"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.
In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.
If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."
SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.
This isn’t a vintage emulation, or a collection of pretty presets under reverb.
SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.
SQUID-3 is not another virtual synth.
It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.
SQUID-3 is available in two separate editions:
• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.
• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"
"Digital Goodies and a limited-time discounted ARP Discography!
One day only!
Beat and Spell Sample Pack by the outrageously amazing Alex Ball
A sample pack made using the techniques of Daniel Miller and Depeche Mode on their 1981 Speak and Spell album. ARP 2600 on kicks and zaps, Korg KR-55 on snare and some Simmons SDS-3 for good measure. Some sounds have up to 20 round robins to capture the natural variation of analogue equipment. A Kontakt patch is also included with the wav files.
CA2600 - Cherry Audio’s powerful, faithful software recreation of the ARP 2600, featuring useful updates such as integrated effects and advanced patching features. ONLY 10 LEFT IN STOCK!
CA2600 Features: Every aspect precisely modeled in exacting detail Over 300 presets Monophonic and duophonic voice modes Vintage-correct multi-mode filter with 12db and 24db slope Integrated, fully CV-controllable distortion, reverb, and delay with sync Sidechain audio input for external signal processing Flexible CV Routing Advanced, next-generation patch panel cabling system from Voltage Modular Multiple voice assign modes Advanced patch cabling with unlimited mults per jack, “quick patch” for rapid multiple destination routing, and click and drag movement of multiple connections Additional LFO with six waveforms and tempo sync Virtual instrument and effect plug-in versions included Voltage Processors section with additional VCA and 1/2-step quantizer Advanced one-click UI magnification Selectable blue, gray, or black/orange color schemes Full MIDI control Full DAW automation for all controls CA2600 is available in AU, VST, VST3, AAX, and standalone formats.
"Mercury-8 synthesizer builds on Cherry Audio's renowned Mercury legacy with a passionate focus on detail and modern technical advancements. Every aspect of the original hardware has been carefully modeled to capture the sound and behavior that made the JP-8 so legendary. Furthermore, Mercury-8 goes "beyond Jupiter" by offering expanded polyphony, versatile modulation options, studio-quality effects, and expressive performance capabilities. It not only captures the distinctive essence of a JP-8 but can even exchange SysEx data with MIDI-modified hardware.
Cherry Audio and @TimShoebridge have collaborated once again to share an in-depth introductory video for Mercury-8. This comprehensive guide demonstrates how simple it is to create powerful sounds from scratch, maximize the modulation matrix, and get the most out of splits and dual layers. Additionally, the video highlights the new effects and Mercury-8's remarkable capability to import original JP-8 patch bank SysEx data via a drag-and-drop feature.
00:00 - Mission Mercury! by Mal Meehan, James Terris, and Robert Saint John
01:16 - Introducing Mercury-8 with Tim Shoebridge
02:48 - A Little Experiment
05:20 - Music: "From Scratch"
07:26 - Front Panel: VCOs and LFO
11:45 - Music: "Two Notes"
12:05 - Filters and Envelopes
15:00 - Music: "Plucks"
15:20 - Mod Matrix
16:35 - Layers, Dual and Split
18:05 - Effects
25:45 - Music: "Lo-Fi"
26:27 - Quick Tour: Sequencer, Arp, Performance, Assign Mode, and the Digital Display
27:43 - Digital Display and Expanded Settings
34:41 - Mercury-8 and JP-8: Factory Presets and SysEx Data Exchange
37:37 - Conclusion and Music: 'Timeline'"
Playlist of videos (note the desciption above is for the first video):
1. Cherry Audio | Introduction to Mercury-8 with Tim Shoebridge
2. Cherry Audio | Mercury-8 Synthesizer - NEW! - Cherry Audio and Michael Oakley Official
3. Cherry Audio | The Grid Preset Pack for Mercury-8 by Michael Oakley
4. Cherry Audio | Mercury-8: A Tour of the Presets with Mike Martin
5. Cherry Audio | JUPITER-8 x MERCURY-8 - Factory Presets Compared
6. Cherry Audio Mercury-8: Artist Demo - James Dyson
7. Cherry Audio Mercury-8: Artist Demo - Jezz Woodroffe
And two user videos:
Cherry Audio Mercury-8 Jupiter-8 Strings Pads FX VST Virtual Analog Synthesizer Rik Marston
"In this video, we’re building a Teensy-powered synth inspired by the iconic Minimoog Model D, and exploring what made the original design so legendary. We’ll walk through all-the-things: oscillators, mixer, filter, envelopes, hidden features, presets, the Teensy’s USB audio setup, and how Bob Moog’s Minimoog helped shape modern subtractive synthesis.
This is my biggest project to date, and I couldn’t be happier with how it turned out! The Teensy 4.1’s built-in USB audio is sending power, MIDI, and audio over a single cable. What a time to be alive, haha! All code and build files are available on GitHub if you want to make your own. Cheers!
A 6-voice polyphonic virtual analog synthesizer built with the Teensy 4.1 microcontroller, inspired by the classic Minimoog. Features comprehensive synthesis with USB audio/MIDI and intuitive menu control.
Key Features: 6-voice polyphony with 3 oscillators per voice (18 total) 6 waveforms per oscillator Noise shared white/pink noise 24dB Moog-style ladder filter with ADSR envelopes Independent LFO with pitch/filter/amp targets Macro knob system - remap filter knobs to LFO controls USB Audio + MIDI - single cable to computer 20 hardware encoders + LCD for real-time control 20 Presets - 80s Brass, Saw Keys, Bass sounds, Pads, and more Multiple play modes - Mono, Poly, Legato with glide
"ZENOLOGY GX brings the full power of Roland’s ZEN-Core Synthesis System into GALAXIAS, giving you access to over 11,000 tones—from iconic vintage synths to cutting-edge hybrids. Explore the massive library of sounds or build your own from scratch using the same engine found in flagship instruments like FANTOM and JUPITER-X.
ZENOLOGY GX also includes a powerful browser to help you stay organized. Search, rate, and recall presets with ease. Each tone is built from up to four partials, each with its own oscillator, filter, amplifier, dual LFOs, and effects. Shape your sound with over 90 effects, including spacious reverbs, classic Roland choruses, and more.
Inside GALAXIAS, ZENOLOGY GX becomes a super instrument. Layer up to four instances, assign key ranges, apply per-layer effects, and use creative tools like ARPS and CHORDS to build massive Scenes. You can also export your sounds to ZENOLOGY Pro or compatible ZEN-Core hardware."
GALAXIAS brings 50 years of legendary Roland synths and drum machines together into one powerful Super Instrument. Access thousands of iconic sounds and freely combine authentic Roland instruments from vintage to modern. Explore supermassive GALAXIAS Scenes filled with intricate layers and deep macro controls. And discover exciting new worlds with infinite creative possibilities.
Legendary instruments. Iconic sounds.
Roland has been a pioneer in music technology for over half a century, delivering a continuous stream of influential instruments and effects that have fueled countless hits, defined genres, and driven cultural trends. With GALAXIAS, you can now explore and experience them all in one creative environment. From historic icons such as the JUPITER-8, TR-808, and D-50 to modern instruments like ZENOLOGY GX and SYSTEM-8, GALAXIAS harnesses Roland’s evolving sonic legacy within a single intuitive workflow.
A voyage of discovery.
Choose from your favorite Roland synths and drum machines, search specific sound types, or mine the ever-expanding collection of over 25,000 sounds to spark new ideas and build compelling tracks. GALAXIAS puts unlimited albums’ worth of inspiration at your command—from vintage sounds to futuristic hybrid tones—with more added each month.
Roland Super Instrument.
GALAXIAS lets you layer up to four instruments to create massive sonic superclusters called Scenes. Build an intricate setup of your favorite Roland instruments, such as a full stack of JUPITER and JUNO synths, or multiple eras of TR drum machines locked in perfect sync. Dial in an arpeggiator pattern (or four), quickly define key ranges and macro controls, and then play the whole thing as a single instrument in the studio or on stage.
Next-gen ZEN.
Seamlessly integrated into GALAXIAS, ZENOLOGY GX delivers over 11,000 genre-defining Roland sounds in one powerful instrument. Layer up to four instances with definable key ranges, sophisticated macro controls, per-layer effects, and creative tools like ARPS and CHORDS. Explore the vast collection of presets or craft your own using 23 authentic oscillator and filter models, over 7,000 PCM waveforms, 11 LFO shapes—including a versatile Step LFO for rhythmic movement—and 90+ effects. From studio to stage, ZENOLOGY GX puts limitless sonic potential at your fingertips.
Effectively awesome.
In addition to the formidable effects within each individual instrument, GALAXIAS gives you two insert effects per layer and two global send effects. Choose from the growing collection of authentic Roland and BOSS effects and take your sounds to new frontiers. You can also route layers to external outputs or channels in your DAW for further processing.
October 20, 2025 (Asheville, NC) – Musician, composer, and music technologist, Erik Norlander, is selling a collection of 40+ vintage and current synthesizers and keyboards on Reverb.com starting on October 6th. Thirty percent of the proceeds will be donated to the Bob Moog Foundation to support its work in education, archive preservation, and the operations of the Moogseum. Erik Norlander’s Bob Moog Foundation Benefit Sale can be accessed here.
Some of the notable synthesizers and keyboards for sale include: Oberheim Matrix-12, OB-Xa and OB-8 analog synthesizers, Rhodes (ARP) Chroma analog synthesizer, Rhodes Mark V and Mark II electric pianos, Farfisa Compact Duo CD/30 combo organ, Farfisa Syntorchestra, Korg Maxikorg DV800, Logan String Melody string synthesizer, Roland VP-330 MK-1 Vocoder, and the Waldorf Q wavetable synth keyboard, among many others.
“I am excited to offer part of my rather sprawling keyboard collection for sale to benefit the Bob Moog Foundation,” noted Norlander.
“I have been a supporter of the Foundation since 2007, and I strongly believe in generating funding to empower its work in education, archive preservation, and the operations of the Moogseum.”
Erik Norlander is an accomplished keyboardist, composer and producer with over 40 album credits including nine solo albums, seven with his Rocket Scientists project, and 11 albums with vocalist wife, Lana Lane. He serves as a member of the Board of Advisors of the Bob Moog Foundation. Erik toured and recorded with Asia Featuring John Payne from 2007 to 2014 and recorded two albums with the Asia spinoff project, Dukes of the Orient, in the years following. He toured extensively in the US and Europe in 2016-2018 with Last in Line featuring original Dio members Vinny Appice and Vivian Campbell. Before Last in Line, Erik toured with Big Noize, a supergroup featuring hard rock all stars, Joe Lynn Turner, Simon Wright and Carlos Cavazo. Erik also wrote the music and produced the album, Roswell Six - Beyond the Horizon, in 2009 for science fiction author, Kevin J. Anderson, in support of the first of his Terra Incognita fantasy novels.
Outside of the music world, Erik co-designed the UNO Synth analog synthesizers for IK Multimedia, carrying on the legacy of his design work on the legendary Alesis Andromeda analog synthesizer in the late 1990s. Erik also created IK Multimedia’s Syntronik virtual instrument libraries based solely on samples of his synth collection along with scores of sample libraries for SampleTank 4. Prior to that, Erik was the first synthesizer product manager for Alesis Studio Electronics and presided over the creation of the QS series of synthesizers, DM5 and DM Pro drum modules and several other products. He is currently the Director of Keyboard Product Development for Moog Music and the inMusic Family of Brands."
"YAMAHA MODX M demo and review covering all new features and comparison with original YAMAHA MODX, MODX+ and YAMAHA MONTAGE M. Covers the MODX M6, MODX M7 and MODX M8. Playing many of the sounds, piano, FM-X and AN-X."
Yamaha MODX M. The sound of Montage M for a lot less money!!
"With the MODX M Yamaha have just released an amazing value keyboard! If you are looking for a one synth does all live or studio keyboard you should check this out!"
Yamaha MODX M Is Here! Full Review & Comparison with Montage M
"Yamaha has finally done it — the new MODX M is here! In this video, I take an in-depth look at what’s new, what’s improved, and what’s carried over from the MODX+ and the Montage M.
We’ll break down the new AN-X virtual analog engine, expanded AWM2 element architecture, upgraded controls and interface, and how the MODX M compares to the Montage M in real-world use. I also cover performance tweaks, voice counts, processor changes, and the long-awaited inclusion of the Yamaha ESP plugin license.
If you’re a synth enthusiast, sound designer, or performer looking to see whether the MODX M is the right upgrade, this video gives you the details you won’t find in the press release.
🎹 What to expect:
Deep dive into MODX M vs MODX+ vs Montage M
New AN-X engine walkthrough
Interface and performance improvements
Honest first impressions and what Yamaha got right (and wrong)"
0:00 Intro 0:22 How Yamaha Works 0:56 Engines 1:16 Polyphony & Memory 1:59 AWM2 Element Expansion 3:14 User Library & SSS 3:43 Screen UI Speed 4:56 Faders 5:34 Encoders 6:00 Quick Edit Grid 8:01 Scene Buttons 8:15 Screen Encoders 8:51 Performance Controls 9:57 Super Knob Positions 10:43 Keybed & Aftertouch 11:08 Screen Differences 11:33 Set List Buttons 11:48 Other Differences 12:04 Yamaha ESP
1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression
"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.
Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.
🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move
🎧 Designed to inspire, wherever your music takes you."
Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music
Playlist:
1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M
Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks
► Patreon: / loopop"
1. MPK Mini IV | Your Next Big Idea Starts with MPK Mini
2. MPK Mini IV | Overview
3. MPK Academy | Getting Started with MPK Mini IV - Quickstart Guide
KEY FEATURES
[NEW] Updated third-generation keybed for an expressive playing experience
[NEW] Push/turn rotary encoder for effortless function navigation
[NEW] Enhanced arpeggiator with Pattern, Arp Freeze, and Mutate functions to encourage experimentation
[NEW] Expanded DAW-mapped transport section for an uninterrupted workflow
[NEW] Two distinct colorway options to match your style
[NEW] Full-color screen for real-time feedback and easy navigation
[NEW] True pitch and mod wheels for tactile hands-on control
[NEW] Pre-programmed DAW mapping for Ableton Live, Logic Pro, FL Studio, and more, with 1-to-1 mapping for convenient control of preset parameters
[NEW] The Studio Instrument Collection, a VST/AU and standalone virtual instrument with over 1,000 sounds from AIR, Akai Pro, and Moog, plus MPK Mini IV integrated controls
25 velocity-sensitive mini keys with 10-octave up/down range
8 assignable 360° rotary knobs for tactile sound-shaping
USB Bus-powered for hassle-free connectivity
Scale and Chord Modes for playing in key, adding harmonies, and building progressions with ease
8 Velocity- and pressure-sensitive RGB backlit MPC pads for responsive, expressive feel Connections: Full-size MIDI output
1. themkI | An exploration of a 70s classic
2. themkI | Overview
3. themkI | Presets playthrough
Press release follows:
Thephonoloop tweaks themkI as deeply-sampled, expressive VI exploring electromechanical keyboard classic’s imperfections with colourful Version 1.1 update
KATOWICE, POLAND: Thephonoloop is proud to announce that it has tweaked themkI — already available as a deeply-sampled, expressive VI (virtual instrument) for Native Instruments’ KONTAKT PLAYER platform housed in an MPE (MIDI Polyphonic Expression) compatible engine built for discovery and experimentation, exploring the beautiful imperfections of a Seventies-vintage electromechanical keyboard classic — with a colourful Version 1.1 update introducing sharper contrast for better visibility alongside new GUI (Graphical User Interface) colour options for customising its look, as of October 7…
We are proud to present a detailed demo and tutorial of the new Trident MkIII, a recreation and evolution of the rare but powerful Korg Trident. Both the original and this version are really three synths in one: an analog subtractive synth, brass synthesizer, and a string machine. We go through all three sections individually and together, along with the new Motion features and effects. Along the way, we enjoy the instrument's lush and cinematic sound shining through.
3. MOMENTUM PACK For Cherry Audio Trident - James Dyson
MOMENTUM is a collection of 100 additional presets for Cherry Audio's Trident Mk III synthesizer. Created by James Dyson, this Preset Pack highlights the multi-timbral combination of Trident's Synth, Brass, and Strings sections. It takes full advantage of features like layers and splits, the sequencer, and dual arpeggiators, resulting in a stunning showcase of dynamic sounds and motion for the Trident Mk III.
Cherry Audio is pleased to announce the Trident Mk III synthesizer, a stunning virtual instrument that meticulously revives the sonic capabilities of the original Trident hardware synth. Priced at just $69, the Trident Mk III offers an authentic recreation of the classic synthesizer, significantly enhanced with new capabilities designed for today’s music producers.
Chapters:
00:00 - Introducing Novation Play
00:19 - What is Novation Play? And how does Novation Play work?
01:33 - Finding drum sounds with Launchkey and Novation Play
02:15 - Choosing a bass preset with Launchkey and Novation Play
04:07 - Adding the final touches to a track with Launchkey and Novation Play
04:52 - Download Novation Play via your Novation account"
"We're delighted to announce the release of Novation Play, a virtual instrument designed to spark instant inspiration, developed in collaboration with @klevgrand and exclusively crafted for our Launchkey MK4.
In this video, Dylan walks you through what Novation Play is, explains how it works, and highlights the features it offers. We'll demonstrate how you can incorporate Novation Play into your music production setup and explore its capabilities - showing you how to utilise Novation Play in your workflow.
Boasting over 80 expertly-designed presets, sampled from renowned synthesisers such as Novation Peak, Novation Bass Station II, Novation Nova, Sequential Prophet 6, Prophet Rev 2, and Oberheim OB-6. Functioning as a standalone desktop app and as a plugin, Play features seamless one-to-one hardware integration with Launchkey’s encoders, pads, and buttons, providing an immediate, instrument-like workflow.
Novation Play is now available to download for new and existing Launchkey MK4 owners from the 'My Software' section in your account. Download Novation Play here - https://bit.ly/_Download_Novation-Play
1. ONE Keyboard, Multiple Plugins, ZERO Plan (2 Hour Challenge)
2. Multiple MIDI channels, Launchkey and an epic DAWless setup
3. Sparking ideas with Scale Mode and Chord Map with Launchkey
"c)2007-25 by RetroSound supported by UVI: http://bit.ly/retrosound-uvi
❤️ Support #RetroSound channel: https://retrosound.creator-spring.com
I had the Yamaha AN1x synthesizer in the late 90s.
AN1x factory track list: 0:06 King of AN 1:19 Slapper 2:57 Vintages 3:51 Hardcore 5:11 Kangaroo 6:16 MegaDron 6:54 Splinklr 7:45 Rocket 8:29 Wonder 9:17 With CS1x
All tracks performed and mastered by Yamaha.
The Yamaha AN1x is a virtual analog synthesizer from the year 1997 10 Voices 2 Oscillators per voice FM, Ringmodulator, Sync, Edge resonant 12/18/24dB/ low/band/hi pass filter + hi pass Arpeggiator , Step-Sequencer digital FX
You hear the factory tracks from the AN1x. All tracks performed and mastered by Yamaha.
The TR-1000 is available now for $2,699.99. Check with dealers on the right for availability.
"The TR-1000’s analog engine features 16 of the most coveted circuits from the TR-808 and TR-909, faithfully recreated from the original designs with detailed engineering and carefully selected modern components. Alongside the TR-1000’s analog voices are powerful digital sounds driven by Roland’s latest advancements, including 21 circuit-bent TR-808 and TR-909 models built with Analog Circuit Behavior (ACB) technology, FM percussion, virtual analog tones, and a deep PCM library for sonic exploration and fresh textures."
Playlist:
1. Roland TR-1000 Rhythm Creator | Egyptian Lover Performance
2. Roland TR-1000 Rhythm Creator | Everything You Need to Know
User videos followed by hi-res pics and the press release:
"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."
The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential
EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…
Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.
CME Launches WIDI K.O.II — Wireless Bluetooth MIDI Adapter for Teenage Engineering EP-Series
Marseille, September 25, 2025 — CME, a global innovator in MIDI connectivity, today announces the launch of WIDI K.O.II, a Bluetooth MIDI adapter custom-designed for teenage engineering’s EP-133 (K.O.II) and EP-1320 (medieval).
With WIDI K.O.II, musicians can finally experience fully wireless, cable-free MIDI with ultra-low 3ms latency, Bluetooth 5 connectivity, and CME’s exclusive Smart Connectivity Algorithms (SCA) — delivering professional-grade performance for both studio and stage.
WIDI K.O.II acts as a virtual MIDI cable, letting artists connect instruments, controllers, DAWs, and devices completely wirelessly — with the reliability of a cable.
Whether pairing a Bluetooth MIDI controller directly to the K.O.II, syncing with a DAW, or running multi-device group setups, WIDI K.O.II removes the clutter of cables without compromising speed or stability.
In short:
Technology: Bluetooth 5, Adaptive Frequency Hopping
Latency: approx. 3ms (WIDI-to-WIDI)
Range: about 20m / 65ft (without obstructions)
Power: via MIDI TRS port (no external power required)
Compatibility: TE K.O. II & medieval
Pre-Order Information:
Opens: September 25, 2025 via CME’s website.
Special Price: US$ 39.99 (future MSRP/MAP: US$ 59.99).
Shipping: Begins November 1, 2025.
About WIDI K.O.II “We at Teenage Engineering are super happy that CME chose to make this super-useful accessory for the K.O.II EP-series. I’ve known the team behind CME for 16 years, so it was about time this happened. The EP-series WIDI will open up lots of fun use-cases in the studio as well as on the campsite.” — David Eriksson, Head of Hardware, teenage engineering
Custom-Built for EP-Series Engineered exclusively by CME for teenage engineering’s K.O.II (EP-133) and medieval (EP-1320), WIDI K.O.II integrates seamlessly with TRS MIDI ports for a perfect form-and-function fit.
Wireless MIDI Freedom Cut the cables and play anywhere with ultra-low 3ms latency, adaptive frequency hopping, and a reliable 20m / 65ft range. No batteries, computers, or extra power required.
Plug, Pair & Play Powered directly by your TE device’s TRS MIDI OUT, with automatic pairing — no batteries or external power required.
Smart Connectivity Algorithms (SCA) Minimizes interference, ensures stable connections, and outperforms conventional Bluetooth MIDI solutions.
Cross-Platform Compatibility Wirelessly connect with Bluetooth MIDI controllers, mobile devices (iOS, Android), computers (macOS, Windows, Linux, ChromeOS) and TE’s Field lineup (including OP-1 Field and OP-Z).
Advanced Group Mode Create Bluetooth MIDI groups of up to five devices for easy splits, merges, and sync. Manage everything through the free WIDI App for iOS/Android.
Trusted by the MIDI Community As a proud board member of the MIDI Association, CME follows a community-centered “Crowd Creation” approach — involving real musicians and producers from day one in shaping each product.
"🌌 Noise of Oblivion is a collection of 50 atmospheric presets for the U-He Zebra 2 virtual synthesizer. It features 5 drones, 16 pads, 7 rhythmical, 12 strings, and 10 textures. 🏙 The soundset contains dark, cinematic soundscapes that evoke the atmosphere of a sci-fi thriller, dystopian world, or intense drama. This carefully crafted collection delivers a wide variety of timbres designed to take your productions into uncharted sonic territory, blending futuristic tones with a vintage edge.
"My friends I am sorry to leave you hanging all summer with no jams, but its a beautiful sunny world out there and I've got to be out IN IT! So in the meantime I have a few jams backlogged that have **never before been released** and expect some weird b-sides that I was too embarrassed to post when I had content to spare !
Anyways- lots going on here, we got some Hydrasynth deluxe, classic analog pads from the JX-8P... and lots of super pump-jumping with the MX-1 sidechaining and doing some beat effects. Jupiter-80 muted trumpet is the funnest sound in the world.
Stay a while, and listen!"
---
And an interview with MR TUNA Music by Ivan Trajkovic aka dejayiwan editor and journalist (and sometimes producer and DJ):
Q: Have computers and DAWs, in a sense, destroyed creativity – why do we have so many “DAWless” setups today?
A: I think a really big part of it is a desire to get away from 'the screen'. Staring at a computer all day for work, clicking away on a mouse and keyboard can become exhausting after a long day, and to break away from the rigidity and comforts of software simply makes it more fun.... and thats a really big part of why I do what I do. There is some minor advantage to the near-unbeatable quality of analog circuitry you cant quite replicate working purely within a DAW, but that point is being made more and more moot by incredible emulations and virtual analog softsynths.
Q: Today we have apps like BandLab that are complete studios on a phone – have we reached “peak technology”?
A: It staggers me to think about what the future might hold now that music production can be with someone anywhere anytime so long as they have their phones. You can literally be on the bus making a hit track with your thumb. That’s crazy. But I don’t think it’s peak.... Tech is always moving and it doesnt stop for anyone... AI is going to be the next big thing whether we like it or not and we need to find a way to keep in check so we're still doing the creating and imagining and the technology is just an extension of that.
Q: Why are new producers so mesmerized with 80s synths and samplers, even though they’re obsolete tech?
A: Things were built differently. Things were built for professionals. Instruments had a quality of sound and build that is still unmatched today. Some of my gear is 40+ years old and sounds better than the stuff from 2025 thats trying its best to emulate it all today. Why dont we build synths like that anymore? Because its all about money and the manufacturers want to make as much of it as possible while spending the least amount.
Q: With so much new electronic music today, how can anyone “find” an audience?
A: Maybe it's lame to say, but the best path is to be authentic to yourself. When i started finally sharing my music it was more of a personal diary than something i was using to 'get famous' or 'find an audience', but by being true to what I wanted and my own personal vision (and having trust in that over some time), people started to see what I was doing and it all came together. People connect with personality, but it's obvious when you're not being yourself... not just tracks. Its routine to say because its true: be consistent, put your stuff out there. The internet is huge — your crowd is out there, just waiting to stumble onto your page at 3AM.
Q: You have one of the most interesting studios – what was the idea behind its creation?
A: My studio was built with one idea in mind... live looping. When I started dreaming up how I *wanted* to make music there wasnt even the right tools to do it properly.... sequencers were still fairly limited and there wasnt a lot of people in the live-looping jam space. I was really discovering it all and making it work on my own. It all came together with the introduction of the Squarp Pyramid sequencer--- what it allowed me to do, the freedom it allowed me to create with... it was the breakthrough piece of gear I needed to bring everything together and start building and building... and BUILDING. I love the music I get to create, but I am more proud of my studio as a form of art in the beauty of it's function and how it's designed to jam with friends, than I ever have been of the music that I create in it.
Q: What’s the future of electronic music – maybe apps and DAWs in virtual reality?
A: The virtual space is here to stay and it will only get more and more indistinguishable from the real world.... We might be already living in that simulation, but like I said earlier I think the real future is going to be (for better or for worse) in AI production techniques, editing, and complete song production. We're already at the point where AI can create a song for us instantly with our own voices, but how long will it be before AI is doing our chores and boring tasks so that we are free to be creative and put our energy into real art rather than the opposite world we live in now! AI should save us from the hard stuff and let us work on the 'fun stuff', the worthy stuff, the music stuff!
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
This isn’t a vintage emulation, or a collection of pretty presets under reverb.
