"Here's a killer Korg VC-10 Vocoder in excellent working condition. A few items to note:
I had this unit modded by Outlier Audio here in Chicago so that the output balance knob is a push-pull. When it is pulled out, the microphone is bypassed and you can use the VC-10 as a straight synth.
It comes with a custom leather dust cover made by Stardust in Portugal.
The microphone is not the original Korg mic, but it works perfectly."
"This is an MU port of the Euro modular Eventide DDL digital delay. The conversion was done by FSFX, who specialize in converting these. The original module was used but the FSFX faceplate and associated connections are essentially brand new as I've realized it's not what I need."
"Hi Guys.
sometimes I like very simple solutions like here when one VCO modulates the other VCO, I know people want to have mass modulators in their systems but when I have a nice sequence, something simple is enough.
These are two VCOs from MRG Synthesizers and filter plus EG and of course the delay you hear from the PICO DSP module from Erica Synths.
what are your favorite modulations?"
An effects processor with three simultaneous sections, reverse , delay with tap tempo and reverb with freeze , capable of the most complex sound landscapes but intuitive and user friendly at the same time.
Controls:
Delay level : sets the blend between previous stage (reverse component ) and delayed output.
Delay time : sets the speed of the repetition, works in tandem with tap tempo button , with a blinking led for immediate time information
Delay feedback : controls the amount of repetitions, from one to a sustained loop at high values
Reverse: balances between dry input and reversed component.from dry to 100 % reverse.
Reverb : balance between previous reverse and delay stages, from no reverb to 100 % wet
Decay : sets size and decay for the reverb, from small chambers to huge atmospheres.
Momentary touch switches for delay tap tempo and reverb freeze engage
Jacks: input signal, output signal , cv control for delay , reverse and reverb levels , remote trigger inputs for tap tempo and reverb freeze
Here I demonstrate Patches 65 to 96 (of 128) - What you are hearing is the PEAK.
It's been a while since I sat down with the Novation PEAK and decided to make Zenith Vol 3, which also works for the Novation Summit. Again, another 128 Patches, however with Vol 2 I concentrated on using the additional Wavetables for the Patches, so had a more "Digital" edge, however with Vol 3, I've just made Patches that I want to hear, play and put into Music.
There's Analog Pads, Poly's, lots of Motion Pads and Stringers. Plenty of Bass & Lead and some beautiful Digital Soundscapes. All 128 Patches have Animate Buttons assigned, often to multiple parameters, as well as Aftertouch and Mod Wheel.
They are compatible with the latest Firmware from Novation (V2.1)
