Playlist:
Flash Gordon Soundtrack clips performed on the Oberheim OB-X8
I've always loved the movie Flash Gordon from good old 1980. Since Queen performed all the synth parts for that soundtrack on the Oberheim OB-X, I thought that it would be fitting to do my own version of some of the tracks with my new Oberheim OB-X8. I didn't try to recreate every piece spot on, but definitely wanted the Oberheim OB-X spirit in there. I hope that you enjoy my effort. :)
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Van Halen 1984 performed on the Oberheim OB X8
1984 was one of my favorite synth pieces from the 1980's, so I just had to recreate it on my new Oberheim OB-X8. I hope that you enjoy it.
Oberheim OB-X8 demo - "The Quasar's Sorrow" - also featuring the OTO BAM Reverb Processor
I originally wrote this track in 2012 for my TRANSCENDENCE album. Now 10 years later, the OB-X8 was the perfect synth the recreate it using only one synth. 100% of the track is using the OB-X8 (I used 12 patches multitracked using Cubase 12) and the only FX used was from my new BAM reverb processor by OTO Machines.
Radio Gaga instrumental cover featuring the Oberheim OB-X8
As a teen in 1984, Radio Gaga was my favorite song from the era......and still is to this day. It's pure music magic to my ears. I thought that I'd rearrange it using the Oberheim OB-X8 for all the synth/keyboard parts in the song.
"Subharmonicon, Matriarch (Dark Series), and Moogerfooger MF 108-M Cluster Flux join together, along with OTO Machines BAM, for a new composition filmed in the Moog Sound Lab. This patch demonstrates some of the latest features (including transposing the sequencers over MIDI) and updates to Subharmonicon’s firmware, now available to download at moogmusic.com."
"Come and join me on a journey to explore Chaos by Clank.
Chaos is a six-channel random generator that can easily be used as a sequencer, modulation generator, clock source, cv pattern generator, voltage recorder, and many other things.
"In this exploration of sound design and composition using the Werkstatt-01 analog synthesizer, Asheville-based electronic music producer and Moog Product Specialist Max Ravitz combines eight Werkstatt-01 synthesizers in a dynamic performance in the Moog Sound Lab.
Each of the eight Werkstatt-01 instruments provides a different element in the song ranging from booming kick drums to metallic hi-hats, and deep basses to wavering leads—many of which are based on the sounds found in the Werkstatt-01 Exploration Patchbook, which contains a variety of inspiring patches also designed by Ravitz. All eight Werkstatt-01 synthesizers in this performance are sequenced by the Winter Modular Eloquencer, with a touch of delay and reverb provided by the OTO Machines BIM and BAM to add dimension to the mix."
See the dealers on the right for availibility.
User videos:
Playlist:
1. Moog Werkstatt Overview and Demo by Patchwerks Seattle, available here: http://bit.ly/pw-werkstatt
2. A $199 Moog?! Moog Werkstatt-01 Analog Synth Demo & Build - Reverb
3. TOO Much Werk?? The Moog Werkstatt-01 & CV Expander - Noir Et Blanc Vie
4. Building + Playing Moog Werkstatt-01 + CV Expander Analog Synthesizer Kit - Lightbath
5. Moog Werkstatt-01 (From Build to ACID) - Red Means Recording
6. Moog Werkstatt-01 & CV Expander reissue 2020 build and review - Molten Music Technology
Werkstatt-01 is a patchable and compact analog synthesizer. A gateway to the expansive world of analog synthesis, the instrument is a must-have for anyone interested in exploring classic Moog sound and circuitry through the unique, hands-on experience of a DIY synthesizer project. This affordable, easy-to-assemble kit requires no prior electronics experience and is a perfect afternoon (or Christmas morning) project.
The straightforward simplicity of Werkstatt-01’s design makes it an ideal jumping-off point to discover a limitless new world of analog sound design, and the included 3.5mm CV Expander makes it a no-brainer for everyone wishing to integrate the iconic Moog sound into their music. The 9" by 6" musical machine may be small, but the raw power and spectrum of the sound it produces is immense.
From Musical Exploration to Experimental Education
First introduced at Moogfest 2014 as part of the event’s Engineering Workshop, the Werkstatt-01 analog synthesizer has been admired as an essential introductory synth, a powerful standalone instrument, and an enhancement to any integrated electronic music ecosystem. Based on classic Moog circuitry, Werkstatt-01 was created to provide a hands-on understanding of how analog synthesizers work and encourage experimentation with sound through patching and interconnectivity.
The research and design that went into Werkstatt-01’s circuits, and the demand for more semi-modular exploratory analog instruments after its initial release, ultimately led to the development of some of today’s most expressive sound design machines: Mother-32, DFAM, Grandmother, Matriarch, and Subharmonicon.
More than a musical instrument, Werkstatt-01 has also served as an interactive educational tool in STEM curricula. The compact, versatile synthesizer has been the heart of the Georgia Tech Hackathon, a weekend-long competition that takes place each February at the Atlanta university’s Center for Music Technology, for six years and counting. The 2021 Georgia Tech Hackathon will be held virtually; see details here.
The easily mod-able analog synth kit has also proven to be a perfect learning ground for DIY modifications and the science of sound. This page of our website features a series of instructional videos to walk you through how to expand your instrument through breadboarding and arduino integration.
Classic Moog Sound & Circuitry
Werkstatt-01’s 100% analog circuits deliver the classic soul and futuristic sound Moog synthesizers are known for. Featuring a full-range analog oscillator with selectable waveforms for powerful sound and the legendary Moog Ladder Filter for precision harmonic sculpting, this instrument covers a vast expanse of sonic territory. Adding movement and modulation is as simple as engaging Werkstatt-01’s analog LFO circuit to simulate the motion of gently breathing waves, or crank up the LFO speed and summon cosmic laser beams. A two-stage analog envelope generator with sustain gives you control to shape dynamics, dialing in everything from lush electronic string swells to punchy basslines and organic percussion hits—and everything in between.
The included CV Expander allows you to enter the endless realms of modular synthesis, where new connections can be made and original sounds are unlocked. Patching inputs and outputs together from the 12 jacks of the 3.5mm patch bay will reconfigure Werkstatt-01’s circuits to create new signal paths and empower new sonic explorations. The included CV Expander also makes it easy to connect Werkstatt-01 to other Moog semi-modular synthesizers, Eurorack systems, or drum machines, enhancing any configuration with powerful analog sound."
"In this new semi-modular exploration, Asheville-based electronic music producer and Moog Product Specialist Max Ravitz (aka Patricia) brings Subharmonicon together with Mother-32 and DFAM for an intricate performance among the flora of his garden at home.
Subharmonicon provides two layers of rhythmic chordal movement, touched with a bit of delay from the OTO Machines BIM 12-bit delay. Mother-32 plays a counter melody creating unique harmonies against the tuning of Subharmonicon’s suboscillators. Lastly, DFAM glues the composition together with a deep analog kick drum, while the entire 3-tier system is processed by the OTO Machines BAM for some light reverb to give dimension to the mix.
"In this video, filmed at Holocene, Portland, electronic musician, synthesist and sound designer Patricia Wolf performs with SL MkIII at the centre of her setup.
Patricia’s music-making setup comprises several machines: a Novation Peak polysynth; a Boomstar 3003 semi-modular synth; a Make Noise 0-Coast modular synth; an Elektron Analog Rytm drum machine, and OTO BIM and BAM effects units. All her sound-generating devices are connected to a Novation 49 SL MkIII controller by a mixture of MIDI and CV connections. By using templates in the SL MkIII to control multiple parameters across all her devices, Patricia is able to focus her attention on one main control surface — the Novation SL MkIII — while maximising the technological potential of all her synths.
"In this video, Patricia Wolf discusses how she takes a two-stage approach to sound design. “In one way, I focus on the technical aspects of it, especially when there’s new features on a synthesizer that I’m not so familiar with. So I’ll play around with that and really think about what it’s doing.” Then, once she’s familiar with her machines and their respective capabilities, she’ll free herself from thinking on a purely technical point of view and consider her machines as an ecosystem, playing in harmony. 'It’s nice to let go of that technicality and just think of it as a living, electric energy that you can morph and change and start feeling for its creative potential.'"
"Pairing the Kilpatrick Audio Phenol synth with the OTO Machines BAM reverb effect. The Phenol is a fixed architecture modular hybrid synthesizer. The BAM is a hardware effects unit based on classic 70s/80s reverbs like the lexicons. In this video I make a few different patches and demo them in musical contexts. The Phenol is controlled by the Arturia Keystep MIDI controller keyboard."
"Pairing the Korg MS-10 with the OTO Machines BAM. The MS-10 is a vintage analog monophonic synthesizer from Korg made in the 80s. The BAM is a modern reverb effects unit made by OTO Machines in France. Together they pair quite nicely. The BAM is based on 70s/80s classic reverbs like the old lexicons. It adds a lovely smooth reverb which complements the simple vintage tone of the MS-10."
"Running the Moog Prodigy through an OTO Machines BAM. The Prodigy is a vintage analog monophonic synthesizer made by Moog in the 80s. The OTO Machines BAM is a modern reverb unit which is inspired by 70s/80s classic reverbs. Together they sound really good."
"This is a patch from scratch tutorial featuring my sampler based eurorack modular system. We start off with the TipTop One which is our primary sound source. We then go through a VCF-74 analog filter and a uVCA. The sound is modulated by both the Korg SQ-1 sequencer and Mutable Instruments Peaks in envelope generator mode. Finally the sound is processed by OTO Machines BAM which is a reverb unit and we also add some drums via the Korg Volca Beats which is synchronized to the SQ-1."
"Unboxing the OTO Machines BAM space generator reverb unit. There's no talking in this video, just some music processed by BAM.
All the synth parts in the music were recorded with the Native Instruments Monark synth in Ableton Live. The synth bus was then run through the BAM with some light tweaking."
"We will release the second product of our range BIM-BAM-BOUM in february. It’s a reverb unit, inspired by the early digital stuff from the late 70’s (EMT 250, Lexicon 224,…). You can hear the first BAM sounds [above]."
"BAM has 7 reverb algorithms (Room, Hall, Plate, Ambient, Chorus, Gated and Primitive). This is the 'Ambient'."