MATRIXSYNTH


Wednesday, June 27, 2012

noisy Body Contact Oral Axion

noisy Body Contact Oral Axion from maurice.rebell on Vimeo.

... i have oral Sex with musical Devices!

just a little experimental record session with cables, my tongue, my lips and a noisy DIY Fuzz ...

Drums comes from my Jomox x.base09 SE
some
Reverbs from Lexicon mx 200 & t.c. electronic m 350
and
Tape Delay (Boss RE 20 Space Echo) ... thats it.

Retro Acid Session

Retro Acid Session (Part1) from maurice.rebell on Vimeo.

mir war nach Oldschool Acid House!

if you want the original Sound:
http://soundcloud.com/maurice-rebell/sets/ass-it-live-sessions/

used Gear:

Elektron Machinedrum UW mk2
KORG ESX
KORG ER mk2
BOSS DR Pad
Doepfer Dark Energy
x0xb0x
x0xb0x Yes, i have three x0xb0xes
x0xb0x
Mackie 1642 (Mixer)
t.c. electronic m350 for some Room Fx on the Drums / x0xb0x
Lexicon mx 200 for some Delay Fx



Retro Acid Session (Part2) from maurice.rebell on Vimeo.

mir war nach Oldschool Acid House!
if you want the original Sound watch:
http://soundcloud.com/maurice-rebell/sets/ass-it-live-sessions/

used Gear:

Elektron Machinedrum UW mk2
KORG ESX
KORG ER mk2
BOSS DR Pad
Doepfer Dark Energy
x0xb0x
x0xb0x Yes, i have three x0xb0xes
x0xb0x
Mackie 1642 (Mixer)
t.c. electronic m350 for some Room Fx on the Drums / x0xb0x
Lexicon mx 200 for some Delay Fx

BleepLabs & the Transistor Bass

BleepLabs & the Transistor Bass from maurice.rebell on Vimeo.

i put a Thingamagoop 2 into the Filter Audio input of my x0xb0x and that Noise came out of it ...

Luke's Anger - Worried Sid - Bonus Round 2010


YouTube Uploaded by molotovsystem on Apr 23, 2011

"Taken from the album 'Live Wrong And Prosper'

Beatport: http://www.beatport.com/release/live-wrong-and-prosper/283643"

"Bass, leads n fx all SID station multi-tracked, then I think maschine samples or something for the drums"

Analogue Solutions TBX


YouTube Published on Jun 27, 2012 by Bonnline

"Another example of the TBX in action. A less percussive sound this time ;)"

Roland Jupiter 4 + Alesis Ion "Jupiter LFO"


YouTube Published on Jun 27, 2012 by synthartist69

Balpa Faz


YouTube Published on Jun 27, 2012 by sduck409

"Only the camera mike on this one, sorry - I may redo it later when I have more time. Just 4 modules used for this, although they're all pretty deep modules. Dual wogglebug is producing a crazy variable clock, which drives the klee sequencer. The A and B out of the Klee are driving a cross modulated Buchla 258 clone. The 258 top oscillator output is going into the Korgasmatron III, only using the B side, in bandpass mode, which is being frequency modulated by the A+B output of the Klee. I also have an output of the wogglebug controlling the stereo panning, but since this is a mono recording, you'll have to imagine that part. Featuring a vocal cameo by Fishpants the cat at 0:44. Live audio and video recording on 2012-06-27, copyright Stephen Drake."

Projektpräsentation SoundPrism Workshop 2012 im BBZ Weimar

Note: Auction links are affiliate links for which the site may be compensated.
YouTube Published on Jun 27, 2012 by Audanika

"Vom 16.bis 20. April testeten elf Schüler im Rahmen der Projektwoche des BBZ Weimar das mit dem am 24.11.2011 mit dem Innovationspreis für Kommunikation und Medien des Bundesland Thüringen ausgezeichnete Produkt „SoundPrism". Alle im Aufführungsvideo beteiligten Schüler besaßen kein iPad bzw. iPod, kannten SoundPrism nicht und starteten ohne Vorkenntnisse bzw. Vorerfahrungen in die Projektwoche.
Die daraus sich ergebende Zielstellung: Innerhalb von vier Tagen ein völlig neues Instrument kennenlernen, mit den erworbenen Kenntnissen und Fähigkeiten ein interessantes Stück komponieren und dieses bis zur Aufführungsreife bringen."

iTunes:
SoundPrism Pro - Audanika GmbH
iPads on eBay

ableton LIVE in iPad - Splashtop2

Note: Auction links are affiliate links for which the site may be compensated.
YouTube Published on Jun 27, 2012 by nakanosyun

"http://ios-music.homewoke.net/
Splashtop2 is very convenient apps.
The various usage can be invented.
ableton LIVE was controlled this time."

Thought this was a good example of how even though touch control of existing apps designed for the PC seem like a good idea, the UI is important. Too small and it becomes a burden to use. I'm looking forward to the availability of VSTis on the upcoming Surface tablet from Microsoft, but watching this video is just a reminder that the UI does matter.

iTunes:
Splashtop 2 - Remote Desktop - Splashtop Inc.
iPads on eBay

Pristine Analogue Solutions Leipzig K 100% Analog Synth

Note: Auction links are affiliate links for which the site may be compensated. via this auction

"KEY FEATURES OF LEIPZIG-k
Pure analogue voice circuitry
Fat Moog style filter
Velocity sensitive keyboard
CV/Gate outputs, so can be used as a 1V/octave CV controller keyboard for your modular system
CV/Gate inputs to voice circuit so can be controlled by an analogue sequencer or similar
All jack sockets are 6.35mm (1/4″ ‘big’ jacks)
Mod Wheel
Pitch Bend Wheel
Performance section (mod wheel control of LFO2 – i.e. vibrato/wahwah)
Pure vintage style inspired design
Lots of blue LEDs!
2 VCOs with Glide/Portamento and Sub-VCOs
Plenty of modulation routing possibilities
Extra tone controls and circuits for more sound variety e.g. LFO, CrossMod
Rugged steel construction
‘vintage’ wood design
Spun aluminium topped knobs
LCD for MIDI set-up editing
MIDI In for software sequencer control of CV/Gate
MIDI Thru
MIDI Out: pitchbend, mod wheel, velocity and note data is transmitted. Local on/off feature

The Leipzig-k keyboard design brief was simple; design a keyboard in the true spirit of vintage keyboard monosynths. There’s plenty of rack analogues and digital modelling keyboard synths around, but very few new true analogue keyboards. We aimed to design a keyboard monosynth that looked like it has been beemed back from the past. True, it has an LCD to edit the MIDI functions, but why make life hard! Thick wooden end panels and top panel wood and aluminium spun knob-caps add to the effect. Details such as this don’t come cheap, but the added cost of the hardware to get the right hardware was not omitted or the design compromised. I wanted to design a synth that truly looked the part and had all those classic vintage synth details, and no expensive or time has been spared to bring that. The quality of design, workmanship and detailing is all of top quality. The case is rugged 1.2mm steel, thick wood sides, powder coated metal, silk-screened legend, aluminium apped knobs and more.

So Leipzig looks the part, but it sounds good too. Pure analogue throughout. Discrete transistor, resistor, capacitor design. The only ICs are as you would expect; op-amps and transconductance amps. Of course there is digital circuits; the MIDI circuits, but I think you can forgive us for that! It’s somehow comforting to know that if you open up this synth you will see thousands of discrete components and not just some giany DSP chip! If oyu had the knowledge (and were prepared to lose your warranty) then you could open up the synth and circuit-bend it as you wish, disect your way into the sound or CV path.

The Leipzig-k is more than just a Leipzig rack with a keyboard. An extra LFO/VCA has been added. The depth of the LFO is controlled via the Mod Wheel. A headphone output has been added. CV/CV2/Gate inputs and outputs making this an ideal analogue synth controller keyboard."
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