Moog Memorymoog Lintronics LAMM

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via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

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TiNRS Bopp & Steve launch! Demo and Q&A livestream

video upload by This Is Not Rocket Science

"It's been a long time coming but here they are BOPP & STEVE our deconstructed reverb SPACE module

We will talk a bit about the development and Stijn will guide you through all the corners of SPACE region by region. Grab some tail for this demo.

Freestyle patching at the end"

See the announcement post here.

Geometric Anomaly | by This Is Not Rocket Science

video upload by Cinematic Laboratory

"The Geometric Anomaly earned SonicState's 'best of modular' on Superbooth 2024 so I am proud to present it to you. However...
Only 50 were made and some are 'reserved', whatever that means.
So how does this work?

TiNRS is basically Stijn and Priscilla Haring-Kuipers from Amsterdam so it's a small independent manufacturer with limited resources. Stijn made the Geometric Anomaly 'for his birthday', so the plan was to make only one. Then Priscilla said something like 'nice, get yourself a different present, and build a few more, like 50'. Anyway, the Geometric Anomaly is a very limited edition and time will tell how limited it really is. If I am informed correctly, they ran out of parts to build more.

I am a big fan of TiNRS, so I bought one and I'll treat it as any other new module worthy of a cool video.

TiNRS likes to perform live, and usually they had to drag a big Fenix IV modular synth to a gig. The Geometric Anomaly is a slimmed down mini Fenix with two VCO's, ADSR envelope generators and filters. One SVF, one Ladder. It looks like a complex VCO, but I'd describe it as a 'live performance synth' that's made to tweak on stage. It can make huge sounds with minimal effort but it also provides plenty of resources to go 'complex' if you really want to. It may not be 'best of modular', but I think it deserves the predicate 'best new VCO for live performers'. But I am biased, so just listen and decide for yourself.

I could use the fortcoming 'Bopp & Steve' effect module in this video, but I need to emphasize that it's a prototype and there's still a lot of work to be done because the planned DSP chip was recently updated and a rewrite is necessary. I'll keep you posted."

This Is Not Rocket Science Geometric Anomaly launch! Demo and Q&A livestream

video upload by This Is Not Rocket Science

"Our AWARD WINNING full analog voice with two of everything
Join us as we launch this set of sounds into the world"

Also see SUPERBOOTH 2024: This Is Not Rocket Science - Geometric Anomaly

ARP Odyssey Proportional Pitch Control PPC Modification Kit

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Tone Tweakers Listings

"This upgrade kit was made to replace the pitch bend rotary pot in the early vintage ARP Odyssey mk 1 or 2 with the later mk 3’s unique proportional pitch control pads. This kit appears to be new and is untested and being sold as is, though we imagine anyone with the skills required to install this kit should also be able to troubleshoot it - it’s not rocket science. It may be possible to install this kit in another synthesizer as well, if you’ve got the skills and knowledge to do so. People without those skills should not be attempting to modify vintage synths. We have 2 of these, search our other listings for the other."

CLICK FOR MORE »

SynthFest France 2024 Presentations

video uploads by SynthFest France

Use the player controls to skip to any video.

Playlist:
Baloran demo | SynthFest Replay 2024
Sequential demo - Chris Calcutt | SynthFest Replay 2024
Arturia AstroLab demo - Fred Renaudin & Wally Badarou | SynthFest Replay 2024
Korg demo - Michel Deuchst | SynthFest Replay 2024
Schmidt Synthesizer demo | SynthFest Replay 2024
The sounds of Dune 2 - Expressive E - La Voix du Luthier | SynthFest Replay 2024
KApro demo - Kurt Ader | SynthFest Replay 2024
Dualo demo | SynthFest Replay 2024
This Is Not Rocket Science demo | SynthFest Replay 2024
Novation demo - Chris Calcutt | SynthFest Replay 2024
Nord demo - François Bréant | SynthFest Replay 2024
Larix Elektro demo | SynthFest Replay 2024
Kodamo demo - Masami | SynthFest Replay 2024
Joranologue demo | SynthFest Replay 2024
Embodme demo | SynthFest Replay 2024
Bvr-Instruments | SynthFest Replay 2024
Université d'Angers demo - Open source synth | SynthFest Replay 2024
Theresyn demo - Cynthia Caubisens / Nori Ubutaka | SynthFest Replay 2024
Plural Modular Synthesizer - Jérôme Bridonneau | SynthFest Replay 2024
Man Behind The Machine demo | SynthFest Replay 2024
Demo L1V3 | SynthFest Replay 2024
Touellskouarn demo | SynthFest Replay 2024
Rythmicomputer story - Yves Usson / Michel Geiss | SynthFest Replay 2024

SUPERBOOTH 2024: This Is Not Rocket Science - Geometric Anomaly

video upload by sonicstate

"At Superbooth 2024, Stijn from This Is Not Rocket Science showcased Geometric Anomaly*, a new module that unexpectedly came into existence as a birthday present for the creator. This dual oscillator synthesizer voice is a spiritual successor to *Rectangular Thing and incorporates lessons learned from the production of the *Fenix*. Featuring two filters, two envelopes, and a variety of modulation inputs, the Geometric Anomaly offers a comprehensive sound palette with unique cross modulation options. The state variable filter from the Fenix adds versatility to the sound design by enabling spectral morphing and raw, dynamic textures that can be tamed with the final low pass ladder filter.

For a limited production run of 30-40 units expected in July, the Geometric Anomaly is priced around 700 Euros, with potential adjustments due to inflation.jn

https://www.thisisnotrocketscience.nl/"

Brinta from Error Instruments is Granular Gratification

video upload by NOISEBUG

"In a slight deviation from the standard chaos coded modules from @errorinstruments, Brinta, a collab with This is not Rocket science is one of the most immediate, playable a beautiful sounding granular Modules available.

https://www.noisebug.net/products/err...

With the record button left engaged you will very quickly realize the simplicity that Brinta offers at deconstructing sequences and loops in real time. Smear, rewind and add extra grains. CV control over all parameters. It even includes save slots which is great for repeat performances.

Learn more at Noisebug.net or find Brinta on our Reverb page"

SynthFest 2024 Set for April 18 w/ Raffle

video upload by SynthFest France

"Thank you to all of the exhibitors at SynthFest 2024 who will receive a prize in this tombola for the annual deal for all the passions of synths and modules."

"► Billetterie: www.synthfestfrance.com
► 20 lots / 2000 tickets / plus de 10000€ de lots
► 10€ le ticket
► Entièrement en ligne. Pas la peine d'être présent au SynthFest pour gagner un lot.
► Fermeture de la billetterie : 18 Avril 2024

Merci à tous les exposants du SynthFest 2024 qui font encore une fois de cette tombola le deal de l'année pour tout les passionnés de synthés et de modulaires.

1e prix - Expressive E Osmose
2e prix - Kodamo EssenceFM MKII
3e prix - Haken Audio Eagan Matrix Eurorack
4e prix - Kiviak Wofi
5e prix - Paire d’enceintes Nord Piano
6e prix - Korg Keystage 49
7e prix - Arturia MiniFreak
8e prix - 1010music Nanobox Tangerine Desktop
9e prix - Novation Circuit Tracks
10e prix - Projet Home Studio pack Mix / Mastering
11e prix - Hlabs EQ169 API 500 module
12e prix - Kaona Skippy Eurorack module
13e prix - Faselunare Vega Eurorack module
14e prix - BVR instruments TS1 Eurorack module
15e prix - This Is Not Rocket Science Ardabil
16e prix - Piano LED Plus 2024
17e prix - Fred's Lab Zekit Assembled
18e prix - Morphor Plectrum Eurorack module
19e prix - Joranologue Route 4 Eurorack module
20e prix - KR Home-Studion 1 an d'abonnement"

Error Instruments Brinta - playing with my voice

video upload by Molten Music Technology

"Spent some time feeding my voice into the Brinta from Error Instruments and This is Not Rocket Science. It's a wonderfully weird and sometimes comical module that won't fit in your patch but will spill out awesomeness all day long."

This Is Not Rocket Science Procedural Sequencer Launch

video upload by This Is Not Rocket Science

"It's Tuesday time! Finally our procedural sequencer is relaunched
NextTuesday is here
our beloved melody making module
We will demo and play and answer any questions you might have"

The Blue Marble Synthesizer Project Plans to Put a Music Synthesizer Controller in Space

video upload by Physical Synthesis

Blue Marble Synthesizer Project: Andrew Huang


Physical Synthesis, the makers of Cicada, wrote in to let us know of a new project soon to be seeking funding on Kickstarter.

I asked them what the platform would be based on. They replied:

"The web-based interface will be an adapted version of Patatap to which we’ll add a video feed and other interactions that will be possible to trigger inside the space capsule (i,e agitate the marble by turning on a fan, LED array, microphone, speaker, etc).

The space capsule has a set of different elements that allows to change the position of the physical marble floating inside the zero-gravity chamber (a set of sensors that calculates the position, a fan that agitates the position of the marble, a microphone that records those interactions, etc). All that data is then being sent back to us on earth (or in reverse sent to the capsule from earth using the Live mode). In other words, the web-interface receives data/interactions from the capsule and the Live mode allows to send data/interactions directly to the capsule. Lastly we’re building a VST plug-in allowing to receive MIDI and hook up data directly into your DAW or other synth."

In short the interactive hardware controller w/ microphone to capture audio is in space, while the synth engine and processing is done on earth.

Addtional details from the Kickstarter/Press Release follows.



The Blue Marble Synthesizer is the first-ever music synthesizer that can only work in space and that is playable from here on earth. It’s a synthesizer for making music and experimenting with sound. The system consists of a pressurized capsule in a low earth orbit satellite, a network of sensors, and a web-based interface for people to play with here on earth.

1. The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. It measures the behavior of a marble floating in a zero gravity synth capsule and sends sensor data, audio feed, and video feed back to us on earth.

2. The Web-Based Interface is an interactive and self-contained web audio synthesizer designed for everyone. Through a collaboration with the creator of Patatap, this application blends interactions from the Blue marble Synthesizer Capsule data with a traditional interactive music synthesizer. This web-based interface is a way to explore the interactions between the Blue Marble Synthesizer Capsule and people’s own musical creativity.

● When does the space mission start?
The Kickstarter campaign is set to start on Wednesday, October 4 for 30 days until the rocket launch which is set for Wednesday November 1 aboard the SpaceX Falcon 9 Rocket. Once in orbit, the Blue Marble Synthesizer Space Capsule will be rotating around earth every 90 minutes.

● Why does this project matter?
The Blue Marble Synth Project is intended for all those who share a passion for space, music, and the intersection of science and art. Music has always been a universal language that transcends cultural barriers, connecting people on a deeply emotional level. By introducing a music synthesizer to space, we expand the horizons of artistic expression and create a new dimension for human creative endeavors off-planet.

● What is the experience like for supporters?

1. Two primary ways: people will have the chance to make music with the audio and the data captured by the Blue Marble Synthesizer in two primary ways: through an interactive web-interface or via a VST-plug-in. Some supporters may also have the chance to play and interact with the system directly in space.

2. The Blue Marble Web-Interface: is a self-contained web based application that works from here on Earth. Inspired by Patatap, this application blends interactions from the Blue Marble Synth Capsule Data with a traditional interactive music synthesizer.

3. The Blue Marble VST Plug in: this feature allows to receive MIDI and control data from the Blue Marble Synth Capsule to use with other digital synthesizers and digital audio workstations such as Ableton LIVE, FL Studio, Presonus Studio 1, etc.

● Who are the artists involved?
Andrew Huang, Benn Jordan, Trovarsi, and MAYSUN, are invited artists who will compose original music with the Blue Marble Synthesizer during this orbital mission. They each possess the adventurer's spirit that we believe is at the heart of this project.

Andrew Huang
We are thrilled to have Andrew Huang, the YouTube phenom and Toronto-based artist join the Blue Marble Synth Project. As a highly acclaimed music and video producer, Andrew's unique ability to seamlessly blend diverse musical styles with captivating visuals aligns perfectly with the innovative vision we seek to bring to life. His creativity, coupled with his commitment to pushing artistic boundaries, makes him an invaluable addition to this project

These 4 artists will compose original music using the Blue Marble Synthesizer and the resulting tracks will be released for project supporters on an exclusive LP post-mission.

● What else can supporters get by supporting?
Beyond accessing the Web-Based interface and Artist Album, supporters also get access to a range of branded Blue Marble Synthesizer merchandise designed by Physical Synthesis. The collection features a sticker and mission patch, hoodie, t-shirt, cap, tote bag, and more.

● What goes inside the Blue Marble Synthesizer? Technical Breakdown
The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. The module allows supporters to receive data so they can control other synths and interfaces as well as initiate actions that affect what happens inside the capsule

1. Zero Gravity Dynamics: to make the Blue Marble Synthesizer an instrument that can truly work in space, it requires harnessing the power of zero-gravity. To do this, the synthesizer relies on interactions between a spherical piece of glass – the blue marble – and an array of accurate laser sensors that measure the distance and location of the marble as it floats around a small pressurized chamber.

CLICK FOR MORE »

LFOs, Drums & Craziness! Wobbler2 from This Is Not Rocket Science

video upload by DivKid

"This video was meant to be a quick exploration of the new drum mode but then you get making music and that inspires more music and then you find some fairly crazy interesting behaviour and well … you have to dive in right? Well I do!

So here we have a fulsome look at the Wobbler2 from This Is Not Rocket Science which has all the same LFO features as the original Wobbler (see my original Wobbler video below for a thorough run down of all things wibbly wobble LFO) plus a whole new drum mode. The video comes in four parts (see the chapter markings below) with a quick exploration of the LFO mode, then a deep look at both the drum synthesis and sample playback then we get into beat making and pushing the drum modes before delving into a wild world of drum drones, weird filters (not a filter, but you can think of it like one), hard sync VCO like behaviours and wavetable style tonal morphs!"

Original Wobbler LFO Video

Superbooth 2023: This Is Not Rocket Science - Bopp And Steve

video upload by sonicstate

"We spoke to Stijn from This Is Not Rocket Science at Superbooth 2023, who showed us their new flagship module called Bopp and Steve Deconstructed Spatial Effect. The module is a combination of a reverb, delay, pitch shifter, and diffuser, all mixable and matchable to create a customized reverb. The signal input hits a diffuser for early reflections, a delay for pre-delay, and a reverb tail for a glossy reverb with a shimmer effect. There's also a chord pitch shifter which can be controlled with polyphonic MIDI pitch shifting for playing chords with reverb tails.

Although it is still currently in development, Bopp and Steve is already festooned with 16 knobs, a bunch of CVs, and promises more effects to come, including more reverb tail types.

Available: Winter 2023. Price: around 440 Euros"

"Bopp & Steve Space Effect

With this module every sound is bigger on the inside and we can finally know how many angels fit on a pin-header. Between the input and the output your soundwave is shot through space and changes occur. BOPP & STEVE let you in at different points to tweak and trim their spatial effects until you find the exact place in the universe you were looking for. BOPP & STEVE reverberates, diffuses, delays and shifts pitch of whatever you send into it. Based on a deconstructed audio path and intricate DSP these fabulous sounds come alive. We connected the virtual with physical reality. Making an instrument by giving you tangible parameters, connecting your fingers to bits floating in space.

PITCH
Pitch modes let you shift pitch chromatically (regular) three notes at time (chord) or detuned and unquantized (free). The chord mode is unique as far as we can tell. All modes are CV and Midi controllable. This is where we stuck all the angels on the pin-header. Following the note of your input a choir of harmonious notes will start sounding. Instant etherealness. With Pitch Point you select a point in the audio path where the pitch gets shifted. Pressing the Pitch Point LED button you will see little LEDs turn on (and off) at the wet input point, the diffuse point, the delay point, the tail point, wet output and dry output point or even on the feedback of the delay point. Transpose lets you set how far you transpose from -2 octaves to +2 octaves. Control gives you control over something else for every pitch mode. In Regular mode it lets you control inertia, in Chord mode it lets you control chord type and in Free mode it controls detune.

AUDIO PATH
The audio path in BOPP & STEVE is input – diffuse – delay – tail – output. Diffuse smears your sound over time which seems to change the shape of the space you are in – and has its own Flavour setting you can tweak. Delay holds your sound over time which seems to make the space you are in bigger. In the Tail the diffuse and delay of your sound merge together and travels into infinity. A Main knob lets you set the wet/dry mix of all these spatial effects on your output. The Envelope of the dry audio path has its own tracker output that you can invert with the knob besides it. For the Delay effect you can choose between bouncing between left/right (pingpong), a supershort Karplus-Strong physical model (waveguide) or staccato repetition (multitap). You can tweak the Length, Feedback and Pattern of these delay modes. The tail can be smoothly tapering off (dense), coming and going (float) or choppy and granular with space in between (sparse). You can tweak the Length, Chorality and Temprature of the different tails. Freeze holds the sound in the Delay and the Tail so they become infinite.

ORIGIN
The heritage of BOPP & STEVE starts with a reverb that Stijn has been working on since the 2000s. A version of it is in the Fenix IV Dual Delay as the Reverb mode with a “chunky shimmer and a phat detune”. Stijn has further deconstructed their Early Reflections into two parts (Delay and Diffuse) and created three types of Tail (Dense, Sparse, Float). At Superbooth23 we are presenting a prototype. The hardware is 99% settled, the software is mostly functional but not yet feature-complete and not all glooped together yet. We expect to produce modules before the end of the year so everyone can have BOPP & STEVE for Christmas.

Sales price will be 440 EUR inc tax."

via http://www2.thisisnotrocketscience.nl/eurorack/bopp_n_steve/#

New Module: Making Sound Machines - Farbshaper. Classic Analog Waveshaper in 4HP

video upload by Making Sound Machines

"Getting ready for #superbooth 2023! Really excited to see all our friends and fellow makers again!

This year, we will be introducing our brand new Farbfilter series, and the best thing is, we have a small batch of DIY kits packed! If you join our workshop at @superboothberlin, you can solder the DIY version with our lead engineer Enrica and be the first to get your hands on one of these modules!

In this video, Enrica is playing the #Farbshaper - a classic westcoast analog #waveshaper for Eurorack, designed to add overtones with two CV controlled stages. This module is a non-linear shaper, and it's perfect for electronic and acoustic sounds, ranging from gentle timbral transformation to colourful wavefolding in 4HP.

In this patch, we're sending a MIDI sequence from Stolperbeats to the @WeAreElektron Model:Cycles, with the audio from Model:Cycles processed through the left Farbshaper. The module gets some extra CV modulation from Stolperbeats' envelope out, generating velocity curves from the drum pattern.

The bassline is a pulse wave from @apolloview9305's fabulous Allscillator complex VCO (kits available from @ThonkSynthDIY ), its pitch sequenced with This is Not Rocket Science's @thisisnotrocketscience3942 Tuesday procedural sequencer - a fantastic module that keeps on cropping up in @DivKid clips. The pulse wave is folded using the righthand Farbshaper, with CV input from TiNRS Tuesday's velocity and accent out.

Enrica is tweaking Farbshaper's Gain, Fold and Pleat parameters. With CV patched, Farbshapers knobs become attenuators for the incoming voltage. The little oscilloscope is the awesome battery-driven Korg NTS-2, which came with a lovely book by @BJOOKS on @KorgOfficial synthesizers.

The Model:Cycles sounds are derived from a factory patch, so shout out to @sm0hm and the Elektron team for the lovely and inspiring FM synth they created and also check out Ess' awesome new max4live stuff at @ForsFM!

Find out more about the modules here: https://makingsoundmachines.com/farbf...

More info on the workshop:

Saturday 13.05.2023,
11:00 am – 3:00 pm
Superbooth DIY Area
Berlin

https://www.superbooth.com/en/events/

Or join us on Sunday for the DIY afterparty:

Sunday 14.05.2023,
ca 5:00 pm
DIY Kit Day
Klunkerkranich
Berlin"

Farbfilter is a classic analog transistor ladder lowpass filter for Eurorack. It is a staple of subtractive synthesis and famous for its rich warm sound. We enhanced its palette with a colourful drive and CV controlled resonance.

CLICK FOR MORE »

White Rabbit 🐇 sing down the rabbit hole

video upload by This Is Not Rocket Science

"Our fabulous collab with @paultasbeeb White Rabbit 🐇 spatial effects module
Dry voice patched into White Rabbit only"

TiNRS Wobbler2 jam with Mandrake and Pony VCO

video upload by Molten Music Technology

"A bit of a play on the This is Not Rocket Science Wobbler2 with the Malstrom Mandrake on kick and the Pony VCO making tunes through the British Noise Engineering Grit filter."

This Is Not Rocket Science Wobbler² launch! Demo and Q&A

video upload by This Is Not Rocket Science

"Join us to send out our new Wobbler² with love.
We will demo our LFO & drumsynth module and answer any questions you may have.
Livestreaming from 19:00-20:00 Amsterdam time
and then we go have cake 💋"

Designing the Fenix! // This is Not Rocket Science, Stijn Kuipers // Synth Design Podcast

video upload by Synthux Academy

"Synth Design Podcast face to face with This is Not Rocket Science in Amsterdam! This is a super special edition, after a long break (and lots of learnings on my end!).

Join me as I go into Stijn and Priscilla's home in Amsterdam, where they brought the Fenix IV to life. Sunday 5th, at 19:30 CET (Amsterdam time), we'll premiere this episode with live chat with the TiNRS team. See you there!

CHAPTERS:
02:58 - Workshop tour
15:09 - The Story Behind The Fenix Synthesizer
25:30 - Studying Acoustic Instruments
33:17 - Building Tools For Synth Building
34:46 - Making the Fenix
54:22 - Where Ideas Come From
01:00:38 - Stijn's Background
01:02:40 - Early Works
01:08:00 - Design Philosophy
01:22:40 - Synthesizer Design Process
01:25:23 - sDFM (Synth Design for Manufacturing)
01:28:56 - Streamlining Product Testing
01:32:52 - Synthesizer Interface Design
01:35:51 - Synthesizer Visual Design
01:41:00 - Answering Community Questions
01:54:03 - Budgeting and Pricing Synthesizers

---
Ending music by Teunis Marseille. Check out his work here: www.instagram.com/teueunis"

TiNRS Wobbler 2 Complex LFO, Apollo View Allscillator and Prototype FX

video upload by Making Sound Machines

"Finally carving out some time to play with a couple of brand new eurorack synth modules that have arrived at our doorstep!

Our friends at This is Not Rocket Science have finished their Wobbler 2, successor to their original Wobbler complex LFO, and it's a module that keeps on giving. It lets you seamlessly morph between a number of inventive waveforms, like self-phasing, twang and pendulum, and shape, attenuate and invert the result on two outputs.

And equally exciting is Apollo View Modular’s awesome Allscillator, a great sounding analog oscillator that offers a number of cool waveshapes like Shark fin and PWM Saw, and modulation options like soft sync. Best of all it's available as a DIY kit from Thonk which means with some soldering skills you can build your own!

We took the opportunity to test both modules with prototype circuits of some of our upcoming modules, a line of analogue shaping, saturation and distortion FX modules that will be available prebuilt and as DIY kits - more on that soon!

In this patch, we use our Stolperbeats drum sequencer to sync TiNRS Wobbler 2 to a septuplet shuffle. It is delivering triggers to a prototype of our drum voice on kick and snare, as well as Befaco's Burst for a sneaky delayed upbeat into a zap, all with some crunchy proto FX for good measure.

Allscillator provides the waveforms patched through This is Not Rocket Science's Switch utility. From there the audio is routed into our prototype FX, modulated by Wobbler 2's self-phasing LFO and phase shifted to produce the stereo effect. Finally, we use TiNRS' Ardabil to scale and offset CV for some extra frequency control.

#TiNRS #Wobbler #eurorack

This is Not Rocket Science - @thisisnotrocketscience3942"