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Showing posts sorted by relevance for query Modular Synthesis with Pittsburgh Modular Synthesizers. Sort by date Show all posts

Tuesday, February 13, 2018

Microvolt 3900 Introduction Video & Official Press Release


Published on Feb 13, 2018 Pittsburgh Modular Synthesizers

"A brief tour of the Microvolt 3900. A modern, semi-modular synthesizer inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analog monosynth with a host of unconventional and inspirational features. Patch cables optional."

Update: And the official press release:


"Pittsburgh pens love letter to the analogue monosynth with Microvolt 3900 desktop delight

PITTSBURGH, PA, USA: having turned heads and opened ears at The 2018 NAMM Show last month in Anaheim, CA, electronic instruments-maker Pittsburgh Modular Synthesizers is proud to announce that it is taking preorders on its Microvolt 3900 — duly destined to delight desktop synthesizer supporters anywhere as a modern, semi-modular synthesizer inspired by the instruments designed by the company’s heroes, though taking a new approach to building a contemporary analogue monosynth with a host of innovative and unconventional features that makes it stand out from the sound of the crowd — as of February 14…

Thanks to Pittsburgh Modular Synthesizers’ new temperature-stabilised, dual-VCA (Voltage Controlled Amplifier) oscillator core, the analogue audio engine of the Microvolt 3900 feeds a set of timbral wave-shapers carefully crafted for deep harmonic shaping, allowing a layer of additive synthesis alongside the classic synthesis waveforms. Waveforms are fed into the binary filter, a custom state-variable filter architecture allowing for near-infinite resonance — with or without self- oscillation. Sonically speaking, this creates a juicy, fluid filter, adding depth and energy to the oscillator that can capably scream on demand!

Tuesday, March 20, 2012

MODULUXXX - Modular Synthesizer Mini-Festival

"Moduluxxx is a 2 day thermo voltaic burn out celebrating and exploring modular synthesis. Somewhere between a museum, a LAN party and a pet show, Moduluxxx will be an space for vicarious enjoyment, learning, rubber necking, starting a dangerous new hobby (fiscally speaking), kicking tires or brushing shoulders with your peeps.

Around the world modular synthesis is experiencing a renaissance of interest and experimentation, with new developments from high bandwidth video synthesis systems through to reinventions of granular synthesis in an analog context. In a creative audio world that is dominated by software, saved files and presets, modular synthesis offers no recall, each patch is unique and perhaps unrepeatable. The equipment itself is constructed in small manufacturing runs, often by hand, designed by dedicated enthusiasts operating out of their lounge rooms.

So what is modular synthesis anyway? It is a style of synthesiser design where the architecture is left open. Each element, whether it be a sound generator, filter, controller, modulator or effect can be reconfigured in an infinite variety of arrangements.

What is so great about it? Your mind can go wild with the possibilities! You might never finish a song or track again!!

Tuesday, January 31, 2023

Introducing The Pittsburgh Modular Taiga Paraphonic Synthesizer


video uploads by Pittsburgh Modular Synthesizers (click for additional posts)

Pittsburgh Modular Taiga: A Deeper Dive


Another Michael's One Minute Synthesis Minute


Pittsburgh Modular Taiga Talk with Richard and Michael


Additional user videos further below.



Taiga - Paraphonic Modular Synthesizer
New desktop synth from Pittsburgh Modular Synthesizers packs a powerful punch with 3 oscillators, wave folders, innovative vactrol-less dynamics, and more!

January 31st, 2023 - Pittsburgh, PA - Pittsburgh Modular Synthesizers today announced Taiga, a 3-oscillator paraphonic synthesizer.

Taiga is a powerful, complete, modern, and modular instrument that's a tour de force of the Pennsylvania based analog synth R&D team's recent inventions. Taiga wraps these new tools into a surprisingly accessible package that provides a massive pallet of 100% analog sounds to its users.

Taiga’s sound can be attributed to three uniquely Pittsburgh innovations. A trio of huge analog oscillators, the unmistakably smooth sound of the Pittsburgh Filter, and the warmth + punch of the unique Dynamics Controller. These enable you to not only create sounds that would be traditionally expected from an analog synthesizer but also to explore new sonic textures and performance possibilities.

Taiga oscillators
Waveforms generated by the three Taiga oscillators stretch beyond the basic geometric shapes and sounds associated with analog synthesis. Taiga waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga.

The 'Pittsburgh Filter'
The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga’s oscillators.

Pittsburgh Dynamics Controller
Pittsburgh's new Dynamics technology imparts Taiga with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga sounds more natural or complex compared to other instruments.

Echos, Mixer, MIDI, and much more
Pulling no punches in rounding out Taiga’s capabilities, Pittsburgh has included MIDI to CV conversion, mixer, preamp with soft clipping overdrive limiter circuit, analog bucket brigade delay, dual envelope generators, digital multi-modulation tool, LFO, noise generator, clock-synced arpeggiator, and an internal clock with tap tempo (can be externally synced too). You can use Taiga without patching or dive into its 60 patch points to use its components as separate modules with external devices or reroute its internal patching. The creative possibilities abound!

TAIGA Review // What if Bob Moog & Don Buchla collaborated on a synth in the 70s? // Tutorial

video upload by loopop

TIMELINE:
0:00 Intro
1:50 Overview
5:10 Oscillators
10:05 Sync
11:10 Glide
11:30 3 more LFOs
12:20 Mixer
13:00 Preamp
14:20 Mix/Split
15:00 Filter
18:30 Dynamics
21:55 Delay
22:45 Modulation
23:30 Ctrl module
23:55 Arp
25:25 Sequencer
25:45 Vel modes
27:40 CC modes
28:00 S&H
28:30 Pros & cons
31:40 Outro

Pittsburgh Modular TAIGA synthesizer REVIEW // 3 things I LOVE & 1 thing I DISLIKE
video upload by BoBeats

CONTENT:
00:00 What is the Taiga?
03:36 Part 1: OSCILLATORS explained
13:56 Design, Mixer, Preamp & a few other things
16:02 Part 2: FILTER module explained
21:05 Part 3: i don't like this...
25:15 A few more functions worth mentioning
26:35 Part 4: DYNAMICS module explained
30:47 Final Verdict: is it worth buying?

Pittsburgh Modular Taiga Review

video upload by

Index:
Intro - 0:00
Getting close up - 8:17 (this is longer than I thought, sorry)
Oscillators - 13:28
FM - 14:39
Waveforms - 15:20
Wave folding - 17:16
Tuning - detuning - 19:36
Make a bassline - 21:24
The Filter - 24:29
Dynamics - 27:22
Dynamics - VCA Mode - 27:43
Dynamics - LPG Mode - 28:31
Dynamics - LPG Mode + Pluck - 34:04
Summary so far - 35:58
Digital Control Section - ARP and stuff - 38:02
MIDI Vs Eurorack - 41:33
Sync - 46:19
Oscillator chords - 46:59
Preamp - 47:37
Separate oscillator sequencing - 48:54
2-note polyphony in Paraphonic Mode - 51:15
Conclusions - 53:02

Monday, April 13, 2015

Pittsburgh Modular Officially Announces Modular Effects Pedals


You saw the teaser pics here. The following is the official press release:

"Pittsburgh Modular makes modular effects pedals dream come true at Musikmesse 2015

PITTSBURGH, PA, USA: modern, fully-patchable, modular synthesizers and accessories manufacturer Pittsburgh Modular is proud to launch its Patch Box line of modular effects pedals — redefining both modular synthesis and the venerable stomp box by creating unique patchable effects units for guitarists and keyboardists — at Musikmesse 2015, January 15-18 in Frankfurt, Germany...

In a seismic shift in the definition of what a modular synthesizer can be, Pittsburgh Modular’s Patch Box redefines modular synthesis around the venerable stomp box by creating a monster performance device for guitarists and keyboardists alike — a patchable, modular system designed to handle anything. As a playground for unrestricted creativity, the Patch Box is a fully-patchable, customisable performance pedal enclosure. Its open architecture allows users to create unique effects unattainable with standard, fixed-signal path guitar effects. The Patch Box is not just another empty Eurorack case, however. Rather it can be packed to the gills with the functionality of (up to) five highly-tuned modules integrated into a heavy-duty steel enclosure that’s as road-ready as it is ready to use.

To protect the tone of user instruments, thoughtfully the Patch Box features a true BYPASS and a unique preamp with extremely high headroom in addition to a pair of fully-buffered outputs. Custom-engineered soft-limiting circuitry built into the preamp adds character without unwanted noise at higher gain settings. Said preamp has dual, buffered outputs to allow for complex signal routing, but for patching a single modulation or audio source into two destinations, the patchable signal splitter is a perfect solution. Also known as a MULTIPLE, the signal splitter has one input and two outputs, allowing any signal to be routed to two destinations.

Dual, assignable expression pedal INPUTS allow the Patch Box to easily integrate third-party expression pedals anywhere into the signal path to allow for realtime foot control of any voltage-controllable parameter or split the signal from the foot controller to control two parameters at once. Dual, assignable A/B foot switches — SWITCH 1 and SWITCH 2 — expand signal routing options. Perfect for use as on/off switches or to flip between two signals, the foot switches can be patched up to enable/disable individual modules or route audio and control voltages. Try patching a modulation source, such as an LFO (Low Frequency Oscillator) or external expression pedal, through the foot switch to enable or disable the modulation while playing. Patch the outputs of two effects into one of the foot switches to bounce between effects. With two independent, patchable foot switches to play with, there are countless options for realtime signal routing. The last stage of the Patch Box signal path is a master OUTPUT level control. Adjust the output signal level to connect with a wide range of devices.

Furthering flexibility, the Patch Box is available as an empty case, ready and waiting for user-customisation, courtesy of an ever-increasing selection of Pittsburgh Modular, Dwarfcraft Devices, or other compatible Eurorack-format modules. Meanwhile, the Patch Box is also available in a number of preconfigured so-called Complete and Core effects systems that highlight the wide range of Pittsburgh Modular and Dwarfcraft Devices effects modules — from stunning filters to character-rich analogue delays, sweeping phase shifters to nasty distortion, and much more besides... all are available to interact with and manipulate in entirely new ways! Why don’t we take a closer look at what’s on offer?

Being billed as “A Modular Exploration of Time and Space,” Time Box Complete comes complete with a Patch Box enclosure, Analog Replicator (wide-range analogue delay module), Reverb (voltage-controlled digital reverb module), Lopass Gate (integrated lowpass filter, VCA, and lowpass gate module), LFO2 (dual modulation source module), and Multiple (dual passive signal splitter), plus a 12-pack of patch cables from premier Eurorack modular synthesizer accessory specialist Nazca Audio. Alternatively, Time Box Core comprises Patch Box-housed Analog Replicator and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

Next up, Filter Box Complete makes modular filtering and signal-crushing downsampling a flexible musical experience, thanks to a Patch Box-housed Filter (multimode state variable filter module), Lopass Gate, Crush (analogue downsampling module), Follow (envelope follower module), LFO2, and Multiple, plus a 12-pack of Nazca Audio patch cables. ‘Downsizing’ somewhat, Filter Box Core offers filter sweeps courtesy of a Patch Box-housed Filter, Follow, and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

Phase Box Complete comes complete with a Patch Box enclosure preconfigured with a Phase Shifter (16-stage analogue phase shifter module), Lopass Gate, LFO2, and Multiple, plus a 12-pack of Nazca Audio patch cables. Phase Box Core makes massive liquid simplicity reality with Patch Box- housed Phase Shifter and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

A collaboration with Eau Claire, WI, USA-based handmade effects pedals and synthesizers specialist Dwarfcraft Devices, Dwarf Box Complete celebrates this partner company’s expertise in sonic destruction by partnering up their Big Distortion Sound Machine (parallel distortion module with two distinctly different fuzz flavours) with Pittsburgh Modular’s Filter, Chain Reactor (quadraphonic, voltage-influenced chaotic waveform generator), and Toolbox (multi-purpose slew, noise, sample & hold, and inverter) modules in a Patch Box enclosure, plus a 12-pack of Nazca Audio patch cables. Coming full circle, those favouring a more streamlined approach to a destructive palette could consider the Dwarf Box Core, comprising Patch Box- housed Big Distortion Sound Machine and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

There it is, then. Nine new products, no less — Patch Box enclosure, available without any modules, and two sets of four preconfigured systems, each offered as a Complete system, full of modules, or as a Core system, partially filled with room for additional modules. Pittsburgh Audio has truly made the dream of modular effects pedals come true. They will all be being demoed and displayed in Hall 5.1, Stand C53 at Musikmesse 2015, April 15-18 in Frankfurt, Germany. Come check them out!


The Patch Box modular Eurorack performance pedal enclosure will be available to purchase from Pittsburgh Audio’s authorised dealer network in May 2015 at a suggested retail price of $349.00 USD.

Time Box Complete will be available in June 2015 at a suggested retail price of $1,199.00 USD; Time Box Core will be available in May 2015 at a suggested retail price of $779.00 USD.

Filter Box Complete will be available in June 2015 at a suggested retail price of $1,149.00 USD; Filter Box Core will be available in May 2015 at a suggested retail price of $739.00 USD.

Phase Box Complete will be available in June 2015 at a suggested retail price of $1,029.00 USD; Phase Box Core will be available in May 2015 at a suggested retail price of $799.00 USD.

Dwarf Box Complete will be available in June 2015 at a suggested retail price of $1,199.00 USD; Dwarf Box Core will be available in May 2015 at a suggested retail price of $689.00 USD.

For more detailed information, please visit the Patch Box product webpage from here: http://www.pittsburghmodular.com"

Tuesday, May 31, 2022

New West Pest Synthesizer from Cre8audio in Partnership with Pittsburgh Modular


The Dimension of the West Pest - Cre8audio West Pest Film video upload by Cre8audio

On the heels of the East Beast based on East Coast Moog style synthesis, Cre8audio and Pittsburgh Modular introduce the West Pest based on West Coast Buchla style synthesis.

cre8audio West Pest Sound Demo (no talking)

video upload by Bonedo Synthesizers

Cre8audio West Pest synthesizer review

video upload by Molten Music Technology

"Cre8audio's second little synth is the West Pest. Inspired by West coast synths it has a big fat wavefolder and a fabulous Dynamics Controller that gives it a very different feel to the East Beast."

Index - 0:00
Intro - 1:17
Overview - 6:22
Wavefolding - 9:21
Oscillator waveforms - 15:26
Dynamics Controller - 17:54
LFO - 25:20
Multi-wave noodle with delay and reverb - 29:25
Sequencer and Arpeggiator - 31:23
Multi Engine - 34:50
Couple more sound demos - 39:37
Conclusions - 42:01
Dueling synths - 47:36



"Designed and developed in partnership with Pittsburgh Modular Synthesizers, West Pest is a powerful monophonic full voice, integrating imaginative sound-shaping tools with traditionally “west coast” concepts.
Test the pest!

West Pest’s unique sound has been influenced by Pittsburgh’s acclaimed Voltage Research Lab synthesizer.

The Pittsburgh-designed core oscillator technology has matured through the development of their SV-1 and later with Voltage Research Laboratory. This iteration’s waveforms have been optimized to be run through West Pest’s wavefolder.

Wave folding/shaping is integral to West Pest’s foundation. Wavefolding amplifies incoming waveforms. Rather than clipping or distorting, the wavefolder circuit folds the waveforms back onto themselves, creating upwards of six folds to add vast harmonic complexity and depth.

West Pest’s snappy, responsive articulation is accomplished by the “Dynamics Controller,” Pittsburgh Modular’s original invention. This unique concept is designed to behave like a traditional filter, a VCA, and an envelope generator, all at once. Upon note trigger, the filter opens fully and rapidly, producing a sharp, percussive attack. At release, the Dynamics Controller adds a ringing, resonant decay, resulting in a rounder, more musical sound. The Dynamics Controller is the product of years of research by Pittsburgh’s founder Richard Nicol, and Chief of R&D Michael Johnsen. Inspired by the developments of West Coast synthesis pioneer Don Buchla, Pittsburgh Modular has modernized and evolved these concepts, taking them into new realms, adding wider range, consistency, stability, and resonance control, as well as an infinitely variable, ringing decay.

Going beyond these analog sound-sculpting tools, West Pest also includes a deep new digital multi-mod /multi-function tool concept to add more flavor to the Pest’s production. The multi-mod lets users select between additional clock synced LFO, decay envelope, MIDI-controlled modulation, and random voltage generator modes.

West Pest’s compositional and performance capabilities are as robust as its ferocious sonic engine. West Pest can be controlled via MIDI, control voltage (CV/Gate), and its function keys, which double as a keyboard controller. Also included is an integrated sequencer & arpeggiator that can also be controlled via MIDI and is externally clockable.

A semi-modular synthesizer, West Pest has basically 8 different patchable modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, step sequencer, and button keyboard) with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. As a starting point, West Pest comes intuitively patched internally to create a bold and flexible full synth voice. Using the patch points enables users to reroute internal signal flow, as well as use with external eurorack format modules and synthesizers. To promote experimentation, Cre8audio has included a set of premium Nazca Noodles patch cables.

Thursday, January 14, 2016

Pittsburg Modular Officially Introduces Lifeforms Eurorack Systems





"Introducing Lifeforms Eurorack Systems
Our best sounding synthesizer yet, Lifeforms systems are available in three configurations. System 101, System 201, and System 301 are the perfect gateway to the eurorack modular synthesizer world.

Interactive inspiration machines. The next generation of our System line of eurorack synthesizers harnesses the power of the new Lifeforms modules and Structure enclosures. Designed around the Lifeforms SV-1 modular analog synthesizer voice and anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms Systems offer a rich sound palette with the flexibility of an open, fully patchable analog voice architecture.

The System 201 and System 301 also include the Lifeforms KB-1 pressure sensitive keyboard controller. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory, and more. More information on the entire Lifeforms line is available at lifeformsmodular.com.

Evolution of the Synthesizer Voice
The Lifeforms SV-1 is a fully patchable synthesizer module, destined to be the heart and soul of any eurorack modular system. It features two independent, full-range analog oscillators, and the unmistakeable sound of the Pittsburgh Modular filter paired with a highly curated set of modular tools designed to fuel the creative fire. More information on the Lifeforms SV-1 is available at lifeformsmodular.com/sv-1.

Control At Your Fingertips
Shape music like never before with the Pittsburgh Modular Lifeforms KB-1 pressure sensitive controller. The Lifeforms KB-1 eurorack module provides a multi-function, expressive, capacitive touch keyboard designed for performance. It contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable an unprecedented level of control over any eurorack system. More information on the Lifeforms KB-1 is available a lifeformsmodular.com/kb-1."

Lifeforms SV-1
Analog Modular Synthesizer
Suggested Retail Price $699

"The Heart and Soul of Modular Synthesis
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player
We’ve designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Integrated Synthesizer Components

MIDI
We started with the core of our rock solid MIDI 3 module then modified the source code to create a feature set specifically designed for the SV-1. This MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1. Volt per octave and gate outputs allow you to connect to your MIDI keyboard or DAW and take control of the SV-1 your way.

Extensive patch options give you access to glide, CC, and velocity. A digital clock-syncable LFO with triangle and quantized random voltage waveforms provides even more modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. A built-in arpeggiator provides all of the deep arpeggio responses from the MIDI 3, including as played, double triggered, random, and random with random gate. This unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

Oscillator 1 and Oscillator 2
Our next-generation dual analog oscillator provides the sonic framework for massive synth sounds or deep exploration of west coast style frequency modulation. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. As a bonus, Oscillator 1 also contains our unique blade wave. The shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator 2 is normalled to the FM of Oscillator 1, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two modern, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

Modulation and Tools
A wide-range utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator 1’s core frequency. Analog noise and sample & hold finish out the Tools section — the hold function is initially pre-wired to MIDI clock, and equips you to create perfectly timed, random voltage steps.

Mixer
This versatile four channel mixer comes pre-wired for fast access to Oscillator 1’s sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1. The mixer can be split into two independent two channel mixers simply by patching into the top output.

State Variable Filter
Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Four Stage Envelope Generator
Designed specifically for the Lifeforms SV-1 with a plucky, organic feel, our four-stage analog ADSR allows you to generate envelopes with remarkable, precise control over each stage. Pre-patched to receive gate signals directly from MIDI, the gate input may be overridden by any available clock, trigger, or square wave source.

Voltage Controlled Amplifier
The amplifier section not only controls the overall level of the output, but is voltage controllable. A clean, responsive VCA, capable of everything from transparent control to mild overdrive contours audio or CV signals. The ADSR is pre-patched to the level CV providing shape to the synthesizer audio.

Splitters
Two unbuffered audio or CV splitter sections allow you duplicate your signal in creative ways, routing a single audio or CV source to multiple destinations.

Line Level and Headphone Outputs
High quality stereo headphone amplifier and monophonic line level outputs controlled by a master volume knob.

User Manual
Coming soon...

Module Specifications
Panel size 48hp | Depth 35mm | Power consumption 230mA with reversed power polarity protection"

Lifeforms KB-1
Pressure Sensitive Keyboard Controller
Suggested Retail Price $499

"Take Control
Shape your music like never before with the new Lifeforms KB-1; a unique and intuitive set of tools designed for controlling your eurorack modular system. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave adjustable, pressure sensitive keyboard complete with arpeggiator, step sequencer, four voltage memory pads and two trigger pads. Eleven outputs and a deep feature set enable you to explore new sonic territory with an unprecedented level of control.

Monophonic and Duophonic response modes with user-selectable note priority and retrigger options let you customize the KB-1 specifically to your needs. Octave buttons provide quick selection of one of seven available octaves for a wide sonic range. Monophonic mode allows you to perform soaring leads, buttery basslines with legato, or classic arpeggios. Or, take control of two separate oscillators in Duophonic mode to create rich soundscapes, complex drones and arps, lush pads, and thundering bass.

Easily program melodic sequences with maximum flexibility. Along with immersive keyboard features, there is also a powerful ten note arpeggiator and sixty-four note sequencer, each focused around playability, empowering you to craft inspiring melodies, or utilize the stepped voltage as control for other parameters, such as filter frequency or VCA control.

The Next Step
The Lifeforms KB-1 features a playable, ten note arpeggiator. This robust arpeggiator can cycle through one to three octaves. The arpeggiator in the Lifeforms KB-1 contains three different arpeggiator modes, including single or double note trigger, and random monophonic or duophonic note cycling with random gates . Probability gate burst mode can trigger additional random gates to add complexity to arpeggios. This feature, unique to the Lifeforms KB-1, enables you to have rolling pulses divided by the clock source, allowing for dramatic rhythmic variations of your sequence.

A feature-packed sixty-four step sequencer with multiple play modes gives you precise control over the cycling of your sequence. Sequences can be played forward, reverse, or random. Sequences are quickly created by step programming and each step can have one of six step modifiers: pitch bend, tie, single trigger, double trigger, quad trigger, and whole note. Once the sequence is complete, the first note of a sequence can be shifted back or forward, resulting in generating new sequences out of your initial performance. Probability gate burst mode is also available to sequences adding realtime complexity to a performance.

Express Yourself
The two assignable trigger buttons enable you to unleash your creative potential in new ways. Trigger 1 and trigger 2 can be independently assigned to one of six different trigger button modes including pressure sensitive pitch bend, gate, latch enable/disable, trigger, pressure sensitive trigger burst generator, and a pressure sensitive clock divider.

Preset Voltage Memories
The programmable voltage memory section can function as a four channel sequencer, cycling forward, reverse, or randomly; or the active channel can be selected manually allowing the section to function as a 4 channel voltage memory. Voltages are unquantized analog voltages between 0 and 5 volts. Multiple clocking options are available to drive the preset voltage memory sequencer.

On the Beat
The Lifeforms KB-1 can be clocked internally via tap tempo or from an external clock source such as a sequencer, square wave, trigger, or clock divider. This allows you to either play on your own, or perform locked in time with external devices.

User Manual
Coming soon...

Module Specifications
Panel size 42hp | Depth 38mm | Power consumption 160mA with reversed power polarity protection"

Friday, January 10, 2014

Pittsburgh Modular Partners with Studio Electronics


via Pittsburgh Modular

"Pittsburgh Modular Synthesizers is excited to announce a collaboration with Studio Electronics! Together we are designing and manufacturing a new line of high-end Eurorack format modular synthesizers. The new product line will build off of the time-tested designs of Studio Electronics, manufacturers of Premium Quality Analog Synths and Class-A Audio gear since 1985.

We will be giving a sneak preview of the new line at NAMM later this month with pictures, sound, and video to follow.

Studio Electronics (www.studioelectronics.com) manufactures Premium Quality Analog Synths and Class A Audio gear, featuring the Boomstar 4075, 5089, 3003, and SEM, Orion Galaxy, the Slate Pro Audio Dragon and Fox, along with our Discrete Sound Engine Analog Synths: ATC-X, ATC-Xi, Omega 8, CODE, CODE OD, CODE Blu and SE-1X: Redeye and Angel Dust. Since 1985, Studio Electronics has shaped and maintained the continuity and vibrancy of Analog Synth by creating potent Analog sound, enduring value, establishing brand recognition, and allowing for meaningful individual expression for our customers, and business partners; nothing less than a transformational and wonderful experience.

Pittsburgh Modular Synthesizers is a Eurorack modular synthesizer company located in Pittsburgh, PA USA. In a few short years Pittsburgh Modular has grown from a small basement business to an internationally recognized brand by partnering with acclaimed designers, taking advantage of new technologies, staying on top of trends in synthesis, and listening to the feedback from our core customers. Our full product line, which includes over twenty individual modules, and eight complete voice synthesizers, can be found on our website. (www.pittsburghmodular.com)"

Tuesday, May 03, 2022

Pittsburgh Modular A Filter of Crows, Dynamics Controller Bat, & The Wolf Eurorack Modules

Pittsburgh Modular A Filter of Crows Eurorack Module Lab


Pittsburgh Modular Dynamics Controller Bat Eurorack Module Lab


Pittsburgh Modular The Wolf Eurorack Module Lab

video upload by Pittsburgh Modular Synthesizers





A Filter of Crows
Our classic Pittsburgh Filter pushed to the limits. The overdrive preamp from original Crow module paired with switchable filter response, resonance instability mode, and voltage control over both frequency and resonance. A Filter of Crows can be both menacing and subtle with a massive sonic palette. Shifting from buttery smooth sweeps to punishing, overdriven noise without ever sounding harsh or uncomfortable. This is the most interesting variant of the Pittsburgh Filter we have created.

A Filter of Crows is a unique filter module that builds on the concept of the highly sought-after Safari Series #1 module, 'Crow'. It combines three Pittsburgh-designed 100% analog technologies.

Ultra-high-gain preamp:
The first is an ultra-high-gain preamp circuit. The preamp, taken directly from the original Crow offers a unique up to 75x of variable gain overdrive. This circuit provides unmatched dimensions of overdrive without sounding harsh. Additionally, the circuit can be completely bypassed to allow for a completely clean exploration of the other aspects of the module.

PGH Filter:
Next is a 12db State Variable 'no-dead-spot' Filter, The classic PGH Filter with manually selectable and stackable filter responses. Lowpass, bandpass, and highpass filter responses can be enabled or disabled individually for instant parallel processing.

The PGH filter has been continually refined over the last 12 years of research and altered to fit the demands of each system that it has been a part of. One of its unique defining characteristics is its ability to offer a complete sweepable range without any noticeable dead spots. Dead spots are uneven / muted portions of the swept range due to non-linearities in the circuitry. The PGH filter has no noticeable dead spots and is voiced to interact well with the high-gain preamp circuit. The result is a rich, even, fully sweepable range.

Resonant Stability Circuit:
Lastly is Pittsburgh’s Resonant Stability Circuit. This circuit enables the PGH filter to provide near-infinite resonance without slipping into self-oscillation, unless the user wants it to. Set to stable, Crows will not self-oscillate. It operates as a clean, organic filter. Set to unstable mode, the character of Crows changes dramatically. At normal settings, the incoming signal modulates the self-oscillating filter to produce harmonically complex sounds. In more extreme settings, Crows will start to struggle with controlling the oscillating resonance, adjusting the resonance shifts from ringing fuzz to heavy distortion to an extremely musical total failure."


Dynamics Controller Bat
Both a resonant filter and a VCA, the Pittsburgh Modular Dynamics Controller Bat is a modern re-interpretation of Don Buchla’s famous 'lopass' gate. The original lowpass gate was limited to a static response time that varied from unit to unit. For better or worse, this made each lowpass gate a little different. The Dynamics Controller Bat solves this issue and expands on the original concept by adding a unique voltage controllable response curve and variable resonance to the lowpass gate. Nothing has more depth, sounds more natural, or feels more alive than the our Dynamics Controller. Not only is this module unique in the world of modular synthesis, it sounds amazing.

Both a resonant filter and a VCA, the Pittsburgh Modular Dynamics Controller Bat is a modern reinterpretation of Don Buchla’s famous 'lowpass' gate.

Unlike a VCA, which simply changes the loudness of the sound without modifying the harmonic content, the lowpass gate circuit uniquely simulates the characteristics of how sounds interact in natural environments.

When used in lowpass gate mode, louder sounds contain more harmonic content and quieter sounds contain less harmonic content. The result is a more organic, complex, and rounded sound.

Don Buchla’s original lowpass gate (LPG) was limited to a static response time that varied from unit to unit. For better or worse, this made each lowpass gate a little different. Pittsburgh’s research that has made its way into the Dynamics Controller Bat solves this issue. It modernizes Don Buchla's concept by adding a unique voltage controllable response curve and variable resonance to the lowpass gate. This allows for all the sonic depth of the LPG while providing the same kind of sustain control offered by a more traditional VCA. The resulting Pittsburgh innovation is the best of both worlds, natural and alive sound, that's completely controllable."


The Wolf Channel Strip VCA
The idea was to design a VCA that makes everything sound better. Through the use of a custom Wolf preamp circuit, parametric EQ, and a high quality, linear VCA, The Wolf adds depth and presence to any patch. A custom preamplifier with variable gain control shifts between .5x and 7x gain followed by a soft clipping limiter. Results range from fully transparent to warm saturation to overdrive depending on how hard it is pushed. A three stage, 15db EQ pairs sweeping low and mid range channels with a fixed frequency high shelf followed by a second soft clipping limiter identical to the one in the preamp to keep it smooth. Green, Yellow, and Red LEDs are both fun and informative! Located after the EQ and before the VCA in the signal path, the LEDs offer insight into the audio signal.

The Wolf is a Channel Strip VCA designed to improve and provide more control over any input source. It does this through another three unique circuits.

Wolf Preamp
The Wolf’s Preamp is a custom preamplifier with variable gain control shifts between .5x and 7x gain followed by a soft-clipping limiter. The soft-clipping limiter is a way to control the amplitude of the signal while avoiding harsh distortion. Depending on how hard it is pushed, the results of running a signal through this circuit range from fully transparent to warm saturation to overdrive.

Wolf three-stage Semi-Parametric 15db EQ
The Wolf also has a three-stage Semi-Parametric 15db EQ featuring sweeping low and mid-range channels, as well as a fixed frequency high shelf. The EQ section is followed by an additional soft-clipping limiter identical to the one in the preamp. This evens out the signal keeping the audio sounding smooth.

Wolf VCA
The Wolf’s VCA is a low noise, high quality, linear voltage controlled amplifier with both manual level and CV attenuator controls.

Metering
No channel Strip would be complete without metering. Wolf’s LED Meter provides Green, Yellow, and Red LEDs for fun and informative listening. Located after the EQ and before the VCA in the signal path, the LEDs offer useful insight into the audio signal."

Price, Availability, and More Information The retail price for the A Filter of Crows, Dynamics Controller Bat, and The Wolf Channel Strip VCA is $249 USD each. Because these modules are considered experiments, production has been limited to 200 A Filter of Crows, 250 Dynamics Controller Bat, and 200 The Wolf Channel Strip VCA modules. The modules are available now through the Pittsburgh Modular web shop. More information regarding the A Filter of Crows, Dynamics Controller Bat, and The Wolf Channel Strip VCA Eurorack Modules is available at pittsburghmodular.com/safari.

Tuesday, April 21, 2020

Modular Synthesis with Richard Nicol and Bob Rogue of Black Corporation


Published on Apr 21, 2020 Pittsburgh Modular Synthesizers

"Richard talks to Bob Rogue of Black Corporation about the allure of synthesizers, the history of Black Corporation, and polyphonic analog synthesis while mostly failing at producing a live YouTube stream. Feel free to ask questions in the live chat or just hang out."

Modular Synthesis with Pittsburgh Modular Synthesizers posts here

Monday, January 26, 2015

Nova Musik - Pittsburg Modular Synthesizers Foundation 3.1+ with Richard Nicol at NAMM 2015


Published on Jan 26, 2015 Nova Musik

"Check out great deals on the Pittsburgh Modular Synthesizers Foundation 3.1+ at Nova Musik: http://www.novamusik.com/modular/euro...

Richard Nicol from Pittsburgh Modular gives us an overview of the new Foundation 3.1+ expandable, complete voice analog modular synthesizer, which comes with an extra 104hp of expansion space for more modules.

The Foundation 3.1+ Synthesizer is the expandable version of a classic. A standalone, fully modular synthesizer styled after the great monosynths of the past, the Foundation 3.1+ has no hardwired signal path or fixed voice architecture to restrict creativity. An all analog signal path driving massive oscillators and multiple filters pushes the Foundation 3.1+ Synthesizer to new worlds of musical creativity. An unpatched Foundation 3.1+ offers a clean slate for sonic exploration and sound design, and the open format of a modular synthesizer allows for greater control and a deeper understanding of synthesis.

The Foundation 3.1+ Synthesizer is designed to function as a standalone instrument. However, the Foundation 3.1+ is a 100% eurorack compatible modular synthesizer. The system is made up of 13 individual eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other eurorack compatible modules. The Foundation 3.1+ Synthesizer uses the Pittsburgh Modular Move [208] Black Case and Power Rail to house and power the modules."

Wednesday, March 16, 2022

Pittsburgh Modular New Modules Llama Kick and Polar Bear Snare Patch Lab with Richard Nicol


video upload by Pittsburgh Modular Synthesizers

"Richard discuss and demo the Llama Kick Drum and Polar Bear Snare Drum modules. Should all analog drums sound like an 808? We hope not."



"Pittsburgh Modular Safari Series 3 showcases the first results of our research into analog drum synthesis. These circuits were designed as part of a larger project but large projects are slow and we are excited about these sounds NOW so a small batch of modules for us and our friends was necessary.

The Llama and Polar Bear are an attempt at creating realistic(-ish) kick and snare drums using our own unique designs. These modules are not based on the sound of any famous drum machine, instead they represent a new approach to building synthesized kick and snare drums informed by the world around us. The results are something that sound not completely unlike kick and snare drums, but with a flexibility that bends beyond the limits of a physical instrument.

Llamas Make the Best Kick Drums
The Llama is a majestic creature known almost exclusively for the unique way it generates kick drum sounds when it is angry. Our module pays tribute to this soulful, sonic wonder. We think it sounds very nice.

Polar Bear Rhymes with Snare
Although most polar bears are born on land, they spend the majority of their life on the sea ice hunting for the perfect snare drum. Most hunts end in failure. However, with a little bit of luck, the Polar Bear is rewarded with a glorious snap! We think this one sounds very nice too.

Price, Availability, and More Information
The retail price for the Llama and Polar Bear is $199 each. Because these modules are considered experiments, production has been limited to 200 Llamas and 200 Polar Bears. The modules are available now through the Pittsburgh Modular web shop. More information regarding the Llama and Polar Bear Eurorack Modules is available at pittsburghmodular.com/safari.

Side note…
We designed a new set of knobs. This may be the nerdiest, and therefore the coolest thing we have ever done! Llama and Polar Bear are the first Pittsburgh Modular modules to ship with our new knobs. A color forward, modern design that pairs the soft touch exterior with a bold interior and integrated indicator. We now have four new knob sizes with infinite color options ready for all the future Pittsburgh Modular and Cre8audio projects!"

Tuesday, August 09, 2016

New Pittsburgh Modular Lifeforms SV-1 Blackbox Sequence


Published on Aug 9, 2016 Pittsburgh Modular Synthesizers

Update: This is the Lifeforms SV-1 in desktop format. Details added below.

"DESKTOP PORTABILITY WITH ANALOG POWER AND MODULAR FLEXIBILITY

The Pittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable steel enclosure. Two patchable oscillators and our legendary state-variable filter are paired with a perfectly curated set of synthesis components including a dual sub oscillator, dual, chained mixers, a plucky, four stage envelope generator, sample and hold, noise, low frequency oscillator, voltage controlled amplifier, a feature rich MIDI to CV converter, and a pair of utility signal splitters.

A standalone modular powerhouse, the Lifeforms SV-1 Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. A few patch cables Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Price, Availability, and More Information

The suggested retail price for the Lifeforms SV-1 Blackbox modular synthesizer is $699 and it begins shipping to authorized resellers August 12. More information is available at lifeformsmodular.com/blackbox."

Wednesday, July 10, 2013

Pittsburgh Modular Cell[48] System 1 & Synthesizer Block Introduction Videos

Pittsburgh Modular Cell[48] System 1 Introduction Video

Published on Jul 9, 2013 Pittsburgh Modular Synthesizers·11 videos

http://pittsburghmodular.com/cell-48-...

"The Cell [48] System 1 is a complete single voice, analog synthesizer and a great entry point into modular synthesis. Using the Synthesizer Block module as it's centerpiece, the System 1 contains all of the most important components of a modular synthesizer. Connected internally, the Cell[48] System 1 is hardwired to create a complete monophonic synthesizer without needing to add patch cables. However, each major component within the System 1 is fully patchable and can function independent to the rest of the system by using the available patch points and included patch cables."


Pittsburgh Modular Synthesizer Block Introduction Video

Published on Jul 9, 2013

http://pittsburghmodular.com/synthesi...

"Wired for instant access to classic tones without needing a single patch cable, the Synthesizer Block is a complete semi-modular, monophonic synthesizer. The Synthesizer Block is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal path.

The Synthesizer Block was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Oscillator, Filter, LFO, Envelope Generator, and VCA to be broken apart and used like standalone modules."

Thursday, January 01, 2015

Happy New Year From MATRIXSYNTH! - A Look Back at 2014


Happy New Year everyone!

I want to start by thanking everyone that comes to MATRIXSYNTH and helps make it what it is - the readers, the supporters, and of course all the sponsors on the right.

THANK YOU and have a GREAT 2015!!!

This site is a labor of love and a ton of work. This site is ultimately meant to be an testament to everything synth in the making. We have over nine years of daily synth history captured here, 119,983 published posts. I can't wait to see what the future brings us in 2015!

That said, here are a few interesting bits from 2014 in the longest post of the year. ;)

Wednesday, May 08, 2019

Pittsburgh Modular Voltage Research Laboratory Introduction


Published on May 8, 2019 Pittsburgh Modular Synthesizers


via Kickstarter

"The Voltage Research Laboratory is a completely different analog synthesizer where every function of the instrument has been influenced by the behaviors and systems of the natural world. Wildly experimental and extremely deep, the Voltage Research Laboratory is a sonic playground created to explore the natural systems and lesser known fringes of analog synthesis.

The Voltage Research Laboratory is 100% eurorack modular format compatible and is comprised of 3 separate eurorack modules housed together in a purpose-built, handmade eurorack enclosure. More than a collection of tools and functions, it is a unique modular synthesizer designed to reward deep experimentation and encourage the creation of unique sonic systems."


Monday, April 16, 2018

Modular Synthesizers with Andrew Scheps


Published on Apr 16, 2018 pureMix

Eurorack keeps on growing... It's now mainstream. I would say a tipping point was back in 2014 when Sweetwater started carrying Pittsburgh modular, and then in 2015 when Roland introduced their Aira eurorack modules followed by the System 500, and SYR-E84 eurorack case.

"Dive into the world of Modular Synthesis with Andrew Scheps.
https://www.puremix.net/video/modular-synthesizers-with-andrew-scheps.html

Modular Synthesizers are not only a sight to behold but fascinating instruments capable of producing unique sounds that people have never heard before.

In this tutorial, Andrew demonstrates how to:

Build a simple synthesizer
Use control voltages and audio to shape patches
Use an oscillator as a clock
Build a theremin
Create a droning patch"

Wednesday, June 11, 2014

Control Voltage Fair Coming to New York June 20-21

"Announcing the return of Control Voltage Fair, the annual synthesizer series set in New York City!

This June 20-21 we are hosting events in Bushwick, New York, centered around DIY modular synthesis. Check out the schedule below:

Friday, live performances by:
Mark Verbos
Further Reductions
Certain Creatures & Clay Wilson
Visuals by Brown Shoes Only
9pm Doors // Free before 10pm, $10 after
https://www.facebook.com/events/1429249227336807/

Saturday, demos by:
4ms Company
Ciat-Lonbarde
Control
Keith McMillen Instruments
Make Noise
Pittsburgh Modular Synthesizers
Shbobo
Snazzy FX
Steady State Fate
Synthesis Technology
Tiptop Audio
Verbos Electronics
(and more!)
12pm Doors // FREE!
https://www.facebook.com/events/488165374650025/

The address will be shared the week of via facebook and controlvoltagefair.org...

Inline image 1

Control Voltage Fair is New York City’s annual event dedicated to celebrating the modular synthesizer. Spanning multiple days, we curate synth makers and distributors to share their creations, inviting audiences to see, hear, touch, and talk about the modular synth. This fair is complemented by concerts featuring musicians at the forefront of hardware and voltage-controlled instrumentation.

Introduced in the 1960s, the modular synth has recently experienced a rebirth due to its affordability and sonic flexibility. CVF is an open forum inviting person-to-person interaction between maker, musician, and attendee. Interact with artists and tinkerers, share ideas, and explore the ins and outs of this limitless instrument!

The concert will take place on Friday, June 20th at THE LAB in Brooklyn - 315 Ten Eyck St and will feature live performances by Mark Verbos, Further Reductions, and Certain Creatures & Clay Wilson. Visuals will be provided by Brown Shoes Only. The fair follows on June 21st at the same location. Confirmed exhibitors include 4ms Company, Ciat-Lonbarde, Control, Keith McMillen Instruments, Make Noise, Pittsburgh Modular Synthesizers, Shbobo, Snazzy FX, Steady State Fate, Synthesis Technology, Tiptop Audio, and Verbos Electronics. Workshops are tbd.

Control Voltage Fair is presented by Abby Echiverri and Control, with help from Harvestworks. Past partners include River To River Festival and ((Audience)).

For more information visit http://www.controlvoltagefair.org/."

Tuesday, October 27, 2020

Pittsburgh Modular Space Lab & Patch Lab


Pittsburgh Modular Synthesizers

"Live ambient synthesis with distorted video by Richard Nicol"

Pittsburgh Modular Ambient Patch Lab
Pittsburgh Modular Synthesizers

Friday, March 12, 2021

New Pittsburgh Modular Module Safari Patch Lab with Richard Nicol


video by Pittsburgh Modular Synthesizers

"Richard demos the Modular Synthesis Safari Series 1 modules. Gibbon Chaotic Shift Register, Crow Overdrive Filter, and Giraffe Attenuverting Mixer module."

Interesting front panel designs.



via Pittsburgh Modular

A glimpse into our design process, the Safari modules give Richard and Michael an opportunity to highlight interesting concepts, test ideas for future instruments, and scratch their creative itch. We have built 200 of each of the Series 1 modules and because these designs are meant to be a proof of concept or work in progress, we do not plan on making more.

Series 1

Giraffe
How much mixer can you fit in 4hp? Perhaps not groundbreaking analog synthesis research, but we were running low on mixers at the workshop. The Giraffe is an attenuverter version of our 2+2 mixer and can be patched as a 4 channel mixer, a pair of 2 channel mixers,4 independent attenuverters, 2 attenuverters and a 2 channel mixer, or 1 attenuator and a 3 channel mixer.

Crow
Black on black and inspired by an afternoon Richard and Michael spent surrounded by a murder of crows at Yoyogi Park in Tokyo, the Crow was designed to destroy beautiful sounds. “How far can we push our overdrive circuit?” was the question this module needed to answer, and now we know. Probably further than anyone should ever go.

Gibbon
A pseudo-random shift register research facility along with a peek into the chaotic side of the upcoming Voltage Lab 2, the Gibbon expands on the random shift register concept from original Voltage Research Laboratory with more options and deeper control. Originally inspired by the random source on the Buchla Music Easel, the Gibbon has evolved into it’s own unique species

Friday, July 06, 2018

Pittsburgh Modular Microvolt 3900 Overview


Published on Jul 6, 2018 Pittsburgh Modular Synthesizers

"A modern, semi-modular synthesizer inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analog monosynth with a host of unconventional and inspirational features. Patch cables optional.

The Microvolt 3900 merges a unique analog synthesis engine with beautiful design and the creative freedom of a modular synthesizer to define the desktop sonic laboratory. The sound of the Microvolt 3900 is a unique blend of the organic and textural with raw, synthetic analog tones creating a new sonic palate perfect for deep experimentation."
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