MATRIXSYNTH

Opus for NINA & Eurorack (Melbourne Instruments)

video upload by ArminSZ

https://www.melbourneinstruments.com/

"This features my new 12 voice Analog-Polysynths NINA from Melbourne Instruments.

My goal was to create a dynamic analog orchestral sound which would be able to 'cut thru' in a busy mix with Eurorack drums & voices.

Two layers of sound were used (NINA is up to 4 times multitimbral).

The Korg Kronos is (here) only used as Master-Keyboard to play NINA (no internal sounds were used).

KeyStepPro was used to play some FM sounds from the DistingEX.

Some deep bass via a Midi pedal and the PerFourMer.

All other sounds from the Eurorack played by Hermod+ and transposed via the Midi bass pedal.

All played live - no external effects used - recorded DAW-less with RME-Fireface."

NINA Trio - Melbourne Instruments

video upload by ArminSZ

"This video features the Melbourne Instruments NINA.

The Korg Kronos is only used as master keyboard - all synth sounds (Organ, Bass, Lead) were created by NINA.

Drums:
Drum loop from Korg Kronos

Effects:
Organ Layer: NINA output's 1/2 (all NINA's internal effects)
Lead Layer: NINA output's 3/4 into external Ping/Pong delay"

https://www.melbourneinstruments.com/

29 #Jamuary 2024 — Natural

video upload by Cutestory Actual

"Melbourne Instruments Nina—3 voices to Meris LVX to Meris Mercury X, fourth voice to Death by Audio Rooms. Sequenced with Squarp Hapax feeding notes into Midicake ARP."

https://www.melbourneinstruments.com/

What if VCV Rack was real? // VCV Random by NANO Modules

video upload by DivKid

"In an interesting full circle turn of events, VCV Rack that emulates Eurorack hardware how now come to life as Eurorack hardware in the new VCV Random module from NANO Modules.

VCV Random is a Eurorack hardware version of the VCV Rack Random software module. It's a flexible and modulate-able multi output random generator with some novel features, namely, a step shape control that adds increasing numbers of steps between random values and a 'RND' crossfade control that crossfades the sampling of internal noise and the output. The latter resulting in a unique way to control voltage changes per step and one that can modulate over time.

Info, manual and more // https://nano-modules.com/vcv-random/

Download the VCV patch for free (or pay what you want) here // https://divkid.gumroad.com/l/vcvrandom"

Bob Moog Foundation to Host The Sounds of Innovation - First Public Broadcast of the Abominatron Tape

via The Bob Moog Foundation

"We are excited to announce that the Moogseum will be hosting The Sounds of Innovation, the first public broadcast of the Abominatron Tape in its entirety. The event will occur on Friday, March 29, at 7:00 p.m. It will feature an introductory reading by Executive Director Michelle Moog-Koussa from Bob Moog's biography, Switched On: Bob Moog and the Synthesizer Revolution, followed by a listening session of the full iconic 84-minute tape.

Tickets for the event are $15 per person and are now on sale.
The event is limited to 20 people, so do not hesitate to buy your ticket now.

In the summer of 1964, Bob Moog and Herb Deutsch began working on what would eventually become the Moog modular prototype. Deutsch spent three weeks working side by side with Moog in his basement workshop in Trumansburg, New York, where he added crucial input to the design process. Moog spent several months developing the prototype and later that year, he sent Deutsch the now-historic tape explaining the various controls, parameters, and capabilities of the Moog modular prototype.

The Moog modular prototype is widely considered the instrument that marked the genesis of a musical revolution and significantly advanced the development of electronic music. The Abominatron Tape captures the very first recorded sounds of a Moog modular.

The Sounds of Innovation is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, with funding from the National Endowment for the Arts."

DX100 From Mars | Samples From Mars | Fave synth sounds

video upload by Mamotreco

"Samples From Mars has sampled the little FM synth that could, the Yamaha DX100. Plenty of gritty 80s synth vibes here. I've picked out some of the sounds that stood out to me.
#samplepack #samplesfrommars #80ssynth
From techno and house bass to David Lynch style keys, this sample pack may have what you're looking for. Note: I bought this with my own money and am not affiliated with Samples From Mars."

Content:
00:00 Intro
00:09 DX 100 from Mars - Marimba (bass)
00:33 DX 100 from Mars - Marimba (tweaked)
00:41 DX 100 from Mars - Solid Bass Multi
00:52 DX 100 from Mars - Solid Bass
01:17 DX 100 from Mars - Chirping Birds FX
01:32 DX 100 from Mars - Helicopter FX
01:54 DX 100 from Mars - Xylo Snare
02:08 DX 100 from Mars - David Lynch
02:33 DX 100 from Mars - Electric Acoustic
02:51 DX 100 from Mars - Warble Celeste
03:00 DX 100 from Mars - Wood Piano
03:23 DX 100 from Mars - Soft Horns

https://mamotreco.com

Additional Mamotreco Samples From Mars posts

Great Synth Mysteries Ep. 6: There will NEVER be another Access Virus

video upload by Noir Et Blanc Vie

"This is a love story about a synthesizer unlike many others, in my opinion a synth the came out so long ago still eclipses many releases of today. Great Synth Mystery, mmm, maybe... but I wanted to make a compelling piece about such a wonderful instrument. As a musician and not a reviewer or journalist I think this really speaks to how ahead of it's time the Access Virus Ti was."

Also see: Noir Et Blanc Vie's Great Synth Mysteries Ep. 1 Whatever Happened to the Access Virus - Virus Ti3?

GAME ON‼️ with CORAL and the new 3VCO Engine

video upload by OXI Instruments

"In this patch Batumi is sending CV modulation to one of the Voices running the new 3VCO engine. One modulation to Harm input (frequency of the second oscillator with respect to the main one), the Morph input (frequency of the third oscillator) and Timbre (morphs from Triangle to Square waveforms).

The detuning controls (Harm and Morph) are finely calibrated to easily align with musical intervals

This was a happy accident since the modulation was meant for a different sound engine. It turned out pretty good.

The other voices are playing the bassline, kick, snare and hihats.

The upcoming Coral firmware includes a Delay FX, OXI One is modulating the send amount of the snare to the delay.

Head to the Update page to get the latest firmware for free!

https://oxiinstruments.com/OXI-coral/..."

SYNTOVOX 221 VOCODER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Vocoder built by the dutch high end synthesizer company Synton. Distributed in the USA by [Bob] Moog's Big Brair company.

This is the flagship vocoder from Synton, and is among the best vocoders of all time. It shares company with the EMS 5000 and the Sennheiser VSM-201 vocoder.

It's really rare, only 20 pieces was made.

One of the ultimate best vocoders in the universe, if not THE best. This is what Wendy Carlos said (on the web )- 'Question #4 -- What kind of vocoder do/did you prefer? Felix Visser made the best ones, for his long-gone (alas!) Synton company, all during the 80's. Some other fine devices exist, as the EMI/Synthi big one, and Sennheiser's expensive one, those and dear Harald Bode's design that Moog's good 16-band one was similar to. The ultra-basic analog units were generally mushy-sounding. Synton's had the best intelligibility on spoken words for their original 32-band device, .......' This is Felix's own machine, serial number 010, and was actually used extensively by Wendy Carlos - there's a typed note to her on the power supply saying it had been changed to 115V for her. It has now been changed back to 220V by Felix Visser. Unlike some models, it has a complete case. It will be sold fully working, and with a signed cerificate of provenance.

Synthovox 221 is a 20-channel vocoder system which has made its way to numerous recording studios, radio stations, composers and scientific institutions for its outstanding quality and its unexcelled intelligibility.

It includes 54 dB/octave filter, a feature not found in any other vocoder on the market. It also offers the versatility of a build-in pulse generator for direct speech sythesis and several control units for pitch modulation.

It features matrix patching for format shifting and a highly precise voiced/unvoiced detector system. And it offers extreme flexibility by the multiway connector which gives access to the analyzer and synthesizer sections and the control terminals of the voiced/unvoiced detector.

The Intelligible Machine has set standards in vocoder techniques.

High end model, attenuator per channel.

Only about 20 of these were made. Users include Wendy Carlos (who owns a 221 & SPX 216), various electronic studio's in Europe. Best suited for studio use due to complex control.

The 221 has a 50-pin connector on the back which provides CV in and out for each channel, and other functions as described above."

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