Move Along

Oxix52

"All sounds from are from the Buchla 200e. High stuff is the flat noise from the 266e going through the 296e with certain frequencies triggered by the 281e which is driven by the 252e and 250e. 'Kick' is the right side triangle from the Studio H DPO. "Bass" is the same but the "notes" are subdivisions from the 252e. Body of the "Snare" is the left side triangle from the Studio H DPO with the snares from the noise going through the 296e. "Melodies" are the 261e sequenced by the 251e and the ZOe getting linear FM from the sine of the 261e."

Arvicolinae

seancostello · Arvicolinae

"Intellijel Atlantis, processed by ValhallaSupermassive (reverb & echo) and ValhallaDelay(pitch shifted echo)."

Squarp Rample: a deep 4-Voice Sample Machine

Sound Isles

"A non-talking demo of the Squarp Rample: a 4-voice Eurorack sample player and effects processor with no duration limit. I explore the sample playback abilities, the included stock sounds + kits, and the several effects all through various sonic explorations.

Each voice supports up to 12 samples which can be stacked as multi-layered samples. Using all 4 voices you can have 48 samples in a single 'kit'. With up to 2600 possible kits on the SD there is a lot of sonic exploration to be had. The CV inputs provide a modulation destination for each voice and the gate inputs trigger the samples. A rack of 5 effects per voice (bitcrush, pitch shift, filter, freeze and drive).

Using Pamela's New! Workout to sequence and send modulation over CV, and FX Aid XL for some spacious reverb when needed. Arturia Microfreak makes an appearance. All modules are powered with the Polyend Anywhere via a portable battery.

All underwater footage was shot by me on a canoe trip.
Hope you enjoy the sights + sounds.

Thanks to Squarp instruments for sending me this module.

Case by Art For the Ears.'

Jamuary #17 - Reflections (ft. Soundplane,Ableton Live, Aalto, Kaivo)

TheTechnobear

"Today's Jam is 'all in the box'

I love using whatever I have available , hardware, software... doesn't matter to me :)

Here Im recording directly to Ableton Live in multiple 'live' takes.
again, just improvising with whatever I feel like at the time.

Each of the 3 takes is using the Madrona Labs Soundplane as the controller, playing patches Ive created specifically for this session.

The first two layers are both using Aalto with different patchees - which you may have noticed is my favourite soft synth.

The third (bell like) is using Kaivo, another Madrona Labs synth.

Interestingly... in the past I never really got on with Kaivo, I just couldn't see to create patches I like - but that seems to have changed.

I think my recent love of granular synthesis in eurorack has led me to to a new appreciation, that of course applies to software granular too. I guess all that knob twiddling has paid off :)"

::vtol:: phason

::vtol:: phason from ::vtol:: on Vimeo.

https://vtol.cc/filter/works/phason

"Phason – an audio object using rotating, perforated discs to create cyclical triggers (sequencer). The light passing from the console panel through fibre-optic light guides serves as the controlling agent. Light passing through the perforation hits the photo sensors, triggering the synthesizer. The object may be used as an instrument or an autonomous sound machine. To interact with it, can be use the built-in flashlight on flexible holder or any other small light sources (for example, flashlight on a phone).

The idea of the object is predicated to a large extent on Soviet experiments with optical sound, and also the automatic music boxes and caskets at the turn of the 19th-20th centuries, when disks were frequently used to encode sound and rhythms."

- axoloti core
- dc-motor
- optical fibers
- LEDs
- LDRs
- 2 channel sound system

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Sequencial PRO3 : acid jam

Masaki Takada

"I played with drum sounds from OSC3 and acid bass from OSC1."

Cobalt 8M - 003

verstaerker

"playing a chilled chord sound with the Cobalt 8M, a beat on the Cwejman S1 , a subtle Pad on the Ms-20 Mini and a little funky bleep-sequence on the Easel support it"

verstaerker Cobalt 8M posts

Nyle Steiner's Removable Mouthpiece Unit

Mark Steiner

"The mouthpiece that comes with the NuRAD, NuEVI and Nyle's EVIs is great, but Nyle's been working on alternatives that are faster to build as replacements and use easy-to-get materials.

Nyle's also been working on a mount making it easier to remove, change, clean wind synth mouthpieces."

Electronisounds Audio [LIVESTREAM] Hybrid Eurorack and Chill!

Electronisounds Audio

"Super casual patching session and hangout!"

Novation 49SL MKIII for keys & sequencing. Audiothingies Micromonsta, Waldorf Blofeld, 1010music Bluebox, & eurorack.

PPG wave 2.3 cold winter soundscapes

synthlegends

"By pure chance I got a PPG wave 2.3 for a very fair and decent price. The appearance was not very nice, a lot of scratchs on the cover and dirt inside. But I cleaned it and made some paint work, so now it looks beautiful again.

Also the keyboard was broken. I played my PPG via Midi with a master keyboard. That is why I decided not to shot a video while playing. Sorry that I show only some personal footage of winter shots of our beautiful landscape riding with a friend on my bike or walking with kids in with a lot of snow to describe the coldness of the PPG, Of course I added a lot of cool pictures of my new blue baby.
Now the PPG is in service, gets a new fatar keyboard, refurbishment and a new power supply unit plus new display from synthtaste (www. Synthtaste.com).


I never thought that I will ever purchase a PPG and now I am so happy to own one. Most of my favourite albums in the 80ies consisted this undistinguishable sound, like Power Windows from Rush, Worlds Apart from SAGA, Welcome to the pleasuredome from FGTH.

The PPG 2.3 was the latest of all PPG wave (produced from 1984 until 1989). Around 400 units must have been built. The forerunners were the PPG wave 2.0 with only one oscillator and CEM filter chips (1981), after that the PPG wave 2.2 with two oscillators and SEM Filter chips. The wave 2.3 is with 16 bit sample rate instead of 12 bit and is also multitimbral with midi.


The PPG is really one of my favourite synths beside my beloved Sequential Circuits Prophet VS and my Modal Electronics 002 which imitates the PPG quite well.

I have also a John Bowen Solaris with alle waveforms form the PPG, but it isn't the same thing of course. The PPG has its own unique sound because of its decent filter and musical aliasing.
This demo is just recorded, when my PPG arrived. I just tweaked the sounds, went through some wavetables and played everything life without any fx or mastering directly with two audio mono outs to generate a stereo track in my DAW. Please notice that I also used the stereo knob to enhance the stereo field.


I will surely make more videos from my PPG as soon I get it back refurbished.

Cheers and take care, Rüdiger"