Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"• There were several Emax II’s released … THIS one is the Model 2212
- 16 bit
- 39K (though you can dial in lower sampling rates)
- 2M sampling memory
- stereo
- nice arpeggiator and sequencer
- really nice sounding filters"
Tuesday, May 06, 2025
Yamaha CS-70M Vintage Analog Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"Fully functional and in excellent cosmetic condition for its age Yamaha CS70M. It has been serviced to ensure reliable use.
The CS-70m is the younger sibling/sucessor to the legendary Yamaha CS-80.
In fact It improves upon the reliability and features of the CS80. the programability of the CS 70m allows for incredible textures just not possible with other vintage synths from the era and is the last analog yamaha synthesizer of the era.
Service notes include (05/05/25):
Replacing electrolytic capacitors in power supply
Replacing 2-prong inlet with modern 3-prong IEC inlet (NOTE: unit was photographed prior to the IEC replacement)
Cleaning flushing and lubricating all sliders
Cleaning flushing and lubricating all potentiometers
Cleaning all internal switch contacts
Cleaning all I/O jacks
Cleaning battery compartment and replacing batteries"
via this Reverb listing

The CS-70m is the younger sibling/sucessor to the legendary Yamaha CS-80.
In fact It improves upon the reliability and features of the CS80. the programability of the CS 70m allows for incredible textures just not possible with other vintage synths from the era and is the last analog yamaha synthesizer of the era.
Service notes include (05/05/25):
Replacing electrolytic capacitors in power supply
Replacing 2-prong inlet with modern 3-prong IEC inlet (NOTE: unit was photographed prior to the IEC replacement)
Cleaning flushing and lubricating all sliders
Cleaning flushing and lubricating all potentiometers
Cleaning all internal switch contacts
Cleaning all I/O jacks
Cleaning battery compartment and replacing batteries"
GLEEMAN PENTAPHONIC + TASCAM 38 DEMO
video upload by Synth Tailor Electronics
"Here's another Gleeman Pentaphonic that was restored by the shop. We decided to kill two birds and put in another repair item, the Tascam 38 Reel to Reel 1/2" 8 Track Tape Machine. The audio output is recorded directly to tape. (Tascam 38 is for adam remnant, check out his music/Instagram @adamremnant)
There are only around 50 units ever manufactured by the Gleeman Brothers Al and Bob. Such a truly amazing sounding 5 voice polyphonic synthesizer. This five voice polyphonic synthesizer sounds very large in such a small package and is a hybrid of both analog/digital. Featuring a 300 note Polyphonic Sequencer, "Presetter" preset control switches, X+Y Joystick Pitch and Mod controller, and 100 programmable presets.
Visit my website or email for repairs and restorations for vintage synthesizers, drum machines, outboard gear, and tape machines."
Arrival of the Messenger | Moog Music
video upload by Moog Music
"A new mode of communication has arrived.
A carrier of universal language, a catalyst for human connection, a machine for deeper meaning.
This device translates ideas into actuality. It exists in a space where experimentation meets expression, where the sights and sounds of the natural world intersect with notions of the cosmic beyond.
It speaks without saying a word, as hidden messages weave into waveforms.
To understand these messages, we must listen and observe. In this moment, we’re all unified by a shared experience. It’s something between discovering and witnessing…
***
Keep on listening. We’ll have more to share with you soon.
***
“Arrival of the Messenger” features original music by Michael Stein.
***"
Arturia Jup-8000 V - A recreation of a 1990s powerhouse synth
video upload by CatSynth TV
"We present a detailed demo and tutorial of the new Jup-8000 V from Arturia, one of several exciting new instruments in their V Collection 11. It is a recreation of the 1990s electronic-music powerhouse, the Roland JP-8000, which was at the forefront of the virtual analog trend. We will go over all of its features, from the recreations of the iconic supersaw and feedback oscillators to the new trance-gate effect and more. We'll also take a look at a few of the factory presets."
00:00 Introduction
00:27 History
01:35 Overview
01:53 Oscillators
08:08 Oscillator Common (modulators, ring mod, cross mod, sync)
17:17 Filter
22:31 Amp
23:59 Other main panel features
27:06 Trance Gate
31:39 Other effects
38:09 Multi-Arp
43:52 Advanced modulators
48:23 Factory presets
54:48 Conclusion
_________
Store: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth
Roland JX-8P + CXM 1978 Reverb | Favorite Patches Demo
video upload by Nicolas Melis
"Exploring my favorite patches on the Roland JX-8P, paired with the lush textures of the Chase Bliss CXM 1978. A blend of vintage synth tones and modern reverb stereo magic!
I have used the Retroaktiv PG-800 mini for tweaking the sounds of the JX-8P"
Error Instruments & TINRS New Kharper Prototype Eurorack Module
video upload by errorinstruments paul tas
"This model will be released 18-jun at www.errorinstruments.com.  this is the collaboration between. TINRS / Errorinstruments from Amsterdam the Netherlands."

"kHarper Electronic Harp with 4 strings
We built a physical version of the Karplus-Strong physical model for strings. There is a whole group of Karplus-Strong algos and we are using a bunch of them. We built 3*3 sound engines that are each producing four voices.
kHarper is easily epic and cinematic. Can do big bwaaps as well as slow and emotional chords. Unlike a banana.
4 strings
Every string is a voice. The strings are built out of two touch strips with an LED bar in the middle, showing you what kHarper is doing. Each string has a knob on top to set the tone and a CV -in below. You can also patch in a gate to pluck the string.
kHarper has a very wide range of sounds. You can go from wild distorted guitars to meditative soothing plinkies. Just like any other stringed instrument there are 10.000 ways to play.
Being able to touch these Karplus-Strong models adds the natural chaos of a physical manifestation. Plucking amazing.
kHarper
OUTPUTS
Control output Gate and CV
Left/Right audio output
INPUTS
MIDI in
STRUM is a gate in that will strum all four strings
Pond/River/Ocean choice of sound engine
Herring/Koikarp/Dolphin choice of sound engine
Tone and Decay of the selected sound engine you can tweak with a knob or CV.
All strings have a knob and CV in for tone and a trigger gate input to pluck the string see demo"
Bare Enner G
video upload by SOMA Laboratory
"Video by SOMA Labs Music artist John Holcroft
Special thanks to his family: daughter Fiona, wife Nancy and brother James"
Introducing: Bloom v2
video upload by Qu - Bit
"Our fractal sequencer has blossomed into something new, yet familiar. Follow along as we take a quick look at the new and improved Qu-Bit Bloom v2, a 3-channel, 64 steps per channel CV and gate sequencer with a whole lot of tricks up its sleeve!
Pre-Orders are now available. Shipping everywhere May 27, 2025!"
Check with dealers on the right for availability.
Update: press release follows:
Qu-Bit Electronix readily reimagines mainstay sequencer as Bloom v2 with additional features and configurability compared to predecessor
SAN CLEMENTE, CA, USA: Q-Bit Electronix, acclaimed as a California-based modular synthesis brand behind the likes of Data Bender, Nebulae, Stardust, and other premier Eurorack modules, is proud to announce availability of the Daisy platform-based Bloom v2 — readily reimagining its mainstay sequencer as a multi-channel fractal formulation offering an abundance of additional features and configurability compared to its predecessor in ways that its creators collectively could not have hitherto imagined, yet perfectly aligns with an already established ethos of turning a knob and creating musical magic — as of June 18…
As a three-channel, 64-step CV and gate sequencer at its roots, Bloom v2 provides all the bread and butter controls considered necessary for creating a catchy, melodic sequence. Saying that, though, a quick push through the ‘leaves’ — like a tree, the enhanced Eurorack module in question features up to 128 different paths from the eight-step ‘trunk’ sequence’s seven ‘branches’ (taking those eight steps up to 64) to reach those ‘leaves’ and allow everything to musically bloom — reveals just how impressive its available array of controls actually are. After all, Bloom v2 lets users dial in any and allsequence data on a per-step basis — not just the note pitch. Put it this way: while it is perfectly possible to set gate state and length, slew amount, and ratchet amount — read: real (clock-synchronised) ratcheting, no less, users can also allow Bloom v2 to generate any aspect of the sequence by pushing the new reseed button, effectively dice-rolling the sequence for a fresh new take with each push of that button!
“Bloom was really the beginning of our foray into Qu-Bit’s new design ethos, whereby the module can take the wheel and generate beautiful music, if you want it to.” So says Qu-Bit Electronix Co-Founder Andrew Ikenberry by way of an alluring opener, before going on to reveal, “There was so much we wanted to do with the first Bloom, but couldn’t due to the hardware limitations of the time; now, with the Daisy platform, flexible USB port, and bespoke sequence editor, we really feel like Bloom v2 is the de facto Qu-Bit sequencer!”
And advancements have clearly been made above and beyond Bloom. Outside of having an additional channel and double the step length for sequences, Bloom v2 can save and load sequences — and their ‘branches’ — to and from a connected USB drive. Taking things several steps further, Qu-Bit Electronix has gone so far as to integrate a web-based sequence editor on Narwhal (https://narwhal.qubitelectronix.com/), its settings web app, where users can edit every aspect of a sequence — even editing the branch steps, so they can access a fully-programmable 512-step sequence — as well as setting a host of preferential behaviours and settings. Since sequences can be saved as individual files, users can share their sequences with other Bloom v2 users, adding the potential for a rich community of sequence-builders.
Eagle-eyed users of Qu-Bit Electronix’s original fractal sequencer Eurorack module will, without doubt, first become aware of a change brought about by Bloom v2’s updated layout, irrespective of its impressive new features. For instance, the main sequence encoders are now in a horizontal arrangement, with an intricate arboreal pattern weaving between each step. Furthermore, front panel artwork also acts as an eye-catching reference by illuminating which ‘Tune Mode’ the step encoders are using, with five different step editing modes currently available — namely, Note Pitch (illuminated in blue), Gate Length (green), Slew Amount (orange), Ratchet Amount (purple), and Mod Output (white).
Worth noting is the fact that the three channels on Bloom v2 each sport a new output — labelled mod 1, mod 2, and mod 3, respectively — as a CV modulation-focused affair that is fully sequence-able alongside the (self-explanatory) gate 1, gate 2, and gate 3, plus note 1, note 2, and note 3 outputs of the two other channels. But better still, there are three different output modes to choose from when working with those new outputs, Shapes being the default mod output as an LFO shape-builder mode, whereby each step can output a unique LFO shape or ratcheted variant of that shape, allowing usersto build complex modulation strings that are synchronised with the ‘trunk’ sequence; Envelope mode outputs a simple AD (Attack Decay) envelope with per-step peak control; and Stepped Voltage mode outputs a fixed voltage per step between 0V and +5V, perfect for velocity or stereo pan sequencing.
But Bloom v2’s sequences are not just outputted as voltages. Thanks to the new MIDI output and included TRS-to-MIDI cable, it can drive any MIDI-equipped device with its fractal power, and, at the same time, an onboard USB port allows it to become a MIDI host. Try transposing the sequence with a chromatic keyboard or triggering full pattern swaps on the fly with a MIDI controller.
Concludes Andrew Ikenberry: “Bloom v2 really opens up generative sequencing in a whole new way. Indeed, it can be random, while surprisingly intriguing and musical, and I’m excited to share this new evolution of our sequencer with the modular community.”
Clearly, then, Bloom v2 is evolutionary, hitting all the sweet spots as a creative sequencer with its immediacy and fine-tuning abilities all rolled neatly and imaginatively into an 18HP-width Eurorack module that adds a handful of requested additions as well as a few unexpected but game-changing new features. Furthermore, it is future-proofed by being based on the easily-updatable Daisy platform, so Q-Bit Electronix will continue tending their readily reimagined mainstay sequencer while watching how Bloom v2 blossoms throughout the modular community, members of which who can continually content themselves with planting the seeds of their next patch in the meantime.
Bloom v2 is available worldwide from Qu-Bit Electronix’s growing global network of distributors (https://www.qubitelectronix.com/distributors) with an MSRP (Manufacturer’s Suggested Retail Price) of $499.00 USD or directly via its dedicated webpage (which includes more in-depth information) here: https://www.qubitelectronix.com/shop/p/bloom-v2
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH













© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH