Vongon Replay Polyphonic Synthesizer with Multi-mode Arpeggiator in Black.

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

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Ocean Swift Introduces Sound Creator Suite - tools for sound-design and instrument development

The Ultimate Sound Designer & Developer Toolkit: Sound Creator Suite Walkthrough | Ocean Swift video upload by Ocean Swift / Faxi Nadu

https://oceanswift.net/product/sound-creator-suite/

"Welcome to a complete walkthrough of the Ocean Swift - Sound Creator Suite. In this video, we take a high-level tour of the entire application, showing you not just what the tools do, but how they work in concert to provide a centralized host environment for virtual instrument developers, sample pack creators, and sound designers.

Whether you are automating hardware sampling, building custom UI components, or formatting vast preset libraries, this suite handles the heavy lifting so you can focus on the creative process.

What we cover in this walkthrough:
Global Settings & The Log Viewer: A look at the suite's foundation, including audio/MIDI routing, Kontakt developer integration , and the built-in, thread-safe Log Viewer capable of maintaining a 10,000-line history.
Audio Batch Processing & Sampling: How to recursively process thousands of audio files , mathematically align loops using MIR technology , and automate external hardware sampling via MIDI and threshold detection.
The Wavetable Ecosystem: A brief look at building wavetables from scratch with the Creator, extracting them from audio files, and converting formats across various software synthesizers.
MIDI & OSC Routing: Bridging the gap between your hardware, digital audio workstations, and modular environments like TouchDesigner.
UI Generation & NKS Workflow: From rendering 3D knobs into sprite sheets to batch-injecting metadata into Native Instruments NKS presets and standard audio samples."

Build Kontakt Instruments Faster: WYSIWYG UI Editor & Prefabs | Ocean Swift Sound Creator Suite

video upload by

"In this in-depth walkthrough, we dive into the Kontakt Performance View tool, a powerful standalone WYSIWYG editing environment within the Ocean Swift Sound Creator Suite. If you build instruments for Native Instruments Kontakt, this tool bridges the gap between technical JSON editing and intuitive visual design.We cover the entire workflow, from initial setup to complex UI layout, showing you how to design without writing a single line of layout code. What you will learn in this video:Integration & Setup: How to use the suite's settings to launch Kontakt as an isolated child process. Automated NKS Creation: Watch the tool automatically generate the strict NKS folder hierarchy and silently execute a Lua script to create your base .nki and .nkr container files. Live WYSIWYG Editing: Explore the hardware-accelerated preview canvas that provides a near 1:1 visual representation of your UI.Drag & Drop Design: See how to physically drag controls across the canvas , use grab handles for free-resizing , and utilize the alignment menu to perfectly center, top, or bottom-align multiple UI elements instantly.
Advanced Tree & Property Inspector: Learn how to manage the exact structural hierarchy of your UI. We show you how to use Alt+Click to instantly select a Panel and all nested child controls , and how to edit multiple parameters safely using the dynamic property inspector.
Instant UI Prefabs: Discover how to recursively scan your resources folder to drop complex, pre-configured .nckc UI elements directly into your project in seconds.

Grab it here: https://oceanswift.net/product/sound-..."

Press release follows:

"Sound Creator Suite is an all-in-one desktop environment for advanced sound-design and virtual instrument development workflows. Serving as a robust, centralized host, this suite equips producers and developers with an unparalleled arsenal of specialized Ocean Swift tools and utilities.

Learn more and grab it here for €60 instead of €100, 40% off until May 7 2026: https://oceanswift.net/product/sound-creator-suite/

Generate studio-grade UI components - from photo realistic brushed-metal knobs to glowing LED rings with the GUI Knob Maker, and export complex animations as perfectly stitched sprite sheets in seconds. Seamlessly pair this with the Kontakt Performance View tool, an advanced WYSIWYG editing environment that lets you construct complex Kontakt interfaces using a visual, drag-and-drop real-time workflow, entirely eliminating the need to write tedious layout code.

Process audio in bulk, utilize MIR algorithms to surgically align loops, automate your hardware sampling workflows, and generate algorithmic MIDI patterns. Whether you are building and converting custom wavetables, batch-injecting metadata with the NKS preset and sample taggers, monitoring OSC packets, or accessing instant music-calculation tools, the Sound Creator Suite brings an entire development ecosystem into one powerful interface.

Featuring
30+ sound design and instrument development tools
Growing toolkit with an exciting future roadmap – more tools, more assets!
Design, Build, Record, Process, Edit, Manipulate, Monitor
Automate processes and speed up workflows
Innovative, unique, performant and user minded approach"

HAPAX 3.00 – IMPROVED MPE + VIRTUAL CABLES

video upload by Squarp instruments

"✨ We’re excited to announce that hapaxOS 3.00 is now available for download!

This major update introduces powerful new features, including MPE support and Virtual Cables, along with a range of bug fixes and performance improvements.
This opens up exciting new workflows for integrating the Hapax with your DAW or other gear.

To fully support the complexity and data demands of MPE, we’ve deeply reworked the system architecture. This is why we’ve moved to version 3.00: it marks a significant milestone for Hapax. The result is a more robust and reliable experience than ever before, including when working with classic Poly tracks.

A big thank you to all our beta testers who helped us refine this release over the past two months!

If you're a Hapax user—or considering becoming one—this update is definitely worth checking out."

🕘 Timestamps
0:00 Intro : jam
1:40 How to export a pattern
2:00 How to import a pattern
2:47 How to mix & match patterns

Free Synth1 Save The Robots

video upload by steve webb

via Wikipedia:

"Synth1 is a software synthesizer designed by KVR user Daichi (Real name: Ichiro Toda 戸田一郎 [1]). It was originally designed as an emulation of the Nord Lead 2 synthesizer, and has since become a unique Virtual Studio Technology instrument and one of the most downloaded VST plug-ins of all time. The software used to be a DirectX instrument plugin, but became solely VSTi from version 1.08 on. Version 1.13 was the first version to introduce a native 64-bit version of the plugin."

"Synth1 was first released as a DXi plug-in on October 9, 2002. It was updated to support the VSTi format six days later, on October 15, 2002."

The Crow Hill Company Introduces the THE SH*T SYNTH

The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS

Press release follows:


The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments

EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…

Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!

CLICK FOR MORE »

Cherry Audio Introduces Crumar DS-2 Software Synthesizer

video upload by Cherry Audio

Cherry Audio Crumar DS-2: Full tutorial by CatSynth TV

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

Playlist:

1. Cherry Audio's DS-2 Part 1 | DCOs, Polyphonic Engine & Factory Presets
2. Cherry Audio's Crumar DS-2 Part 2 | VCF, VCA, voice modes
3. Cherry Audio's Crumar DS-2 Part 3 | Effects, Arpeggiator, Presets

Press release follows:


Cherry Audio Launches Crumar DS-2 Synthesizer

Based on the original 1978 hardware, this value-packed emulation revives the digital control and analog soul of an often forgotten landmark in synth history.

(March 31) Cherry Audio is excited to announce the release of the Crumar DS-2 synthesizer, a virtual instrument that faithfully replicates and significantly enhances the original 1978 hardware synth that was ahead of its time. This release marks the latest collaboration with Crumar Instruments, following last year’s acclaimed Spirit synthesizer, revisiting a groundbreaking Italian synth and infusing it with Cherry Audio’s signature style.

Crumar DS-2 by Cherry Audio is available now for only $59 at cherryaudio.com and through authorized resellers, bringing its rare and legendary “vintage digital” sound to the modern production environment at an exceptionally low price.

The Crumar DS-2 was a unique synthesizer that combined a monophonic Synth engine alongside a fully paraphonic Poly section. The “DS” in its name stood for “Digital Synthesizer,” and it featured two Digitally Controlled Oscillators (DCOs) designed to prevent tuning drift. However, the resulting waveforms were completely stair-stepped, giving the instrument a gritty character and wild harmonics. Together, the two sections provided the DS-2 with a distinct sound that set it apart from both early digital synthesizers and classic analog models.

Building upon the foundation of the vintage hardware, Cherry Audio’s virtual Crumar DS-2 introduces several powerful modern enhancements to expand its creative potential. The monophonic Synth section now includes unison and multi-voice modes, providing panning and tuning options, as well as polyphonic functionality with 4, 8, or 16 voices. The Poly section supports full 32-note polyphony, and DS-2 now features a keyboard split mode in addition to the layered mode.

The Synth section now includes a stair-stepped sine waveform option, and oscillator sync has been added. A third LFO has been introduced, and LFO options now include discrete delays, sync, retrigger, reverse wave, and one-shot capabilities. The five-part LFO Mixer, previously hardwired to specific destinations, now offers six assignable destinations with 33 options each, providing unparalleled modulation flexibility.

The envelopes have been enhanced with an initial delay stage (DADSR) and velocity sensitivity, and now include looping functionality. Additionally, the Poly section now features VCA release control, making it better suited to powerful string-synth sonics. Touch control has been added with four slots and simple click-to-assign functionality, supporting both channel and polyphonic aftertouch with compatible MIDI controllers.

The VCF has been upgraded to include a 12dB 2-pole in addition to the original 24dB 4-pole option, along with polarity and key-follow adjustments. Other enhancements include an assignable bend range, a dedicated mod wheel, and a dynamic arpeggiator that can be applied to either or both sections. DS-2 also offers three customizable effects chains with 20 studio-quality effects, allowing users to arrange, save, and recall their settings. Over 300 professionally designed presets are organized into 14 categories to inspire instant creativity.

Cherry Audio is also offering the Deep Space Preset Pack for DS-2 for only $9.99. This pack includes an extra 100 presets that provide an in-depth exploration of DS-2's sophisticated modulation routing, expressive performance features, layers and splits, arpeggiator, and studio-quality effects.

Crumar DS-2 reflects Cherry Audio’s ongoing dedication to delivering high-quality sound at an unbeatable price, even in uncertain times. Priced at just $59, the DS-2 is an ideal choice for synth enthusiasts who value both exceptional tone and affordability. Furthermore, until April 13th, producers can purchase the Crumar DS-2 as part of Cherry Audio’s “Build Your Own Bundle” options. Customers can select a Pick 3 bundle for $99 (regularly $119) or a Pick 6 bundle for only $149 (regularly $169), allowing you to mix and match any of their award-winning instruments for as little as $25 per plugin.

Cherry Audio’s Crumar DS-2 synthesizer is available for macOS (10.13 or later) and Windows (7 or later) in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, a deep-dive introductory video, system requirements, and an extensive collection of awe-inspiring sound demos.

Casio CZ-101-1000-3000-5000 - "Cassiopeia" Soundset 64 Presets

video upload by LFOstore

"!! This soundset is completely re-worked previously released 'Mosaic Tones' soundset which is no more avaliable.

BUY: https://lfo.sellfy.store/p/casio-cz-1...

If you bought 'Mosaic Tones' please write to us with payment history and we will send you this one for free!

Casio CZ-101 aka. Cosmosynthesizer is here!

Soundset working with hardware CZ-101 Model & Plugin Boutique Virtual CZ!
Working with CZ-101,CZ1000,3000,5000!

As description says:
The CZ-101 is a state-of-the-art musical instrument which incorporates the latest electronics technology to make its operation as easy as possible.

Exceptional sound quality backed up by a host of sophisticated features and functions makes the CZ-101 a truly unique musical instrument.

Thanks for Injapan.ru - we've got 36 years old CZ-3000 in mint condition.
Introducing "Cassiopeia" Soundset with 64 organic sounds for CZ-101!

Mellow Leads
Beautiful Pads
Sweeping Strings
Bells & Plucks
Poly's & Brass

A PDF booklet is included with description to every patch in the soundset.
From Ambient & Electronica to SynthWave & SynthPop with benefits of phazeDistortion synthesis.

Made by Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation

Enjoy and may the music come with you!"

Access Virus A + Novation Drumstation: The Sound of Early Reflections

video upload by Insect O.

"On Early Reflections, Insect O. built a sonic world using two key machines: the Access Virus A and the Novation Drumstation.

Chapters:
00:00 Intro
00:39 Novation Drumstation
01:59 Access Virus A
02:35 Live Session with both instruments
06:11 Outro

Music intro & outtro:
Insect O. - Deep Blue

This video explores how those two pieces of hardware shaped the emotional depth and mechanical pulse of the LP — from evolving Virus pads and saturated basslines to sharp 909-style drums programmed on the Drumstation. By limiting the setup to a focused hardware workflow, Insect O. crafted a cohesive, raw sound that defines Early Reflections.

We break down:
Technical aspects of the Access Virus A and Novation Drumstation
Drum programming techniques on the Drumstation
How the Virus A was used for pads, bass, and textured atmospheres
Hands-on control for live performance

CLICK FOR MORE »

RetroSound Studio Tour: Vintage Digital Synthesizers

video upload by RetroSound

"RetroSound Studio Tour:
Legendary Vintage Digital & Hybrid Synthesizers of the 80s and early 90s

In this episode of RetroSound Studio, I explore classic digital synthesizers that revolutionized electronic music production during the 80s and early 90s. From FM synthesis and wavetable synthesis to vector synthesis, PD synthesis, vitual analog and Roland’s LA synthesis, these instruments introduced a new generation of sound design and defined the sonic identity of an era.

The Yamaha DX7 became one of the best-selling synthesizers of all time, defining FM electric pianos and metallic digital textures. The PPG Wave pioneered wavetable synthesis, laying the foundation for modern digital sound engines. The Sequential Prophet VS introduced vector synthesis, allowing dynamic blending between digital waveforms. The Roland D-50 shaped late-80s pop and film scoring with its LA synthesis architecture, while the Roland JD-800 brought hands-on control back to digital synthesis in the 1990s.

These digital synthesizers shaped genres such as synth-pop, new wave, ambient, house, techno, trance, and film music. Today, they remain highly sought after by producers, collectors, and sound designers researching vintage digital synthesizers, 80s keyboard sounds, virtual analog, classic FM synthesis, and wavetable history."

The Digital & Hybrid Synths:
0:07 Sequential Prophet VS
4:39 PPG wave 2.2
10:36 Yamaha DX7 II FD
14:56 Yamaha DX11
16:39 Casio CZ-101
19:29 Casio VZ-1
21:21 Roland JD-800
26:40 Roland D-50 / D-550
28:00 Korg Wavestation EX / SR
31:24 Korg DW-8000 / EX-8000
32:42 Roland M-VS1
35:57 Kawai K5000R
38:57 Waldorf Microwave
39:44 Waldorf Microwave II XT
41:15 Clavia Nord Modular
41:59 Yamaha AN1x
44:36 Roland JV-1080
45:33 Ensoniq SQ-80
46:23 Quasimidi Raven Max
47:42 Korg Z1

Full Studio Tour playlist:

Casio CZ-1 - "Cassiopeia" Soundset 64 Presets

video upload by LFOstore

"Casio CZ-1 aka. Cosmosynthesizer is here!

BUY: https://lfo.sellfy.store/p/casio-cz-1...

Soundset working with hardware CZ-1 Model & Plugin Boutique Virtual CZ!
NOT working with CZ-101,CZ1000,3000,5000!

As description from 1986 says:
The CZ-1 is a state-of-the-art musical instrument which incorporates the latest electronics technology to make its operation as easy as possible.

Exceptional sound quality backed up by a host of sophisticated features andfunctions makes the CZ-1 a truly unique musical instrument.

CLICK FOR MORE »

【REAKTOR6】Arktrues DEMO#1 【自作 Software Synthesizer】

video upload by 橋本彦士 - Hikoshi Channel -



"■To purchase, please visit the BOOTH website! (DeviceHigh Official Shop on BOOTH) [User manuals]

DeviceHigh Arktrues is a virtual analog synthesizer for Reaktor 6 by Native Instruments. Please note that you will need the retail version of Reaktor 6 to use it. This product is available for download only.

It can also be used with Reaktor 6 Player, but please note that you will not be able to save sounds and there is a 30-minute time limit.
--
Arktrues is a synthesizer inspired by the legendary synthesizer that YMO fans have seen somewhere.
While its structure is similar to that of a regular synthesizer, it also has some unique features and a variety of additional functions.
Equipped with analog-like modulation, two filters, and various matrix modulations, it allows you to enjoy creating a wide variety of sounds while still maintaining the basic sound creation techniques of an analog synth.
It does not place a high load on the CPU and can be used across multiple channels.

You can create a wide variety of sounds, from pulsating, grandiose pads to FM-like, extreme metallic sounds and sound effects.

Enjoy creating your own sounds!

■Operating environment
Native Instrument's REAKTOR 6 operating system.
Compatible PCs : (Windows, Macintosh)

仕様(Spec.)
2 OSCILLATOR 、NOISE　、SUB OSCILLATOR
1 LOW PASS FILTER
1 MULTI MODE FILTER
1 AMP ENVELOPE
1 FILTER ENVELOPE
1 EXTRA ENVEROPE
OSC A MOD BY OSC B（BAM）
OSCILLATOR SYNC
2 LFO(WITH NOISE MIX)
2 MODULATION MATRIX
POLYPHONIC GLIDE
SELECTABLE FILTER CHAIN
MONOPHONIC/POLYPHONIC AFTER TOUCH　対応
2OP FM MODULATION
.e.t.c..."

CLICK FOR MORE »

Can’t Believe How Good the MicroKorg Is

video upload by The Unperson

"In this video I revisit the legendary Korg MicroKorg — a synth that has remained one of the best-selling hardware instruments for over two decades.

Released in 2002, this compact virtual-analog powerhouse has appeared in countless studios, stages, and bedrooms around the world… but does it actually hold up today?

I explore the sound engine, presets, vocoder, arpeggiator, and hands-on controls, and put it through its paces in a modern setup to see whether the MicroKorg still deserves its iconic status — or whether nostalgia is doing the heavy lifting.

If you’ve ever wondered why this little synth refuses to disappear, this video should answer that question.

I have to admit that I was really blown away with the depth and quality of the MicroKorg. I think it's absolutely amazing! :D"

CONTENT
0:00 - Intro
1:39 - Basic Overview
3:06 - Osc 1
6:55 - Osc 2
8:36 - FX
11:44 - Mod Matrix
13:53 - Presets
22:05 - Vocoder
23:55 - Outro

PRESETS & SAMPLE PACKS
https://theunpers0n.gumroad.com/
https://theunperson.bandcamp.com/

Marcus Dunn aka lonesoulsurfer DIY Modules

video uploads by Marcus Dunn

Playlist:

1. 7 Channel Mixer For My Modular Synth.
2. Medusa - Sound Effects for Modular Synths
3. Buffered Multi for Modular Synths. Powered by Arduino
4. Digital Delay Module - Powered by Arduino
5. Bleep - Modular Drum Synth - powered by Arduino
6. Solar - A Modular Synth, Powered by Arduino
7. Groove Box Modular Synth - Arduino Nano
8. Freaq FM Synth. My Take on the Awesome MeeBleeps Synth
9. Mutant Generative Synth - Powered by Arduino

Additional details on each:

CLICK FOR MORE »

TRESSE by Våld Labs — 39 Engine Polyphonic Desktop Synthesizer | Demo 3

video upload by Våld Labs

"3-voice polyphonic synth powered by ESP32-S3. 24 modified Mutable Instruments Plaits engines + 14 original engines and a FreaqFM-inspired engine. DIN, USB-C & Bluetooth MIDI. Built-in FX. 1000+ presets.

🔗 More info soon

🔊 ALL 39 ENGINES (current count)

— MODIFIED PLAITS ENGINES (0–23) —

00 EastCoast · Detuned virtual analog, variable waveforms
01 PhaseDist · Triangle through waveshaper/wavefolder
02 DX7 I · 2-op FM bank 1, variable feedback
03 DX7 II · FM bank 2, metallic/percussive
04 DX7 III · FM bank 3, brassy/complex
05 Terrain · Dual formants, VOSIM/Pulsar/CZ-style
06 StrChor · String machine/organ chord generator
07 Chiptune · 8-bit chord engine

CLICK FOR MORE »

Cherry Audio Fuses Three Classic Synths into New SH-MAX Powerhouse

video uploads by Cherry Audio

Playlist: [Use the player controls to skip around.]


1. Cherry Audio | SH-MAX Synthesizer - NEW!
2. Cherry Audio | Preset Walkthrough with Andrew Longhurst
3. Cherry Audio | MAXIMUM OVERDRIVE Preset Pack for SH-MAX Synthesizer by James Dyson
4. NEW! Cherry Audio LIVE PREMIERE Tuesday, February 10 at 10 AM PST
5. Cherry Audio SH-MAX - Roland's SH series reimagined! (Demo / Tutorial) - CatSynth TV

Press release follows:


Cherry Audio has announced SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synths from the '70s: the SH-5, SH-7, and SH-3A.

Cherry Audio has announced the launch of SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synthesizers from the 1970s: the SH-5, SH-7, and SH-3A. SH-MAX captures the bold sound of the SH-5 while incorporating features and aesthetics from the other models, enhancing the original designs with greater power, versatility, and essential tools for modern music production. Musicians and vintage synth enthusiasts can start using SH-MAX today for the incredibly low price of just $59, available at cherryaudio.com and authorized resellers worldwide.

SH-MAX faithfully recreates the vibrant tones and workflow of the original SH hardware. It features powerful dual oscillators, two LFOs and ADSR envelopes, the dual-parallel multimode and bandpass filter sections, and the five-channel mixer of the SH-5 (1976), plus a ring modulator and sample/hold capability. Also included are autobend, duophony, filter FM, and the syncable VCOs with additional waveforms found in the SH-7 (1978). The extra additive-style oscillator from the SH-3A (1975) further enhances sound design flexibility. Moreover, SH-MAX incorporates and expands upon the expressive touch performance of the SH-2000 (1973) and features an onboard sequencer inspired by the Model 104 of the legendary System 100 semi-modular synthesizer from 1975.

SH-MAX honors its lineage while taking full advantage of modern software capabilities, supporting mono, duophonic, and 16-voice polyphonic operation for rich chords as well as earthshaking unison timbres. It features three unique retro interface themes that pay homage to the aesthetic of the SH-3A, SH-5, and SH-7, providing a visually immersive experience for true vintage synth enthusiasts. Additionally, optional drift and slop controls for the oscillators, filters, amp, and dual envelope generators introduce authentic analog character and warmth to every sound patch.

The highly flexible SH-style stereo mixer and its varied workflow options allow for modular-style signal routing. Each sound source -- VCO-1, VCO-2A, VCO-2B, the ring modulator, and noise -- can be independently routed to the VCF, BPF, or VCA, with each path enhanced with its own chain of studio-quality effects. With 20 effects available to arrange and reuse within its four chains, SH-MAX provides an exceptionally wide sonic palette. Additional features include a four-channel step sequencer capable of parallel playback or extended chaining, along with a touch effects panel that supports channel and polyphonic aftertouch with compatible MIDI controllers.

SH-MAX's legacy traces back to over five decades of synthesizer and electronic music innovation. The SH-series synthesizers have been used by a diverse range of artists, including Kraftwerk, Tangerine Dream, Jean-Michel Jarre, Brian Eno, Gary Numan, Throbbing Gristle, Skinny Puppy, Aphex Twin, Orbital, Mathew Jonson, Pink Floyd, Nine Inch Nails, Kitaro, MGMT, Vangelis, The Human League, Blondie, Yello, and more.

With SH-MAX, users can create everything from massive leads and thick basses to lush pads and exceptional sound effects, making it a true synthesis powerhouse at their fingertips. To inspire musicians right out of the box, SH-MAX includes over 300 expertly crafted presets that showcase its broad capabilities. For those wanting even more, the Maximum Overdrive Preset Pack by sound designer James Dyson is available from Cherry Audio for $9.99, offering 100 additional presets that highlight SH-MAX's raw analog tone, advanced modulation, four-channel step sequencer, and abundant effects.

Furthermore, until February 22nd, customers can take advantage of Cherry Audio's "Build Your Own Bundle" promotion at cherryaudio.com. Choose the Pick 3 bundle for $99 (regularly $129) or the Pick 6 bundle for $149 (regularly $169) to mix and match any of Cherry Audio's award-winning instruments for as low as $25 per plugin.

Cherry Audio's SH-MAX synthesizer is now available for $59 at cherryaudio.com and authorized resellers worldwide. SH-MAX is a virtual instrument for macOS (10.13 and later) and Windows (7 and later), provided as AU, VST, VST3, and AAX plugins, as well as a standalone application. A free 30-day demo is available. For in-depth product details, an introductory video, extensive demos, and system requirements, visit cherryaudio.com.

U-He Zebra 2: Dark Rhythmical Presets + Patterns. Sound Demo

video upload by Anton Anru

📡 'Quantum Pulses' is a bank of 50 presets + patterns for the U-he Zebra 2 virtual synthesizer. The collection contains dark, deep, atmospheric, sci-fi, harsh and aggressive sounds that have a wide range of uses: from cinematic sound design to modular techno sequences.
🔭 The soundset is inspired by the modern techno scene, vintage sci-fi films and experimental robots. Perfect for Techno, Industrial, Dub, IDM, Experimental, Cinematic sound design, and others.

📦 Get these presets: https://antonanru.sellfy.store/p/zebr...
👤 The author of the soundset is skendi (Arseniy Pushkov).

⚗️ The sequences work in arpeggio mode, which allows for more interesting playing of several notes in a pattern.
🎚️ Each patch is performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. ModWheel affects the ADSR's performance, making sounds both clearer and more blurred.

🎛️ Each patch includes 8 Macros. These controls are designed stylistically and affect the waveform, giving it movement and changing its shape, adding various FM textures and bitcrush, and also affecting the filter by opening and closing it.
The X/Y controls can be manipulated with a mouse or used as 1–8 macro knobs for hands-on control via a standard MIDI controller, making the soundset highly expressive and performance-friendly.

CLICK FOR MORE »

Soundpaint CS-80 UDS™ Update III - FREE Update For Soundpaint CS-80 UDS™ Owners

video upload by Soundpaint

"Get the CS-80 UDS™ here: https://soundpaint.com/products/cs80-uds

Soundpaint's CS-80 UDS™ is the definitive ultra-deep sampled CS-80, delivering the most detailed and authentic capture of this legendary polyphonic synth ever created. From iconic film scores to global chart hits, you get instant inspiration with hundreds of expressive programs built from massive Ultra Deep-Sampling™ depth. Now with 500+ programs.
- - - - -
0:00 Intro 0:16 Bells & Plucks 1:00 Keys 1:34 Arps 2:31 Brass 4:16 Padmospheres 5:35 Bass 6:27 Lead 7:02 Pads"

"CS-80 UDS is a deeply sampled, performance-led virtual instrument built from a real analog Yamaha CS-80. It is not a circuit or component emulation, but a behaviour-based instrument focused on touch, pressure, and dynamic response.

The latest update expands the instrument to over 500 programs and increases the depth of sampling across the entire keyboard.


Key details:

Expanded to over 500 programs
30,800 UDS samples
Up to 29 round robins per key
Deepest recording of a CS-80 to date
Three dedicated CS-80 C.A.F filter models unlocked
Built from a real analog CS-80, no emulation

CS-80 UDS runs inside the free Soundpaint engine, available as a standalone application and plugin for macOS and Windows.

Free engine download:
https://soundpaint.com/pages/free-engine

Product page and demos:
https://soundpaint.com/products/cs80-uds"

Viscount LEGEND ‘70s MODULAR STAGE PIANO w/ SYNTH-8, FM SYNTH, & Additional Modules

video uploads by Viscount International

Playlist:

1. Introducing Legend '70s MKII | Viscount
2. Introducing FM Synth Module | Viscount Legend '70s MKII
3. A.Piano Module 2G + FM Synth Module #1 | Viscount Legend '70s MKII
4. Legend 70's MKII | A. Piano 2G Module
5. FM Synth Module Sounds Demo | Viscount Legend '70s MKII
6. A. Piano Module 2G | Legend '70s MKII
7. A.Piano Module 2G + FM Synth Module #2 | Viscount Legend '70s MKII



via Viscount

LEGEND ‘70s introduces, for the first time, the concept of MODULAR STAGE PIANO. According to your needs, you can now choose the right combination of sound generating modules with dedicated knobs and buttons. Currently the modules ELECTRIC PIANO, ACOUSTIC PIANO, CLAVI and SOUND COLLECTION are available, while many others will be available in the future, within the “ALWAYS GROWING” family. Moreover to the standard PROGRAM and EFFECTS modules an optional EXTERNAL module is available to making the instrument flexible and very powerful. The design of LEGEND ‘70s Hammer Action Keyboard perfectly matches the instrument’s sound generators. The 3 contact sensors, under each key, are able to detect the corresponding movement with the highest precision.

For the more demanding musician the LEGEND ‘70s Artist-W also offers a graded hammer arrangement where their weight becomes lighter as you climb up the keyboard.

In addition, as with the traditional acoustic grand piano, the Legend Artist-W keyboard is enhanced with real wood piano keys. These keys are made of carefully selected and seasoned wood to eliminate any defect or deformation and provide maximum uniformity and stability over time.

SYNTH-8

"A real polyphonic synthesizer with character.

Synth-8 is a two-oscillators eight-voices synthesizer with a faithful reproduction of a classic American multimode analog filter with saturation, 12dB and 24dB roll off and gritty resonance. The synth architecture is easy to understand and operate but has unique features: classical waveforms with wave shaping and detuned doubling of the oscillators with “Fat” modes, dedicated envelope for the noise, Ring Mod, Hard Sync for all oscillator modes, velocity controls for filters and envelopes. Finally, the Unison modes allow stacking up to 8 voices: with “Fat” oscillators this makes a total of 32 detuned oscillators at once! The module panel provides quick access to user’s preferred parameters by four assignable knobs. These can be also used to tweak many other parameters arranged in rows that can be navigated through dedicated buttons.

The Legend ’70s Editor has a whole screen to control the synthesizer in real-time and make the editing of new patches simple as having a real panel in your hands. The synthesizer comes with lots of pre-sets that can be selected and tweaked and stored in the Legend ’70s programs.

Last but not least, the Synth-8 module also offers a dedicated arpeggiator section, capable of cyclically playing the notes in the desired order, and 4×16 sequences that can be assigned to the generation parameters."

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GLT Audio PM-80 Yamaha CS-80 MIDI Controller

via GLT Audio

For many musicians, owning a CS-80 synthesizer is a dream that’s out of reach - both financially and in terms of required maintenance. While today’s VST replicas sound remarkably close, the true spirit of the CS-80 only comes alive when you have all controls at your fingertips. That’s why GLT Audio created the “Poor Man’s CS-80” — the PM-80, featuring 75 dedicated faders and a ribbon controller, offering an inspiring hands-on experience.

75 silk-smooth faders

30 cm ribbon controller

6 high quality waveform toggle switches

Slim table-top metal enclosure

Well connected

Power and MIDI-out over USB-C

MIDI-out over 3.5mm jack

Expression pedal input (converts to MIDI)

CV and Gate out, assigned to the ribbon controller

Magnetic overlays to play other virtual instruments

Use cases
Map the PM-80 to your favorite CS-80 VST, such as Cherry Audio's GX-80, Softube's Model 77, Arturia's CS-80 V, Xils Lab's The Eighty, Morphoice's Unstable or Memorymoon ME80.
Use the PM-80 for other VSTs, by adapting it's parameters using magnetic labels.
Control a virtual audio mixer. (eg. 24 x level, 24 x pan, 27 faders for effects)
Control hardware directly in a DAWless setup, using the MIDI DIN output (even allowing SysEx on customized firmware).
Connect to your Eurorack: the ribbon controller outputs to CV and Gate.
As a powerful generic MIDI controller, the PM-80 can even be used for applications like DMX light control and VJing.
Product details
75 high quality silk-smooth 30mm faders by Alps Alpine (all without detents).
30 cm ribbon controller.
6 high quality waveform toggle switches and 3 slide switches.
1 special switch: while pressed you control 75 additional CCs.
Slim table-top metal enclosure with screen printed metal faceplate and rubber feet.
We will share the source code, allowing firmware customization by the user.
Dimensions of the enclosure: 410mm x 205mm x 20mm.
Designed and assembled in the The Netherlands.

Connections
Power and MIDI over USB-C
3.5mm TRS MIDI-out (Type A)
3.5mm TRS CV & gate out (assigned to the ribbon controller)
3.5mm TRS expression pedal input (value sent out over MIDI)

Additional items
Magnetic overlay labels for:
a famous 1977 poly synth
a famous ladder filter mono synth
blank (for handwriting)
more to follow…
3.5mm TRS to MIDI DIN converter.
3.5mm to 6.3mm TRS converter for expression pedal input.

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Introducing SQUID-3 by Acustica Audio

video uploads by Acustica Audio

Playlist:

1. SQUID-3 - You don’t need make-up when the sound is this good.
2. SQUID-3 Explained | Complete Walkthrough

Quick No-Talk Synth Demo

video upload by Autodafe

"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.

In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.

If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."

SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.

This isn’t a vintage emulation, or a collection of pretty presets under reverb.

SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.

SQUID-3 is not another virtual synth.

It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.

SQUID-3 is available in two separate editions:

• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.

• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"

You can find additional details at https://www.acustica-audio.com/shop/products/SQUID3