"The Chroma Polaris was the predecessor to the classic Rhodes Chroma. Even with its heritage, the Chroma series of keyboards has seemed to resist the inflation that vintage analog synths often have. This synth gives massive sounds with the added benefit of having midi I/O. A hi-fi synth with 6 voices of analog polyphony. Creamy sounds, very lush with tons of character. Total sleeper! Wow."
"Fresh off the bench is this Arp Odyssey. Previously owned by our head synthesizer tech, this Diabolical Device is sure to turn some heads. With extra patch points and CV in and out, what more can you want?"
"Here we have Sequential's classic flagship monosynth! A dual oscillator beast with arpeggiator, the Curtis filter, sequencer, and a simple but powerful modulation matrix. The Pro One is well known for its sound and has been used by countless musicians since its release. This particular Pro One is in fantastic cosmetic condition and all functions are 100%."
"The Sequential Pro-One (Vintage) has been tested and is in excellent working condition. It has been recently serviced at our Synthesizer Rejuvenation and Wellness Centre and given a clean bill of health."
"The Roland SH-5 is possibly the most feature rich vintage mono synth ever made by the legendary Japanese company. With 2 LFO's, 2 VCO's, 1 variable state VCF, 1 bandpass filter, 2 Envelopes, 1 VCA, S&H, Ring Mod and a simple but powerful switch matrix for routing modulation this synth is more than capable of making some of the most incredible tones and textures you can imagine!
Made in the late 1970's 'green face' Roland era, when their synths had a certain magic sound that is hard to describe. Fizzling and alive with electricity!
A handful of patch points on the back give you access to all the essential controls via CV so that this can play along nicely with a modern set-up.
This particular SH-5 has just been fully serviced in our Synthesizer Rejuvenation and Wellness Centre and comes with a 90 day warranty of good health. Original lid included."
"This module is an open source general-purpose Drum module based on Seeed XIAO RP2350.
Thanks to AI-friendly hardware design, it's easy to create software variations using generative AI.
With general-purpose components and a simple circuit, this module is affordable and DIY-friendly.
Metal Hit:
One-shot sound source with slash noise voice based on a deterministic 15-bit LFSR
"6/6-12/26 (130bpm) Roland TR-606 + Narco Biofeedback System + Brüel & Kjaer 1613 + Ibanez HD 1000 + Peavey 1300 & DDL-3 + Dukane 2a76 + General Radio 1654-A + DSP 808 + Simmons SDS-1 + Roland System 100m + Zerosum Inertia 5654 + MFB dual ADSR + Alesis MIDIVERB II + Waveform LPG + CXM 1978
I tend to leave ALM Pamela’s New Workout (the clock) at the same bpm for long periods of time. And since the videos all have the same tempo, I’ll sometimes drop them on top of each other to hear if they work together. Depending on the top layer video, this can result in ugly videos, but iMovie only allows two videos with audio and three audio-only files in the timeline. This video is a composite of several recent unrelated videos, plus a bass drum synthesized for this video to tie it all together. The Roland TR-606 toms are distorted by the Dukane 2a76, and bandpass filtered by the Brüel & Kjaer 1613. The quarter note hat and shaker sound are from the DSP 808 through the Peavey 1300 delay. The snare is distorted by the General Radio 1564-A, and the additional snare sound is the Simmons SDS-1. The hats are from the TR-606. The bass drum is the Roland System 100m 121 VCF, with the resonance maxed, modulated by an envelope from the 140 module, externally triggered by ALM Pamela’s New Workout, then it runs through the Zerosum Inertia 5654 left channel into the right channel, modulated by the MFB dual ADSR, and a reversed reverb from the Alesis MIDIVERB II. The melodic gated element is the Narco Biofeedback System through the Ibanez HD 1000 through the Waveform LPG, gated by the MFB dual ADSR, and then delayed by the Peavey DDL-3. The drone towards the end is also the Narco Biofeedback System through the Ibanez HD 1000, through the DDL-3, and with significant amount of reverb blended on the CXM 1978. Two Alesis MIDIVERB II units are used for the reverbs."
