Erica Synths LXR-02 SN LXR03288

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M-VAVE FM-1 with KARMA firmware: four tracks, stems and MIDI into Ableton

video upload by SLEAZTEK

You can find the M-VAVE FM-1 on Amazon.

"And Karma is out… I can’t wait to see what you’re all gonna do with it.

"KARMA is free, open-source firmware for the M-VAVE FM-1. It turns the FM-1 into a four-track groovebox: an acid bass or a Juno-style polysynth, physical modelling, two dozen synthesis models and a drum synth, with a 64-step sequencer, song mode, generators that write parts on one chord plan, and a pixel cast that reacts to every note.
Everything you hear in this video was played on the FM-1 and recorded straight into Ableton Live over one USB cable: six separate stems, the MIDI of every track, and the FM-1 following Ableton's clock and play button.
Install it from your browser in about a minute (Chrome or Edge, a USB data cable), try it first in the browser simulator, or edit your sounds and back up your projects with the web editor:
https://eatyourgreensstudio-dotcom.gi...

Source code (GPL-3.0): https://github.com/eatyourgreensstudi...

KARMA is built on the work of the FM-1 open-source community: SLOOP by isod89, Felucca by Hügelton Instruments, and code from X0X, FM-106, Melodee, JIANT FM and Mutable Instruments' open-source modules. Full credits are on the website. Not affiliated with M-VAVE.
#mvave #fm1 #synth"

Additional notes from the developer:

"It turns the FM-1 into a four-track groovebox:

- Track 1: an acid bass or a Juno-style polysynth

- Track 2: physical modelling, built on Émilie Gillet's open-source Elements (Mutable Instruments): strike, pluck, bow or blow a resonator

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BeatFriend drives the LXR-02: 10 patterns (no talk)

video upload by Richard DeHove

"As a standalone drum machine BeatFriend is instant fun. But with a limited kit range and mono output it won't suit everyone. Happily the MIDI outputs can drive other machines so here it is with the LXR-02. The tracks here are a mixture of BeatFriend output + LXR-02 output and sometimes just the LXR-02. There are no external effects or processing.

For me the LXR-02 is mainly a 'character' drum machine. It does weird sounds very well but takes a bit of work to get a really powerful driving thump - especially when raw. So a lot of what you hear are 'character' patterns. In future videos I'll be teaming it with other machines for a completely different end result. Yet even here it's amazing what a Bossa Nova can produce. The timestamp names are the pattern names from BeatFriend.

As usual with drum machines a mixture of monitor listening and headphones will show the full range of sound.

0:00 Rock Free
1:02 Bossa Nova
2:44 Tim O'Tay
4:13 Rock Free 2
5:46 Roquefort
6:45 Rock Won
7:53 Bossa Doble
9:39 Soda
10:52 Rock Too
12:44 BridesSoBros

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Erica Synths LXR-02 Firmware is Now Open Source

via Erica Synths

"The LXR-02 drum machine firmware is now open source and available on the Erica Synths GitHub! We live in an era of "vibe hacking", where Al-assisted tools let musicians and developers alike reshape software in ways that were hard to imagine only a few months ago. With that in mind, we have decided to open the LXR-02 firmware to the community. We are curious to see what new ideas, features and approaches emerge, and where this experiment will take the instrument. We invite you to explore the code, experiment with it, and share your results with the community."

Erica Synths LXR-02

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"Fully tested, perfect working condition. Includes PSU."

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Erica Synths LXR-02 Drum Synthesizer

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Erica Synths LXR-02 ⚪🔴⚪ SOUNDCHECK minimalhouse

video upload by ERROR KIT

LXR-02 Sound Pack "UNTZKITS" by HRTL

video upload by Erica Synths

"UNTZKITS for LXR-02 delivers 16 new high-impact drum kits engineered for the dancefloor and sonic experimentation. Each kit features heavy-hitting voices and percussion paired with deep modulation routing for evolving, rhythmic textures. The pack includes 16 carefully crafted demo patterns composed by Hrtl to kickstart your exploration.

Download: https://www.ericasynths.lv/news/post/..."

LXR-02 gets Xeno'ed (no talk)

video upload by Richard DeHove

"In the last video I had the DB-01 going into the Nightverb reverb and then into the Xenodrive. This time it's a more conventional routing of the LXR-02 into the Xenodrive and then into the Nightverb. With the Nightverb early reflections, a little pre-delay and a careful amount of shape,it sudden;y came together. I was setting up for a completely different video idea but just had to capture this instead.

It's not all happy accidents though. First I tried Echolocator feedback into the Xeno and then Nightverb. Mildly interesting but even the Xeno couldn't rip the Echo feedback apart. And that's how it goes sometimes - you set everything up, twiddle up to 11 and you draw a blank. Sometimes I'll chew on it for days before admitting it was a rotten idea. I wasted the best part of two weeks recently on a looper pedal I bought and just couldn't get a single thing out of it. So sometimes when I don't post a video for a couple of weeks it's not because I'm too busy with cocktails and cigars, it's because my latest great idea just didn't produce anything worth your time.

Hopefully you'll agree that this little experiment with the LXR-02 was worthwhile. The LXR-02 remains one of my favorite machines. It has its flaws and is still desperately in need of another firmware update but I think it's a brilliant machine. Six assignable LFOs and multiple filters, deep editing and a tiny footprint: So much to love.

If this were a final production drum track I would definitely add a deep and clean bass drum from Hexdrums, but as usual I like to keep things well defined. Adding an external bassdrum would sound better but then you wouldn't be hearing pure LXR-02 / Xeno / Nightverb. My aim is to show you possibilities.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/
My other channel "IntraCosmos" of long-play dark ambient textures: / @intracosmos"

Erica Synths LXR-02 Drum Synthesizer

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Techno Shift. SONIC POTIONS × ERICA SYNTHS DRUM SYNTHESIZER LXR-02

video upload by ESCAPO-SOUND

Erica Synths LXR-02 Drum Synthesizer

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Xenodrive on synth, drums, drone and SFX (no talk)

video upload by Richard DeHove

"First up: Erica Synths sent me the Xenodrive, so my thanks to the kind crew in Latvia. And did you know Latvia and Tasmania are almost identical in size? Not sure that fact will prove useful to you, but who knows.

The Xenodrive joins the Echolocator and Nightverb in Erica Synths' desktop range. Older members include the DB-01, LXR-02 and AcidboxIII. The Zen delay eats at a different table because of its slightly different case size. Perhaps we can speculate on what's next? I'm thinking of a sampler-looper thing. Thoughts?

Back to the alien-green Xenodrive. But before we get there it's interesting that alien stuff is associated with the colour green. If you read fairy tales in their original form then you'll know green was always the colour of witches and other evil folk.

So the Xeno: Stereo dirt, drive, waveshaping, distortion and tube screaming. Dial in just a touch or destroy everything. Lots of knobs plus presets. It's a rare beast.

Aggressive effects can lead to aggressive knob twiddling spinning from zero to ten looking for the big changes. Sometimes it's true: the parameter might be linear from not much to lots. I find the Darkglass B3K works like that: There's not much true variation as you wind up the knobs, you simply get more. But that's not how many parameters work here. If you rotate wildly from 1 to 10 you'll miss all the flavors. That's especially true of the rotate parameter, the drive tone, and the X and Y waves. With all these you'll find variations with tiny movements.

Another parameter I really appreciated was the noise gate threshold - one of the few things that doesn't get a dedicated knob. Dirt and distortion pedals are notoriously noisy so a noise gate at the end of the chain can save you from lingering hiss. You can hear this in the first drum demo here. It begins with long tails and then I wind back the gate. Fun also to use it as a hard release rather than just a noise killer.

I tried to give a variety of scenarios in this demo. My unexpected favorite was how good it was at simulating the details of shortwave heterodyne noise.

0:00 Synth demo
2:45 Drum demo 1
7:48 Throbbing Gristle
9:30 Shortwave
11:55 Drum demo 2
15:26 Feedback drone
17:19 Cheese demo
19:00 Drum demo 3

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

"Transient-only" LXR-02 kit with the Zen, Nightverb & Roger That

video upload by Richard DeHove

"This started as a little experiment: What would a transient-only drumkit sound like? Of course it's very clicky, like someone on "amateur talent night" playing a set of spoons. But the filters, LFOs, drive and sample-rate controls all still work so there's some wiggle room. First job is to disable the underlaying sound which, I finally discovered, is most simply achieved by switching everything into PWM mode and adjusting the PWM level.

When the thrill of slightly different flavors of click wears off the challenge becomes finding an effect to give it some deeper variation. The Zen, Nightverb and twin Roger That' all did wildly different things. The Nightverb was unexpectedly successfully especially using the pre-delay, feedback and shape controls to give a heavily gated feel. On the Roger That section I did use the morph parameter so strictly speaking it ceased being all-transient, but I thought the end result was worth a little rule-bending.

0:00 Setup talk
1:50 Raw kit
2:27 With the Zen
3:09 Karplus time
4:40 Nightverb (no more talk)
7:18 Roger That

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/
My other channel "IntraCosmos" of long-play dark ambient textures: / @intracosmos"

Syncussion SY-1 - Walkthrough and extended demo

video upload by Richard DeHove

"The Behringer Syncussion clone is a simple beast. It creates mighty bass drum hits with no effort and has beautiful noise. That in itself is something I find puzzling: If this cheap clone can so easily create big hits why are cheap drum machines always so dinky and gutless?

Here I do some lengthy noodlings with the SY-1 Syncussion with one channel through the Zen delay and the other through the Echolocator. This duo is really growing on me. The Zen has some good grit and saturation, while the Echolocator has various tricks with its freeze, shimmer and filter.

About halfway through I digress into a basic overview of the controls, then it's back to noodling. The DB-01 does a good job with sequencing although the original plan was to drive everything with the LXR-02. But horrors! I discovered that the MIDI out functionality on the LXR-02 is totally broken - confirmed by Erica Synths. Hoping for a fix on that soon. In the meantime the DB-01 will have to battle on as my sequencer.

If there's one thing I could change on the SY-1 it would be to add clock sync to the LFO. For me unsynced LFOs are a huge miss. Otherwise it's an excellent little synth. Two of them mounted in a Eurorack case could easily make for a powerful drum voice solution.

As usual, no DAW processing of any kind, it's all what you see.

0:00 Setup explained
2:01 Noodle soup
2:58 Elephant song
4:44 Tin shed
6:29 Weather system
8:08 Interface walkthrough
18:05 Robot bird
19:40 Corky
21:46 Trainride
22:36 Punching bag
26:19 Subby McSub

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Layered Drum Machine Hats by Goldbaby

video upload by GoldbabySamples

"Layered Drum Machine Hats. Available now: https://www.goldbaby.co.nz/ldmh.html

Another pack in my very popular Layered Drum Machine series. This time, hi-hats are getting some love.

Using over 50 drum machines layered in different combos with multiple layering techniques.

These hats are production-ready and can be used in a variety of genres.

Some of the drum machines used: 808, 909, 707, 626, 505, R50e, MFB-522, LXR-2, Machine Drum, Nord Drum 2, Model Cycles, DMX, PO-32, Microtonic, Metasonix D1, Tempest, MRX-185, PB-300, 4 In The Floor, Pulsar23, ADX1, XD5, Ritmo, RZ-1, RPM40, Syntakt, RX5, CrashPad, DDD-1, Tanzbar, Linn 1 and 2."

Complexification of LXR-02 drums with Echolocator & the Zen

video upload by Richard DeHove

"Complexification is a perfectly cromulent word to describe 'A drum machine with two delays; since this is no mere everyday serial setup. Here we have two stereo delays in alternating parallel mode embiggening a single drum pattern. In fact 'chronocomplexification' would have been more accurate but I thought the Youtubes would punish me for being stupid.

The aim is to take a simple single pattern and create variations and interest while having fun. I think everyone knows the feeling of having a single pattern and trying to expand it into something greater. Depending on what machines you use it can start to feel like you're fighting to advance. Here it's all just knob twiddling fun.

In the video I describe the routing of the stereo outputs: One to the AB pedal which is then manually switched to either the Zen or Echolocator; and one channel direct to the DAW 'dry'. In this demo I didn't use any of this dry signal. If this were a "real" finished track I'd probably mix in some of the dry bass drum just to keep things coherant. For the video I thought it more useful to just have the two delays' sound. For a more nuanced routing setup you could change the left-right balance of various voices and use the 'dry' channel to instead go to a third pedal effect which could also be manually switched on and off. Putting a looper somewhere in the chain could also be interesting.

With all this I'm increasingly feeling that moving up to a higher tier in the drums or synth department is perhaps not as significant as investing time and attention to effects.

The video is all one take with no DAW processing - even though I was extremely tempted to EQ the Zen parts to bring out the crunch and distortion. The couple of cuts in the track are from me trying to find slice points to bring it down from 30 minutes. The samples are from a couple of 1950s sci-fi movies just for a little variation.

0:00 Routing and setup info
1:08 Dry pattern
1:25 All tweaking, no talk

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Echo Fix EF-X3 - Five Synth Sketches with Tape

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Five song sketches featuring the EF-X3 tape delay, chorus, and reverb.

00:00 - Ambient, with Take 5
02:57 - Drums, with LXR-02
05:47 - Brooding, with SH-101
07:20 - Acid, with TT-303
09:41 - Ambient, with MS-20

Fair warning: MAS Distribution sent over the EF-X3 for me, not quite for free (I had to pay some significant customs/duty/taxes from the border) but for far less than the full retail price.

Here, I explore the Echo Fix EF-X3, a real tape delay with analog chorus and spring reverb. My favourite feature of the EF-X3 is that it has discrete outputs for each of the four tape heads plus another output for chorus/reverb, which means you can get some incredibly stereo tape delay mixes with it. Here, I usually panned two heads full left/right, and two heads 50% left/right, with the dry out and chorus output slightly panned and near centre. Ages ago, I had an Akai Headrush and I always loved having such a ludicrous amount of outputs; it's exactly the same delight here.

But I have to say, using a real tape delay is unlike any digital emulation I've tried. It's less behaved and has more texture than I had expected. And while it shouldn't matter, seeing the tape running is a thrill. It's an incredible physical presence on the table, super solid and with beautiful wood on the sides.

No one needs a real tape delay, of course, just like no one needs an analog synth and no one needs hardware. But for someone who has loved those records with long, cascading tape delays, for someone who loves the physicality of hardware, I've felt incredibly lucky to have the EF-X3 up on the table.

Thanks for listening.

Recorded to a DAW as a multi-track (dry channel, chorus/reverb channel, and channels for each of the heads) and mixed afterward. No external effects on the sound. EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

Good news for LXR-02 owners (now let's list bugfix & feature requests)

video upload by Richard DeHove

"Although the recent 1.07 firmware update was just a maintenance release it's far more significant than an assortment of bugfixes. Instead of having to wait for the Great Eye of the original LXR developer to fall upon the LXR-02, Erica Synths can now do updates in-house.

So rather than feeling this wondrous little machine has been forgotten, this is a reason for great optimism for more development. Erica Synths surely wouldn't go to the effort of taking over development just to then shelf it all again.

Here I look at the main new feature which is parameter lock value display, which is an excellent excuse to look at how parameter locks work in general.

For the future I'd like to see song mode fixed; the delay effects get proper tempo sync options; and the lighting changed on the buttons so you can see which patterns are empty and which have data.

Perhaps this may be a good place to put your bugfix and feature requests...

0:00 Background
0:46 The good news
2:12 Parameter locks
5:12 Per step FX
6:10 Easy saving

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Summer 😎 (Moog Minitaur + Boum // LXR 02 // Nymphes + S 1 + Timeline // Streichfett // Keystep Pro)

video upload by 2-Minute Warning

"Last 'long' video before a summer break (I'll be eventually uploading some 'Shorts' during July 😉)

It's been quite some time that I didn't make a "from scratch" video, so here we go again! (See all my "From scratch" videos) [embed below]

On the setup side on the sequencer (Keystep Pro), before recording:
I defined the tempo and number of bars of each track
I setup the scale (Dorian)
I setup the tracks I wanted to be transposed in real-time (tracks 2 = Minitaur and 3 = Streichfett).

The video starts with the recording on Track 2, of the BASS line (Moog - Minitaur), then on Track 3 the CHORDS/STRINGS (Waldorf - Streichfett), on Track 1 the DRUMS (Sonic Potions x Erica Synths - LXR-02), on Track 4 the ARP (Dreadbox - Nymphes + Strymon Timeline delay).
I recorded part of the DRUMS in real-time, and the KICK in step mode (hence being able to setup randomness on some steps and conditions too, i.e. the step plays on the fourth time it's triggered only...)"

From Scratch by 2-Minute Warning