For more music:
http://headdress.co
http://head-dress.bandcamp.com
http://soundcloud.com/head_dress'

Thursday, August 18, 2016

HEAD DRESS: 0-COAST GHOST


Published on Aug 18, 2016 Ted James Butler

"Make Noise 0-Coast and DPO fed through Echophon. Rhythm parts via Elektron Analog RYTM, Korg Electribe and Electribe Sampler.

Extra repetitive, marginally minimal techno."

Sunday, August 07, 2016

Make Noise 0-Coast & 9U System - "Similarities"


Published on Aug 7, 2016 Ted James Butler

"Head Dress - 'Similarities'
Make Noise 0-Coast & 9U System

Humid summer ambience and rain on metallic roofs with the Make Noise 9U system and 0-Coast."

Friday, July 22, 2016

KORG ES2 / Make Noise 0-Coast


Published on Jul 22, 2016 Ted James Butler

"Minimal rhythmic techno.

Just took this brand new KORG Electribe Sampler out of the box and got it's firmware updated to Version 2.02. Not that I'm taking advantage of any patter chaining in this video, but it is nice to see the "orig"-inal value displayed when editing parameters. The Make Noise 0-Coast is being fed a single note sequence and is connected via Audio In. Sound is being modulated by the ES2 and playing through the onboard effects.

http://soundcloud.com/head_dress
https://head-dress.bandcamp.com
http://instagram.com/tedjamesbutler"
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