Korg MS20 & Moog MF Delay

Published on Feb 13, 2017 3rdStoreyChemist

"Original mk1 MS20 - MF Delay

No further processing used except for normalisation."

Volca Circuit Tera Synth Thor Chill Session 1

Published on Feb 13, 2017 014london70

"Circuit is sequencing Tera Synth on channel 1 and Thor on channel 2. It's also sending tempo to the Volca Keys which syncs to the other Volcas. Modstep is playing the vocal sample. Recorded to iPhone via a Behringer Xenyx mixer and mastered in Final Touch."

Testing CV control of Protosynth V1 pitch

Published on Feb 13, 2017 Konstantin T

"Some testing on the controlling of my Protosynth V1 synthesizer pitch with control voltage coming from Arturia Beatstep Pro CV sequencer. Additionally some parameters are controlled from a handmade MIDI controller."

Kick.S Live / X1066 (ACID TRANCE)

Published on Feb 13, 2017 Kick.S

Download : https://kicks1.bandcamp.com/track/x1066
/// Equipment ////
Korg electribe EX
xOxbOx
TR 9090
EHX Cathedral
EHX Memory boy
Mackie VLZ3

Dub Techno Dawless Jam015 - Pyramid, Analog Four, murmux, Rytm, Modular System

Published on Feb 12, 2017 Rickinger B.

"If you like this or my other videos, please subscribe to my channel.
And i will be happy if you give a like and leave a comment. Thanks!

Used Equipment:
Squarp Pyramid (Sequencer)
Modular System (Bass)
Nord A1R (Strings)
Moog SubPhatty (Lead)
Dreadbox murmux v2 (Noise)
Analog Four (Chords and Arp)
Analog Rytm (Drums and Voicesample)
Logic Pro X (Mixing and 2-Track Recorder)"

TT-303 gizm0x custom + TT-606

Published on Feb 12, 2017 SERI@ACIDWORX

"overdrive,envelope boost&bassboost test"

TT-606+TT-303 gizm0x custom

Published on Feb 12, 2017

"bassboost&envelope boost mod"

Waldorf Q+ Phoenix Edition

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Boasting no less than 58 endless rotaries for vital synthesis parameters, this front panel lends the term 'generously appointed' new meaning.

Q Series synths leverage a remarkably flexible voicing section with up to five oscillators and two multimode filters per voice to deliver that peerless Waldorf sound.

The Q Plus even offers 16 real analog filters. Sumo-sized strings, ethereal pads, blistering lead sounds, bone-rattling bottom end, bizarre experimental soundscapes, coruscating arpeggio clusters – anything goes with the Q, and in up to 100 voices.

There are up to 100 voices offering up to 5 oscillators including wavetable generators, 3 LFOs, 4 envelopes and 2 filters with a sophisticated routing method and all filter types that you expect from a Waldorf synthesizer. Furthermore, the Q offers unique Comb filter types in two flavours. This enables the Q not only to create polyphonic Chorus or Flanger effects but previously unheard athmos or pluck sounds with great life.

On the Q Plus, up to 16 voices can be routed through the analog low pass filters. If wanted, two analog filters can be used simultaneously per voice, resulting in a maximum filter slope of 48 dB.

To top things off, the Waldorf Q has a very powerful arpeggiator and an even more powerful step sequencer. With 58 endless rotaries, the Waldorf Q easily doubles the number of controls of other synths."

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Sequential Circuits Prophet VS SN 0005 with New Display

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via this auction

"Excellent condition. All voices buttons sliders work.
After touch works, but not amazing. I usually turn it off and control it from another keyboard if I want aftertouch. Some keys produce more aftertouch than others etc...known issue and it was never great to begin with.

OLED display installed. Sounds incredible, I just have to downsize, trying to buy a house.
Comes with a spare brand new joystick that I sourced from japan. No, I won't sell that separately. : )"

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Quasimidi The Raven MAX Synthesizer

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via this auction

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Kilpatrick Audio Carbon Live Jam 1

Published on Feb 12, 2017 Jae Ryan

"First jam with the Kilpatrick Audio Carbon. It's sequencing the Prophet 6 (arpeggio), OB-6 (hi-pass bass) and the Model D (melodic arpeggio) and sending clock to the TR-8 but drums are sequenced from the TR-8! I haven't figured out nearly all this machine can do yet and this doesn't take advantage of the bias tracks or song mode. It's just a simple repeating sequence and hopefully in the next jam i'll explore the scenes function more deeply. A transposed version of the sequence at some point would have made it much better!

I forgot to arm recording on the Juno so what you hear when I play it is strictly just the wet signal of it hitting the Strymons. It sounded ok that way and I was much to lazy to re-do! The Strymon pedals were the ONLY effects used and they were not used sparingly.

If anyone has any questions about Carbon or Suggestions/Tips if you're a user that would be fantastic! Otherwise, thanks for listening and send me some links to stuff if you think I'd dig it!"