Friday, November 24, 2017
Tokyo Festival Of Modular 2017: Malekko MANTHER Synthesizer First Look & Sound Demo
Published on Nov 24, 2017 SYNTH ANATOMY
"Josh Holley from Malekko Heavy Industry showed me on this year's Tokyo Festival Of Modular the final version of the MANTHER analog/digital Synthesizer box.
More information here: https://malekkoheavyindustry.com/"
Big Little Tonic Sample Pack from Goldbaby
Published on Nov 23, 2017 GoldbabySamples
"Big Little Tonic sample pack. Available now here: http://www.goldbaby.co.nz/blt.html"
"It’s not a small calculator, it’s a huge drum machine! The PO32 is the amazing collaboration between Teenage Engineering and Sonic Charge. A hardware drum machine that, when paired with it’s older brother the legendary software MicroTonic, can create almost unlimited drum sounds. Once loaded on the PO32 these sounds are raw, punchy and have a unique character all their own!
At first I was developing a sample pack based on a collection of mini hardware drum machines. However it soon became apparent that the PO32 deserved it’s own pack!
775 x 24 bit wav samples including drums, FX and even a few synth and bass sounds. All recorded through various studio hardware in the Goldbaby studio: UBK Fatso, ez1073-500 Pre & EQ, Fat Bustard II Valve mixer, Elektron Analog Heat, Strymon Deco, EM-PEQ Pultec style EQ. I even recorded a few of the sounds directly from the tiny PO32 speaker.
With kits and patches for: NI Maschine, Ableton Live, Geist, Battery, Kontakt, Logic EXS24 and Reason.
Also as a little bonus for those who own the Micro Tonic software I have included some of the patches I created while developing this sample pack."
Rob Papen Introduces SuBoomBass 2
Published on Nov 24, 2017 Rob Papen
"Rob Papen produces bigger booms and shake-shake-shake the rooms with SubBoomBass 2
“I've loved SubBoomBass from the start — instant access over lots of great-sounding deep basses that immediately sit nicely in the mix! A must-have for every dance producer!”
- Tom Holkenberg (a.k.a. Junkie XL), composer/producer (Mad Max: Fury Road, Deadpool), 2017
ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Soundware is proud to announce availability of SubBoomBass 2 — succeeding the award-winning, self- explanatory floor-shaking SubBoomBass soft synth with the original (often) bass-heavy presets all present and accounted for alongside an abundance of new features and new sound colours to take things closer to the (cutting) edge — as of November 24…
It is immediately obvious to the naked eye that SubBoomBass 2’s GUI (Graphical User Interface) is on the receiving end of a musical makeover making for more comfortable control of all its fanciful features. Fortunately for fans of the original soft synth, SubBoomBass 2 retains its much-loved modelled analogue waveform-driven warmth, but brings into being a brave new world of new sound colours courtesy of supplemental spectrum waveforms, with high-quality thinking outside of the box-style samples sitting alongside a welcome inclusion of Karplus-Strong string synthesis — a method of physical modelling synthesis that loops a short waveform through a filtered delay line to simulate the sound of a hammered or plucked string or some types of percussion. Put it this way: with so much musical firepower placed at adventurous users’ fingertips, SubBoomBass 2 surely sets loose some seriously fresh-sounding and hitherto unheard sounds... above and beyond the (arguably) restrictive realms of dance production with which SubBoomBass first found its musical mark so beautifully.
But, Rob Papen being Rob Papen, there is so much more to SubBoomBass 2 than might first meet the eye... enter an X/Y screen (which will already be familiar to owners of the company’s critically-acclaimed BLUE-II and RAW soft synths both designed differently for different musical motivation in mind); access an all-new SEQUENCER (capable of running four patterns); plus an easy-to-use BANK MANAGER (with ‘star’ feature for speedily searching for favourites — whether user- created or one of the trademark Rob Papen professionally-programmed presets presented in their thousands). Speaking of which, all of the original SubBoomBass (sometimes) bass-heavy presets are all present and accounted for, so SubBoomBass 2 can capably boom and shake-shake-shake the room with the very best — bigger and better than its predecessor, possibly!
SubBoomBass 2 allows anyone to creatively compliment any style of contemporary music at any time — whether working on video game or film scores, or anything in between and beyond. After all, fellow high-flying Dutchman and original SubBoomBass supporter Tom Holkenberg (a.k.a. Junkie XL) started out on the dance floor, fraternising with worldwide chart positions, and ended up on the big screen as a hotshot Hollywood film scorer. Similarly, SubBoomBass 2 is surely set to become another success story for Rob Papen. Anything is possible... just ask Junkie XL!
SubBoomBass 2 can be purchased in a boxed edition — as an AAX (32-/64-bit), AU (32-/64-bit), VST (32-/64-bit) compatible audio software plug-in for Mac OS X (10.6 or higher) and Windows (Vista, 7, 8, and 10) — from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for €99.00 EUR/$99.00 USD from here: https://www.robpapen.com/buy-subboombass-2.html (Owners of SubBoomBass are eligible to upgrade to SubBoomBass 2 for €39.00 EUR/$39.00 USD, while SubBoomBass 2 is included in eXplorer4, the latest incarnation of Rob Papen’s all-encompassing software bundle, so owners of eXplorer4 can download the SubBoomBass 2 installer for free.)"
TURKEYMOOG Sale - 20% off all Moog Merch & Apparel - New Synth Ts
via @moogmusicinc
"#BlackFriday: Right now take 20% off all merch & apparel at moogmusic.com w/ #promocode TURKEYMOOG. *US residents only*"
"3 is the magic number. New #Moog Trilogy Hoodie now 20% Off w/ #promocode TURKEYMOOG: moogmusic.com/products/cloth… *US residents only*"
Roland JX-3P w/ PG-200
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Roland JX-3P is a synthesizer produced by Roland Corporation of Japan in 1983. The "3P" in its name refers to "Programmable Preset Polyphonic".[1] It is notable as one of the company's first synthesizers (along with the Jupiter-6) to incorporate a MIDI interface."
via this auction
"The Roland JX-3P is a synthesizer produced by Roland Corporation of Japan in 1983. The "3P" in its name refers to "Programmable Preset Polyphonic".[1] It is notable as one of the company's first synthesizers (along with the Jupiter-6) to incorporate a MIDI interface."
Studiologic Sledge 2.0 Wavetable Virtual Analog
2016 Roland Jupiter 80 Ver 2 Keyboard Synthesizer
YAMAHA DX100 w/ Case
Modded YAMAHA CS01 II Mobile Analog Synthesizer SN 2242
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Yamaha CS01 II analog synth in very good condition (there are some minor cosmetic scratches -- see pictures) with a modification made so that the breath controller VCA knob has been replaced with a pitch bend range potentiometer.
In an unmodified CS01 II, I believe you only get a half or whole step pitch bend range. (It's been a while since I've played an unmodified CS01 II, so I might be incorrect with the original range; suffice to say that it's fixed and narrow.) With this modification, you get between a half step and an full octave pitch bend range, depending on how far you turn the potentiometer. This modification makes this instrument MUCH more useful.
After adjusting the pitch bend range, you may need to adjust the VCO pitch slider to bring the synth back into concert pitch, as changing the pitch bend range tends to make the overall keyboard pitch slightly different, but that's a small inconvenience for having a truly useful pitch bend. I do not know if the breath controller will still work with this keyboard since it has been modified to have the pitch bend range potentiometer."
via this auction

In an unmodified CS01 II, I believe you only get a half or whole step pitch bend range. (It's been a while since I've played an unmodified CS01 II, so I might be incorrect with the original range; suffice to say that it's fixed and narrow.) With this modification, you get between a half step and an full octave pitch bend range, depending on how far you turn the potentiometer. This modification makes this instrument MUCH more useful.
After adjusting the pitch bend range, you may need to adjust the VCO pitch slider to bring the synth back into concert pitch, as changing the pitch bend range tends to make the overall keyboard pitch slightly different, but that's a small inconvenience for having a truly useful pitch bend. I do not know if the breath controller will still work with this keyboard since it has been modified to have the pitch bend range potentiometer."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH