"MAM MB-33 Analog Retro Bass Synthesizer solo and fed with VERBOS COMPLEX OSCILLATOR and ENDORPHINES FURTHRR GENERATOR triggered by ARTURIA BEATSTEP Pro"
- new Audio Units
- new Equalizer
- new Sample & Hold
- new Quantizer
- new Gate/CV to Midi
- Midi Sequencer gets reset Input port for Ableton Link sync
Mastering by Tommy Bianchi @ White Sound Mastering Studio
Distribuited by Wordandsound
A crazy experiment and a consummate crime within the walls of the Specola Museum in Florence are the key elements of a thriller with a retro flavor. A briefcase contains the object removed from the crime scene, the last piece missing of a synthesizer built in the musical duo studio ANGLE.
Un folle esperimento ed un delitto consumato fra le mura del Museo della Specola di Firenze costituiscono gli elementi cardine di un thriller dal gusto retrĂ². Una ventiquattrore custodisce l'oggetto sottratto dalla scena del crimine, ultimo pezzo mancate al sintetizzatore costruito nello studio del duo musicale ANGLE.
"This is a super clean Sequential Circuits Prophet 600 with the factory original box and foam packaging. It just received a thorough servicing and tune up from Wine Country Productions last year and is in excellent working and cosmetic condition."
"Keith Noel Emerson (November 2, 1944 - March 10, 2016). Remembered with the highest respect and gratitude for his formidable musicianship and his unparalleled contributions to bringing modular synthesis to the fore of rock music, a combination that changed the sonic landscape.
Rare archival photos by Mark Hockman, courtesy of the Bob Moog Foundation Archives.
'Close to Home', written and performed by Keith Emerson, available on iTunes."
"And herein lies the weight of writing about Keith Emerson’s passing. My connection to him, our connection, is multifaceted, rooted in his musical relationship to my father and in my personal and professional bond to my father and his powerful legacy. When asked on several occasions by interviewers if my father were a musician, he would firmly reply no, that he was a toolmaker, and “I make tools for musicians.” This was an inherent acknowledgement that his technological creations were but silent machines unless musicians released their vast capabilities to the listener. The best musicians, starting with experimental jazz composer Herb Deutsch, astonished him with their pioneering efforts to weave early modular synthesizers into their music. Although Wendy Carlos was the first to bring the vastly expressive but technically complex Moog modular synthesizer to the popular consciousness (thanks to her musical prowess and painstaking technical achievements), it was Keith Emerson who dared to not only perform live with the instrument in front of tens of thousands of people each night, but to do so while using it as a featured voice. Keith pioneered the use of the Moog modular in a live rock context while fearlessly bringing it and other electronic keyboards to the fore of the genre."