"These are the inputs: (1) CV (1) FM bipolar CV (2) Audio In (Ain)
These are the Outputs. (1) FIlter out BP (1) Filter out LP (1) White Noise (1) Pink Noise
Switches: (2) Rez Hacks: one switch lowers the Rez Notch, the other boosts the rez Notch. (1) Burble switch: this switch drops Acid on your signal. All of a sudden it is bright and bubbles when you sweep into lower frequencies. But it is not like you think. Circles become Squares.. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Now for the hard Facts: The pre-amp section was intended for VCO analog synth Signals, It sounds very clean with these signals because these levels are usually Beefy and Big. It can however amplify Line level by x100. But by cranking it up all the way you will hear slight distortion and a little Noise. This also applies to Guitars/bass. In other words this is not a crystal clear Pre-amp when cranked up x100 gain. ----------------------------------------------------------------------------------------------------------------------------------------------- These notes are for Modular synth owners and DIY'ers: If you are brainstorming about ditching the Red wood box and possibly Modular Panel racking, Yes it is possible. The Lexan panel happens to be a MOTM 2U dimension. There is a location to solder a Motm style power connector also. There is an onboard power supply with a detachable AC power jack. That is removable (the jack). No other de-soldering of the power supply is required. There is an onboard trimmer to fix the Cutoff range to your liking. This is a hybrid designed pcb. It can be self powered or externally powered."
Update via Micke in the comments: "*CS-80* is a typo I think, it should read GX-1. The album was recorded in March '77 and that's a bit too early for the CS-80 unless they had access to the prototype or a pre-production unit."
YouTube via thehighams. via Palm Sounds "This new video again explores the idea of composing music inside the timeline of Final Cut Pro, it features the following nine iPhone music apps - Melodica, Easy Guitar, NLog Synth Free, iRockGuitar Lite, Mobilesynth, Drum Kit Lite, Kalimba Free, Junglist Lite and the mighty Bebot.
It was shot on mini DV (canon XL1s) and was sliced up in FCP, there's a detailed walkthrough of the entire process up at the blog. The blog is at http://www.foilface.com and my twitter username is at the end of the video. Feel free to get in touch if you have any questions or suggestions for the next one!
There's a better quality version over at v i m e o where you can also download a HD 60fps Quicktime version.
Be sure to swing by www.foilface.com for more random creative wibblings, we've got a lot going on over there currently!
YouTube via benpumpkin "First, thank you for the support of FOLKTEK and be sure to check our blog where you can keep up with our doings if you feel: folktek.blogspot.com...New work by Arius Blaze. This piece allows for thousands of methods of automated sample fuqwithing. Everything from sample stutters, granulation, modulation and bursts of noise etc. Of course it also doubles as a very sweet dub style echo. The range is insane and could not be captured proper in our short videos. In the videos, for the most part, the patches are set according to what I had been playing with prior. The keys are patchable and each part of the sequence is patchable. Time range is from .005 to about 5.5 sec with a noticably lower quality toward about the 3.5 sec mark. This work is expensive but it is also available. More photos and more info on the bloog and the site"