MATRIXSYNTH


Monday, January 19, 2015

Vintage ElectroComp EML-500 & EML 200 Synth Literature Product Brochures

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via this auction

"ElectroComp EML literature from the early 1970's:

Fold out glossy ad for the EML-500,
Fold out glossy ad for the EML-200,
*Deluxe* signed letter from marketing manager, Norm."

The EML-500 went for $895, EML-200 for $950.  Click the pics to read.

Sequential Circuits Instruments Pro One

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via this auction

New DSI Teaser - Past is Prologue...

Moog Sub Phatty + Roland TR-8 + TB-3


Published on Jan 19, 2015 magevers

Soundsdivine's 'Complex Harmonics' - Timewarp 2600


Published on Jan 19, 2015 SoundsDivine111

"Preview of the presets from the 'Complex Harmonics' soundset for Way Out Ware's Timewarp 2600 synthesizer ."

Massive VST "Put The Knife 2 ur Neck" -2nd Edit-


Published on Jan 19, 2015 j j

"old track just edited a tiny bit ...
please don't get upset by the lyrics its all in the name of Good Fun & a demonstration of the software Massive VST ..nothing else !!!!
mp3
http://www.newgrounds.com/audio/downl..."

Organism 02 - DSI Prophet '08


Published on Jan 19, 2015 traxus12

"Another experimental self-running drone/noise patch on the Prophet 08! Using modulators to route LFOs into each other for some strange effects."

Moog Announces New Modular Systems for 2015 with Back to the Future Sounds Documentary


Back to the Future Sounds Published on Jan 19, 2015

"On January 19, 2015 Moog Music Inc. announced their plans to recommence a limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.

To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances on the new Moog modular systems by Holy Ghost! (DFA Records), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Opal Tapes/ Spectral Sound), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw/Leaving). Each artist played a patch on one or more of the new Moog modular synthesizers recorded in one take with no overdubs."

Suzanne Ciani | System 55

Published on Jan 19, 2015

"In this video, electronic music and sound design pioneer Suzanne Ciani explores the Moog modular System 55 for the first time in decades. Ciani came to the Moog factory in Asheville, NC to play the first System 55 newly handcrafted by Moog in over thirty years. The patch, created and performed live, was shot in one take and features a sequence designed on the 960 Sequential Controller that's driving three 921B oscillators into a 904B High Pass filter whose cutoff is being modulated by a 921 oscillator. A second set of 921B oscillators is also being played manually into a 904A Low Pass filter whose cutoff knob is also being modulated by the 921 oscillator. The resulting sound of each is then sent through its own dedicated MF-104M analog delay for ambience. The audio has been captured directly with no eq, compression, or editing applied."

And the press release:

"ASHEVILLE, NC – January 19, 2015 — January 19, 2014 Asheville, NC: 50 years ago, at its first introduction, the Moog modular synthesizer represented as radical a transition as Kandinski’s abstracts or Kodak’s cameras – offering both a break from yesterday and a startling glimpse of tomorrow. And, as with all cultural explosions, the impact of Dr. Bob Moog’s invention was impossible to evaluate from the epicenter. It’s only now, 50 years down the line that we can get some measure of the importance, and the sheer untapped potentiality of the Moog Modular Synthesizer.

Today, it is with great excitement that Moog Music Inc. announces their plans to re-commence the limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.

To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances by contemporary modular artists like Holy Ghost! (DFA), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Spectral Sound/Opal Tapes), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw). Each artist played a patch live, in one take, with no overdubs on one or more of the new Moog Modular systems.

The foundation for this announcement was laid last year at Moogfest 2014, when Moog released the Emerson Moog Modular system – a faithful recreation of Keith Emerson’s legendary modular instrument, which was the culmination of three years worth of research and engineering. Now Moog will use the techniques learned recreating the EMMS manufacturing process to once again build these modular systems. Crucially, in deference to the unique character and appeal of the original instruments, these systems will be made entirely to their original product specifications and manufacturing techniques and processes.

Working from the 1970s schematics, the System 55, the System 35 and the Model 15 will be meticulously handcrafted, as a true recreation of the original. The modules are built from the original circuit board films - just as they were in 1973- by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. The front panels are photo-etched aluminum, a classic process rarely still used in today’s synthesizer manufacturing, to maintain the classic and durable look of vintage Moog modules.

Upon their first release in 1973, the System 55, the System 35 and the Model 15 represented a high watermark for modular synthesis, and their inimitable tones can be heard shaping many much-loved albums. They were fundamental in the development of contemporary soul, RnB, and disco from giving Stevie Wonder’s classic run of 70s LPs their questing, innovative edge, to providing Giorgio Moroder with the pulsating machine melodies that ushered in electronic dance. At the same time, these were the instruments that inspired Brian Eno to push further out into seas of layered tranquillity on his pioneering ambient albums, or provoked bands like Yes and Tangerine Dream to blast their sonic freak outs into the cosmos.

However, the reintroduction of these instruments is not about reliving the past – while much incredible work has been done with the Moog Modular, there is so much further yet to be explored in this relatively young instrument. Artists had only begun to grasp the vast possibilities of these large format modular synthesizers when they went out of production over thirty years ago. Decades of electronic experimentation have enabled musicians to move on from viewing the Moog Modular as a replacement for traditional instrumentation. Now a new generation of artists, with a greater understanding and more complex tools, will have the opportunity to explore the power of these singular sonic machines. Today, the modular synthesizer is viewed in the manner Bob Moog originally intended: to “discover endless offbeat, unconventional, and even irrational ways of working.”

The dedicated nature of the Moog modular rebuilding process is such that the units will come in extremely limited quantities. There will be 55 units of the System 55, priced at $35,000 per instrument; 35 of units of the System 35, priced at $22,000 per instrument; and 150 units of the Model 15, priced at $10,000 per instrument.

Alongside these Moog Modular Systems will be the Sequencer Complement B Expansion Cabinet, a dual 960 Sequential Controller, an accompaniment to the System 35 and System 55, that has been out of production for over 30 years– as well as an optional 5-Octave duo phonic keyboard."

http://www.moogmusic.com/content/moog-modular-synthesizers

Nord Keyboards Introduces the Nord Electro 5


The Nord Electro 5 will be shown for the first time at the NAMM Show 2015, Anaheim, California, January 22-25th in the Nord Booth #6464

"With enhancements to every area of the instrument, the Electro 5 redefines Nord’s legendary live keyboard.

Nord Keyboards are proud to present the new Electro 5 Series - the latest incarnation of our famous keyboard for the performing musician. Since its introduction in 2001 the Nord Electro has been the natural choice for musicians in need of authentic emulations of classical electro mechanical and acoustic instruments in a portable and easy to use package. With enhancements to every sound-generating section, to its user-interface, and to its functionality, the Electro 5 is more refined, more live-focused, and more flexible than ever.

HIGHLIGHTS
General
Splits and Layers – Piano/Organ, Piano/Sample, Sample/Organ
1 GB memory for Nord Piano Library
256 MB memory for Nord Sample Library
OLED Display for excellent overview and readability
6 Split Points with LED indicators
Redesigned Program section with Set List feature
E-E key range for 5D 73 and 5 HP

Piano Section
Sympathetic String Resonance

Sample Synth
Dedicated Sample Synth section with Attack/Release and dynamic controls

Organ
Physical Drawbars on 5D 61 and 5D 73 models
Principal Pipe Organ model
B3 Tone Wheel Bass
Leslie 122 simulation from Nord C2D
Mount for Half-Moon Switch for Rotary Speaker control (5D 61/73)

Effects
All effects now in Stereo
Tube overdrive simulation
Vibe effect
Separate Reverb/Delay effects
Tremolo, Pan, Ring-Mod and Wah-wah can be controlled with Control Pedal

PIANO SECTION
The new Electro 5 series all feature 1GB of Piano Sample memory, allowing you to bring even more of our unique sampled acoustic and electric pianos on stage. The subtle but effective Sympathetic String Resonance technology derived from the Nord Piano is now implemented in the Electro 5 delivering an unprecedented degree of realism to your performance when using our Grand or Upright pianos.

The piano section of the Electro 5 contains acoustic and electric pianos from the ever-expanding, and freely downloadable Nord Piano Library. Expertly sampled and brimming with unique character, the Grand and Upright Acoustic Pianos, legendary Electric Pianos, Clavinet and Harpsichord, provide a stunning sound palette.

ORGAN SECTION
The Electro 5 Organ section features a new Principal Pipe Organ mode as well as the classic Tone Wheel simulation and the highly acclaimed Rotary Speaker simulation of a vintage 122 unit from the award winning Nord C2D Combo Organ.

A new B3 Tone Wheel Bass feature gives you the classic 16” and 8“ bass drawbars in the left hand and can even be used with the Piano and Sample section for a thick and meaty bottom. Both the Electro 5D 61/5D 73 feature physical Drawbars and can accommodate the Nord Half-Moon switch with stop/slow/fast modes (optional accessory).

SAMPLE SYNTH SECTION
The new Electro 5 features a dedicated Sample Synth section with expanded memory for the Nord Sample Library (256 MB) and additional controls for attack, decay/release and dynamics (filter/velocity). The Nord Sample Library features a broad selection of free sounds from acclaimed sample producers as well as exclusively licensed sounds of the legendary Mellotron and Chamberlin.

EFFECTS
Electro 5 also features new improvements in the Effect section – all effects are now in Stereo, the Delay and Reverb are now separate effects. The Modulation effects now include a Vibe effect and the Amp section features an added Stereo Tube overdrive. Tremolo, Pan, Ring-Mod and Wah-wah effects can all be controlled with a Control Pedal.

SPLIT AND LAYERS
The Nord Electro 5 has two sound slots that can be combined in a layer or split over the keyboard (Organ/Piano, Piano/Sample Synth or Sample Synth/Organ). Each of the sound slots can have specific effects and separate Control Pedal and/or Sustain Pedal assignments. For example chorus and Sustain Pedal on the Piano and some Delay and a Control Pedal on the Sample Synth. The split function includes 6 split points, indicated with LED lights for obvious identification on stage.

Each of the effects sections can be assigned freely to either Upper or Lower parts.

The Jano-Xk Analog Hybrid Synthesizer on Indiegogo


The DSP Synthesizers Jano-Xk synthesizer based on the Roland Juno-106 DCO is now on Indiegogo. Click through for details.

"Integrator Jano-DCO with SAW, SuperSAW, SQR with PWM and SUB mix output.

This is NOT a VA synth.
The oscillator is a digitally controlled analog oscillator based on the ATmega328.
The output from the DCO-integrator is 100% analog signal.

All 4 waveforms can be simultaneously mixed.

Triangle LFO for PWM and pitch modulation.

Portamento/glide for notes.

Arpeggiator with up-mode, rate and note lenght.

Gate output with oscillator set as gated, arpeggiated or hold mode and 5 volt CV output for highest note played on the keyboard or arpeggiated chords.

12dB HPF and +24dB LPF with resonance.

Outputs are monoaudio and 5 volts CV/Gate."
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