Sonicware Introduces ELZ_1 core

video upload by SONICWARE

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Build Your Own Audio Plugins, No Code Required, With Amorph AI Driven Plugin Platform

Build Your Own Audio Plugins, No Code (Amorph v1 Beta) video upload by Artists in DSP

"Amorph is a free audio plugin. You build, play, and share your own tools inside the DAW — the sound, the knobs, and the code sit on your computer.

This is the full how-to. Install. The window. Three ways to build. Remote. Lock. Share.

A patch can be an instrument, an effect, or a MIDI processor.

Download Amorph v1 Beta:
https://artistsindsp.gumroad.com/l/am...

Getting started:
https://artistsindsp.com/get-started-..."

Modular Town : a synth hidden in a town (Amorph)

video upload by Bungle Society

"Modular Town — a synthesizer town, drawn by hand.

Modular Town is a single Amorph instrument: a hand-drawn village you scroll through, where every knob, step-sequencer and jack is mounted on a building facade wired by hand, just like real hardware. 🏭 Filter (Cutoff/Resonance) on the factoryVCO1 / VCO2 on the vending machinesDetune and Attack/Decay/Release tucked into the houses🥁 A 16-step drum machine (Drums Volume, Accent, Drive) running through its own sequencer🍜 Ramen Bass Shop, a mono bass synth with its own 16-step piano roll, playable live or sequenced. A day/night cycle you flip from a shop sign. Delay (Time/Feedback/Mix) on a canal-side wall. A full patch panel route LFO, ENV and random modulation across the whole village with real cables✨ Reverb, aged-paper texture and film grain for a sketchbook feel"

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Free Round Robin VST Sampler - Robin Control Lite

conduit.dsp - Robin Control Lite - Randomized Sampler Audio Plugin Prototype Features
video upload by conduit dsp

via the maker:

"I made a free VST3/AU plugin called Robin Control Lite. It's a simple monophonic round robin style-sampler that features controlled randomization for all parameters. It's a simple concept, but I created it primarily to facilitate the sample randomization for sound design projects.


Here's a link to the product and the following are some bullet point features:

Dead Simple UX/UI: Every MIDI key triggers the current sample pool at its natural pitch, with controls designed for quick, intuitive adjustments.

True Monophonic Round Robin Playback: Samples cycle intelligently in series or random order so no two hits ever sound identical — essential for natural-sounding SFX and percussion

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RudeBox - Drum Synthesizer

video upload by Illegal State Of Mind

"RudeBox is a DIY single-voice drum synthesizer built around an ESP32-A1S.

BUILD YOUR OWN RudeBox! https://jakubthedeveloper.github.io/R...

It started as a simple synth-tom experiment, but gradually evolved into a much more flexible percussion synth capable of producing deep kicks, toms, short noisy hits, laser-like sounds and all kinds of strange electronic percussion.

RudeBox is played dynamically from an external drum pad, with hit velocity affecting the generated sound. Its controls allow shaping the oscillator, pitch envelope, amplitude decay and transient click/noise:

• Sensitivity
• Oscillator Pitch
• Shape — triangle → square → pulse
• Pitch Drop
• Envelope → Pitch
• Decay
• Click Level
• Velocity → Amplitude

In this demo I’m using RudeBox together with:

• *Novation Bass Station II* — bass / synth lines
• *Korg Volca Sample* — additional drums and samples
• *Allen & Heath ZEDi-10* — mixing everything together

The idea behind RudeBox was to build something simple, immediate and playable rather than another menu-driven digital instrument. Despite running on an ESP32, it behaves much more like a small piece of dedicated hardware: plug in a pad, turn the knobs and play.

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AE Machine | Architecture For Drums That Never Repeat & Oxide Virtual Tape Processor

video upload by Emiliano

"One practical note: listen to this on monitors or proper headphones. Most of what the machine does lives in the low end and in the stereo field, and laptop speakers will simply delete it. Loud is not necessary, full range is."

This one was spotted and sent in via Ivan Trajkovic aka deejayiwan. There are 21 videos in the playlist above. They mainly focus on AE Machine as a whole, but video 7 is focused on Oxide. You'll find the full video descriptions for the first and seventh videos further below. You can find full details on AE Machine at https://www.peamarte.it/ae - Oxide in chapter 52 of the user manual.

In short, AE Machine (estimated release date of October 2) consists of:

"Eleven synthesis voices built from scratch at sample level, five samplers, two free-running pads. A sequencer where a 16 × 16 Markov matrix decides which step may follow which, a note sieve that re-orchestrates the pattern when you transpose it, a chaotic modulation matrix reaching 271 parameters, morphing between any two presets, and a stem recorder that writes twenty-six files in one press. It runs in Max/MSP 9 on macOS and Windows, and playing it requires no paid Max license: an unlicensed copy of Max opens and runs the machine in full.

This is not commercial software in the ordinary sense. It is my working method, the environment I built night after night for my own music, packaged so that you can play it. When you get it, you are getting research: the reading, the listening, the failed versions, the decisions. The manual is a hundred pages and it is already here, whole, free to read. Trust your ears over any paragraph in it."

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Twang CPP - Crossfader-Polarizer-Panner

video upload by temaniak - click CC for subtitles once the video begins.

"Универсальный аудио - CV стерео-процессор от Twang."

"A versatile stereo audio-to-CV processor from Twang."

Crossfader/Polarizer/Panner with a twist.

CPP is a powerful processor for audio, but it also can be used with CV signals. It’s a great tool to work with a stereo field particulary and with a sound design in general. It can be a multitrack bus or individual panner. For small systems it can be end-of-chain mixing tool with vc crossfaders, vc panners and VCA’s.

The module consists of 4 sections: 2xCPP, Mid/Side, 2xVCA.
The first two channels are identical and the module is named after them. We have two signal inputs going to the crossfader, controlled with the knob and cv input. Additionally, there is a handy attenuverter to make cv control easier. After crossfader the signal goes to polarizer, which is actually a bipolar VCA and can be used as classic amplifier, ring modulator or inverter. It can be bypassed symply by routing the signal with switch directly to panner, then it can work independently. There is a dedicated input C for it. Thus we can get 3 input mixer inside one channel. In addition, it has 5V offset switch wich can be useful while processing a cv signals. The final stage is panner. It also has cv input and send our signal to sum in stereo.

The second channel is identical to the first one.

The third section is a “secret weapon” of stereo sound design – Mid/side encoder-decoder. L and R inputs are transforming to Mid and Side signals and then can be transformed to wide stereo field. There is no knobs to control this, but there a lot of ways to use it with other on board sections or with other VCA, VCF or FX modules.

The last fourth channel is a pair of VCA’s. There is a signal input, cv input and signal output. Both are the same and have level control knobs.

Finally, all input signals are summing to master output with deficated level control knob. If we use a channel’s individual output, it will be subtracted from the main mix.

Simple Sequencing is Better! | Doepfer A-155-2

video upload by Braintree56

"The Doepfer A-155-2 is an eight-step analog sequencer stripped down to the essentials — eight knobs, four jacks, and an interface that encourages you to patch first and figure things out as you go.

In this video, I take a look at how the A-155-2 works and explore why I enjoy Doepfer's approach to modular synthesis so much. There's something about simple, immediate modules with no screens or deep menus that gets at what I love about modular: you learn the concept, patch it up, and start making music.

I go through the A-155-2's basic sequencing functions, CV ranges, step controls, ratcheting, sequence limits, direction and random modes, and preset system. I also try out one of the more unusual ideas from the manual — running the A-155-2 at audio rate and using it as a graphic VCO to shape a waveform.

Finally, I put it to work in a few different patches, including a rhythmic patch using the original A-155 alongside the A-155-2.

Doepfer provided the A-155-2 for this video. They did not pay me for the video or have any control over its content. I've been using and talking about Doepfer modules on this channel for years, and this is the first module they've sent me."

Sounds from... POLYVERA by Suonobuono!

video upload by Kiss the Needle

"In this episode of Sounds from... I'm exploring the Polyvera by Suonobuono. Playing through sounds, tweaking knobs and exploring some of its features.

No talking, no in-depth review, just a chance to hear the character of the instrument and what it can do.

Polyvera is a six-voice polyphonic digital/analog synthesizer and sampler with built-in effects and plenty of possibilities for shaping and creating sounds.

Sounds from...
Playing sounds and tweaking knobs on synthesizers I think deserve some attention.

No talking. Just sound."

GlitchShredder for iPad — Glitch, Stutter & Reverse in AUM | AUv3 Demo, No Talking

video upload by Diego Capoccitti

[Desktop pictured]

"GlitchShredder is now available for iPhone and iPad — Standalone and AUv3.

No talking, no tutorial: just AUM, a drum loop, and GlitchShredder chewing through it. I load the effect, run through some presets, and play with the Chopper, Decimator and Stutter Sync controls to show what the engine does to a simple beat.

GlitchShredder is a zero-crossing chopper with a probabilistic glitch engine. It slices the incoming signal into segments and reassembles them in a different order, backwards, at the wrong speed, or completely at random — from subtle rhythmic artifacts to total deconstruction of the source.

▶ GET IT ON THE APP STORE — €5.99
https://apps.apple.com/us/app/glitchs...

CLICK FOR MORE »

VAV X-Wave: Wave-Crosser

"X-Wave is a crossover-synched signal switcher for the Eurorack modular system. It's simple to use (no knobs in sight), but it's also very powerful!

X-Wave has two Signal Inputs (conveniently named SIGNAL 1 IN and SIGNAL 2 IN). It has only one OUT, though, so it is forced to choose between the two signals you give it. To do this, it listens to SIGNAL 1 and decides if SIGNAL 1 is positive (as indicated by the little +).

If SIGNAL 1 is positive, it sends only itself to the OUT jack.

However, if SIGNAL 1 is negative, only SIGNAL 2 is sent to the OUT jack (as indicated, again, by the little -).

So, if you feed two different waveforms from a VCO into SIGNAL 1 and 2 IN (pulse on 1 and saw on 2 work very well together, for example), the result will be a wave shape that cycles between half of each waveform you provided. If you use a pulse for SIGNAL 1, you can also create wavetable-like effects by varying the pulse width of your pulse wave on your VCO.

There are two other functions on the X-Wave that greatly expand its capabilities:
You can connect a third signal to the + DETECT IN jack as an external control of the switching action. This will make X-Wave stop listening to SIGNAL 1, and listen only to the 3rd signal This is very useful for using a pulse wave with PWM to "scroll" between two other waveforms from the same VCO, inserting sub oscillators to toggle between full cycles of SIGNALS 1 and 2, hocketing effects via use of a sequencer or gate divider, non-synched interleaving and switching effects, and voltage-controlled A/B switching or muting.

You can also invert the polarity of SIGNAL 2 using the provided toggle switch. This can be used to correct unfavorable polarity alignments between SIGNALS 1 and 2 or can also be used to turn X-Wave into a full wave rectifier or external-voltage-controlled inverter if you plug the same signal into both SIGNAL IN jacks.

X-Wave can pass signals down to 0hz (DC) so it can also be used to process LFOs, Envelopes, CV Sequences, and 1V/Octave signals. It probably has other uses I haven't thought of!

X-Wave is 4HP and uses Burr Brown op amps for the main signal path alongside other high quality Texas Instruments ICs for other duties. X-Wave is not a bi-directional switch, so please be aware that the IN and OUT jack labels should be followed when patching. X-Wave uses a high impedance of 1M (10x the typical 100k) for all inputs, so multiple units can be connected via stacking cables/passive splitters (up to 10 inputs can be paralleled while still maintaining traditional Eurorack input impedance standards)."

VAV N-Wave: Middle-Out Waveshaper

video upload by Magical Synth Adventure

"Join me as I take the @control_voltage VAV N-Wave Middle-Out Waveshaper for a spin!

The N-Wave is a really imaginative waveshaper. Some waveshapers might fold over the peaks of an incoming waveform, some might rectify them - squaring things off like a fuzz pedal. N-wave keeps the peaks of waveform - like the top and bottom of a saw wave - intact, and instead lets you shape and turn up on the volume on a section in the middle of the waveform - leading to unique tones. This is especially true, as you can vary the width of this middle section!"

video uploads by control_voltage

Playlist:

1. VAV N-Wave: Step Sequenced Threshold

One fun live performance (or studio) use for the N-Wave is to connect a Step Sequencer on the Threshold CV and generate different timbres for each step in a sequence. These act as accents and add a lot of life and feel to your sequences and the feel can easily be changed on the fly using something like a Joranalogue Step 8 as your source of steps.

2. VAV N-Wave: Threshold Ring Modulation

In Part 2 of the VAV N-Wave Video Manual, we look at using the threshold control and bipolar vca cv to create new waveforms that have a mixture of normal and ring modulated (quadrature) segments.

3. VAV N-Wave Mangles a Triangle

Here, the N-Wave does quite a number on an unsuspecting triangle wave with the help of some nearby modules. N-Wave is kind of like that one kid's house where everyone hung out and cooked up weird DnD campaigns or something. But for modular signals.

"N-Wave is a novel waveshaper for the Eurorack modular format. Unlike traditional wavefolders and clippers, which operate on the peaks of a waveform, N-Wave leaves peaks intact. All you need to expand your sound palette greatly is a VCO signal and a few twists of the knobs!

Using its internal bipolar VCA (aka four quadrant multiplier, aaka ring modulator) you can apply gain reduction and polarity inversion to an inner portion of the wave slope that you define with the THRESHOLD and OFFSET controls.

All functions can also be controlled via control voltage inputs. LFOs, Audio Rate VCOs, ADSR Envelopes, 1V/Oct signals, sequenced voltages, sample and hold signals, noise, and sub octave signals are all very good choices and can produce results ranging from very musical to very strange. An external detector signal can also be applied if you don't want to trigger the detector on the waveform you're modifying.

If you like, you can also use N-Wave as a high quality bipolar VCA, attenuverter, or ring modulator with the THRESHOLD set to maximum and dynamically mute the effect by applying 0V or a negative voltage to the threshold either using a sequencer or manual control, which allows for hocketing and rhythmic effects.

N-Wave can also operate all the way down to 0hz (DC), so, in addition to audio, it can process LFOs, envelopes, 1V/octave sequences, and any other signal that varies amplitude over time (Sorry, square waves and pulse waves. Your super-sonic rise times are hard to shape in an audible way, but you do work well as control signals).

N-Wave is 10HP and uses Burr Brown op amps for the primary signal path alongside high quality Texas Instruments ICs that are carefully chosen to best fit their roles in the circuit."

The BOTANICA Sequencer: First Look

video upload by human.motives

Playlist:

1. The BOTANICA Sequencer: First Look at My New Project

0:00 Intro
2:35 What is BOTANICA
4:00 Sequencer features
12:17 Jam demo
17:29 Outro

2. Botanica: Live Demo of My Custom MIDI Sequencer 3. BOTANICA - Sequencer Prototype | Try It Now

"I've been designing and building my own midi sequencer called BOTANICA. This hardware midi sequencer creates expressive sequences from simple patterns.

In this video I tell you about how I started this project (learning electronics and pcb design), a demo of the sequencer and the project status. You can get involved by playtesting, discussing in my discord channel and stay up to date.

Go to https://humanmotives.org/ for more information and links.

Timestamps:

A first look at the Botanica midi sequencer prototype. See how this custom hardware controls generative sound design.

I have been refining the design and interface of this new project for quite a while now. This device features a custom pcb and a tactile front panel, allowing for hands-on control over complex musical patterns. It is built for anyone interested in diy electronics and the process of creating custom musical tools from scratch.

Watching the digital display react to each knob turn is satisfying. Botanica is designed to push my generative music performances further, giving me more control over the output. It is a work in progress, but seeing it come to life on the workbench is a major milestone for this modular synth project."

"BOTANICA is in prototype phase with a small group of testers. After that, the first 5–10 units get built for sale."

"A natural sequencer that grows simple patterns into whole compositions."

FEATURES
Sculpt intricate sequences from 1 to 64 steps. Add, trim away, create space to add fills and variations.

TIMED PHRASES
Add timed phrases and variations to from 1/2/4/8 bars to continuous chance-based evolution.

GENERATIVE MELODIES
Seed melodies and dial in Root, Semitones and Range to taste. Color them with a preset scale (Seasons)

EXPLORE WITHOUT RISK
Turn knobs, modulate, experiment. Dial everything back to return to your original sequence and tones.

EXPRESSIVE REPEATS
Blossom adds timed MIDI repeats at varying intervals and velocity curves

TONAL OPTIONS
Pattern, Arpeggiator and Chord modes

CLICK FOR MORE »

Tunary Instruments Releases Cinematic Soundscape Collection

video upload by Tunary Instruments

Best on headphones. "Every sound in this video was made with four Tunary instruments: VRESK, DRUSK, NIVREN and SILT."

via Tunary Instruments

THREE INSTRUMENTS FOR SCORING SPACE, TEXTURE & MOOD

Deep drones, sculpted grains and self-playing glacial beds. Three sound-design instruments made for film, games and ambient music — the sound under a scene, not the tune on top. Buy one, or take all three.

Additional details on each:

VRESK — Drone, Texture & SFX Engine

VRESK holds one sound and lets you move through it.

A drone, texture and sound-design engine: nine different machines under one set of hands, with two reverb spaces built in. Turn the big ROOT knob and the whole voice moves. Everything else colours it.

Nine engines on a 3 by 3 grid. Two oscillators for rings, folds and hard metal. Four wavetable voices for stacks, swarms and crushed digital. Eight partials for beating clusters, quantised chords and noise-struck metal. The knobs stay the same across all nine, and each engine reads them differently, so one panel is really nine instruments.

CLICK FOR MORE »

Exploring man-machine interactions with the Knobs module by Larix Elektro (macros, live use...)

video upload by The Sound Convergence

Check out the Larix Elektro line up: https://www.larix-elektro.com/

00:00 Intro
00:56 Macro control for Eurorack gestures
02:45 Controlling feedback patches
03:56 Control knobless modules
04:52 Controlling the Bitbox
05:31 Consolidating control / making drones
06:24 Performing live

Korg Modwave - "Future Dimension" Soundset (40 Performances)

video upload by LFOstore

"Futuristic sequences that travel through time. Sounds that open new dimensions! 'Future Dimension' is a forward-looking collection of 40 performances crafted specifically for the Korg Modwave. This soundset focuses on hypnotic Berlin School and experimental sequences, evolving arpeggios, deep immersive pads, and soaring cosmic leads — designed to take the listener far beyond the ordinary.

Drawing from the spirit of classic Berlin School pioneers while embracing the Modwave’s modern wavetable engine, Kaoss Physics and deep modulation capabilities, these sounds combine rhythmic drive with expansive, otherworldly atmospheres. Complex multi-layered sequences unfold with organic movement, arpeggios pulse and morph, pads breathe with vast spatial depth, and leads cut through the mix with crystalline clarity and cosmic character.

Every performance is carefully programmed with modulation wheel and modulation knobs assined, for expressive real-time control, making the set equally powerful in the studio and on stage. Take your part in this sound journey of the future with new powerful soundset by LFO Store team!

Please find the details here - https://ottolfo.sellfy.store/modwave/"

Xaoc Skopje Explained — A Dual Quantizer with 10,000 Scales

video upload by SynthDad

"On the surface Skopje looks like a simple dual quantiser. Two knobs, two channels, two outputs. But the real power isn't on the front panel — it's on the SD card, where you can define your own scales, chord progressions and microtonal tunings as text files. 100 banks of 100 scales each. That's 10,000 possible scales, and you can build them yourself!

I've covered a lot of quantisers on my channel over the years; Quantermain, various Phazerville apps, and Skopje takes a genuinely different approach. Less going on at the interface, much more depth under the hood.

If you make any kind of microtonal music, or you want a quantizer that gives you real creative control over your scales, this one's worth a look.

In this video I start with the basics of how the quantiser works, then get into the more interesting stuff: using both channels together, playing chord progressions through the built-in Circle of Fifths bank, building your own custom scales in text files, the wrap and clip range limiter modes, and using EDO and Scala format microtonal scales.

If you're curious about microtonal scales check out this laboratory https://mk.bcgsc.ca/music-scale-playe..."

Playing Light Like an Instrument — Open-Source LED Synthesizer

video upload by engmung

Note 1:43 in the video. Patternflow can be used as a controller via OSC.

"Patternflow is an open-source LED synthesizer — a 128×64 HUB75E matrix driven by an ESP32-S3, with four knobs wired straight into the pattern math. Turn a knob, and the pattern bends with your hand.

▶ Get one — Patternflow on Crowd Supply: https://www.crowdsupply.com/engmung/p...

Everything is open source: STL files, Blender sources, PCB gerbers, and firmware. The full build runs around $100 depending on where you order parts.

— What's in the video —
0:00 This is Patternflow
0:08 How it works
0:26 Build your own (~$100)
1:04 Make patterns in your browser
1:42 OSC — a pocket-size VJ rig
2:03 Why it's open source

Patternflow began with Nam June Paik's Participation TV (1963), the first work where the audience could touch the image. I wanted to go one step further — so I built an instrument where you make the image yourself.

The full story, from Paik to Patternflow:
https://patternflow.work/journal/nam-...

▶ Try it in your browser (no hardware needed): https://patternflow.work
▶ Build one — all files + build guide: https://github.com/engmung/Patternflow
▶ Join the builders — Discord: / discord
▶ Patterns, daily: / patternflow.work


Patternflow is sponsored by PCBWay.

#esp32 #ledmatrix #opensource #synthesizer #diy #maker #hub75 #mediaart"



Details:

Standalone LED visual synth with 4 rotary encoders and 128x64 RGB LED matrix (8,192 pixels).

Runs on ESP32-S3 with all generative visuals rendered live in real time.

Bidirectional wireless OSC support for Ableton (Max for Live) and TouchDesigner.

Internal hidden battery bay for cordless portable performance.

Over 150 community-created patterns and browser simulator.

CLICK FOR MORE »

63 Sticky synth knobs?! Here’s how I cleaned them (with a little help from Zara XD)

video upload by Solidtrax

"Many synth manufacturers use these nice rubbery knobs, but after a while, these tend to get really sticky. I needed these two instruments for a project, so I decided to clean them. A bit of a shout-out to A big shout-out to ‪@charliedont‬ & ‪@LESINDES‬ for the inspiration. I’ve added a third method as well. Plus, I used a bit of common sense to get the knobs off easily and clean them properly.

Music is composed with the help of the ‪@ArturiaOfficial‬ DrumBrute, The MicroFreak and the new ‪@bitwig‬ Studio 6.1. Used ‪@CytomicAudio‬ The Scream as well."

Melt – The Core Ingredient

video upload by u-he

"MELT is a four-pole analogue low-pass filter module for Eurorack. Designed with a variable character and an extensive feature set, MELT is the ideal final stage for a traditional synth voice!
Pair MELT with your favourite oscillator plus a few modulation sources, and you have the foundation of a complete monophonic synthesizer.
The unique CORE TEMPERATURE control lets you adjust the character from soft to truly wild!"

"MELT analogue low-pass + band-pass filter with character...

An analogue filter module for Eurorack systems with an extensive feature set that makes MELT ideal as the final stage in a traditional synth voice: Pair it with an oscillator plus a few basic modulation sources, and you have the foundation of a complete monophonic synthesizer. MELT's low-pass and band-pass outputs can be used in parallel for a wide variety of tones, and the unique CORE TEMPERATURE control adjusts the character from mellow to truly wild.

'Modulate the modulation' using the built-in VCA in the FM1 cutoff CV path. A sequenced or stepped random CV modulating envelope depth here can add interesting dynamic motion to a bass line, for instance.

CLICK FOR MORE »

SΞQMØDΞ MOOG Sessions

video uploads by SΞQMØDΞ

Playlist:

1. Practice session | Moog DFAM, Subharmonicon, Labyrinth

I’ve been too busy recently to come up with any music this weekend, so I only had a moment for a short practice session. I wasn't sure at first, but yeah... I’m uploading this just to show my process of searching for something meaningful. Sometimes you just need to sit down at your synthesizers, tweak some knobs, and even if nothing mindblowing comes out right away, it pays off in the long run. In the end, it always turns out to be worth it.

Maybe someone will find this video interesting! Cheers! 🤘🏻

If you enjoy these sounds and feel like supporting my work, you can do so below. Any support is greatly appreciated and goes directly toward my next synth fund!
☕ https://buymeacoffee.com/sequencemode

Thanks! 🙏🏻

2. Moog Subsequent 25, DFAM, Subharmonicon, Labyrinth | Synth Jam

#moog #synth #synthesizer #dfam #subharmonicon #labyrinth #moogsoundstudio

Just a quick Sunday jam, practicing performing live with my moogs...

3. Subharmonic Reverie | Moog Subharmonicon, Labyrinth, DFAM

Just a chill Moog Sound Studio sunday jam, with the SQ-64 used only as the master clock. Hope you like it! 🤘🏻

3. Subharmonic Reverie | Moog Subharmonicon, Labyrinth, DFAM

Just a chill Moog Sound Studio sunday jam, with the SQ-64 used only as the master clock. Hope you like it! 🤘🏻

4. Moog DFAM, Labyrinth, Subharmonicon | Synth Jam

Another Moog Sound Studio sunday jam, with the SQ-64 used only as the master clock.

Hope you find it interesting!🤘🏻

If you enjoy these sounds and feel like supporting my work, you can do so below. Any support is greatly appreciated and goes directly toward my next synth fund!
☕ https://buymeacoffee.com/sequencemode

Thanks! 🙏🏻