VIVALDI - Autumn Part 1 on SIX (5) ARP Odysseys

video upload by Richard Payne

"Been having a pop at Autumn Part 1 these last few days and this take I recorded (take 111!) has come out slightly 'dystopian' sounding and synthy. Have pushed the filters a bit more. There’s a bit of overdrive in places and some wobbly 'pitchy' stuff happening. But lots going on and lots of things to remember to do. Or not to do. This take here was only the 4th time I’d made it to the end, and the first and only without completely ballsing it up.

Odyssey #3 was briefly back in the fold last week and was ably handling the sub bass part all on it’s own, but it started going wrong again and has been taken back to the repair shop. So to cover that part here, I’m bringing in and out oscillator 2 on Odyssey #6, which is set to a square wave an octave down. I’d say a good 80 of those earlier takes that I mucked up were ruined by me forgetting to do this, or doing it badly, or at completely the wrong time. There’s a 'high jeopardy' patch change happening on Odyssey #1 too which I liked to get wrong, transitioning from a short filtery harmony part at the beginning to a long square wave lead line for the slow bit towards the end.

As before, I got the Midi parts online and processed them in Ableton Live. I combined and reduced them down from the 24 orchestral parts to the 5 here. Fixed up a few dodgy notes. Probably added a few of my own. Then I tempo matched to an orchestral performance of the piece, which is probably the fiddliest and most time consuming bit. There were a few more evenings messing with note lengths and refining the tempos further. So, I’ve been using Korg’s Odyssey plugins up to this point in the process, slouching on the sofa on my laptop, but the next step is to move into my little music room and to practice on the actual ones. Spent a couple more evenings working things out there and then a couple of days trying to film a good run through.

It’s certainly tricky trying to adjust each part as dynamically as I’d like when they’re all coming at me in one big terrifying lump. I’m not mixing or even EQ’ing afterwards so I’m battling to keep a good audible balance between the synths as I go. If I get too involved or too “two-handy” on a synth for too long, I’m neglecting the other four and I’ve missed 5 other things I wanted to do. So I’m relying quite a lot on the Decay slider in the envelope section, as it seems to offer a one-stop dynamic shop that I can adjust on two synths at the same time. I’ve modded all of the Odysseys to have a free-running LFOs also, so I can introduce a slow LFO to the filters to keep them shifting about on their own whilst I adjust something else elsewhere.

I have started re-recording these pieces 'properly', one Odyssey at a time, with view to putting them up somewhere for streaming or perhaps even pressing them onto vinyl. Would sound good on record I reckon. You reckon? And I have a whole shelf full of peculiar synthesizer albums from the 60’s and 70’s that it would be an honour to mingle with.

But hey, thank you so much, everyone who showed up and watched the last video. For all the views and subscriptions and above all, the kind and encouraging comments. That was nuts. I didn’t know you lot were coming! Absoutely amazing and thank you sincerely again.

Oh, to wrap up, here the Odysseys are going balanced out into a Behringer ADA-8200 Interface, which is optically connected into the Adat In of my UAD Apollo. They get their 5 channels of Midi note on, note off information down USB from Ableton Live which is in turn recording the audio coming back. I added some Hall Reverb from Arturia’s LX-24 but nothing has been EQ’d. It’s all how it comes out of the lovely boxes. I did however have a Limiter on the main channel, to put a bit of a lid on some of the more feisty bits.

Toodles!"

Arturia x Perfect Circuit Polybrute 12 Sound Design Demo + Masterclass

video upload by Perfect Circuit

"On May 16th, 2026, we hosted the Arturia team in our Burbank, CA showroom for a special presentation by Matt Piper, professor of synthesis at the Los Angeles College of Music. In the video, Matt explores the formidable capabilities of Arturia's Polybrute 12, covering everything from its core signal flow and expressive controls to in-depth sound design and patch creation.

00:00 Intro
00:34 Polybrute 12 Overview
02:16 FullTouch Demonstration
04:25 Poly Aftertouch Demonstration
05:27 FullTouch Demo Part 2
07:55 Modulation Matrix
09:24 Morphée Controller Demo
10:50 Morph Knob Demo
13:55 Morph Edit Options
15:02 Knob-per-function Layout
16:48 Sequencer/Arp Patch Playthrough
18:47 Panel Recall
20:09 VCO Section Intro
20:39 Ladder Filter Intro
21:57 VCO1 Demo
23:47 Metalizer Demo (Wavefolding)
26:27 Ladder Filter Self-Oscillation
27:35 Steiner Filter Demo
29:14 Brute Factor Demo
31:06 Parallel Filtering
33:28 Sub Oscillator
34:06 FM VCO 2 - VCO 1
35:34 Oscillator Sync (Hard Sync)
36:38 Filter FM (VCO 2 - Steiner Filter)
38:12 Noise FM - Ladder Filter
40:25 Parallel Filter Metallic Percussion Patch
41:39 The Most Realistic Accordion Patch
43:32 Party Drop

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
Perfect Circuit is an independent electronic instrument shop with an online store at https://www.perfectcircuit.com/ and a Burbank, California showroom at 2405 Empire Ave. We're open seven days a week, 12-8 PM, and our entire inventory is available to try out in person. Get your hands on the most excellent analog and digital synthesizers, effect pedals, Eurorack modular synths, drum machines, recording gear, and more!

Learn about electronic music, techniques, and gear on our blog, Signal: https://www.perfectcircuit.com/signal"

Getting lost in music is always the answer! 👏

video upload by The Galaxy Electric

https://thegalaxyelectric.com

"This week has been full of challenges, but so far we’ve kept our wits about us as we survive them all.

We may still not have any clearer path to our studio being set-up, but that will never stop us from making a fresh patch on the Buchla and carrying on!

More updates to come…

#thegalaxyelectric #modularsynth #buchlamusiceasel #cirklon #dawless"

Morphor ECHON 6 #3 | Winterdagen

video upload by Winterdagen

"Huge congratulations to Morphor for having their ECHON 6 win the Innovation Award from Sonic State during Superbooth last week! It's such a special synth and it fully deserves the recognition ❤️

Time for another patch! For this one I made use of ECHON 6's looping envelopes and I dialed in a lot of movement in the mod matrix. One of the four polyphonic lfos is changing the decay times of the envelopes per voice. The decay times, lfo speeds and lfos that I routed to panning are keytracked, which results in unique rhythms and stereo movement for each voice. Sounds quite complex, but it really is so easy to dial in modulation like this on the super intuitive mod matrix.

Hope you like the patch and the music!"

Morphor ECHON 6 #2 | Winterdagen

video upload by Winterdagen

"This is one of the most beautiful synth sounds I've ever heard.

For this patch on the amazing ECHON 6 synthesizer by Morphor, I'm not using its exciter/synth section at all. The sound comes from its 6 BBD delay lines feedbacking indefinitely. The fact that the people at Morphor got to make BBD delay chips track pitch this well is already wild, but how they also managed to implement the super special glide you're hearing in this patch is beyond me. It sounds so alive!

I made use of ECHON 6's super intuitive and extensive mod section to give this patch some movement; with some LFOs I'm slowly opening and closing the filter in the feedback path and moving the voices in the stereo field. I applied keytracking to the LFO speeds making sure that each voice has different movements and a different place in the stereo field. I love that you can route keytracking to anything on ECHON 6.

I did use a fair bit of Valhalla Vintage Verb for this patch as the synth doesn't have an internal reverb. A gliding patch like this really benefits from some time based effects.

Every time I sit down with ECHON 6 for a bit, a new sound that I've never made on any other synth arises, it's so cool! I've made a lot more music with it and I'm super exited to show you.

I'm off to Superbooth now, I''ll be back with a new video next week! If you happen to be at Superbooth as well and want to say hi, feel free to shoot me a message on Instagram."

Buchla TTA 296T | Episode 17 | Jailbroken

video upload by Cinematic Laboratory

"I've been preparing to sell my 296T this week, because it's too big, I rarely use it and I do not like the nasal and harsh resonant character too much. Sure it's personal, because the 296T is a faithful recreation of the original classic model (and it also sounds like the more modern LED version 296e). I've explored the module in many videos, but best results were achieved when I patched my Mellotron in it (see 207T video in playlist).

I've been browsing youtube for patch examples, to do a final check on true Buchla versions, because maybe I overlooked something. I did not, it is what it is and I can either accept it, or sell it. In either case I need to stop whining about it. But then I found a cool video from the Sonny Downs Quartet channel, where a simple dual VCO in a 'chord' setting was spectrally transferred into beautiful textures. And then I realized the 296T is eurorack and every I/O can be used. Anyway, I decided to keep the 296T after all, and this video may help to explain why."

ping thing

video upload by Memetune Studio

"The Modcan is such a plucky synth

I managed to set up a temporary working studio in a spare room so I can work while I build the new proper studio

Luckily the Neve survived the enormously traumatic move to the new place!

I've spent the week patching up the patch bays and FX units and mic preamps and monitor speakers - and re-learning the mysteries of MADI and MIDI routing"

Genki Instruments Katla #2 | Winterdagen

video upload by Winterdagen

"Here's another patch on the gorgeous ‪@genkiinstruments‬ Katla synthesizer.

For this keys patch I made use of Katla's voice rotation, with one of 5 voices tuned an octave higher than the rest, resulting in unpredictable pitch jumps in the melody, which I love. I didn't make use of Katla's oscillators for this patch, in stead the sound is coming from the filter with the resonance fully up, which tracks pitch very nicely when tuned with the simple calibration mode of holding down the two filter mode knobs.

I'm a big fan of these singing filter sine waves, which always feel a tiny bit unstable which makes them sound magical. To top it off I'm modulating the panning of the voices, I blended in some of Katla's lovely noise for some warble and I added some of the amazing internal reverb, which reminds me a bit of my Vongon Ultrasheer. I love this sound so much and I've never heard any other synth make it quite like this!

You don't see me playing the keys in the video, but I played this patch for hours, instant inspiration really. This melody is came out of that improvisation.

Thank you for watching!

ps. sine waves generally don't translate all that well on phone/laptop speakers, so speakers/earbuds/headphones advised.

Katla is shipping as of this week, find more info at: https://genki.is/"

Morphor Radical Acoustics / ECHON 6 / first moments, touching base

video upload by BRiES

"Last week Boris from ‪@morphor.radical.acoustics‬ explained in a lot of detail how to operate this huge and deep machine - unfortunately I only remember a few of the basics. Nevertheless I wanted to create some kind of patch before diving head first into the manual for ECHON 6.

(a bit of reverb and stereo delay were added in post-production)

To be continued..."

You can find additional posts featuring the Morphor ECHON 6 here.

Synthesizers.com Q106 & Q106A Oscillator Modules Back In Production

video upload by synthesizersdotcom

Hosted by Roger Arrick of Synthesizers.com back in 2017.

via Synthesizers.com

"This week, we’ve officially begun production on our Q106 & Q106A Oscillator modules! Here’s everything you need to know to get even more excited:

Q106 Oscillator

The Q106 Oscillator is the foundation of any synthesizer providing the basic waveforms used to construct sounds. With a total range of .05hz to 20kHz+, the Q106 operates as a powerful audio oscillator and a full-featured LFO. Check out the Q106 Oscillator Patch Trick video [posted here]

Q106A Oscillator

The Q106A Oscillator combines the features of the popular Q106 oscillator along with the Q141 Aid module, all in a dual-wide panel. Additionally, the Q106A provides AC/DC switching of linear and exponential frequency inputs.If you already have a Q106 oscillator, use the conversion kit.The Q106A is compatible with the Q161 Oscillator Mixer."

CLICK FOR MORE »

Bizarre Love Triangle/New Order (Circuit Tracks & MiniDEXED version)

video upload by Guinan

"‘Bizarre Love Triangle’ from 1986 is first off the rank for my ‘New Order February’ recreations.

I love this perfect slice of dance-synth-pop and I was keen to get the DX7 bass intro as close as I could. Earlier this week I’ve been showing the tiny $75 Raspberry Pi synth, MiniDEXED, that I built to add this vital ingredient. If you are interested check out the video showing more details, • I made a synth for $75* ! (*excluding tar... [posted here]

A couple of very clever folk identified what I was cooking up!

The MiniDEXED was sequenced from the MIDI tracks on the Circuit Tracks and routed into the audio in to add effects from the Tracks. All that you hear was programmed into the single Circuit Tracks and no further additional synths or processing were done to the sound – it’s straight audio out recorded direct into a Zoom L6.

The arrangement was taken from several versions posted on Musescore and compressed into the 4 melodic tracks and rhythm. Thanks to everyone who posts their transcriptions there.

I hope you enjoy the track as much as I did making it. Stay tuned for more New Order recreations and reworkings for the rest of this month.

(Ableton Move version coming in just a couple of days...I'll post a link here when it's live).

CLICK FOR MORE »

Update on PlayFader 30% Off Sale & Free Worldwide Shipping

Update to this post, via Play All Day:

"Sorry, we had some issues with free shipping not being applied to orders on our webstore over the weekend. We also had a local postal system outage at the end of last week 🙄

But we’re up-to-date with orders today and free shipping is now automatically applied at checkout. Thanks to everyone for the amazing response!!!

Save 30% on PlayFader
Ends 31st January
Plus free worldwide shipping! Guaranteed!

Visit the store

play all day"
video upload by Play All Day

PlayFader PlayMates - Digitakt - Think - Jungle Breaks mash up Pt2

"Watch him first add some random fills with the Random Fun FX. Then he gets really i to it with the Roll Fun Fx to mash up the beat beyond recognition 😎

Is PlayFader the best jungle breaks mash-up sequencer? OK, big claim, and we’re not that bigheaded, but we definitely think PlayFader is one of the most expressive and versatile sequencers out there.

Don’t program your music… play it!

Patch notes:
Playfader controls the first channel of Digitakt in slice mode, with the Think break loaded. Moving the fader enables us to play different slices of the break, and the second channel plays a chord stab sample (but PF can also play lush chords over MIDI).
We add a sprinkle of Random Fun FX at the end of each bar to create some dynamic fills, then we switch to the Roll Fun FX and catch little loops at each press of Play, setting and changing the time division on the fly to mash up the beat pattern and bring the heat 🔥

He’s also using our unique Window Latch function to free up more fingers for playing. With Window Latch you don’t need to keep hold any button combos down along the top row. It’s a powerful performance feature!

PlayFader includes 7 FUN FX modes which allow you to take your patterns to extreme new places and back again at the push of a button… the FUN button!

Learn more and visit https://goplayallday.com

Love and Patches
Play All Day"

Pulsar Patch Zero

video upload by SONICrider "Sound & Vision Lab"

"A live studio Session.....
.....recorded in one go.....
.....playing the just landed Soma Pulsar 23.

This first patch is the exploration of the 3 sound sources and the on board effects & shaos, all modulated by the LFO.

Played manual, recorded rhythm and using some clock divisions,

Get your free copy here: https://sonicrider.bandcamp.com/

===== About 'Pulsar Patch Zero' =====

Last year I played the Soma Pulsar 23 for some hours at Superbooth and last week that fine instrument landed in the studio.

This release called 'Pulsar Patch Zero' is the first studio session and I like to share it with you.

At the moment planning some gigs so keep an eye on the SONICrider Instagram page: / sonicridernl

Have fun listening (and watching) 'Pulsar Patch Zero'

Take care and see you around.

Cheers, SONICrider"

WaterWork Preview 1

video upload by ParadisoModular

"This video shows a patch that I made over the last month that is all derived from independent water sounds. from I fade the straight audio in occasionally as a stereo pair, but also run it through many effects (e.g., a flanger, granular effects that give it more of a water slap sound, etc.) and fade those in and out too, plus also use the water sounds as triggers (coming from envelope followers) and clocks for lots of audio events, use the water amplitudes to affect various processes, vocode the water against chords, and also run the water sound through one of my frequency/voltage converters that is in turn quantized to a scale that works with the chords, and form different kinds of sequences through that. The water sounds drive essentially everything in this patch. Occasionally I drive my vocoded water sounds through a 'Mellotron' tracker pedal, crossfading the source between the raw and reverbed versions. And so on... - there is lots more going on in this patch. I've evolved it through several versions, tweaking different sounds and processes, and I have hours of this recorded at various stages in case I do something more formal with it. But here's a good 5 minutes of it recorded last week, to give interested folks a flavor of what it does. All autonomous - no real-time input from me - a generative patch essentially driven entirely by the water."

Ambient performance on Arturia Minifreak and Linnstrument

video upload by Fedir Tkachov Music

"A friend and colleague surprised me today by bringing his Minifreak to me to play for a week or so. I tried different engines and patch ideas, and eventually this simple idea emerged - I have the hold button on, and the cycling envelope opens up the filter, forming this beautiful fake arpeggio-sequence. On the Linnstrument side of things I use one of my own patches for alpha-beta version of OB-XF by Surge Synth team."

Linnstrument + Bass Station 2

video upload by Fedir Tkachov Music

"The plan for today was to check up on my cello, but I got consumed by this."

Arturia Minifreak with Novation Bass Station 2 and Linnstrument

video upload by Fedir Tkachov Music

"At this point I'm only curious how the things would end. Pressure is mounting, the world is an interesting place right now. Check out my second album 'No Overthinking' on bandcamp, if you're into that kind of thing."

Introducing The Mutable Challenge

video upload by Gaz Williams

"The Mutable Challenge is a tribute to the late, great Mutable Instruments, the most innovative of all Eurorack makers, who ended their journey in 2022. In this challenge, participants start with a rack entirely filled with Mutable Instruments modules and have one hour to create anything they like—be it a tune, a riff, a sound effect, or even pure noise—to showcase the unique and creative potential of these iconic modules. With official Mutable patch cables and just two other pieces of gear allowed—an Arturia KeyStep 37 and a Cre8audio Assembler mixer—participants are free to let the Mutable magic unfold.

*utility cables kindly provided by Synthcables.com

Big thanks to Tom Kirton for Yarns and to MonoJack from BeepBoop for the kind loan of Edges"

The Gaz Williams' Mutable Challenge/Tribute - Row 01

video upload by Cinematic Laboratory

"Let's just all celebrate Mutable Instruments. I met Gaz Williams ‪@GazWilliams‬ on Dutch Modular Fest (2025) a week ago. I couldn't do the test myself, but I was really inspired by his inititative. Mutable is probably the most influential brand in Eurorack and beyond. You can easily find clones that suit your budget, and nearly all modules are available in VCV. If you feel like patching along, I will share a few tips and tricks (trips) and hopefully help you find a few new happy accidents.

Opening footage courtesy of ‪@SERUMMM‬"

Ferry Island Modular - Four Seas Four-dimensional Wavetable Osc

video upload by The Green Man(TGM) + sound.report by Heiner Kruse

Superbooth25 wrapped up

video upload by Ferry Island Modular

"May 18, 2025
Last week was our first time at Superbooth as exhibitors introducing our first module Four Seas. In this video we wrap up our experience at Superbooth and feature sounds from Four Seas, created and generated by our booth visitors. Thank you to everyone who came by to check out Four Seas, it has been a genuine pleasure to see what you created with it."

Four Seas - sound teaser #1

video upload by Ferry Island Modular

"Here's a demo jam showing off a few things Four Seas can do. All sounds from Four Seas aside from the bass drum from Basimilus Iteritas Alia and the reverb/delay from Mimeophon. Hope you enjoy!

Patch notes:
0:00 - oppressive bass
0:20 - through-zero phase mod, courtesy of Dixie II+
0:45 - hi-hats/percussion using Wogglebug's audio out as a phase mod source
0:58 - swirling synths; two Four Seas outputs mixed into 3 Sisters, wave spread modulated via joystick
1:36 - awesome glitchy "open hats" triggered via Wogglebug's Burst output"

"Four Seas is a four-dimensional wavetable oscillator that transforms sound exploration into a tactile, intuitive experience. Navigate through sonic space using X, Y, and Z controls to explore wavetables as a three-dimensional cube, while the fourth dimension emerges through four related outputs with intelligent spread control.

From gentle detuning to complex microtonal relationships, the spread control offers multiple modes including harmonic ratios, prime numbers, and golden ratio proportions; everything from lush chords to experimental frequency relationships is at your fingertips. The four outputs cascade across wavetable space through intelligent spread algorithms, creating rich, evolving textures like light dispersing through a sonic prism.

The powerful modulation section features thru-zero phase modulation, phase distortion waveshaping, and bitwise XOR for complex sound design. Dual sync inputs with selectable modes, CV control over wavetable banks, and SD card loading for custom wavetables complete the package. Each oscillator pair can switch to LFO rates for modulation duties, and I2C compatibility enables integration with Teletype, Crow, ER-301, and other modules. No menus, no presets — just immediate, musical control over a vast sonic landscape."

SONIC XV 'FM Drone' - Diode Ladder Filter/Wave Folder Vs Audio-rate modulation (1 VCO) #eurorack

video upload by AJH Synth Official

"A simple FM drone using the SONIC XV Diode Ladder Wave multimode filter & wave folder from AJH SYNTH: https://ajhsynth.com/Sonic_XV.html

Video & Performance by @DreamsOfWires

The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Official website page: https://ajhsynth.com

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."

MUTING MIXER & VCA Jam w/ V-SHAPE wave shaper/folder #eurorack by AJH Synth

video upload by AJH Synth Official

"The V-Shape is a wave-folder/wave-shaping module, and also features a distortion circuit, with full CV control - it can make a single VCO sound a lot more interesting. The Gemini also features here, using both of its 2 VCFs and shared CV control to filter the same input signal separately.

Video & Performance by @DreamsOfWires

The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."

LFO/LFO (Circuit Tracks Version)

video upload by Guinan

"This week’s track is a version of the classic 1988 Warp records release ‘LFO’ by the UK Leeds band, LFO. Seen at the time as part of a genre then known as ‘bleep techno’ it was characterised by hard, uncompromising electronic minimalist industrial techno tracks such as this.

I’m hoping I’m not the only one who remembers and loves this track! If you like this try and find 'Testone/Sweet Exorcist' in a similar style - possibly one for a future cover too.

More details for synth nerds

I already had some ‘Speak & Spell’ samples I’d downloaded years ago so this was a great starting point. I had separate samples for the “L”, “F’ and “O” and I thought it would be fun to throw in one of the starting noises the toy makes when switched on. The same toy is featured on Kraftwerk’s ‘Computer World’ album so the sound will be a familiar one.

The main chord sequence comes from a Kawai K1 preset patch. Luckily there is a free fantastic software synth emulation of this keyboard available online so I was able to create a sample for the repeating chords. The emulator can be downloaded from the following page,
https://www.nilsschneider.de/wp/categ...
I’d encourage you to leave a donation for the author if you find this emulator useful.

All of these samples are sequenced alternately on the Drum 4 track.
There is a single repeating rhythm pattern using 909 samples played on Drum 1-3.
Synth 1 plays an FM-sounding bass patch, and Synth 2 is a representation of the staccato bleep sound (a small amount of pitch envelope helps recreate the original sound). Add lots of reverb and voila!"