Sequential FourM brzmi masywnie (bez gadania)

video upload by Superlvminal Studio

"Analogowy syntezator Sequential FourM i dwa bardzo budżetowe efekty pedałowe:
M-Wave Elemental Pro (delay pedal) i Flamma FS02 Reverb.
Patche zrobione własnoręcznie.

00:00 Liquid Pad
02:10 Cinematic Piano
05:10 Sync Mellow Pad
06:15 Classic Rich Brass
06:53 Organic Pad
08:35 Liquid Lead
09:10 Sync Heaven
12:58 Gentle Lead

💚Moja muzyka:
Chântall on SoundCloud: / chantall-911580215
Chântall on Spotify: https://open.spotify.com/artist/6it7o...
Tidoux on Spotify: https://open.spotify.com/artist/0petc..."

Michael Whalen's Synth Jam. "SHREDDING! Unapologetically…"

video upload by Michael Whalen

"Here’s some shredness—which, apparently, works best at slower tempos.

I absolutely LOVE this factory sound on the Waldorf Quantum MK II. This :90 romp features some crazy pitch-wheel work, polyphonic aftertouch, and my (patented 😂) hand-over-hand technique.

As ever, the backing track was created entirely by me (no AI BS) and the solo was played LIVE, in one continuous take, for the cameras. No edits. No assembling the 'best bits.' Just playing... Enjoy. M"

Live Preview Oktopus Synthesizer VSTi - Windows/Mac/iOS App

video upload by Vyacheslav “Tatreal” Koristov

See the announcement post here.

"In this video, I'm using it live to create my sounds.

Try Oktopus Synthesizer FOR FREE: https://tatreal.pro/oktopus/#downloads

Check the manual page at https://tatreal.pro/oktopus/user-manual/

Oktopus is a powerful, deep synthesizer and production environment built from the ground up for advanced sound design, live performance, and music creation on Windows/Mac/iOS.

Features:
8-block synth architecture for layered and evolving sounds
MPE and MIDI input support
Sample loading, slicing, and playback tools
Built-in recording and sample export workflow
Per-block arpeggiator and sequencing controls
LFOs, modulation routing, and performance macros
Factory presets and factory samples included
Flexible effects chain with EQ, distortion, bitcrusher, compressor, phaser, flanger, chorus, filter, delay, and reverb Touch-friendly interface for iPhone and iPad music creation"

Echon 6🤘🤘🤘

video upload by Lesjamusic

"Playing around with one of the patches I’m developing for ‪@morphor.radical.acoustics‬ Echon 6. Skip ahead for the wild feedback. This synth is wild - the two knobs I am playing with here - 'feedback filter' and 'feedback' - act like lion tamers, as the feedback from the resonator can get really gnarly, in a good way. Lots more to come on this. A bit of Mood, Cosmos, Coco in the background fr the same Echon patch. Comment below if you would like a link to the patches when I’m done 🤘🤘🤘"

GLX BALSAM #2 | Winterdagen

video upload by Winterdagen

"Here's another on on the amazing GLX BALSAM! This dark and moody patch and the note glides somehow remind me of Mica Levi's score for Under the Skin which is a very very good thing :-)

I love that BALSAM has a dedicated bipolar slider to route the mod envelope to the LFO time. In this case it makes the LFO - which is modulating the filter - start very fast and slow down over time. I'm using the 2-pole lowpass filter here, I absolutely love its character. It leaves in a little more high frequencies than a 4-pole filter, making the patch sound nice and buzzy. I've quite heavily detuned the oscillators from each other and I'm again using BALSAM's special power viscosity to make each oscillator glide to the next note at its own rate when using the pitch sliders. This makes the sound feel so alive!

I did use some external fx in this piece, Strymon El Capistan and Nightsky. BALSAM sounds gorgeous completely dry as well, but I love a little space in a piece like this one.

Find out more about BALSAM at: https://glx.ltd/"

See the GLX label below for additional posts.

MYSTIC FREQUENCIES - SPACE [Featuring an Atari 2600 w/ Mini Keys]

video upload by Mystic Frequencies

MYSTIC FREQUENCIES - SPACE
Random Dawless playing.
Gear used:
Kawai SX-240
Arturia MatrixBrute
Arturia PolyBrute (x2)
Atari VCS MiniDexed
Erica Synths Steampipe
Novation Summit
Oberheim OB-X8
Synthstrom Deluge oLED
Polyend SEQ
Irijule Theoryboard
Roland TR8S
Elektron Digitakt
Effects - Digitech DSP256XL (x4)
Mixer - Roland M-480
Recorded on - Tascam Model 24

Broken Wings - Mr. Mister - DX7 and Prophet 6

video upload by jami.m


And:

I Want To Know What Love Is - Foreigner - synthesizer intro

video upload by jami.m

Novation A-Station Demo

video upload by Panu M Savolainen

"Multitracked demo of Novation A-Station. Only preset patches and internal fx used.

Demo at Bandcamp:"

Testflight Betas: Vekte and Tresse for iOS

Tresse 1.2.0 for iOS, VST3, AUv3 and Standalone video upload by Våld Labs

"Now TRESSE is a 39-engine, dual-layer polysynth built around 24 Mutable Instruments Plaits engines plus 15 custom engines. It has two independent 8-voice synth layers, three LFOs, two generative modulation lanes, a dual-playhead arpeggiator, delay and shimmer reverb, and a deterministic generative sequencer derived from VEKTE.

Each layer has its own synthesis engine, filter, envelopes and voice mode, so you can combine completely different synthesis methods in one patch and modulate the balance between them. It runs standalone or as an AUv3 in AUM, Drambo, GarageBand, Audiobus and other iOS hosts.

VEKTE is the other side of the idea: a 16-channel generative MIDI sequencer built around 36 deterministic algorithms, ranging from Euclidean rhythms, Fibonacci and random walks to cellular automata, logistic maps, harmonic systems, Tonnetz movement and more.

Each VEKTE channel contains a NOTE lane plus four independent MOD lanes. Those modulation lanes can control MIDI CCs, rhythm, harmony, probability, density, playback direction, algorithm parameters and even other generators, so patterns can evolve structurally rather than simply playing back notes.

A big part of both instruments is that their generative systems are deterministic. The same algorithm and parameters always reproduce the same result, so you can explore without losing something interesting you discover.

They also share a compact patch-sharing system.

With TRESSE, the entire patch, including both synth layers, all three LFOs, delay and reverb, the complete sequencer and both generative MOD lanes, can be encoded into a single TRS2 key of roughly 155 characters. TRESSE can turn that key into a QR code, export it as a 1080 × 1350 social card, or scan a patch directly from another screen or printed QR using the iPad/iPhone camera.

VEKTE uses the same idea for generative MIDI. A complete channel can be represented by a compact VKT2 Base62 key, typically around 43 to 130 characters. Because the patterns are deterministic, VEKTE doesn’t need to store every generated MIDI event in the key. It stores the recipe and reconstructs the exact pattern when it is loaded.

VEKTE can display those keys as QR codes, scan them directly with the iPad camera, and share individual channels or an entire 16-slot rig. It can also create 1080px Share Pattern cards containing the QR, key and caption, ready for the iOS Share Sheet, so patches and generative patterns can be exchanged through Messages, social media, forums or even from a screenshot.

That sharing system is something I’m particularly interested in developing further: instead of presets being files hidden inside an app, a sound or generative pattern becomes something you can post, photograph, print, send to somebody, and reconstruct exactly on another device.

The philosophy behind both instruments is the same: the art of shaping chaos. I’m interested in generative systems that can surprise you without taking control away from you. What you discover can be reproduced, edited, saved, performed and shared rather than disappearing into randomness.

They’re designed to complement each other as well: VEKTE can generate and evolve the musical structure while TRESSE turns that structure into sound, although both are complete instruments in their own right."

https://valdlabs.com

Poly Rave 👾 (Waldorf PROTEIN // Roland TR-6S // JU-06A // Moog DFAM // Squarp HAPAX)

video upload by 2-Minute Warning

"This time, I'm introducing a new instrument to the setup: the Waldorf Protein, used here for the CHORDS 🎹

The rest of the setup is made of a Roland JU-06A for the BASS, a Roland TR-6S for the DRUMS (no samples used, only ACB analog behavior engine with mainly the TR-808 model) and, for some additional percussion, the only analog instrument in the setup: the good Moog DFAM 🤩

Everything is sequenced by the Squarp Hapax, with quite a few things happening behind the scenes as usual.
MIDI LFOs are used to modulate some parameters of the TR-6S, while automation takes care of changing parameters on the JU-06A during the performance.

This time I also decided to use the Hapax's physical MIDI ports rather than relying on USB MIDI:
MIDI A : Roland TR-6S
MIDI B : Roland JU-06A
MIDI D (TRS) : Waldorf PROTEIN

And then there's the DFAM... which, as usual, refuses to speak MIDI. 😄
Since the DFAM doesn't have a MIDI input, I sent very short Gate pulses from the Hapax (Track 11) to simulate an audio clock, allowing its internal sequencer to advance in sync with the rest of the setup.

So, quite a lot going on behind what hopefully sounds like a relatively simple piece of music!

Another little experiment in making several machines behave together without making the whole thing look like a NASA control room 😄

As always, the performance itself was recorded in a single take. I do the mixing and mastering afterwards in Ableton Live."

Walrus Audio Lum Texture Engine

video upload by Duskmos

"Today I'm taking a look at the Lüm from Walrus Audio - a granular texture engine that is part grain engine, part reverb, part tripped out mega multi-headed dotted delay type situation. It's a wild pedal that fills the silence between notes with tons of flair. Hang out while I give it a look with the OP-1 Field. Let me know what you think in the comments!"

Modor DR-2 Sound Demo (no talking): Different but Awesome!

video upload by Limbic Bits

0:00 TEC 3
2:16 Boomer (Electro)
3:41 Cave
5:05 3L3C7R0
6:29 Elfo
8:08 TEC 1
9:32 Def 1
10:28 TEC 2
12:11 CERN
13:29 Programming

"(Please note: This demo was shot a while ago, and several updates have improved the DR-2 even further.) Built into a solid metal chassis, the MODOR DR-2 is a drum machine unlike many others. It sounds refreshingly different from the dozens of X0X clones out there, yet it's still powerful enough to shake club walls.

With its old-school display, spacious interface, and faders, it definitely delivers the kind of '90s nostalgia that I really enjoy. Its different drum machine models offer a vast spectrum of possible sounds, and the MODOR is clearly on the digital side of the sonic spectrum.

It's a lot of fun to perform with (although I occasionally exaggerated the volume a bit while recording this demo). Take your time, learn the machine inside and out, and I'm sure you'll get even better results. I especially like the faders, and programming is quite straightforward. It's a little different from the step sequencers many users are familiar with, but it has its own logical workflow once you get the hang of it.

As a small company from Belgium, Modor Music has certainly found its niche as a boutique manufacturer with its own unique approach to synthesizer design. I congratulate them on creating this fantastic drum machine and welcome its refreshing take on what a modern drum machine can be.#drummachines #synth #synthesizer #technoproducer"

first person - Modular session 2026-08-02 live jam

video upload by Renku Corporation

"This was the second take, came out ok, maybe a little long. Both versions were about the same on time, I wanted to give it some space to develop but I'm not sure. What do you think? Also got my sweet $10 head harness going. Still working on the angle but it's a different perspective for sure. Cool or no? It's not mountain biking..."

Social Entropy Engine sequencer.

First patch ‘flute monster’ - Error Instruments Cloudbusting

video upload by Lo-Fi-Si

"Error Instruments - Cloudbusting
Walrus Audio - Qi Etherealizer

First patch. I love the Error Instruments vibe. Paul Tas is a really interesting creator. But this is the one device I’ve been waiting to get hold of. Mainly for the ‘plum’ CV input mode which creates these wonderful flute like tones. Trying to work out how the different controls interact is quite a task as the functionality changes for each mode. I’m not a great fan of the ‘clips’ for patching as they are really fiddly. The build quality is fantastic though. Very solid and tidy.

Anyways, this is sending the main output to the Plum mode, with use of the drone and FM modes too.

Etherealizer is adding delay, reverb and +octave granular."

Vintage Vocoder w/ Bigfoot Music Sticker on Back

Note: links to listings are affiliate links for which the site may be compensated.

This one was spotted and sent in via
M Me.

via this eBay listing

"Superb vintage Vocoder unit.

Unable to find out much information online about this to be honest - there's a 'Bigfoot Music' sticker on the back, but I'm pretty certain that was probably a shop rather than the maker.

I have tested the 'Speech' side and it was all working fine, sounds great!

I couldn't get a sound from the right side (ex.) but I'm no expert on these so maybe it's just a case of flipping the correct switch.

I also haven't tested the rear inputs/(outputs?) as I'm not sure what they're for.

Great chance to own a rare piece of vintage music gear!"

If anyone has any additional information on this one, feel free to leave a comment below. It almost looks DIY.

CLICK FOR MORE »

M-VAVE FM-1 Synthesizer | All 128 presets (No talking)

video upload by e y l v y

JADE Is Here! | First Look at the Roland JD-990 Emulator

video upload by Autodafe

"Today I'm taking a first look at JADE, the brand-new Roland JD-990 software emulator developed by The Usual Suspects.

In this video I'll give you a quick overview of the project, explain how to get access to the current alpha, and let you hear a few sounds from this amazing emulation.

If you enjoy vintage Roland synthesizers, this is definitely a project worth following!

The Usual Suspects
https://theusualsuspects.io/

Donate to get access to the Alpha on Discord:
/ discord"

Roland JD-990 Lives Again! | JADE Demo Songs (No Talking)

video upload by Autodafe

Reliq Review & Demo: The Ultimate Hybrid Control Surface?

video upload by Starsky Carr

"Gear featured in this patch:
Reliq hybrid control surface/sequencer/mixer
Erica Synths Black Wavetable VCO
Erica Synths PolyVCF (multi-mode filter)
[Knobula] Drum Farm percussion module"

"Reliq review & full demo: the hybrid control surface that's a 16x16 analog patch matrix, mixer, sequencer and two-way Ableton/Bitwig controller all in one box. Here's exactly how I use it in my rig.

Reliq calls itself a "hybrid control surface" because it's really four or more machines built into one unit: a 16-in/16-out analog audio & CV patch matrix, a mixer, a deep polyphonic sequencer with per-track LFOs and envelopes, and two-way DAW integration with Ableton Live and Bitwig. On top of that there's Song Mode, which lets you snapshot entire patch/matrix/sequencer states into blocks and chain them together for a full arrangement.

Rather than trying to cover every single feature (it's genuinely as deep as trying to demo all of Ableton or Logic in one video, and it keeps getting free updates - v1.8 just dropped), I'm showing you how I've actually used it to build the patch and track in this video, so you can see how the pieces fit together in a real-world workflow.

Timestamps:
0:00 What is Reliq?
2:46 How I'm approaching this review
3:24 Hardware tour - screen, encoders, joystick, I/O
6:11 The 16x16 patch matrix
9:28 The mixer
11:00 The sequencer (tracks, automation, ratchets, probability)
17:08 Chord mode deep dive
21:00 Clip follow-up modes
21:38 LFOs & envelopes (128 per track)
24:41 DAW control mode (Ableton/Bitwig integration)
28:50 Song mode - blocks & snapshots
33:26 Settings menu
35:09 Full Demo Performance with Description"

OAK Sampler Sampling and Effects (ASR-10 in Hardware)

video upload by oak sampler

"I love the ASR-10. I’m building a new hardware sampler inspired by the ASR-10. It can run the original Ensoniq ASR-10 OS and effects algorithms. This video shows sampling from external inputs and applying effects. Note the ASR-10 can live preview effects during sampling. This uses: Michael Sembello’s Maniac sample into Peele horror.

waitlist is open for the OAK-S37
www.oaksampler.com

Music: “Maniac” Michael Sembello, Written by Michael Sembello and Dennis Matkosky © Respective copyright owners

#ASR10 #ASR10Hardware #Ensoniq #HardwareSampler #Sampling #Synthesizer"

See the OAK Sampler label below for additional posts.

Poly Evolver Synthesizer Discussion and Demos

video upload by Noel Sharp

"The Dave Smith Instruments (Sequential) Poly Evolver is one of the greatest hardware synthesizers ever made when it comes to sound design flexibility and versatility. It allows you to get "out of control and beyond acceptable" in a way very few other synthesizers can. I'm very pleased to have one in my studio and I have no plans to ever sell it!

Jameson Nathan Jones • The Poly Evolver is wonderfully weird... a... [posted here]

Blush Response • DAVE SMITH'S MOST INTERESTING SYNTH [below]

00:00 Intro and Opening Discussion
03:24 Sound Demo 1
05:17 Sound Demo 2
06:59 Sound Demo 3
09:37 Sound Demo 4
12:39 Sound Demo 5 and Final Discussion"

DAVE SMITH'S MOST INTERESTING SYNTH

video upload by Blush Response