Tangerine Dream – Love On A Real Train | PPG Wave 2.2 & Waveterm | Vintage Synth Cover

video upload by RetroSound

"A synthesizer tribute to Tangerine Dream’s iconic “Love on a Real Train”, recreated using original vintage equipment including the legendary PPG Wave 2.2 synthesizer and PPG Waveterm A.

This cover explores the distinctive digital-analog sound of the PPG system and its role in creating the atmospheric, hypnotic textures associated with the classic Tangerine Dream sound. The performance is inspired by the original recording while using the character, limitations, and unique sonic qualities of vintage PPG hardware.

Love On A Real Train it’s the hypnotic instrumental from the Risky Business soundtrack, originally recorded in 1983. It became one of Tangerine Dream’s best-known film pieces.

Equipment:
• PPG Wave 2.2 Wavetable Synthesizer
• PPG Waveterm A (Sampling, Wave Sequencing)
• Doepfer Dark Time Step Sequencer
• Analog & digital signal processing

🎧 Headphones recommended for the full stereo experience."

Website ► https://retrosound72.wixsite.com/home

Simultan, Léo Küpper, and Cybernetic Expansion

video upload by La Synthèse Humaine

"In 1970 Roland Kayn moved to the Netherlands and began working at the Instituut voor Sonologie in Utrecht with two very important people - Jaap Vink and Léo Küpper. There he began to refine and expand his ideas of cybernetic music and his first large scale piece was Simultan - realized primarily in Bruxelles using Léo Küpper's home built GAME (Générateur Automatique de Musique Electronique) synthesizer.

In this video we look at some of the ideas behind Simultan and use those principles to create multiple simultaneous processes which influence each other.

00:00 Kayn Enters the 1970s
01:04 Arrival at the Instituut voor Sonologie
01:27 Sound for Multiple Rooms
02:52 Léo Küpper and the GAME
04:39 Pure Electronics
05:28 Building Three Simultaneous Processes
09:00 Processes Influence Each Other
10:50 Processes Influence How Processes Influence Each Other...
13:09 Entanglement
16:58 Another Session

Support this work on Patreon here: / lasynthesehumaine"

NAESE Gives Synth Communities Free Space on the Expo Floor

Press release follows:

New complimentary Community Table program will give selected synth and electronic-music communities and educational programs expo-floor space alongside manufacturers, independent builders, and software developers at NAESE 2027.

CLEVELAND, Ohio, Sept. 22, 2026 — When the inaugural North American Electronic Sound Expo opens in Cleveland next April, some of the tables on its show floor won't belong to companies at all.

NAESE announced today that it will reserve a limited number of complimentary Community Tables for established synth and electronic-music communities and educational programs, giving selected groups a physical home inside the expo alongside hardware manufacturers, independent builders, software developers, performers, and educators.

Each participating group will receive a complimentary six-foot table on the NAESE show floor, plus two representative badges for the price of one. NAESE is setting aside a portion of its expo floor for community use free of charge.

CLICK FOR MORE »

Dr Who Theme on Dreadbox Analog Synthesizer

video upload by VCO USA

"A journey through time, space, and analog synthesis. 🌀

The original Doctor Who theme (1963) remains one of the most extraordinary pieces of electronic music ever made for television. Pioneer Delia Derbyshire constructed its otherworldly sound through tape manipulation, oscillators, filters, recorded tones, and painstaking editing, transforming the score into something that seemed to arrive from another dimension.

For this version, electronic musician Lorna Dune turned to the Dreadbox Erebus: an analog paraphonic synthesizer whose oscillators, filter, modulation, and wonderfully unruly character felt right at home in the strange sonic universe Derbyshire helped create.

🎛 Synthesizer: ‪@Dreadbox-synths‬ Erebus
🎼 Theme composed by Ron Grainer
🌀 Original electronic realization by Delia Derbyshire, BBC Radiophonic Workshop
🎹 Performed & Arranged by ‪@lornaduuune‬

Produced by ‪@VCOUSA‬

Voltage & Company offers full-service distribution, representation, marketing services, and everything in between to high-quality brands from around the globe. http://vcousa.com

#DoctorWho #DeliaDerbyshire #BBCradiophonicWorkshop #Dreadbox #Erebus #AnalogSynth #Synthesizer #ElectronicMusic #SynthMusic #SoundDesign"

Incoming from SynTesla & Hans Zimmer's Massive System

via SynTesla

"Since it's back-to-school time, here's a glimpse of what's in store for us at work... We're not letting up!"

SynTesla 2026/2027 Lineup

5U PRODUCT LINE

1. Fourth quarter of 2026: Delivery of "MegaHertz" 5U systems

2. Production of the new Hz series 5U modules:
• Sequencer
• DCO
• Drone Engine
• Noise generator
• Exotic filter
• Wave Animator
• MSE (Multi-Segment Envelope)
• Barber Pole FX
• Stereo Reverb (cloud reverb type)
• Quad Reverb
• CV multiband resonator
• Hz Series master keyboards (61 keys, 4- or 8-channels CVs)

CLICK FOR MORE »

Roland Jupiter-4 | The Vintage Analog Synth That Started It All

video upload by RetroSound

"Roland Jupiter-4 Sound Demo
vintage analog synth sounds, arpeggios made by RetroSound with the classic Roland character.

In this video, we take a deep dive into the sound of the legendary Roland JUPITER-4 Compuphonic, one of the most iconic vintage analog polyphonic synthesizers of the late 1970s.

The New Wave synth.

Released in 1978, the Jupiter-4 was the first Roland synthesizer to carry the JUPITER name and helped establish Roland's reputation for powerful analog polyphonic synthesizers. It features four-voice polyphony, analog oscillators, a resonant low-pass filter, an arpeggiator and Roland's early Compuphonic digital control system. Roland also gave the Jupiter-4 the ability to store user presets — an important feature for its time.

Video:
0:06 The Cave
0:33 Filter FM
0:50 Romantic
1:30 Soft Square
1:51 Dark Bass
2:07 The Arrival
2:22 Sunlight
2:38 Favorite Sound
2:54 Sweeping
3:30 Save Your Ears!
4:30 Little Love Song (with TR-808)

In this Jupiter-4 sound demo by RetroSound, you'll hear the character that makes this synthesizer so special: punchy basses, warm pads, aggressive filter sweeps, analog leads, brass-like sounds, arpeggios and fat unison tones.

The Jupiter-4 may have fewer voices and controls than later Roland classics such as the Jupiter-6 and Jupiter-8, but its distinctive combination of fast envelopes, powerful filter, analog warmth and lush ensemble character gives it a sound all of its own.

🔥 Roland Jupiter-4 Facts

• Introduced in 1978
• Four-voice analog polyphonic synthesizer
• First Roland synthesizer in the JUPITER series
• Analog VCO-based synthesis
• Resonant analog VCF
• Built-in arpeggiator
• Eight user preset memories
• Famous for its warm, fat and expressive sound

If you love vintage analog synthesizers, Roland synths, classic synth sounds, synth pop, new wave, electronic music and hardware sound demos, this one is for you"

Website ► https://retrosound72.wixsite.com/home

🎛️ 🎹 Turning a Thrift Store Projector Case into a Daisy Pod Synth + Amp

video upload by Foggy Mountain Spaceship and TrimPath

"A synthesizer, an amplifier, and a Bluetooth speaker, all built into a vintage projector case from a thrift store. Sound generation runs on an Electrosmith Daisy Pod.

It's the companion piece to the Banjo-Synth (BS-1) I built in 2024. The BS-1 plays it, this box makes the sounds. It was challenging and a lot of fun to build, I hope you enjoy the video.

🧰 The Parts:
Electrosmith Daisy Pod
Vintage Argus Projector Box
CME H2MIDI Pro Interface
JBL Home Audio Speaker
Vangoa PS-01 Rechargeable 9V Power
ZK-502T Bluetooth Amplifier Board"

See this previous post for additional demos and details on the Banjo Synth.

CLICK FOR MORE »

Collarts Music Production at SynthTemple

video upload by Collarts and SynthTemple

"SynthTemple is home to some of the most sought-after synthesizers ever made: the System 700, the Oberheim Eight Voice, and the CS-80 Vangelis used on the Blade Runner soundtrack.

It's also where our Music Production students get to work first-hand, starting early in the degree through the Synthesizer and Sound Design subject, and later one-on-one during their self-directed projects.

Collarts has a partnership with SynthTemple, giving students access to gear and a space most producers only ever dream about.

If you're keen learn more about studying Music & Audio Production at Collarts, head to: https://www.collarts.edu.au/courses/m...

Music: "Journey to Venus" by ‪@brettlittle‬"

Synth Temple Walk Through

video upload by SynthTemple

"Welcome to SynthTemple in Kew, Melbourne, Australia. A labour of love for our team, heaven for synth enthusiasts and an inspiring haven to elevate the creativity of local, interstate and overseas artists, bands, writers and producers.

📹 with thanks to Ben Willis"

Cha Cha Guitri - Non non non

I just recently came accross this one and thought it was worth sharing, if anything for the nun with the SYNTHI below. It immediately reminded me of the Every Nun Needs a SYNTHI ads. According to the article that the image is from, they formed around 1981. The article is in French and has one NSFW (not safe for work) image of a breast - fair warning if you pop it up with someone else within eyesight: [French | Googlish]. The following is the bit pertinent to synths followed by a translation of the full article. You can find the release via BandCamp above or in the article from Born Bad Records. I also wanted to post this for the way the female singer enunciates those lyrics.



"While they started out like everyone else, playing flute and acoustic guitar and listening to King Crimson, the arrival of synthesizers on the European music scene completely redefined their direction: they cut their hair, donned ties, and replaced Indian tapestries with Venetian curtains. Kraftwerk had clearly had an influence. It was around an EMS AKS synthesizer, a Roland SH101, and a Roland TR808 drum machine that the four friends gathered in their home studio to compose the carefree and joyful electronic and exotic tunes that are the hallmark of Chacha Guitry. The group thus chose to climb the sunny side of New Wave, the one taken by the B-52's or Isabelle Antena, rather than its dark side, cluttered with the heirs of Joy Division. The boys programmed the machines, while the girls created minimalist, geometric costumes using whatever materials were at hand (paper rather than fabric). Together they immortalize their youth on Polaroid, take glue and scissors to assemble photomontages in the style of their Dadaist idols."

CLICK FOR MORE »

External MIDI Amiga Synth? Wait, what?!

video upload by Jeremy Parker

"A few years ago I restored my childhood Amiga 500, and only recently found a way to use a soft synth, Aegis Sonix V2, with external MIDI control. I saw ‪@magicalsynthadventure3216‬ video on the topic a while back, and on a whim decided to revisit the idea of using my Amiga as a synth. Thanks to an Amibay.com forum thread, I learned that it's pretty easy to get Aegis Sonix V2 to respond to incoming MIDI, and so I was off to the races. Enjoy!

Magical Synth Adventures video: • Commodore Amiga Music Production: Modern S... [below]
Amibay thread: https://www.amibay.com/threads/aegis-...
Stone OakValley Studios info on Aegis Sonix: https://www.stone-oakvalley-studios.c...
OctaMED info: https://chipmusic.org/forums/topic/10...

00:00 Intro
02:28 The Solution
03:33 Sonix Demo
05:31 Sonix & Reaper
07:33 Amiga Groove

Commodore Amiga Music Production: Modern Sound Design on Retro Hardware

video upload by Magical Synth Adventure

"A delve into obscure software instruments on the Commodore Amiga. Here I look into both realtime & non-realtime varieties, covering a staggering array of synthesis types!

Additional attributions:

I forgot to give a shout out to uncle Brian! Sorry uncle Brian!
Endless Tunnel Animation: KRITRIMVAULT
Syndicate Intro: BullFrog Productions

Links:
SOFTWARE
http://old.exotica.org.uk/websites/dr...
http://ftp2.grandis.nu/turransearch/"

Update: An interesting side note is that Sonix was released in 1987 with a beta in 1986. That's 10 years earlier than Dave Smith's Seer Systems Reality, which was released in 1997. Seer Systems Reality is often credited as the world's first soft synth. Curious if the distinction was between an editor/interface for the existing Amiga sound chip vs. a self contained software synthesizer.  

I asked Google AI just to see what it would say. Here it is:

CLICK FOR MORE »

Roland Juno-106 | Custom Sound Bank Demo | 80s Vintage Analog Synth Classics

video upload by RetroSound

"Experience the legendary Roland Juno-106 with a collection of custom-made patches created by RetroSound.

This no talking demo showcases original sounds ranging from warm analog pads and lush strings to punchy basses, expressive leads, classic brass, and atmospheric textures. Every preset was programmed from scratch to highlight the unmistakable character of the Juno-106.

Originally released in 1984, the Roland Juno-106 has become one of the most iconic analog synthesizers ever made. Featuring 6 voices of true analog polyphony, digitally controlled oscillators (DCOs), a rich 24 dB/oct low-pass filter, onboard stereo chorus, and full MIDI implementation, the Juno-106 remains a favorite among musicians and producers around the world.

Roland Juno-106:
• Released in 1984
• 6-voice analog polyphonic synthesizer
• 61 full-size keys
• Digitally Controlled Oscillators (DCOs) for excellent tuning stability
• Classic Roland 24 dB resonant low-pass filter
• Stereo Chorus I & II for the signature Juno sound
• Full MIDI implementation (rare for analog synths of its era)
• 128 patch memories

Every sound in this video was programmed by RETROSOUND.
🎹 No factory presets – only custom patches."

Website ► https://retrosound72.wixsite.com/home

KHÔRA - Microtonal Soundscape Synthesizer

video upload by Laboratory 0

"KHÔRA is a drone-based harmonic instrument. There are no labels - every control is a living geometric object. The ring of stars is a map of just-intonation pitches. Star size represents consonance, while color represents harmonic families. Rather than relying on theory, a keyboard, or parameter lists, KHÔRA offers a new way to explore harmonic space through interaction.

Five built-in chord generators:
Click the Seed (center-left icon) to generate a chord. Right-click to switch modes.

1. Genesis: Generates a new just-intonation chord, favoring simple, consonant intervals while always retaining the root.

2. Metabole: Preserves some common tones from the current chord while regenerating the remaining voices, balancing continuity and change.

3. Topos: Moves the entire chord through just-intonation space while preserving its internal structure, revealing more distant microtonal colors.

4. Skia (Hidden): Explores dark, modal harmony over a fixed drone, with spacious minor voicings that return to the home chord every fourth generation.

5. Helios (Hidden): The only mode based on 12-tone equal temperament (12-EDO), featuring modern color harmony with smooth bass motion and a return to the home chord every 4th generation."

Laboratory 0 also brought us MORPH-6: Algorithmic Lifeforms Synthesizer and Carousel: Five-Voice Round-Robin Polyphonic Synthesizer.

GLX BALSAM #1 | Winterdagen

video upload by Winterdagen

"Welcome BALSAM!

The first time I heard about BALSAM was when I was writing a review for a blog about an amazing record by an artist called Chorusing. On that record I heard absolutely gorgeous, slowly drifting synth tones, which I later found out had been made with the artist's home-built synthesiser, beautifully named BALSAM.

A little later (I think), I found out that the synth was being further developed for release, and I came across its website, which featured the most beautiful music. The warm tones, slowly gliding from note to note and moving through the stereo field, were absolutely mesmerising. I kept coming back to the website just to listen to this gorgeous music. That was the moment it became a dream of mine to play this synth, if it were ever actually released.

Fast forward a year or four, and here it is! I'm so happy to have this synth in my studio. It's been a constant source of inspiration from the moment I took it out of the box.

In a nutshell, BALSAM is an eight-voice hybrid synth (VA with analogue VCAs and an analogue stereo filter at the end of the signal chain), with eight buttons and sliders instead of a keyboard. You pick a tuning from eight banks of tunings and use the buttons to trigger the voices. The real superpower lies in the sliders and a unique feature called viscosity. Each voice is assigned a pair of notes, and the sliders let you glide between them. Viscosity acts a bit like a slew limiter, slowing down the movement of the sliders. What makes it truly special is that you can set different viscosity amounts for each of BALSAM's two oscillators, making them glide to their new notes at different rates. Hearing BALSAM slowly detune and gradually find its way back to target notes and intervals is unlike anything I've experienced with any other synth.

BALSAM's the perfect combination of familiar subtractive synthesis - so familiar that you don't even need presets - and a truly unique way of triggering and gliding between notes.

This first piece is full of slowly drifting sawtooth pads with stacked fifths in the oscillators, along with some LFO movement on the filters that speeds up over time because the LFO rate is controlled by the modulation envelope.

There's a lot more to explore with BALSAM, including its second superpower, which turns the sliders into an amazing polyrhythmic sequencer. I'll definitely be exploring that in future videos.

Find out more about BALSAM at: https://glx.ltd/"

Also see: Introducing the GLX BALSAM 8-VOICE MODAL SYNTHESIZER

1979 Oberheim OB-X - 8-Voice with MIDI SN

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"You will not find a finer example of an original OB-X Eight Voice. This one has been in a non smoking home studio and has been serviced and MIDI added. These are incredible sounding synthesizers and it is fully functional. Big Fat sounds are its specialty. It sounds incredible!!!!! Amazing Synthesizer all around."

CLICK FOR MORE »

Robert Palmer - I Didn't Mean to Turn You On | Vintage Synth Cover | PPG Wave System & Emulator II

video upload by RetroSound

"Robert Palmer's classic hit "I Didn't Mean to Turn You On" recreated using an authentic collection of legendary 1980s electronic instruments.

This cover was produced primarily with the iconic PPG Wave 2.2 and PPG Waveterm A. Most of the synthesizer sounds and samples were created directly on the original PPG Wave System, delivering the unmistakable sound of early wavetable synthesis.

Additional textures and sampled guitar sounds were performed on the legendary E-mu Emulator II, while the rhythm section combines the unmistakable punch of the LinnDrum with the electronic percussion of the Simmons SDS8.

The drum and percussion tracks feature two true vintage classics:

🎹 PPG Wave 2.2
💾 PPG Waveterm A
🎹 E-MU Emulator II
🥁 Simmons SDS8
🥁 LinnDrum

This cover is a tribute to the incredible production and atmosphere of the original recording, combining authentic 1980s synthesizers, sampler technology, and classic drum machines.

The goal of this production was to recreate the authentic sound and atmosphere of the mid-1980s using original hardware instruments."

Website ► https://retrosound72.wixsite.com/home
Merch Shop ► https://retrosound.creator-spring.com/

Moog Subsequent 37 Analog Synth w/ Decksaver Cover SN 09835

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability."

CLICK FOR MORE »

Genki Instruments Katla #8 (MPE update!) | Winterdagen

video upload by Winterdagen

"Can a perfect synthesizer be made any better? Well yes, apparently it can :) The amazing people at Genki Instruments just made Katla even more expressive by adding MPE capabilities in a firmware update.

I have to say I always thought MPE was a bit gimmicky. I even had a Roli Seaboard Rise in my studio which I'd never properly used. The new Katla update was the perfect reason to change that. And oh boy have I missing out! I absolutely love being able to slide between notes and add expression with pressure and slides. I thought it'd be too complicated to play, but it actually really isn't.

It seems the team at Genki Instruments have hit a home run again. Without any real setup I got the MPE controller hooked up, and in no time I came up with this patch, which feels so expressive to play! I'm looking forward to exploring more MPE patches on Katla ❤️

A second batch of Katlas is available now at https://genki.is/"

Alpha Syntauri at Make Noise

video upload by MAKEN0ISE

"Named for the closest solar system to our own sun, the Alpha Syntauri was a digital synthesizer that ran on an Apple II computer and also had some proto-DAW-like or at least workstation-like capabilities. It was probably created as a lower cost alternative to the likes of the Fairlight or Synclavier systems that would have been accessible only to institutions and to the most wealthy musicians. While not everybody had a personal computer in 1980, that was at least something that many people could save up to own if they wanted to.

Like many older electronic music curiosities, this Alpha Syntauri system hung around the shop here at Make Noise for a while and then made its way on to its next home. But this one was unusual enough that we thought it might be fun to briefly feature it in a video.

The Reel used in the patch walkthru can be downloaded here— happy patching! https://freesound.org/people/makenois...

http://www.makenoisemusic.com"

KORG Z1 - 64 Contemporary Presets - The MOSS Sessions (Sound Library)

video upload by RM Studios

"The KORG Z1 remains one of the most ambitious and expressive synthesizers ever created. ​

Powered by Korg’s legendary MOSS (Multi-Oscillator Synthesis System) engine, the Z1 pushed physical modeling and virtual analog synthesis far beyond the standards of its era, delivering an extraordinary range of sounds with unmatched depth, movement, and playability. ​

Yet, despite the instrument’s incredible capabilities, most available sound libraries still rely on programming approaches and sonic aesthetics dating back to the late ’90s.
We felt it was time to give this iconic synth a fresh voice. ​​​

"The MOSS Sessions” is a completely new sound collection designed specifically to showcase the real power of the MOSS engine with a modern production approach. This library delivers 64 contemporary, inspiring, and instantly usable programs for both studio production and live performance. ​

If you are one of the lucky musicians owning this legendary synthesizer, this collection was made for you. ​

The soundset can be purchased through the following link:
https://robertomacri.wixsite.com/home..."

Also for the KORG EXB-MOSS expansion board:

KORG EXB-MOSS - 64 Contemporary Presets - The MOSS Sessions (Sound Library for Korg Triton & Karma)

video upload by RM Studios

https://robertomacri.wixsite.com/home/the-moss-sessions

Using an EWI in a home studio: Some examples (Greaten AP500pro)

video upload by Floyd Steinberg

"So you've got an EWI ( https://greaten-music.myshopify.com/c... ) or considering one. How can you use it to create music at home or in a band, or even in sound design? This video tries to provide some answers.

00:00 what's in this video?
00:29 a typical recording setup
01:15 Audio vs. MIDI
01:37 capturing audio with a multitrack recorder or audio interface
03:20 what is audio latency?
04:01 USB OTG recording
05:30 best practices
06:08 capturing MIDI
06:43 MIDI controller assignment
07:36 using different plugins
08:07 control a hardware synthesizer - creating a breath pressure sensitive sound
10:28 BLE MIDI (bluetooth)
11:03 conclusion"

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"