YouTube Published on Sep 7, 2012 by HarleyLikesMusicUK
"This is a track I started working on after I played at the Superbyte MicroMusic festival in Manchester. The full track will be included in my album which will be available one day... It also needs a name any ideas? www.HarleyLikesMusic.com"
YouTube Published on Sep 7, 2012 by conmoerenhout111
"This consists of three short little melody that are glued together. I have used my Arturia Mini Brute and the microKorg
The Mini Brute I let run by two Behringer FEX effects. One I used the Phaser and the other the Catherdral. I also used the mini effects, the FBX, which I used for color the sound.
The final mix I used plug-ins, a little reverb and some delay and uses a compressor or the whole to color and give the sound a more little more power. The titel is a combination of the two instruments.This part was all played live"
"The fifth bite-sized tutorial aimed at users of u-he's Diva, this one introduces the term "recursive modulation" (I already mentioned this technique in my old Access Virus programming tutorial). Here's the shortest dictionary definition I found:
recursion |riˈkərZHən| - see "recursion"
Even if you don't get that geek joke immediately, you probably will after watching the video. Due to Diva's fixed simple architecture, the only parts capable of recursive modulation are the LFOs...
First off, LFO2 is used to modulate oscillator pitch and filter cutoff. LFO2 is also used to modulate its own level... recursion! Note how the shape of the LFO (nominally a triangle wave) is affected.
Next, LFO2 is used to modulate its own rate, which not only affects the overall rate but also (again) the shape.
Normally there's no control for the pulse width of LFO square waves, but you can even do this via recursive modulation - in the 3rd experiment, LFO2 also modulates its own rate.
Of course the two LFOs can even modulate each other's rates and/or levels for a more complex type of recursion. The preset "HS Spacely Spice" is a good example of this.
Homework: Experiment further with both LFOs modulating each other until you have a sound you like. Instead of e.g. LFO1 modulating LFO2 rate directly, put LFO1 and modulation wheel into the "Add" processor and use that to modulate LFO2 rate instead. There are many more tricks to discover using those processors together with recursive modulation..."
"Am 12.7.2012 veranstalteten CDR und JustMusic das iOS Music Meet 2012 in Berlin. Mehr als 300 Besucher konnten an 30 iPad Stationen die neueste Hard- und Software für iOS ausprobieren.
Von Alesis bis Tascam waren auch die wichtigsten iOS Entwickler & Hersteller vor Ort und entwickelten einen regen Austausch mit den Besuchern.
Auf der Bühne präsentierten Mike Huckaby aus Detroit, Robert Lippok und Henrik Schwarz mögliche Workflows mit iOS Geräten. Auch Peter Kirn von createdigitalmusic.com war vor Ort.
Nicht zuletzt durch die begleitenden DJ-Sets von Penner&Muder, Kyson und Domenique Xander, und natürlich den CDR-DJs, die unveröffentlichte Musik der iOS Meet-Besucher spielten, endete das Event erst in den frühen Morgenstunden.
Googlish: "On 12.07.2012 organized CDR and Justmusic the iOS Music Meet 2012 in Berlin. More than 300 visitors were able to try on 30 stations iPad the latest hardware and software for iOS.
Alesis to Tascam were the main iOS developer & manufacturer site and developed a strong interaction with the visitors.
On stage, presented Mike Huckaby from Detroit, Henrik Schwarz and Robert Lippok possible workflows with iOS devices. Even Peter Kirn of createdigitalmusic.com was there.
Not least by the accompanying DJ sets by Penner & Muder, Kyson and Domenique Xander, and of course the CDR DJs who unreleased music of iOS Meet visitors played, the event ended only in the early morning hours."
The video is the sequel to http://vimeo.com/48648956" [posted here]
"Weinglas is a strange European noisemaker from Frankfurt/Germany
He always wears black clothes and black glasses and wants to paint the world black with his modular sound collages
In contrast to his appearance and to the sounds he creates he always uses colorful patch cords because they are his lights in the darkness (and they are cheaper, too!)
If it was technically possible he would only use electronic gear with tubes!
Released by: Game of Life
Release/catalogue number: Lif07
Release date: Sep 7, 2012"
"(c) 2012 synthesizer demo track by RetroSound
"Freak"
all sounds: Moog Prodigy Analog Synthesizer from the year 1979
recording: multi-track without midi, sequenced by the SCI Pro-One step-sequencer over CV/Gate and synced with the TR-808.
drums: Roland TR-808
fx: a little bit delay and reverb"
"Hi! :) Here are some of my new programs for the Roland JV-880!. Every patch was initialized, then saw waves/square waves are chosen then the programming is started from all zero-set parameters. The JV-880 (1992) is very similar to the Roland D-50 (1987) with 4 partials that can be turned on or off, individually programmed. Each of the partial's parameters can be filtered in several ways. There isn't a limit to what is sent through the TVF as there is with the D-50. JV-880 is tricky to program with just one knob and 7 buttons, but its so rewarding! Although the JV is digital, the JV can be very lush if programmed with some diligence and patience as all synths require. :)
