Transmedium Entry #techno

video upload by Yan Cook

"Recent studio jam with Digitakt II, Novation Peak and Analog Heat 🎛️"

​Hardware Session: Arpeggiated Dreams (Virus B, Peak & Hydrasynth)

video upload by Bobby Serious

"Thank you so much for listening! I hope you enjoy the track.

This is a 144 BPM dawless live arrangement built entirely around a beautiful arpeggio from the Novation Peak.

🎛️ Gear Used

Sequencer: Synthstrom Deluge
Drums: Roland TR-8S
Arpeggio: #NovationPeak
Synthesizers: Access Virus B & ASM Hydrasynth Explorer
Bass: Moog Minitaur

Effects: GFI System Specular Tempus

Audio Recorder: Recorded on two 1010music Bluebox units

#VirusB #HardwareJam #ElectronicMusic #Synthesizer #144BPM #MoogMinitaur #RolandTR8S #SpecularTempus #Dawless #SynthstromDeluge #DelugeSequencer #1010musicBluebox"

ON YOUR KNEES - Atlantis, GodFather, Pulsar and Bohm

video upload by MATTHS and 2 more

"Trying out some new studio workflows. Using the newly acquired ‪@enjoyelectronics6070‬ Godfather along with 3 ‪@intellijel‬ Atlantis' a ‪@somasynths‬ Pulsar 23 and the mighty ‪@ohmforceofficial‬ Bohm.

My Bandcamp followers can download this one now. https://matths.bandcamp.com"

Arturia Memory V Jam | Synth Only + Kick

video upload by Solidtrax

"Been playing with ‪@ArturiaOfficial‬ Memory V in ‪@bitwig‬ Studio 6 for a couple of hours and I’m already hooked. I think it sounds absolutely massive. Arturia really nailed that “six Minimoogs in one” vibe while adding modern workflow features that make it way more usable for modern day production.

More info on Memory V: https://www.arturia.com/products/soft...

Shop sounds:
https://www.solidtrax.nl/shop"

ST Modular - Rattlecore (Piezo Preamp & Filter PCB)

video upload by ST Modular (Stefan)

"Rattlecore is a compact, high-gain piezo preamp PCB with an integrated high-pass filter. It is designed for DIY noise boxes, contact microphones, and experimental sound sources.

In this video, I briefly demonstrate a DIY wooden enclosure with installed metal parts that houses the Rattlecore PCB and can be played as a sound source.

More info: st-modular.de

00:00 Chapter 1
00:32 Chapter 2
01:29 Chapter 3
03:15 Chapter 4
04:23 Chapter 5"

key features
High-quality OPA1656-based preamp
Adjustable gain from +10 dB up to +50 dB
Integrated high-pass filter (47 Hz – 4.8 kHz)
Optimized for piezo contact microphones
Clean virtual ground via TLE2426 rail splitter
Onboard power LED
Protection diodes on input
Compact PCB for easy enclosure builds
Designed for 9V DC operation (battery or DC)
Soft grounding option for enclosure

Bastl MicroGranny 2 Desktop Granular Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Access Virus TI Snow Desktop Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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GRP A4 Analog Synthesizer SN 297

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Mousse Patch from Scratch

video upload by Duskmos

FILTER FM (STYLOPHONE PATCHBOOK 2.0) - CPM DS-2 ANALOG DRONE SYNTH

video upload by Stylophone

"CPM DS-2 ANALOG DRONE SYNTH
The FILTER FM patch works by moving Drone 1’s cutoff around at audio rate.
Start by turning down Drone 1 so we can just hear Drone 2.

Pitch Link is switched on, and the pitch is set to the middle. This means any changes to the pitch in Drone 1 will also be matched in Drone 2.

The output is set to a saw wave, and we’ve got the LFO linked to pitch, with the LFO depth turned up just slightly. This means the pitch will drift around a little bit.

Resonance is turned down and the cutoff is all the way open. This means we just get the raw output from Drone 2. Turn its volume all the way up, but plug in a patch cable — we’ll need this later.

Over on Drone 1, the pitch is set to 9 o’clock. We also have a saw wave selected, but the routing switch for the LFO is set to X-Wave. This stops it from affecting the pitch.

We’ve got the cutoff set to 12 o’clock and the resonance at 3, giving us quite a big resonant peak.

Now, when we plug the output of Drone 2 into the cutoff of Drone 1, the filter is going to get moved around at audio rate.

For a more extreme sound, try turning up the pitch LFO on Drone 2.

Also, add a bit of reverb.

WANT MORE PATCHES?
Download the new Stylophone CPM Patchbook 2.0: https://bit.ly/4nTh36w"