"This classic Juno 106 is in great cosmetic and operational condition. ALL voice / filter chips are working proper without any issues we we had them professionally replaced / installed and calibrated this month with the superior Rosen juno chips... which do make a difference. I have restored dozens of Juno 106's and I have used the Double Heart chips, Analog Renaissance chips and the Borish chips... while they all do the job fine.. these Rosen chips just have THE original 106 tone."
"Just some touch plate improvisation on the Soma Laboratory synhthesizers Lyra 8 and Enner. Backdrop drone from Make Noise Strega. Fx: Steinberg Dual Filter & Arturia Delay Tape-201."
Note the "Peterlin" made it's first appearance with Hainbach on May 7 here on MATRIXSYNTH. This post features a few examples from others, and additional details and pics below.
Above:
"In this Signal Colors Palette video, I'm taking a first look at the Ciat-Lonbarde Benjolin / Peterlin, a tiny wooden synth featuring a nod to synthesis history by putting the focus on sound creation with a circuit design inspired by the 'Rungler' by Rob Hordijk.
Hang out while I coax some cool sounds from this wildly experimental sounding synth!"
Quirky little groove machine: Ciat-Lonbarde Peterlin first impressions
"Listen to albums, download tracks and support me at https://noctopolis.bandcamp.com/
I was lucky to get a Ciat-Lonbarde Peterlin (why not Blassolin though?) from the first batch at PatchPoint and these are clips from my first don´t-know-what-I-do-sessions with it. First one: solo. Second one: with Lorre Mill Double Knot 3. Third one: with Moog Subharmonicon."
"first patch ring modulates peterlin xor to vcfq with a sine wave - both controlled by rungler. this is mixed with the peterlin audio output in the vc res eq and its bands get modulated by various peterlin outputs
second and third patches have a bit less and a bit more going on... all gets a little confusing and knotted up
"Dressed in their signature banana jack-laden wooden enclosure, the Peterlin is Ciat-Lonbarde's take on the Benjolin: a tribute to the synthesizer designs of Rob Hordijk. Deceptively simple in appearance, the Peterlin is a highly interconnected instrument containing two oscillators, a resonant lowpass filter, and Peter Blasser's take on the infamous Rungler circuit. Clocked by one oscillator, the Rungler is a shift register feeding upon not only its own output, but also listening to the output of the other oscillator to further influence its data with feedback chaos. As the Rungler's CV output is then fed into the oscillators and filter, a range of hefty drones and chaotic noise is possible. Of course, the Ciat-Lonbarde take on this classic experimental instrument is filled with its own mysteries.
"Specifically how to synthesize the main bass-line sound using Furthrrrr Generator dual oscillator and Ghost for VCA-VCF-FX.
We will also explore some unconventional sound design techniques with the Ghost to create wide, sharp and punchy bass line and lead sounds."
Effects Processor Mode Real-time processing of stereo signals from the line inputs.
Parameters: - Size, Shape: Size and shape of the grains (with random function) - Timing, Jitter: Interval of generating grains (M0 – 62, LUSH, tempo- synced 1/32 – 1/1) - Density: Number of the grains (up to 64 grains) - Diffusion: Diffusion width of the grains - Pitch: Pitch of the line inputs (±2 octaves) - Position: Delay time before generation of the first grain (4 - 5,944 msec) - FB: Feedback amount - Direction: Playback direction of the grains (forward, reverse, random) - Freeze: Freeze the six seconds of line input signal stored in the buffer - Blend: Balance between the input signal and the granular sound mix - Modulation 1: LFO assignable to various parameters - Modulation 2: LFO assignable to various parameters
"The beautiful and vintage Synclavier PSMT. Here is a demo recorded straight from the Synclavier of some of the FM sounds that are possible via its digital synthesizer. Recorded at my studio in Los Angeles (Infinite Power Studios)."
"Again another test, this time after I swapped in the Squarp Rample module into this custom “pedalboard 4ms Pod” system. Playing around with it bands like Kraftwerk, Yello, and Deadmau5 came to mind so I quickly added the vocal for fun. 😊 (Deadmau5 has a song called “Sometimes Things Get Complicated”)
Modules used:
Noise Engineering - Bin Seq
Rebel Technology - CLK and Chronos MkII
Squarp Instruments - Rample
Erica Synths - Black Stereo Mixer v2 and Black Hole DSP
4ms - Listen Four 1/4 and several Pod cases
Haken - ContinuuMini
