Friday, February 26, 2010
M-Z3R0 - circuit bent - ROBOTRON DELAY with MPC500
YouTube via manufacturedZ3R0
"First stab at a stand alone fx box.
Combined delay and pitch shifter/voice changer circuits with rate, infinite feedback and feedback level adjust on the delay and multiple modes of pitch shifting, 'robot voice', pitch sweep knob and input sensitivity on the voice changer.
Works extremely well with beats, vocals and stabs. Turns pads and leads into obscure ring modulated sounds.
Skinny puppy 'mythmaker' vocals and vocoder style beats in a box."
Studio, October 2009

"Cat perspective distortion! (she's backup security in case the primary one fails)"
via CatSynth
Aphex Twin - Equation
YouTube via Inkington
"Aphex Twin's "Equation" run through a Spectrograph program, as explained here: http://www.bastwood.com/aphex.php
Skip to 5:27 for The Face.
Shot with a video camera, rather than using software, to stop Windows from crying."
M-Z3R0 - circuit bent - Grimrogue beat melter for IGOR AMOKIAN.
YouTube via manufacturedZ3R0
"Igor Amokian's Grimrogue beat melter sent to me for a skydark makeover. Embedded delay, APC, LFO, pitch and distortion.
Back on it's way home shortly.
Check Amokian out on:
www.myspace.com/igoramokian"
comnics ASCOT japanese classic exotic KOTO synth

"comnics ASCOT(means Koto of the future) is extremely rare and most strange japanese electronic musical instruments it was originally made for japanese traditinal music.
comnics ASCOT was very expensive and made very limited quantities those days originaly made for the very small circle of the people who seriously studying japanese traditional music and never sold at ordinary musical instruments market so i'ts very hard to find even in Japan nowadays... this is your first and last chance to get this vintage bizarre gem!
WARNING! ASCOT is looks like classic japanese taisho koto(japanese traditinal instruments) but ASCOT IS COMPLETE ELECTRONIC MUSICAL INSTRUMENT NOT ACOUSTIC INSTRUMENTS so you can play various sounds and don't need tuning each strings.
first of all, it's very beautifull designed, built in exotic painted classy wood case like classic taisho koto shape it has four scales selectable,soprano,alto1,alto2,bass and 5 sounds selectable for each scales,koto,piano,vibe,brass,bass there are knob for volume,sound select button,scale select button,5th stings octave button,5th stings transpose button,ON/OFF and simple metronome section(cute sound) and internal speaker(it also has output jack).
playing ASCOT is very easy,select scale and sound and hold one key of the keyboards and play strings by guitar pick
ASCOT's sounds are very warm and analog, unique original sounds it's very cool idea that using ASCOT with guitar effctor such as reverb,delay etc.. even distortion is good for hard rocking sound! it's super cool if you play loud ASCOT solo on stage with heavy distortion!
I recommends comnics ASCOT for the artist who tired of western electronic instruments and seeking for fresh and bizzare sounds and also recommends those who seriously studying japanese traditional music"
x0xb0x for amnesty international

"I am selling a x0xb0x for $600 and donating it all to amnesty international.
This coming Sunday marks the anniversary of a massacre that happened in 1947 in Taiwan. It was the beginning of four decades of marshal law that saw tens of thousands of people killed.
I have it up on
http://forums.adafruit.com/viewtopic.php?f=29&t=14771#p72456"
Electronic Spontanious Facilitation for Eigenharp Pico Competition
YouTube via GeekOnAcid
"Performed by Geek On Acid on Eigenharp Pico, using default drum loops and two 'Alchemy' Audio Units. Parameters in patches for both AU were programmed to be controlled by breath pipe, touch strip and key options."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH