PARTICLES - MUTABLE RINGS & NANO MODULES ONA - EURORACK AMBIENT SESSION

video upload by A Last Picture From Voyager

"Nano Module ONA and Mutable Rings go really well together. I took some time to explore these two modules in their basic characteristics, they are the last to be included in my configuration, and I hope to be able to exploit them in more depth in the future. Here, Mutable PLAITS adds a layer of drone to ONA, they evolve together in a semi-polyphony directed by the HERMOD sequencer. And Make Noise MATHS advances the sequence randomly, to create something alive."

DRONE MUSIC PIECE - TAPE RECORDER / GUITAR AND MODULAR SYNTH

video upload by A Last Picture From Voyager

"This long drone music piece is my contribution to the 'asynchronous drone orchestra' back in May 2023 for the Drone Day, a remote collaborative project for which @chelidonframe asked nine different electronic musicians to share a 10 or more minutes sound, be it a drone, a field recording, or a more elaborate sound: those noises have been then mixed and combined resulting in a choral soundscape. I was managing my datas and I found back the video I made for this piece. I thought it would be good to share it..."

POLARITY - MODULAR SYNTHESIZER LIVE PATCH EXPLAINED

video upload by A Last Picture From Voyager

"Recently I received a clone of the 'rings' from mutable instruments to replace my 'telharmonics', and an 'MFX' multi effect from ALM. After a few test patches I dove into a melody that swept me away. And from a melody, I made a complete piece to which I just had to add a bass line to bring depth. As always, I tried to explain this patch with some subtitles. The way I use the filter for this patch is well explained (with other techniques) inside a XAOC Zagrzeb dedicated video from @MonotrailTechTalk Don’t hesitate to ask for more in the comments."

Helmatronic Challenger in the Flesh

via OurDarkness on Gearslutz

CV & MOD BUSSES
"Modulation Sources:
1. The square output of the LFO
2. The triangular output of the LFO
3. The upwards sawtooth output of the LFO
4. The downwards sawtooth output of the LFO
5. S&H
6. Oscillator 4
7. External In 1
8. External In 2
9. Env (the envelope from VCF1)

Modulation Destinations:
1. Oscillators (individually)
2. Filters (both)
3. Pitch (equivalent to modulating all oscillators simultaneously)
4. Pan

Mod Wheel Range:
Specifies how much the modulation wheel affects the modulation between source and destination.

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Inside a Waldorf Pulse and Moog Voyager - Transitor Array Filters

There was some discussion on the Waldorf list regarding this video on the Waldorf MicroWave 1 compared to the MicroWave 2. The discussion digressed to the analog filter types used in Waldorf Synths. Till "Qwave" Kopper sent in the following bit of information that I though was interesting and deserving of a post: "in the Pulse there is a CA3046 transistor array in the filter. (last picture, and my fingers shown too)(remember Boele taking these pictures at my home, Georg?)

The Moog Source also uses this transistor array. And if you don't know the sound of the Pulse, but the sound of the Moog Source, you will know it has big balls soundwise.

The Moog Voyager also uses a filter array like this, but the type CA3086 (again last picture).

So even if you know the specs inside, it is still the sound thatmatters."

A fun side note: you might recognize the names Boele (SCD), George (swissdoc) and Till (Qwave) from this post, this post and others (just do a search for them on the top left of this site). They do not work for Waldorf but have definitely been experts in all things Waldorf for as long as I can remember. They all beta test Waldorf gear and they offer great non-official support on the Waldorf list on their own time. All great guys in my book.

Synths in TV and Film

Note: some of the videos below have been pulled from YouTube, but I'm keeping mention of them up as a reference that they are out there.

Let the page load before scrolling - it's a long one.
Be sure to see the Synth Movies list and see the Synth Movies and Synth TV and Film labels for more.

1. Close Encounters of the Third Kind
Synths: ARP 2500 played by Phillip Dodds, head of ARP Engineering, Yamaha CS-?.


2. Fame Synths: ARP 2600, MOOG Minimoog

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