New M‑VAVE FM‑1 Mini FM Synthesizer

video uploads by M-VAVE

Playlist:

1. M-VAVE New Product Release--FM-1
2. M-VAVE FM-1 Sound Import Tutorial
3. M-VAVE FM-1 Firmware (V09) Feature Overview & Upgrade Installation Tutorial Synthesizer: FM-1

FM-1 Features:
● Built-in speaker: No external speakers needed, turn on and play instantly, your stage anytime, anywhere.
● Built-in arpeggio: Rich rhythmic layers, giving you endless possibilities for musical performance.
● Built-in sequencer: Supports saving 16 preset sequences.
● Built-in 6-band integrated effects chain.
● Built-in rechargeable lithium battery with power indicator: Ready to use anytime, anywhere – on the street, in a cafe, or in your bedroom.
● Built-in 145-parameter FM tone editing system: Supports importing original DX7 SysEx tone files, and batch loading of single tones and entire tone sets.
● Built-in sound source: This device features a built-in sound source (FM synthesizer engine) that emulates the classic Yamaha DX-7 FM synthesizer, fully replicating 6 operators and 32 algorithms.
● BT audio function: Wirelessly stream backing tracks from your mobile phone to the FM-1 for improvisation using the built-in speakers or headphones.
● 27-key silicone keyboard, covering two octaves, offering a supple touch and rapid rebound for a comfortable playing experience.
● 1.54-inch color display screen, providing real-time display of tone, parameters, and spectrum information.
● Backlit silicone buttons for silent operation and sensitive feedback.
● 7 sets of 360-degree rotary encoders for precise and intuitive control.
● 12 function keys for one-touch access to core functions.
● OCT± octave/transposition switch, covering the full range even on narrow keys.
● 3.5mm headphone jack with automatic speaker mute when headphones are plugged in, ensuring undisturbed creative work and immersive monitoring of every detail of the tone.
● 3.5mm MIDI input jack for supporting external MIDI device control.
● USB-C interface: USB Audio + USB MIDI composite device, automatically recognized upon connection to a computer.

user video:

M‑VAVE FM‑1 Review & Sound Demo – Fun Pocket FM Synth

video upload by dongchannel

"How does this under‑$70 FM synthesizer perform? Check out this video for a full feature walkthrough, sound demos, and my honest thoughts.

I first spotted the M‑VAVE FM‑1 at this year's Guangzhou Musical Instrument Fair, and picked one up shortly after for about 300 RMB (around $60). The packaging is minimal, the unit itself is compact (16×9 cm), yet it packs everything you'd need. Connectivity is surprisingly generous, with both wired and wireless MIDI and audio support – really well‑equipped for its size.

Inside, you get a 6‑operator FM engine, essentially a recreation of a classic 1980s Japanese synth. It comes with 128 preset sounds, plus an effects chain, a 16‑step sequencer, an arpeggiator, and deeper editing tools. Pair it with an external MIDI keyboard and the playability expands even further.

Are there minor software quirks? Sure. But at this price, they're hardly worth mentioning. Compared to other portable sound gadgets in its class, the FM‑1 is just plain fun. And for the money, the build quality and feature set far exceeded my expectations."

Wavetables on the Akai MPC: OS 3.9 Turns Keygroups Into a Wavetable Synth

video upload by Keith Crosley

"The Akai MPC just became a wavetable synth! With the MPC OS 3.9 update (and the new MPC 3 desktop software), Akai added oscillators — including a wavetable oscillator with custom wavetable import — to Drum and Keygroup tracks. In this video, I walk through how wavetables actually work on the MPC: enabling the oscillator, installing your own wavetables, the format.json quirk, and a deep dive into sound design across more than a dozen wavetable categories.

To make this painless, I built the KRC MPC Wavetables Collection — 2,156 wavetables preformatted for the Akai MPC, just $10 — and added a free Akai MPC version of my Free Wavetables collection (1,600+ wavetables). Everything in the intro track (besides most of the drums) was made with these.

─── WHAT YOU'LL LEARN ───
How to enable oscillator/wavetable layers in MPC key groups (OS 3.9 / MPC 3)
How to install custom wavetables on standalone MPCs and the MPC 3 desktop software
The format.json requirement (samples-per-frame + frame count) and how to work around it
Designing sounds with up to 8 oscillators, crossfade-as-time morphing, and the mod matrix
A tour of 13 wavetable categories: Bézier, choir, split, polygonal, M-series, microwaved (Waldorf-style), phase distortion & more

─── GET THE WAVETABLES ───
🌊 KRC MPC Wavetables Collection (2,156 wavetables, $10): https://www.wavetables.lol/l/mpc-wave...

🌊 FREE MPC Wavetables — snag the free version of KRC Mathwaves wavetable sampler, then scroll to the bottom of the product page for the Akai MPC version: https://www.wavetables.lol/l/free?lay..."

GDR Synth Legend Julius Krebs and the Tiracon 6V Synth

video upload by synthgeplauder

Click CC in the player once started for subtitles. Click here and scroll for additional synthgeplauder Tiracon videos including demos.

"Welcome to my 'Synthgeplauder' (Synth Chat) channel.

// TODAY'S TOPIC
Today, I’m chatting with East German synth legend Julius Krebs. Julius played a pivotal role in shaping the electronic music scene in the former GDR and is intimately familiar with the story behind the Tiracon 6V—the first polyphonic synthesizer built in East Germany shortly before the fall of the Wall—as he was actively involved in the project. Get ready for fascinating facts and quirky anecdotes from the GDR music scene.

// LINKS
My Linktree: https://linktr.ee/deantiquisetnovis"

Original German:

"Willkommen auf meinem Synthgeplauder Kanal.

// HEUTIGES THEMA
Heute unterhalte ich mich mit der DDR Synthlegende Julius Krebs. Julius prägte die elektronische Musik in der ehemaligen DDR maßgeblich mit und kennt auch die Hintergründe zum Tiracon 6V, dem ersten polyphonen Synthesizer der in der DDR kurz vor der Wende gebaut wurde, denn Julius war aktiv in das Projekt involviert. Freut Euch auf Wissenswertes und Kurioses aus der DDR Musikszene.

// LINKS
Mein Linktree: https://linktr.ee/deantiquisetnovis"

Roland M-64C Memory Cartridge

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Modal Skulpt and M-Vave FM Synth Jam

video upload by Miami Nites

"Modal Skulpt running a 2 bar sequence while M-Vave SMK 37 FM synth preset being played M-Vave onboard Reverb and delay on FM preset"

5 Patches with the Befaco Iroi module

video upload by Modular Fungi and Omri Cohen

"The tracks from this video are also available as a free EP on Bandcamp - https://omricohencomposer.bandcamp.co...

Check out my Modular books:
US: https://bit.ly/40armbo
UK: https://bit.ly/4rX6NeO
EU: https://bit.ly/4srcTUt
Online Courses about Modular Synthesis - https://bit.ly/learnmodular

Patch 1 - 00:00
--------

In this one, I'm using noise from Noise Plethora to excite Iroi. I'm using a band pass filter on Noise Plethora, sequencing it with the Voltage Block. On Iroi, I'm using the comb filter with internal modulation on the resonance. I'm also using the resonator with modulation on the feedback, and the echo and ambience. The levels of the resonator, echo, and ambience, are sequenced by the Voltage Block. I'm then sending Iroi to the Zagreb filter from Xaoc, using its low pass filter with noise modulation of the spread control. I'm also using the high pass output of Zagreb, sending it through the Guillotine distortion module, and from there, to the EON filter. This is going to 2 delays on Samarkanda, so only when I open the EON filter, the sound goes to the delays, and I play with the delay times.

CLICK FOR MORE »

Unusable Engineering Releases Partials & Discrepancies Additive Soft Synth & Effects

video uploads by Unusable Engineering

Playlist:

1. Partials & Discrepancies | Full Walkthrough of an Additive Synth
2. Partials & Discrepancies | Sound Examples
3. Geometry Delay | Full Walkthrough of a Multi-Tap Delay
4. Geometry Reverb | Walkthrough of a Geometry-Based Reverb
5. Binaural Modulator | Full Walkthrough of a Spatial Modulation Effect
6. Partials & Discrepancies | Extremely Long and Incredibly Offhand


via Unusable Engineering

Today marks the release of our second synth, a multi-tap delay, a reverb and a free spatial modulator for both Mac and Windows as AU/VST3.

Partials & Discrepancies is an 8 voice additive poly-synth. The goal was to make additive synthesis accessible through a much simpler abstraction model than what you usually get, and include lots of sonic motion capabilities within a simple interface without modulation matrixes or multi page layouts. As always, we want to build instruments and effects that makes it fun to make music and that won’t slow down the creativity. Partials & Discrepancies is available for 79 euros incl. VAT. Discounts and cross-grade offers may be available on the account page for earlier costumers.

CLICK FOR MORE »

Multiple Pulsar Simulator Simulator [Buchla Lightning + Max/MSP]

video upload by Ryan Gaston

"multiple pulsar simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator

early tests with Buchla Lightning + Max; once again, using a Buchla controller as a way of testing different parametric linkages / interaction strategies for what i hope will eventually become a standalone instrument. in this case, lightning is sending several position-related CCs to Max, which is running several simultaneous [gen~] patches. these patches were originally developed for several daisy-based modules i designed, namely:

2x Impulse Generator (a pulsar synthesis-based oscillator and nonlinear distortion feedback device)
1x Retention Mechanism (a granular sampler / multitap delay / pitch shifter)
1x Temporal Drag Processor (a multitap delay / resonator)

i only recently acquired the Lightning; here, i'm using it with the rings from a Buchla 222e Multidimensional Kinesthetic Input Port. the use here is quite basic, relying mostly on the Lightning "Ear's to MAX" factory configuration. no doubt i'll keep exploring more unusual ways to use it in the future

#buchla #buchlalightning #midicontroller #experimentalmusic #noise #improvisation #maxmsp #cycling74 #dsp"

Wildwood Lightning by Wildwood Soundworks

video uploads by Wildwood Soundworks


"Wildwood Lightning is a handmade digital sampler, sequencer and synthesizer designed and produced by Wildwood Soundworks in Penn Valley, California. It provides the following features:

Sampler - record your own samples or use standard WAVE files.

Sequencer - compose on up to 16 channels with channel mute and solo.

Synthesizer - produce polyphonic audio with a sample based synthesizer.

Touch Pads - play notes, select chord and drum patterns and strum with touch sensitive pads.

Display - view notes and channels or navigate menus to select from numerous features.

Multiple Views - create and update your songs using piano roll, song or step views.

Multiple Menus - discover features and create or edit your song with 14 menus.

CLICK FOR MORE »

Dreadbox Artemis #3 | Winterdagen

video upload by Winterdagen

"New one on the Dreadbox Artemis synthesizer! As I've said before I'm a huge sucker for sawtooth lfos plucking filters, so I naturally had to make one of these patches on Artemis. Artemis absolutely delivers, I think it sounds beautiful. For this patch I've been making extensive use of the new mod matrix, which was recently added in a feature update. I love adding movement all over the place and spreading lfo times per voice by adding keytracking.

For this patch I'm also modulating the filter with noise, which gives the patch some lovely grit, and I'm modulating the bitrate of the bitcrusher, which ads some digital texture from time to time. I also love that you have a dedicated slider for reverb size, which detunes the reverb when you move it.

Hope you like the patch!"

Modular On The Spot LA, June 28 in Santa Monica

This one is in via supporting member, justin3am:

"My friends at LA Synth Club are helping out Seaside Modular and Analog Haven to host Modular On The Spot at Ocean View park in Santa Monica. We'll be starting at 5pm PDT on June 28 and plan to be streaming the event. I'm really stoked to have some of the original MOTSLA crew playing sets as well as some of my LA Synth Club and SoCal Synth Society friends. It's gonna be a blast! We hope this will be the first in a series of MOTS events.

Here is the address:
2701 Barnard Wy, Santa Monica, CA 90405"

The LiveStream will be on YouTube.

Korg PS-3100 bassline through resonators modulated by MIDI CC

video upload by analogia pl

"There are no effects in this video, just dry 3100. I’m sending a MIDI sequence but also MIDI CC message that comes in (I’m pointing the pot with my finger) and starts modulation the resonators peak frequency.

But in the second part of the video I’m using GEG again, so whenever in play two notes in the keyboard (that’s three notes total including the baseline) LFO starts modulating the oscillators and filter."

Wheel Within the Wheel EP by Michael William Gilbert

A new release via supporting member Michael William Gilbert via Tall Dog Electronics (tindie)

Hello friends,

I am very happy to share this new project with you: an EP of original electronic/electroacoustic fusion music. There are six tracks, including the single "The Prayer Is The Road"(a)/"The Road Is The Prayer"(b). To be clear - prayer in my context is secular: "a practice focusing on gratitude, mindfulness, and reflection to foster positive change, connection, or resilience without appealing to a supernatural being".

"Wheel Within the Wheel", the title track, is influenced by a visit to Tibetan Buddhist monks while they werein the process of creating a sand painting and then destroying it. "Fractal Loup" is about a state of active and curious meditation, a metaphorical wolf mind interpreted with looping. "The Float" is a dream through the worlds of techno and Berlin school. All music recorded & mixed at Alibi’s Little Corner Studio by MWGilbert and mastered by Sean Magee.

Upcoming: thanks to my partners at ElasticStage, "Wheel Within the Wheel" will soon be available as both an LP and a CD! You can check out my previous album "Electronic Music": https://elasticstage.com/mwgilbert

Hope you enjoy "Wheel Within the Wheel". I'm always pleased and grateful to hear what you think, so please let me know!


Thanks for listening!

- MW Gilbert mwg@mwgilbert.com

Dave Smith / Roger Linn Tempest Drum Synthesizer Performance with Joystick

video upload by Reuben Jones

"This is the complete performance that I recorded for Alex Ball's documentary on drum synthesizers ( • A Potted History of Drum Synthesizers [posted here] ). Cheers Alex!

I never truly unlocked the Tempest until I made this video. I always found the workflow tricky and the sound hard on my ears. I'm also not huge on drum machines due to their often-fixed time signatures, perfect timing, and the fact that real drums are so much better. But like with a lot of gear, putting in the time really does reap the rewards. The sound palate is very malleable and wide. If only it could import samples!

The joystick was a bit of an afterthought. I made it for my PolyEvolver, on which it can be routed to almost any parameter using the two expression/CV pedal inputs, and by assigning breath control and foot control each to one of the many destinations. Dave Smith is THE MAN, and he put two expression pedal inputs on the Tempest as well.

Drum machine
Drum synthesizer
Synthesizer
Dave Smith
Roger Linn"

Vekte Public Beta Now Open

You might remember Vekte from this previous post. The public beta for it is now open. Details follow:

"Vekte is a generative MIDI sequencer plugin. It runs 31 algorithms — Euclidean, Markov, cellular automata, Xenakis sieves, Kaprekar, logistic maps, and more — and uses them to write patterns to drive your instruments.

Every channel has one note lane and four modulation lanes. Each lane runs its own algorithm and can target velocity, length, any CC, transpose, scale, chord, octave, or another lane's parameters, with sixteen slots per session (which can be either routed freely to any channel, including multiple slots controlling one single channel).

The engine is deterministic. Each pattern is hashed from its algorithm and parameters into a seed, so a given configuration always produces the same result. Patterns are exact and repeatable, and you can export any state as a preset string to recall later or hand to someone else (this part is still WIP, and will be improved massively in the next one).

It began as the software side of Rekke, our hardware sequencer, and the two share part of the same algorithmic core.

This is a public beta. VST3 only for now, on Windows and macOS. AU and an iOS AUv3 build are planned, but I want VST3 solid first. Free during the beta.

I'm after real feedback: what breaks, which hosts misbehave, what's confusing, what's missing. Bug reports and DAW-specific quirks are the most useful thing you can send (you have a form in the menu for direct feedback from the app).

https://valdlabs.com/vekte"

OAK Sampler - New Ensoniq ASR-10 Inspired Sampler Workstation Keyboard Synthesizer In the Works

video upload by oak sampler

Meet the upcoming "OAK-S37 Sampling Workstation" keyboard synthesizer.

Playlist with additional details:

1. OAK Sampler Sound Playback and Effects Test

I absolutely love the ASR-10. I’m building a new hardware workstation inspired by the ASR-10 that runs the original OS , effects etc and replicates the HW in a modern form. There will be some updates on the project. This is the boot and general test. Potato speaker recording. #asr10 #90ssampling

2. OAK Sampler (ASR-10 in Hardware) Sequencing & Sample Editing

I love the ASR-10. I’m building a new hardware sampler inspired by the ASR-10. It can run the original Ensoniq ASR-10 OS and effects algorithms. This video shows sequencing and sample editing on the OAK Sampler.

3. OAK Sampler (ASR-10 in Hardware) vs ASR-10 Sound Comparison

This video compares the OAK-S37 and an the ASR-10 using the same sequence, individual samples, filters, envelopes, and effects.

I recreated “93 ’til Infinity” as a test project using identical files across both systems.

I intend to do a limited first run eventually (no dates yet).

Credits
TRACKLIB Sample Breakdown Souls of Mischief - 93 'til Infinity
Heather - Billy Cobham - Sampled From Vinyl
The Jam - Graham Central Station - Sampled From Vinyl

4. OAK Sampler (ASR-10 in Hardware) Loading Original Ensoniq Sample CDs

In this video I load projects from the original ASR-10 Ensoniq Sample CD. It shows proper playback of the complex arrangements, accurate instruments and effects on the OAK. Totally 90’s.

Credits:
Studio Essentials Vol. 1 CDR-3 Ensoniq Corp

5. OAK Sampler (ASR-10 in Hardware) vs ASR-10 Effects

In this video it’s shows an comparison of the OAK-S and ASR-10 internal effects.

The second half demonstrates live effects monitoring. One of my favorite ASR-10 features was using it as a real-time effects processor, and I wanted that preserved in the OAK-S. It uses effects from the Ensoniq CDR-3 CD banks

Credits:
Effects from Studio Essentials Vol. 1 (CDR-3) Ensoniq Corp.

You can find additional details and an FAQ at www.oaksampler.com

Checking Out (and Loving) the Oberheim TEO-5

video upload by Duskmos

"In this Signal Colors Source video, I'm taking a look and listen to the Oberheim TEO-5 - a five voice analog synthesizer with onboard effects. This thing has crazy range and sounds really good all the while."

00:00 Intro
03:21 Sound Examples
15:14 Walkthrough
37:39 Final Thoughts

OBERHEIM FVS w/ Custom Patch Panel by Analog Sweden

This one was spotted and sent in via
M Me.

"Vintage Oberheim FVS-1 (Analog Sweden patchbay mod!!)
Fully functional.

It is a fully functional and—aside from the mod—completely original Oberheim 4-Voice FVS-1.
It was modified by the geniuses at Analog Sweden to be "fully patchable," but the original output board (including the faceplate) is tucked away inside the synth, so it can be restored to its original state if desired!"

Morphor ECHON 6 #5 | Winterdagen

video upload by Winterdagen

"Time for a new one on on the beautiful ECHON 6! I got some questions on if ECHON 6 can do 'regular' synth sounds as well, it sure can:)

One of the many cool things about ECHON 6 is that its exciter section on its own is already a very nice sounding single oscillator poly synth, with morphable waveforms on its fat sounding oscillators. And you can use all of ECHON's extensive modulation capabilities for sound design as well. The only thing missing would be filter resonance, but to be honest I'm usually not a big fan of filter resonance anyway.

The real fun naturally starts when you start combining the exciter's synth voice with the resonator section, which is exactly what I did here. In this case the resonator ads a bit of a chewy sound, which I really like."

Oberheim OB-Xa Resonance Sweep Compared to Matrix-12

video upload by Ryan Day

"Here, I re-create Oberheim OB-Xa factory preset C4, which was famously used in Van Halen's 1984 intro, on the Oberheim Matrix-12. The Matrix-12 uses a different CEM chip (3372) for the filter and I believe the EGs were created in software. However, with programming, it can be made to sound quite similar to the CEM 3320 found in the OB-Xa. Listen for yourself.

Programming hint: I use a tracking generator to achieve the exponential attack curve found on the OB-Xa filter envelope generator. :-)"

I Spent 6 Months Creating the Tom Sawyer OB-X Sweep on my Oberheim OB-X8

video upload by Ryan Day

"Over the course of 6 months, I set out to replicate the classic Oberheim OB‑X resonance sweep from Tom Sawyer using my OB‑X8. Dialing this in was a serious challenge. Even so, it’s not a perfect match as there’s no way to fully capture the unique character of Geddy Lee's original OB‑X, particularly the per-voice oscillator tuning variance, pulse width variance, filter cutoff, and envelope generator de-calibration that shaped this sound.

The OB‑X8’s Vintage knob gets impressively close, though.

This clip was recorded on my phone. I’m hoping to put together a higher-quality demo in the future. For now, hope you enjoy it."