Cheetah MS6 Synthesizer

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via this listing

Pics of the inside below.

"Fully refurbished and upgraded with the latest Maad version 1.3/9.0. The battery has been replaced and moved to a safer location to avoid future leakage. Some rack rash (see images) but nothing too severe.

The new MS6 firmware is version 1.3, based on the V9.0 Cheetah ROM, has the following extra features:

MIDI bank select (CC #0), globally and per-part.
Program change per-part.
Remote control of all tone edit parameters using CC messages, both in tone and performance mode.
No more partial drop-outs at bottom C (130.8Hz).
Three more DCO shape settings, both for DCO A and B: off, pulse + triangle and pulse + sawtooth. The new pulse shapes can use PWM as well.
Extended SysEx support: single patch and edit buffer dumps + requests, full dump and status requests.
Mono mode, per-part, with a choice of always retriggering the envelopes or to not retrigger when playing legato (i.e. pressing a new key before releasing the current one).
Portamento, per-part, constant-time (0.015 - 18.3 s) or constant-rate (400 - 0.44 semitones/s). Full-time or fingered (i.e., only in mono mode when playing legato).
Support for bank 7 tones in performances."

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Dreadbox Nymphes 6-voice Desktop Analog Synthesizer w/ Original Box

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SN Z16S or 2165 ?

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Yamaha AN1x Virtual Analog Synthesizer SN NL03675

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"This synth is in perfect working condition. It has a new battery, it also has the updated OS (V1.04). It does NOT have any of the common AN1x issues. LED backlight is good. Display is good. Ribbon controller is good. It has NO cracks, NO dents, NO dings. It has all knobs and keys, and they work. It's been in a studio environment it's entire life. The only issues it has are cosmetic. It has some minor wear marks on the bottom from being on a stand, and 2 permanent marker marks from when my son was a toddler and got into my studio. That's it. This thing functions better than new with the V1.04 OS upgrade."

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Korg MicroKORG 2

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Waterfall keys.

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EML400 EML401 ElectroComp sequencer by Analogue Solutions

video upload by Analogue Solutions

Almost thought they were making a clone, but this appears to be them playing with an original:

"EML400 EML401 ElectroComp sequencer by Analogue Solutions.
These are really unorthodox and hard to use! Mine has scratchy sliders. Packed with great sequencing features - if you can figure out how to use it!"

Moog One Ambient & Soundscapes

video upload by Synth Universe

"Here I play a selection of custom atmospheric sounds on the Moog One, highlighting its strength as a synth for creating ambient music and soundscapes. All the sounds were created by me and range from gentle layered pads, through resonant chimes to dark ambient textures and soundscapes.

The Moog One has three completely independent synth layers which makes it a wonderful synth for creating complex and evolving sounds, yet still retaining its analog character. The modulation options are so comprehensive and when used carefully they allow for deep movement and dynamics.

In this video I am mainly improvising, using the performance controls on Moog One such as the mod wheel, XY pad, expression pedals, velocity and aftertouch to create further movement and variation. Any effects you hear on the sounds in this video are internal to Moog One - mainly delay and reverb. No external processing was applied.

If you are a Moog One owner, all the patches you hear in this video are available to purchase as part of the Synth Universe Moog One Sound Banks Volumes 1 & 2:

Link to online store: https://synthuniverse.sellfy.store"

Time stamps
00:00 Ambient bell piano
01:13 Glissandi & peaceful pad
02:20 Dark ambient
03:25 Arp chime split
04:28 Ambient expanse
05:29 Hypnotic chimes
06:34 Blackhole pad
07:15 Spectral souls
08:37 Resonant ethereal chimes
10:02 Slow harmonic pad
10:44 Poly & high arps 2
11:37 Metal chime drone
13:21 Sand snake
14:32 Shifting sands
15:35 Buzz bell arps
16:30 Mystic law

DIY eurorack modular synth | MOD1 Clock sync Trigger burst : Arduino based general-purpose module

video upload by HAGIWO

"This module is an open source general-purpose CV/Gate module based on Arduino nano.
It can be applied to various CV/Gate modules by changing the program.
There are some performance limitations, but it uses general-purpose inexpensive components.

Clock sync Trig burst :
When POT3 is turned fully left, it accepts an external clock for F1.
When POT3 is to the right of 9:00, it switches to the internal clock.
The internal clock can be adjusted with POT3.

working documents
https://note.com/solder_state/n/nc05d...
https://note.com/solder_state/n/n59f6...

PCB gerber data & PCB assy production data Download
https://www.patreon.com/posts/mod1-ar..."

PlantsSystem-AfterMath

video upload by plantssystem

"The equipment used is SEQUENTIAL Prophet-5, Poly-Sequencer, YAMAHA CS-10, KAWAI Q80, and AKAI MPC2000. Borderlands Granular for iOS."

Zerosum Inertia ZI52

video upload by The Mephitif

"First test with Zerosum Inertias recreation of the Metasonnix R52 multimode filter.

Signal chain is:
Hertz Donut MK3 - Metasonix RK2 - ZI52 - TVM23 - Audio Interface - FabFilter Plugins"

The zi52 is a recreation of the metasonix r52.

This is a zerosum inertia product with permission granted from metasonix.

Metasonix wants it clear that zerosum inertia is responsible for the questions, support and manufacturing of the product.

It is a resonant equalizer/resonator/filter useful for tone sculpting and scream generation when at high resonance settings.

Two 12aw6 pentodes are responsible for the character of the sounds processed and created.

12aw6 have an amplification factor of 42 mu compared to 36 that a 12au6 provides.

The 12aw6 has a distinct resonance tone that is not found with a 12au6.

It is fizzley and sounds like a fuzzbox at max resonance.

Backing off the resonance allows for smooth filtering without oscillations or squeals.

The resonance is technically a gain function and needs to be up a bit for sound to pass through.

The input knob affects the resonance behavior and general overal sound of filtering heard.

To hear the filtering effect, backing counter clockwise on the input level is needed.

Increasing the input level creates more saturation but overloads the filter and less 'filtering"'is heard.

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Synclav Linndrum INHALT Sample Library for the Akai MPC Sampler Range

video upload by INHALTVIDEO

https://inhalt.bigcartel.com/product/...

"From professional sound designer Matia Simovich (Akai Pro, Roland, Sequential/Oberheim…) comes the latest sample library for the entire Akai MPC product range. Synclav Linndrum is a comprehensive 64 pad sample set of the legendary Linndrum drum machine sampled directly into a 1986 Synclavier PSMT sampling workstation.

The Synclavier features a discrete milspec A/D converter that samples at up to 100 kHz / 16 bit complete with an analog front end. The Linndrum was hooked up directly to this converter and all stock sounds, as well as additional Linn eproms (including the Tears for Fears Bell and Triangle eproms) were sampled directly to the Synclavier. Though the Synclavier saves audio files in a native format, this system is equipped with Synclavier3 software which allows for a direct conversion to wav files. No post processing was done on these samples and because the initial sampling was performed at 96 kHz / 16 bits, no additional dithering or sample rate conversion was used. As such, the resulting sound is the unmistakable extra large and punchy “vibe” of the Synclavier (a vibe that makes any sound recording the best it can be) imparted onto a complete Linndrum kit, directly off of the Synclavier hard disk.

While this library is formatted for the Akai MPC range, the samples themselves are 96 kHz / 16 bit mono wav files that can be loaded into any sampler such as Ableton Live drum rack, Logic Pro, or hardware samplers that can read wav files. For MPC users, 1 kit with sensical assignments of all samples (including mute groups) is included. This is an instant download."