Dutch Modular Fest 2020 Stream Day

Dutch Modular Fest

Watch the full stream of our Covid-19 friendly version of Dutch Modular Fest 2020
Held on Saturday 29th of August, live (mostly...) from TAC Eindhoven

TIMING INDEX // SECTIONS
00:00 Intro
00:15 Dirge Seçil Kuran
18:00 Majella Audio
47:11 Allert & Bart talk about Stream Day program
52:53 Mieke van Dam
1:24:17 Joranalogue Audio Design
1:58:55 Cengiz Arslanpay
2:21:25 Threetom Modular Synthesizers
2:44:03 G.T. Thomas
2:59:25 Allert & Bart recap
3:09:20 Synthesis Technology
3:42:36 Space drone beer break
3:58:14 Max & Kyra Frimout
4:21:05 ReBach
4:42:43 Space drone break with Kokkel the Parrot
4:59:48 Mike Lee Birds
5:31:31 Gijs Gieskes
5:56:22 RESISTER
6:31:36 Erica Synths
6:47:49 JacqNoise & Magnetrixx
7:14:58 XOR Electronics: Alten Herren Abend with Thomas Margolf
7:56:21 LudoWic
8:20:34 Ending words

0-Coast Ambient::Fragile:Threaded

C Nich0lls

"This track is composed with Makenoise 0-Coast synth and the 0-CTRL touch sequencer. The principal part is a single-take recording from the 0-Coast. In this piece I was revisiting some ways that I used to use the Korg SQ-1 sequencer. The 0-CTRL allows you to take those ideas further using touch interactions, having 3 rows and a more subtle approach to stage tuning and timing. This recording uses all of these features.

Timing and tuning were dialed in by ear and are deliberately elusive. The main 0-Coast patch uses a 'plucky' setting of it's dynamics, taking advantage of the 0-CTRL's ability to organically modulate the 0-Coast dynamics and contour. it's a relatively simple patch, but all 3 rows of the 0-CTRL are routed to make it expressive.

In addition to the main melodic line there are 3 additional recording takes. 2 are percussive; one a 'kick' and the second a high-pitched/noise burst. The last take is a variant of the melodic line, effectively 'ghosted' by widening the attack of the contour and pitching it up. All of the additional tracks were derived from the same 0-CTRL settings.

All the effects are from the new Strymon NightSky pedal. Each track has it's own custom patch, exploring some of the range of the pedal. All tracks recorded though UA Apollo Twin X."

Clouds y el Moog Sequencer(clone Synthesizers dot com)

Pepe Mogt

Fifty Years of ARP: The 2500 in 2020 (a synthposium) Part Three - Composers & Producers + Concert

Alan R. Pearlman Foundation

Moderator:
Brian Kehew

Panelists:
David Baron, Producer and Composer
Pablo Garreton, Composer and Performer
Don Slepian , Composer and Performer
Asha Tamarisa , Composer, Performer and Educator

Live Concert from Pablo Garreton

Last Q & A, closing remarks.

FOR MORE INFORMATION VISIT: https://alanrpearlmanfoundation.org/f...

Fifty Years of ARP: The 2500 in 2020 (a synthposium) posts

The true triple threat: Analog 4MKII, Digitakt, and Octatrack MKII

EZBOT

"In this video I share my first completed song using my all new black Analog 4MKII. Once again the Digitakt is the drum machine, the OT is a performance mixer and looper, while the A4 takes care of all bass and leads."

BloodGroove VJ Jam

Cat Full of GHOSTS

"Jamming over some jungle-Esq tracks I just finished making.
Using my newly finished mobile analogue VJ rig.

Rig includes:
Edirol V4
Ipad2 with Colourcode VJ x 2
Camlink Vision 400 Video FX (in the feedback path)"

IMPLEXUS - Patch Example #1 // Different LFO divisions

Majella Audio

"In this video Erwin Tuijl (Pocket Knife Army) shows a Patch example with different LFO divisions for the Harmonics and Wave Folder parameters."

https://majella-audio.com/

Pin Electronics MIASMA osc test

PIN ELECTRONICS

See the Pin Electronics label below for more.

Exploring DCO-106 with J3PO

Cherry Audio

"The producer extraordinaire J3PO recently sat down with the DCO-106, and shared the results!

DCO-106 offers a precise recreation of the iconic polysynth, with over 300 presets, 16 voice polyphony, three reverb modes, MPE support, and much more.

The DCO-106 is both easy to understand and powerful to explore, creating a massive array of sonic landscapes, cutting lead sounds, warm and hazy pads, punchy synthetic electro drums, and far more."

The rarest Japanese synthesizer? | Suiko ST-50

HAINBACH

"In which I demo and make music with an obscure synthesizer made for the Japanese traditional music market, the Suiko ST-50. Created to accompany poetry, the ST-50 is a beautiful and strangely timeless instrument. Its haunting sound and unusual playing style set it apart from many other instruments."