MATRIXSYNTH

BuchlaSoloScore

YouTube Uploaded by deb7680 on Aug 27, 2011

"A sequence with the partition editor NoteAbility Pro (Mac) and read with the Buchla 200e. The objective is to control the Buchla 200e as a solo instrument with pizzicato, the staccato, legato of. Both channels are set Poly mode and two in mono. The busses of the 225e E, F, G, H, are affected by pitch, velocity and note on the 222e being put to use for touch control. Concerning the 28e (quad function generator), the quadrature mode (none, AB, CD, overall) to select four different types of sequences and touch controls.
PS: I used an old midi sequence made with the very late IPS (Interactive Phrase Synthesizer) in Cubase.

Une séquence avec l'éditeur de partition NoteAbility Pro (Mac) et lue avec le Buchla 200e. L'objectif étant de contrôler le Buchla 200e comme étant un instrument soliste, avec des pizzicati, des staccato, des légato. Deux canaux sont mis en mode Poly et deux autres en mono. Les busses internes du 225e E, F, G, H, sont affectés en pitch, vélocité et note on, le 222e étant mis à contribution pour le contrôle tactile. Concernant le 281e (quad function generator) , le mode quadrature (aucun, A-B, C-D, ensemble) permet de sélectionner quatre types de séquences différentes et contrôlés tactilement.
PS : J'ai utilisé une vieile séquence midi faite avec le très regretté IPS (Interactive Phrase Synthesizer) de Cubase."

Syntax Cataract Meets Raul

YouTube Uploaded by raulsworldofsynths on Aug 27, 2011
Update: video re-loaded.
"This is an experiment in multitracking with my SYNTAX CATARACT. Reverb and delay was added to a few tracks. The SYNTAX CATARACT is a circuit bent Instrument designed by Ivo Ivanov of Glitchmachines. Performance,audio, and visuals by Raul Pena. All rights reserved."

iESQ-1 v1.2 Wired and Wireless CoreMIDI iPad Editor & New Prices

YouTube Uploaded by iControlMIDI on Jul 14, 2011
iESQ-1 - iControlMIDI
iControlMIDI
iPads on eBay

"Apple has released iESQ-1 v1.2 our Wired and Wireless CoreMIDI iPad Editor for Ensoniq ESQ-1 / ESQ-M.

We are also pleased to announce a price drop on most of our editors to meet market demand.

iESQ-1 v1.2 offers:
• Automatically enables the some parameters based on other parameters values
• Automatically disables the some parameters based on other parameters values

4-Controls per Parameter:
• Slider: full range parameter value adjustment for a ‘coarse’ workflow
• + button: precise +1 parameter value adjustment for a ‘fine’ workflow
• - button: precise -1 parameter value adjustment for a ‘fine’ workflow
• Parameter default value button: pressing the parameter value label / button sets this parameter to a default value for a faster workflow (ex: DCO wave = Saw; VCF frequency = wide open; etc...)

Parameter Name and Value:
• Name (ex: Wave): as displayed on the ESQ-1 VFD
• Value (ex: Saw): as displayed on the ESQ-1 VFD, dynamically changes when you use one of the 4 controls (slider, + button, - button, parameter default value button)"

Improvisation with Polychord

YouTube Uploaded by jeffdigit on Aug 26, 2011

"Polychord + Omnisphere (3 voices: chord, bass, strum)
KORG Electribe MX with chillout8 factory pattern"

polychord - Shoulda Woulda Coulda
iPads on eBay

Polychord Delirium

Andromeda A6 - No Worries....No More

YouTube Uploaded by TheZombieHolocaust on Aug 26, 2011

"Just playing through some patches and messing about....please enjoy"

Andromeda A6 - Strings

Hoffman RCA Theremin / BERCEUSE

YouTube Uploaded by copperleaves on Aug 26, 2011

"This is the "Berceuse" from JOCELYN, an opera written by French composer Benjamin Godard (1849 - 1895). I transcribed it for harp (Venus "Aquilan" concert harp) and theremin and played it on the 1929 RCA theremin that once belonged to the late Samuel Hoffman."

St. Thomas dual fuzz on MODULAR SYNTH

St. Thomas dual fuzz on MODULAR SYNTH from starvelab on Vimeo.

"Speculative Religious Electronics (SRE) offers the St. Thomas dual fuzz designed by Dave Rice of USO Amplification.

In this example, we've run bass-line sequence from our Eurorack rig into the St. Thomas for massive, existentially resonant sonifications!
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