Korg Modwave: Atmospheric Keys & Synths Presets/Performances

video upload by Anton Anru

"Welcome to the soundset for Korg Modwave - Atmospheric Keys.
It is a collection of 50 keys and synth presets that can be used in various genres: Techno, Trance, House, Progressive, Deep, Ambient, Cinematic, Chill Out, Lounge, Trip-hop, Downtempo, Electronica, IDM, Breaks, Drum’n’Bass and others.
🏮 Get the soundset: https://antonanru.sellfy.store/korg/

The bank covers a wide range of tones: vintage/retro synths recreations, lo-fi, tape-like, noisy, timbres, sweet and dreamy keys, warm, soft, gentle or cold, distant tones.

All presets have unified Velocity, ModWheel, X/Y Pad, and Macros assignments.

- Velocity controls volume and filter.
- ModWheel adds expression, it makes the sound brighter and longer.
- 4 Macros control the level of the 2nd Layer, Detune, Movement, Envelope.
- X/Y Pad changes tone.

All these controllers make a smooth morphing between different colors and tones within a single preset.

Highlights:
- Wide range of keys and synth sounds
- Thoroughly set parameters
- 2 Layers
- 4 Mod Knobs/Macros assignments with titles
- Kaoss Physics Pad changes tone
- ModWheel adds expression
- Presets volumes are equalized for a comfortable browsing
- No user/third-party wavetables

Firmware Version 1.1.3 (or higher) is required to use these presets.
Use official Korg Modwave Editor/Librarian to upload the presets.
Suitable for hardware and VST version.

Contents:

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Valente and Lizard Halloween Funk 2020

Key Magic Inc

"Here Fabio Fonseca demonstrates the Valente Electric Piano, with one of the Vinicius Electrik Lizard Systems being used for bass, the other for lead. The Akai MPC Live is used for the drums and for the sequenced bass and, the Korg MS2000, for the keyboard stabs with a fast attack.
https://valentepianos.com/
https://viniciuselectrik.com/
The Valente Electric Piano and the Vincius Electrik Lizard System are brought to you by Kay Magic Inc."

Vinicius Electrik Intros Lizard System Eurorack Modular Synthesizer at SynthPlex

Published on Apr 10, 2019 Synthtopia

"At SynthPlex 2019, Vinicius Electrik made their show debut of their Lizard System Eurorack modular synthesizer.

We talked to product specialist Quincas Moreira (Synth DiY Guy), who gave us an overview of the Lizard System and an in-depth look at two of their more unique modules, the Lizard VCO and Multiwaves modules."

The Lizard is Fat!!!

Published on Mar 19, 2019 Key Magic Inc

The Lizard System by Vinicius Electrik.
Video by Fabio Fonseca for Key Magic, Inc. 2019
www.viniciuselectrik.com

Vinicius Electrik Lizard System: Lizard + MultiWaves (by Fabio Fonseca for Key Magic Inc)

Published on Feb 20, 2019 Key Magic Inc

"WE ARE LIVE! Get your hands on the Lizard System by Vinicius Electrik on their online store :D
at : www.viniciuselectrik.com"

Lizard System Video 2

Published on Sep 12, 2018 Vinicius Brazil

SynthMania Knobcon Videos

Published on Sep 9, 2018 SynthMania


Playlist:

1. KnobCon 7 (2018) part 1 - Hello, Knobcon

Going to Chicago for the KnobCon annual synthesizer convention

2. KnobCon 7 (2018) part 2 - Logan Soloman - Polyfusion

As I was walking in the hotel lobby I had the pleasure of meeting Jim Soloman and Jammie Logan, two great guys who are working with Ron Folkman to bring back a modern version of the mega-classic Polyfusion modular series 2000 - designed in the late '70s and early '80s by Ron Folkman and Alan Pearce (who also worked at Moog)

3. KnobCon 7 (2018) part 3 - Opening night

Venue vendors and performers setup, and Knobcon 2018 opening night reception party

4. KnobCon 7 (2018) part 4 - My live set

My live set at the Friday night opening party of Knobcon 2018:
00:26 Misty (Erroll Garner)
02:38 Control (SynthMania)
07:28 Drum Fairy (SynthMania)
13:13 Echoes (SynthMania)
18:52 Fruit Fly (SynthMania)
23:03 Decades (Joy Division)
28:23 Perfect Life (SynthMania)
34:07 To France (Mike Oldfield & Maggie Reilly)

5. KnobCon 7 (2018) part 5 - Suit & Tie Guy & Andre Cholmondeley live set

Mega-hypnotic live set by Suit & Tie Guy & Andre Cholmondeley at the Knobcon 2018 Friday night reception party

6. KnobCon 7 (2018) part 6 - Vendor hall walkthrough (G.A.S. inducing)

Saturday morning at Knobcon 2018 - a walkthrough of the large exhibitor room

7. KnobCon 7 (2018) part 7 - Moda Modular

Kevin of Moda Modular debuts the Castor & Pollux sequencer at Knobcon 2018 https://www.facebook.com/ModaModular/

8. KnobCon 7 (2018) part 8 - Eurorack Modular Case

Brock from Eurorack Modular Case shows their portable cases for KnobCon 2018 http://eurorackmodularcase.com

9. KnobCon 7 (2018) part 9 - IK Multimedia

Daniel and Eric of IK Multimedia show us the brand new software editor for the UNO Synth - I plan to make a video using the editor very soon, as it further "unlocks" the sound capabilities of this great portable analog synthesizer

10. KnobCon 7 (2018) part 10 - Synthstrom

Synthstrom shows their Deluge portable synthesizer/sampler sequencer

11. KnobCon 7 (2018) part 11 - SYINSI

SYINSI shows their new modular tiles

12. KnobCon 7 (2018) part 12 - STEM Modular

13. KnobCon 7 (2018) part 13 - AKAI

The great sounding and portable AKAI MPC Live

Wesley of STEM Modular shows his upcoming modules

14. KnobCon 7 (2018) part 14 - Playing the Polyfusion

Incredible power, powerful and majestic sound... a wonderful synth!!! Toto's Polyfusion... big thanks to Jim, Jammie, and Ron for letting us experience this beautiful, classic machine!

15. KnobCon 7 (2018) part 15 - Vendor hall walkthrough 2 (more G.A.S.)

Another walkthrough on the main exhibition hall at Knobcon 2018

16. KnobCon 7 (2018) part 16 - Detroit Underground

Aaron shows their latest Arduino based diy module "shield", the DUIno https://www.kickstarter.com/projects/...

17. KnobCon 7 (2018) part 17 - Hammond organ workshop

An incredibly interesting Hammond workshop at Knobcon 2018. Featuring Suit & Tie Guy, Steven Eaklor, Ray Gerlich, Todd Phipps, and the best sounding Hammond I've ever had the pleasure to play - a 1963 B-3 with a 147(amp) + 122 (cab) owned and so kindly provided to Knobcon by Todd Phipps

18. KnobCon 7 (2018) part 18 - DIY build workshops

Knobcon 2018 featured DIY build workshops where you could build your own synthesizer modules

19. KnobCon 7 (2018) part 19 - Bug out bunker

KnobCon has a large dark room in the basement of the hotel called the "Bug Out Bunker" - where you can play modular synths, perform together and experience some really cool graphics being projected on the walls

20. KnobCon 7 (2018) part 20 - Ethereal Sun

Steve of Ethereal Sun shows some of their very cool eurorack cases at Knobcon 2018 http://etherealsun.com

21. KnobCon 7 (2018) part 21 - Behringer

I programmed some beats on the new Behringer RD-808 at Knobcon 2018. Really good sound. (sorry, 2nd part of the video got corrupted so I had to flip and crop).

22. KnobCon 7 (2018) part 22 - Vendor hall walkthrough 3 (G.A.S. again)

More exhibitors at Knobcon 2018

23. KnobCon 7 (2018) part 23 - Golden Knob banquet

Knobcon's Saturday evening banquet, featuring live music, raffle prizes, keynote speaker, and all-night jam session with classic and vintage synths and keyboards

24. KnobCon 7 (2018) part 24 - Gil Trythall keynote address

A wonderful, insightful, interesting, and very entertaining keynote address!! By Dr. Gil Trythall, electronic music pioneer, college professor of music, author of fantastic '70s Moog-based records like "Switched-On Nashville", "Nashville Gold", "Yakety Moog" and many other compositions

25. KnobCon 7 (2018) part 25 - Sat night jam session

After party all-night long jam session with lots of *excellent* players from all over the United States!! Lots of fun, with incredible vintage instruments like 1963 Hammond B-3, '70s Clavinet, Yamaha CS-50 and more. Everyone invited to join in and jam (I joined in later in the evening)

26. KnobCon 7 (2018) part 26 - Real Fake Knobs

Such a cool idea by Izzy! To spiff up your modular setup, grab his real fake knobs / panels http://www.realfakeknobs.com

27. KnobCon 7 (2018) part 27 - Vinicius Electrik & Key Magic

Excellent modular synth company from Brazil and two great guys to boot - I had the pleasure of sitting at the same table as Vinicius and Fabio at Knobcon's dinner and we talked about synths and music extensively all evening. I bought a Lizard multi mode dual VCO from them as soon as I heard it right and there at Knobcon, it's that good (and versatile). They also produce a full system that includes other modules. Vinicius and Fabio produce these modules and distribute them all over the world - To listen to and buy their modules: https://viniciuselectrik.com

28. KnobCon 7 (2018) part 28 - Zeppelin Design Labs

Glenn showing some of their really cool products: a Theremin style MIDI controller, companion mini synth, amplifiers, pedals https://zeppelindesignlabs.com

29. KnobCon 7 (2018) part 29 - Therevox

Wonderful, wonderful instrument. Played it five minutes at the show. Ordered one right away. http://therevox.com

30. KnobCon 7 (2018) part 30 - Vendor hall walkthrough 3 (G.A.S. galore)

More incredible gear presented at Knobcon 2018

31. Knobcon 2018 - That's a wrap

Until next year

Vinicius Electrik Lizard System Introduction

Published on Aug 21, 2018 Key Magic Inc

"WE ARE LIVE! Get your hands on the Lizard System by Vinicius Electrik on their online store :D https://viniciuselectrik.com/
Video by Quincas Moreira"

Update: Regarding Vinicius Electrik vs. VBrazil Systems, Vinicius Electrik is the new brand for the US made systems, while VBrazil will continue to be used for hand made modules in Brazil.

Vinicius Electrik Lizard Eurorack System

Published on Apr 21, 2018 Key Magic Inc

Vinicius Electrik, formally VBrazil Systems.

via this auction

"Very Powerful Eurorack Analog Modular Synthesizer System with digital control.
Consists of nine modules mounted in a 104HP case: Lizard Oscillator/Sequencer; MultiWaves Oscillator/LFO; Stage Variable VCF; OverFolder; ADSR (x2); DualVCA; 4 Channel Mixer and Midi Port. Includes power adapter and 24 colored patch cables of assorted sizes. Tested, with original box. Assembled in USA."

This is the first post to feature Vinicius Electrik.

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Intellijel Plonk Overview

Published on Sep 14, 2017 intellijel

"Chapter Markers:
1. Triggering, Loading, Saving, and Tuning Sounds - 1:06
2. Exciter Section - 3:06
3. Object Section - 4:46
4. X, Y, Mod, and Config - 7:01
5. Example 1 (Decay and Morph) - 9:07
6. Example 2 (Preset Stepping Drum Kits) - 10:55
7. Example 3 (Preset Stepping Bassline) - 13:32

Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds — both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements — the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it’s percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mold and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object — real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static — any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk’s built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems — physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.

Features
Resonator section models strings, beams, marimbas, drumheads, membranes, and plates.
Exciter section comprises a realistic mallet model and flexible noise source.
Two Voice Polyphonic at full resolution (16-bit 44.1Khz).
Pseudo multi-timbrality possible via CV selectable presets recalled on each new trigger/gate.
Full parameter randomization and morphing via CV/trigger.
All synthesis parameters can be assigned to the X, Y and MOD controls.
128 user preset slots with import/export via USB and come filled with factory presets designed Richard Devine and AAS.
Laser Mammoth compatible preset management"

intellijel Plonk Walkthrough Videos

Published on Sep 7, 2017 intellijel

Playlist:
1. Plonk Walkthrough
2. Managing Plonk Presets With Laser Mammoth
3. Plonk Firmware Update

"Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds — both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements — the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it’s percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mold and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object — real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static — any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk’s built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems — physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.

Features:
Resonator section models strings, beams, marimbas, drumheads, membranes, and plates.
Exciter section comprises a realistic mallet model and flexible noise source.
Two Voice Polyphonic at full resolution (16-bit 44.1Khz).
Pseudo multi-timbrality possible via CV selectable presets recalled on each new trigger/gate.
Full parameter randomization and morphing via CV/trigger.
All synthesis parameters can be assigned to the X, Y and MOD controls.
128 user preset slots with import/export via USB and come filled with factory presets designed Richard Devine and AAS.
Laser Mammoth compatible preset management

Width: 12 hp
Max Depth: 38 mm
Power: 170 mA @ +12V, 6 mA @ -12V
MSRP: $349.00"

Synth Diy Guy Featured Builder: Vinicius Brazil!

Published on Sep 2, 2017 Synth Diy Guy

"A visit and a chat with my partner and teacher Vinicius Brazil of VBrazil Modular.

Here´s a translation of our conversation:

https://www.dropbox.com/s/slwj5baadyx..."

" SYNTH DIY GUY - Featured Builder - Vinicius Brazil
Q - Hi Vinicius! V - Hi
Q - All good? V - All great!
Q - Tell us a little bit about your path, how you got started with electronics and music.
V - I arrived at electronics thanks to music. When I was a kid, 15 years old, I got my first guitar, and in Brazil it was very expensive to acquire guitar pedals. So I started to take some of my friends’ pedals and study their insides, this was in the 60 ́s, and from there I started making my own pedals. Copying at first, then creating muy own solutions. This got me excited and I went on to study Electronics and graduate college as an Electronic Engineer.
Q- Cool, and what kinds of pedals did you make at first?
V - All were guitar pedals. I started of course with fuzz and distortion, then on to more sophisticated things like flangers, phasers and delays. This was during the 70 ́s. In the end of the 70 ́s synthesizers started attracting me. That ́s when I built my first semi modular synth in 1978/79.
Q - Do you still have that synth?

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VBrazil Modular - Lizard2 mk3 + MultiLFO mk2 - FM Patch

Published on Aug 21, 2017 Ícaro Ferre

"Another patch using the VBrazil Modular system. In this patch, I'm using the MultiLFO mk2 (in VCO mode) as a FM modulator for the Lizard 2 MK3 (set to Mode 6 / Sine HD)."

VBrazil Modular - Lizard2 mk3 HSYNC Mode 3 Test

Published on Aug 21, 2017 Ícaro Ferre

"Exploring the Mode3 of the new Lizard2 mk3 module.
Mode 3 adds 4 oscillators to the main oscillator. These 4 oscillators can be linearly detuned and mixed / added to the output using knobs 1-8.
Sending a gate or trigger to the HSYNC input in this mode makes all 5 waves reset to the same phase, creating a very interesting effect and "enhancing" the beginning of the note.
The VAR button changes the waveform of the 5 oscillators."

VBrazil Systems Aether System One Modular Pics

Full gallery by Vinicius Brazil on Facebook here.

Pictured here:

LIZARD
Complex Morphing VCO/SEQ with 8 LFO´s
Banana Jacks option
(also can be 3,5mm Jacks)

LIZARD 2
Black Series
Complex Morphing VCO/SEQ
Banana Jack option
(also can be 3,5mm Jacks)

"Configuração apresentada no Encontro 18Ago2012"

Also see the "Monster Drone" system posted here and of course the VBrazil label below for more.

VBRAZIL SYSTEMS Videos by gauerm

YouTube Published on May 6, 2012 by agauerm

Playlist:
LPF
SVF
VBrazil Systems - Aether Oscillators
Aether Oscillators by VBrazil Systems - 2
Aether Oscillator's LFOs
Aether System - Dicas Para Começar um Sistema
VBrazil Systems modulando VCOb da Bubblesound
VBrazil Systems Vs. Bubblesound = Progressive Psy Trance
LIZARD by VBrazil Systems

Summer NAMM: Korg Exhibits microKEY Family of USB Powered Controllers

"- 61-key model bundled with the exclusive Korg Legacy Software Suite –

SUMMER NAMM SHOW, NASHVILLE, TN, July 12, 2012 - Korg is showing the latest models of its microKEY USB Powered Keyboard and MIDI Controller family. The microKEY-37 is now joined by the highly portable microKEY-25 and the five-octave microKEY-61 for the studio musician. As an added bonus, the microKEY-61 comes with the exclusive Legacy Collection Suite - the acclaimed collection of software versions of some of Korg's most coveted synthesizers, including the iconic M1 Workstation, plus effects plug-ins - to add to musicians' sonic arsenals.

For budget-minded computer musicians seeking portability and power without sacrificing keyboard feel and function, the microKEY is an ideal way to create a compact and customized MIDI command center. Free editing software and a selection of included software bundle licenses and discount coupons make the microKEY even more cost effective.

For added flexibility and control, the microKEY 37- and 61-key models both serve double-duty as a USB hub. Two USB ports (Type A) allow users to expand their control center by adding on a Korg nanoPAD2, nanoKONTROL2 or any other USB device. The Mac and PC-compatible microKEYs also run on USB power, making them well-suited for on-the-go laptop musicians. For iPad musicians, the microKEY-25 can be used to control apps such as the Korg iMS-20 via MIDI (see korg.com for details).

All microKEY models feature velocity-sensing mini keys, using the same Natural Touch keybed found on the Korg microKORG XL and microSTATION. This keybed has been designed with careful attention to the touch and feel: the proportions of the black keys and white "waterfall" keys have been adjusted for optimal playability, with a key touch that makes it easy to play chords, glissandos and rapid-fire phrases. The microKEY also accurately conveys the dynamics of the user’s performance to any software package.

Octave Shift buttons, when used in conjunction with the Key Transpose function, enable the full range of notes in the MIDI specification to be covered. For added expression during a performance, the 37- and 61-key models feature a pitch bend wheel and modulation wheel. The 25-key model features a built-in arpeggiator, a sustain/tap button, and an assignable joystick for pitch bend, modulation, or any other control change.

Free "Korg KONTROL Editor" software enables users to customize microKEY for their production or performance system. Eight velocity curves plus fixed velocity (nine total types) are provided, as well as options for specifying the control change number of the modulation wheel or joystick and the maximum and minimum values.

In addition to the Korg Legacy Collection software included with the microKEY-61, all microKEY models ship with the following software licenses and discount coupons so users can start making music right away:

1. A license to download "M1 Le," a limited edition of Korg's M1 software synthesizer that brings the sounds of the M1 Music Workstation to computer musicians. Users may also upgrade to the full "M1 software synthesizer," "Wavestation v1.6 software synthesizer," or "MDE-X v1.2 multi-effect plug-in" bundles (included with 25- and 37-key models only).

2. A license to download Toontrack's software drum sound module "EZdrummer® Lite," giving users access to numerous high-quality drum sounds. Visit www.toontrack.com for details.

3. A discount coupon for Ableton's "Live," "Live Suite," or "Live LE" DAW software, widely popular for its sophisticated functionality. For details on this software, please refer to www.ableton.com or www.h-resolution.com.

4. A license for "Lounge Lizard Session," the physical modeling sound module from Applied Acoustics Systems, famed for its richly expressive electric piano sounds. For details on this software, please visit www.minet.jp/aas/lounge-lizard-session.

5. A license for "Ultra Analog Session," the analog modeling synthesizer from Applied Acoustics Systems, acclaimed for its fat, powerful sounds. For details on this software, please refer to www.minet.jp/aas/ultra-analog-session

Korg microKEY keyboard and MIDI controllers will be available as follows:

Model Availability Pricing Info

microKEY-25 September 2012 U.S. street price $69.99

microKEY-37 In stores now U.S. street price $79.99

microKEY-61 August Summer 2012 U.S. street price $179.99

For more information, please visit www.korg.com."

KORG Expands microKEY Family of USB Powered Controllers

"MusikMESSE, Frankfurt, Germany, March 21, 2012 - Korg expands its microKEY USB Powered Keyboard and MIDI Controller family. The microKEY-37 is now joined by the highly portable microKEY-25 and the five-octave microKEY-61 for the studio musician. As an added bonus, the microKEY-61 comes with the exclusive Legacy Collection Suite - the acclaimed collection of software versions of some of Korg's most coveted synthesizers, including the iconic M1 Workstation, plus effects plug-ins - to add to musicians' sonic arsenals.

For budget-minded computer musicians seeking portability and power without sacrificing keyboard feel and function, the microKEY is an ideal way to create a compact and customized MIDI command center. Free editing software and a selection of included software bundle licenses and discount coupons make the microKEY even more cost effective.

For added flexibility and control, the microKEY 37- and 61-key models both serve double-duty as a USB hub. Two USB ports (Type A) allow users to expand their control center by adding on a Korg nanoPAD2, nanoKONTROL2 or any other USB device. The Mac and PC-compatible microKEYs also run on USB power, making them well-suited for on-the-go laptop musicians. For iPad musicians, the microKEY-25 can be used to control apps such as the Korg iMS-20 via MIDI (see korg.com for details).

All microKEY models feature velocity-sensing mini keys, using the same Natural Touch keybed found on the Korg microKORG XL and microSTATION. This keybed has been designed with careful attention to the touch and feel: the proportions of the black keys and white "waterfall" keys have been adjusted for optimal playability, with a key touch that makes it easy to play chords, glissandos and rapid-fire phrases. The microKEY also accurately conveys the dynamics of the user's performance to any software package.

CLICK FOR MORE »