Firmware COSMOSPR1.61.smf — SOMA COSMOS

video upload by VG-Line

"Loaded with COSMOSPR1.61.smf – a rhythmic firmware variation where the DRIVE knob controls pitch instead of saturation. From normal speed down to half speed (–1 octave), with lo-fi artifacts and unexpected textures."

NINA Patterns by Protovolt: Analog Motorized Poly Synth by Melbourne Instruments

video upload by Melbourne Instruments

"Synth lord Protovolt has created a bank of patterns for NINA's Multi-Track Sequencer. Protovolt's Pattern Bank will take you to a cyborg sci-fi thriller in which you are evading a deranged robot, drawing inspiration from the great exploitation movies of the 1980s. With a contemporary twist, each of these patterns has all the sound characteristics of vintage analog synths. Set your coordinates to the future, grab your protective gear and motorcycle helmet, and get ready for a wild ride! All sounds and patterns in this video were created solely using NINA.

Grab the Protovolt NINA Pattern Bank here: https://www.melbourneinstruments.com/...

ABOUT NINA:
Unlock a standalone groovebox for beatmakers, producers, performers and sound designers with NINA's Multi-Track Sequencer. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or work some amazing complexity into your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control, now you can feel your sound. Whether you’re crafting beats or complex melodic patterns, this next-gen groovebox workflow unlocks a completely new way to create.

Key Features of the Multi-Track Sequencer:
• 4-Tracks—up to 64 steps with independent length per track, for polyrhythmic sequencing.
• Per-step Automation—front panel parameters can be locked per step.
• Polyphonic Sequencing — up to 12 voices available spread across 4 tracks.
• 64 Noise types — percussive hits, metallic textures, buzzes and digital percussion.
• Motorized Automation— you can see the front panel move, turn automation on/off.
• Time-based features —shuffle, micro-timing, clock multiplication, variable gate lengths, and probability.
• Perform patterns—recall and chain up to 16 patterns.
• Internal Storage for more than 4,000 patterns.
• Save a pattern with all sound and sequencer data in save into a single file.
• Standalone operation— no other gear required. Of course NINA works well with other gear too!
• New features include: timing quantization, clear notes and clear steps.

ABOUT PROTOVOLT:
Protovolt is a sound designer, and composer known for his high-energy videos showcasing his original music, spot-on classic covers, and meticulous sound design. As a child of the ’80s, his work draws heavily from the vibrant entertainment and pop culture of the time. His music and sound design bridges nostalgia and innovation, creating a sonic world that feels both timeless and futuristic."

Knobcon 2025 Live Performances

video uploads by The Breathalyzer (Shawn Johnson Music)

A few Knobcon performances spotted and sent my way via Musical Miscellany (Poorness Studios).

Playlist: 1. Knobcon 2025 - Welcome Reception Set

Shortly after my arrival/check-in, I was asked if I could do a live set to open the Welcome Reception (the first live performances that open the annual Knobcon synth event). Just when you thought it was safe to go outside...in the big tent. Sorry for the bad camera work, everything was last minute, I didn't even have all the cabling I needed with me, lol. thanks to Brian Kupferschmid for the thumbnail photo

2. The Entire Robot Knobcon 2025 Welcome Reception (2:14)

Love Jeremy's soloing

3. The Entire Robot Knobcon Welcome Reception (3 minutes of blissful funk)

YEAH, MAN!

4. Chris Kuborn Afternoon Abstract Knobcon 2025

sorry for the obstruction there, here's Chris' complete performance (room audio). My room microphone was probably a little close, so the steel drum has a lot of presence.

5. TotoRobyn (Robyn Alman) Knobcon 2025 Afternoon Abstract

Live set from the Chill Out room at Knobcon

6. Brian Kupferschmid Afternoon Abstract Knobcon 2025

Very cool atmospheric/ambient guitar set from Brian.

7. Caro Arroba Knobcon 2025 Chill Out Room Set

8. Synsor (Steve McQuarry) Live at Knobcon 2025 Chill Out Room Set

The room audio was captured on a separate device, so it might not be syncrhonized with the video. The video freezes towards the end...low battery got me.

PAL sync test #circuitbent

video upload by NOYSTOISE

"This is a short demo of two PALs synced together. More info about the PAL, and how it works can be found at https://www.noystoise.com"

Synthesizer-Wettbewerb, Beitrag "Ambient Jam"

video upload by KEYBOARDS

"Ambient Jam with Polyend/Dreadbox Medusa and a few iPad apps.

A total of only 6 tracks, a simple chord progression, but with Probability/Random Notes from the Medusa and a few effects. It's all very chilled out and only using my "desktop setup" in my office. Since I usually only make music with hardware, this is a nice change and a challenge for me.

To visualize the whole thing more appealingly, I used a freely available NASA video in the background, which can be used for non-commercial purposes. The video was created with Adobe Premiere Pro. Everything else in the video, and of course the music, is mine.

I use the Medusa with Probability for melodic to whiny synth sounds, mostly with the wavetable oscillators. During recording, I play around with the filters and oscillators. The Medusa sequencer is synced to AUM by Kymatica.

I also recorded the bass beforehand using the Medusa and its analog oscillators. This is played back via the Koala sampler.

The track begins with a synth pad from Synthscraper/Igor Vasiliev

and two tracks of 'synthetic' water (one via the Koala Sampler, the other via the Spacecraft granular sampler). I tinkered around until I managed to create something reminiscent of flowing water from the noise and other sounds.

Klevgrand's Hillman, a phaser-equipped organ synth, is used to give the track a bit of a retro flair.

To increase the dynamics, Klevgrand's REAMP, a tube amp simulation, is later used.

Reverb from Eventide (BlackHole) was used except on the bass.

The mastering was done with GrandFinale 2, which was already in the signal path during recording."

Three Module Challenge with MetaModule

video upload by 4ms Company

"View the patch notes on our Forum here: https://forum.4ms.info/t/three-module..."

Rhythms of Everyday Sounds and Kalimba : Intrusion 2025-09-08 by atnr

video upload by atnr

"A piece created with ‪@teenageengineering‬ EP-133 K.O.II, OP-1 field, kalimba, and ‪@SequentialLLC‬ Prophet-10. Electronica built from rhythms made by sampling percussion and everyday sounds, layered with kalimba and synthesizers.

On the EP-133 K.O.II, I sampled the sound of a children’s drum and other objects around the room to construct the rhythm. Using Punch-in FX, I added further processing with the ‪@ChaseBlissAudio‬ MOOD MKII, applying SLIP, pitch shifting, and micro-loop effects.

The OP-1 field is synced to the EP-133 via USB, looping a 16-bar synth harmony while also performing melodies.

The kalimba is recorded with an NT-4 microphone.

On the Prophet-10, I adjust the filter cutoff while playing. Its output runs through the ‪@BOSSinfoglobal‬ DD-6 for delay and is further processed with ‪@ChaseBlissAudio‬ LOSSY for reverb and lo-fi effects."

CROSSOVER EURORACK MODULE | ADDAC System - ADDAC607

video upload by DANIELE

"This is ADDAC607 by ADDAC System, a mono 3 band Crossover featuring 4 pole, 12db Sallen-Key active filters and volume controls for each band!"

0:00 Intro
0:17 Inputs
0:32 Mono sum out and gain controls
1:02 Low range band
1:22 High range band
1:48 Mid range band
2:40 Equalization
3:38 Pairing it with an envelope follower

"Commonly audio Crossovers split an audio signal into several frequency ranges so that each resulting signal is adequate for the speaker drivers they are connected to, usually low range is sent to the big woofers, mid range to smaller woofers and high range to the tweeters.

Here we introduce our ADDAC607,a mono 3 band Crossover featuring 4 pole, 12db Sallen-Key active filters and volume controls for each band. Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are 2 audio inputs that allow an easy way for Stereo to Mono summing. The [MONO SUM OUT] carries this summed signal. This output is pre-gain and can also be use as a buffered Thru output.

The possibility to split the signal into different bands makes possible several usefull processes, as examples:
- Independently process specific frequency ranges like adding delay only on the high range band
- Split a signal to feed 3 compressors for multiple band compression
- By controlling the [GAIN] knobs they can act as “kill” switches in DJ mixers to remove a whole band from the mix

This module is also a great companion for our ADDAC220 Dual Envelope Follower+ allowing to extract the dynamics from any signal in a focused frequency range allowing to, as an example, separate a kick drum from a snare.

There are three switches to select the bands operating ranges:
2KHz, 4KHz and 8KHz for the high range
370Hz, 620Hz and 1KHz for the low range

The three [GAIN] controls set the volume for each band. At noon they are unity gain, fully CW they are x2 amplifiers."

Check with dealers on the right for availability.

Ocean Swift - Spectral Oscillators Toolkit Vol2

video upload by Ocean Swift / Faxi Nadu

".+519 perfectly looping mix-ready oscillator sources
.Sculpt lush, evolving motion or beautifully unstable oscillator waves rich with character.

Grab here: https://oceanswift.net/product/spectr...

Spectral Oscillators Toolkit Vol 2 expands the spectrum with a fresh set of meticulously crafted seamless oscillator samples: pure waveforms, harmonically tuned tones, gently drifting textures, atmospheric drones, and tonal beds. Built from varied synthesis methods, our in-house preset work, and hardware sessions, it balances clarity and character - equally at home as a pristine foundation or a subtly unstable layer.

This volume is organized for speed. More robust naming and thoughtful curation make it easier to scan by feel and function, so you can audition, shortlist, and build faster without breaking your flow.

Design evolving ambiences, cinematic beds, or roll your own instrument oscillators - each file is ready to drop into samplers, sample-based oscillators, granular engines, or modular systems. Treat every loop as a reliable tuned “oscillator” you can explore, evolve, stack, and process. Stands on its own and pairs beautifully with Vol 1 for an even broader palette, and synergises instantly with our Porphyra Hybrid and Dystopia Diary instruments.

Contents:
519 Oscillator style samples
WAV format (16-bit, 44.1kHz)
Perfectly looping sound sources - Sampled at C3 (Note 48)
Compatible with a large variety of hardware synths, Eurorack and other modular systems, software synths, DAW's, audio tools and more (See the compatibility list for more information)
Long evolving samples
4.33GB total

Looping oscillators designed for:
Granular Engines
Sample based synthesis
Synths with sample oscillators
Ambient and cinematic layering"

VCV Rack - New Modules \ September 2025

video upload by Omri Cohen

Introduction - 00:00
trig/stepStation - 00:12
rMod - 04:29
CV Funk - 09:01
Knot - 12:39
Misc - 14:37

"You can find these patches, along with many others, available on my Patreon page - / 138107419"