IK Multimedia Announces iRig PRO Audio/MIDI Interface for iOS and Mac

"IK Multimedia announces iRig PRO,
the "all in one" universal audio/MIDI interface
for iPhone, iPad, iPod touch and Mac

iRig PRO allows professional recording musicians to connect
microphones, guitars, line instruments or MIDI devices on the go


September 5, 2013 - IK Multimedia, the global leader in mobile music-creation apps and accessories, is proud to announce iRig® PRO, the universal digital mobile audio/MIDI interface for iPhone, iPad, iPod touch and Mac.


Pocket-sized, battery-powered and fully portable, iRig PRO is designed to give mobile musicians and songwriters an interface that can handle the widest variety of audio input signals, so they can create music and audio on the go anywhere, any time.

iRig PRO accepts virtually every type of audio and MIDI input, making it the most versatile compact interface on the market. Users can plug in a dynamic or condenser microphone; a guitar, bass or other Hi-Z instrument; or any line-level source.

Additionally, iRig PRO is equipped with a MIDI input for keyboards, pads and controllers, making it a truly universal compact interface for recording and composing on the go or in the studio. Its audio and MIDI inputs can be used simultaneously, for example, to control guitar or vocal software with MIDI foot controllers or pedals, for switching presets or controlling effects levels.

Plus, iRig PRO comes with a suite of IK's best music-creation apps like AmpliTube, VocaLive, SampleTank, iGrand and iRig Recorder, and is compatible with most audio and MIDI processing apps for the mobile musician. Mac users will also enjoy the inclusion of premium software with iRig PRO, like AmpliTube, T-RackS and SampleTank, and will appreciate the unit's compatibility with any type of music-creation software.

Universal Inputs
iRig PRO features a high-quality 1/4"-XLR combo input connector for connection with standard XLR cables, 1/4" mono line or instrument signal cables, and a switchable 48V phantom power supply for use with studio condenser microphones. It has an ultra-low-noise, high-definition microphone-and-instrument preamp; a high-quality 24-bit A/D converter; a preamp gain control; plus LED indicators for device status, MIDI, phantom power and signal level.

iRig PRO is powered by the iPhone, iPad or iPod touch, or USB, when used with instruments or a dynamic microphone. A 9V battery (included) provides phantom power to compatible microphones. iRig PRO also features a standard MIDI input for connection of MIDI devices like drum machines, controllers and MIDI keyboards.

Universal Compatibility
iRig PRO comes with three detachable cables, compatible with Lightning, 30-pin and USB connectors, respectively, allowing for digital connection to every model of iPhone, iPod touch, iPad and Mac, out of the box, with no need for adapters. A MIDI cable with a standard MIDI jack is also provided to connect the widest variety of MIDI-compatible keyboards and controllers.

iRig PRO is class compliant and compatible with Core Audio and Core MIDI, so it can be used with any audio and MIDI processing apps for iOS and Mac OS, for true plug-and-play performance without additional hardware/software.

Universal Apps and Software Included
For iPhone and iPad users, iRig PRO comes with a suite of IK Multimedia's most popular apps for mobile music creation on iPhone, iPad and iPod touch, including AmpliTube FREE (the #1 app for guitar players) for guitarists and bass players, VocaLive FREE for singers, SampleTank FREE and iGrand Piano FREE for keyboard players and iRig Recorder FREE for recording engineers.

Plus, all these apps work together with Audiobus integration, offering a truly complete set-up for making any type of music. Additionally, exclusive AmpliTube gear and SampleTank sounds are available as free add-ons for iRig PRO users.

For Mac users, iRig PRO includes AmpliTube Custom Shop, the industry standard guitar-and-bass processing software; a free version of AmpliTube Metal; T-RackS Custom Shop, the mixing-and-mastering effect suite with a free version of T-RackS Classic; and SampleTank XT, a sound workstation that includes over 1GB of sounds. All these software titles are available both as plug-ins for the most popular digital audio workstations (including GarageBand), or as standalone applications for immediate plug and play.

Pricing and Availability
iRig PRO will ship in September from music and consumer electronics retailers worldwide for $149.99/€119.99 (exc. taxes). iRig PRO can now be ordered from the IK Online Store and select retailers.

For more information on iRig PRO, please visit
www.ikmultimedia.com/irigpro"

iOS Devices on eBay - Daily Tech Deals

Propellerhead RE Eurorack Module Powered by MIND Music Labs ELK MusicOS

Yesterday, we were introduced to the MIND Music Labs ‘Powered by ELK’ Retrologue 2 Desktop Synth. Pictured left in the rack you can also see a Propellerhead RE eurorack module powered by ELK MusicOS. Check out what appears to be a prototype desktop VST host unit in orange. The following is the MIND Music Labs press release for SUPERBOOTH 19:

STOCKHOLM, SWEDEN: Swedish startup MIND Music Labs lets loose by showcasing several super-cool applications of its award- winning ELK MusicOS — the world’s first ultra-low-latency music operating system developed specifically for audio applications, ushering in a new era where the power, flexibility, and selection of audio and music software can be run in real time on embedded hardware with full MIDI (Musical Instrument Digital Interface) support — at SUPERBOOTH19 in Berlin, May 9-11…

Further fulfilling its ambition of creating new ways to bridge the gap between musicians and technology, changing how to learn, create, record, and share music, MIND Music Labs will be demonstrating the potential and flexibility of its seminal ELK MusicOS by showcasing a number of hardware product prototypes based on existing VST (Virtual Instrument Technology) and RE (Rack Extension) releases from world-class developers at SUPERBOOTH19, Europe’s first and largest trade fair for electronic musical instruments.

First stop: media production products provider Steinberg’s stand on owner Yamaha’s booth (H310). Here the German giant continues its partnership with MIND Music Labs in making VST a standard for hardware by showcasing the co-developed ‘Powered by ELK’ Retrologue 2, a proof-of-concept prototype desktop synth running Retrologue 2, Steinberg’s VST Virtual Analog Synthesizer — successfully emulating the warmth and fatness of classic analog synthesizers — on hardware.

However, ELK MusicOS is not only VST compatible but also runs RE plug-ins from fellow Swedish company Propellerhead, creators of innovative and affordable music software. Supporting the Propellerhead partnership, MIND Music Labs will be showcasing a Eurorack format synth module running the RE-compatible Polysix for Reason — utilising Korg’s proprietary CMT (Component Modeling Technology) to precisely model the circuitry of an analog polysynth classic from 1982 — on booth (O504).

Other must-see SUPERBOOTH19 showcases scheduled to take place at MIND Music Labs’ location there include several contrasting conceptual collaborative projects with the likes of plug-in developer Stefano D’Angelo, former DSP engineer at Arturia; Italian music and audio software company Audio Modeling, creators of the SWAM (Synchronous Waves Acoustic Modeling) engine; HISE, an open source framework for sample-based instruments; and Igor Nembrini of Nembrini Audio, creator of some of the most revered guitar amp plug-ins under the Brainworx brand for Universal Audio's UAD (Universal Audio Digital) platform.

Concludes MIND Music Labs CEO Michele Benincaso: “The different hardware prototypes we will be showcasing at SUPERBOOTH19 are all great examples of what ELK MusicOS is capable of. With ELK MusicOS you add the feel of playing an actual physical instrument — without losing the benefits and qualities of desktop plug-ins. I am very excited to show everyone at SUPERBOOTH19 what we have been working on.”

Serge Modular - Stereo Mixer

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via this auction

"Quadrature Oscillator (QUO)

The QUADRATURE OSCILLATOR (QUO) provides signals and features which make it ideal for controlling the Quad Panner . It generates two sine waves which are always displaced 90 degrees in phase from one another . This phase difference provides exactly the correct relationship for swirling a sound through quadraphonic space in a circular pattern (using the Quad Panner) . Since the Oscillator has a basic range from longer than 20 seconds per cycle to 500cycles per second, many effects can be produced . Swirling a sound at an audio rate produces interesting spatial and modulative effects. Additional features include linear VCA's for each of the outputs. so that spatial swirls can be made to decrease in size, effectively spiralling inward . A HOLD input"freezes" the outputs whenever pulsed high . Thus a swirl can be stopped at a given location, with the sound just "hanging there"until operation is resumed . Switches on the Panel allow disabling the oscillator, a feature which has been found to be useful for live performance .The use of this module is not limited to Quad Panning . The phase separation between the oscillator's outputs provides for many interesting cross-fading effects when they are used to control other Serge modules.

Dual Transient Generator (DTG)

The DUAL TRANSIENT GENERATOR (DTG) provides two independent outputs with voltage controllable rise and fall times. This module is identical to the Dual Universal Slope Generator except that it does not have all of the front panel features. This module is a useful, space-effective unit to be used for many of the same functions as the Dual Universal Slope Generator. Common uses of the Dual Transient Generator are for simple "AR"-type envelope generation, as a dual voltage-controlled low frequency oscillator, or as a voltage-controlled clock (especially suitable for clocking the Touch Keyboard Sequencer or any of the Sequencer Programmers). These functions can be patched with the Dual Universal Slope Generator, but since many of the features are left unused in these patches, the Dual Transient Generator provides the same function while using less front Panel space.

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NAMM: UAD goes Firewire!

UAD ON FIREWIRE!

It’s been a long time coming, but we are incredibly excited to be able to announce that UAD Plugins are finally coming to the legion of users who only have Firewire ports available.

Introducing the UAD-2 Satellite…shipping this month!

Launching at NAMM 2011, the UAD-2 Satellite is Universal Audio's answer to the long-standing request for a Firewire-based UAD Card. No longer must a customer have PCIe slots or an ExpressCard port to be able to use UAD, now anyone with a Firewire 400 or 800 port will be able to bring the class-leading family of UAD plugins to their productions, wherever they go.

The UAD-2 Satellite is a rugged metal enclosure containing either the power of a UAD Duo or UAD Quad card inside. Slim yet reassuringly solid and sporting an illuminated UA logo on the front, the UAD-2 Satellite is powered with an included adapter and provides either FW400 and FW800 connectivity. Full PCIe-equivalent performance is available via FW800, with FW400 provided for total flexibility with a trade-off made in available bandwidth. Initially UAD-2 Satellite will support Mac only; PC development is underway and will come as a free update when complete. UAD-2 Satellite will share a FireWire port with an Audio Interface or Hard Drive, again for a trade-off in bandwidth. For more information please visit the Universal Audio site, linked below.

'This is a really exciting announcement, both for UA as a company, and for legions of musicians and engineers wanting to tap into UAD-2 plug-ins via Firewire,” commented Universal Audio President Matt Ward. “The UAD-2 Satellite is a sleek, high-quality product that delivers even higher quality results.'

'UAD-2 Satellite is the result of UA listening to our customers, and giving them a processing solution that is both elegant and powerful,” added UA Senior Product Manager Lev Perrey. “Coupled with our roadmap of exciting new plug-ins, we anticipate this product expanding our 40,000-strong UAD user base significantly in the years to come.'

Notable UAD-2 Satellite features include:
* Access the UAD Powered Plug-Ins library on select Firewire 800 and 400 equipped computers
* Compatible with a wide range of modern Intel-based iMacs and MacBook Pros (PC support in development)
* Run larger mixes in Pro Tools, Logic, Cubase, Nuendo, Performer and more — without taxing host computer CPU
* 5 models to choose from: DUO (Core); DUO Flexi (w/ $500 Plug-In Voucher); QUAD (Core), QUAD Flexi (w/ $500 Plug-In Voucher), and QUAD Omni v.5.7 (w/ 50 UAD plug-ins)

Best of all, the complete line of UAD-2 Satellite DSP Accelerators is shipping late January and the price for UAD-2 Satellite is the same as for the equivalent PCIe card!

For all details, FAQs and latest release information on the UAD-2 Satellite, visit UA’s website: http://www.uaudio.com

For our news story please visit:
http://www.hhb.co.uk/hhb/uk/source/news/article.php?aid=610"

Roland VSynth XT Rackmount Synthesizer w VC-1 D50 Emulator & VC-2 Vocal Designer SN ZT81358

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This VSynth XT features 3 virtual analog sound engines including the VC-1 which is the classic D50 synth and the VC-2 vocal designer-basically you can create your own background vocals from your own samples, mapped across the keys; no chipmunk effect with this option selected. You have to hear this to believe it...

About the V-Synth XT:

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Audulus 3.4 Update Adds Support for Multichannel Audio/CV Output

"Audulus LLC is proud to announce the release of Audulus version 3.4 - a free update for all Audulus platforms* allowing users to access up to 16 audio and control voltage (CV) inputs and outputs through two brand-new nodes called ADC (analog-to-digital converter) and DAC (digital-to-analog converter).

Previously, Audulus users were limited to two inputs and two outputs using the Mic and Speaker nodes. Now, with the ADC and DAC nodes, Audulus users can take full advantage of their DC-coupled** audio interfaces, such as the Expert Sleepers ES-8 and the Universal Audio Apollo.

This means that users can now integrate Audulus seamlessly with hardware synthesizers and analog effects pedals using their computer or iOS device.

Some examples uses include:
Sending and receiving simultaneous audio, modulation, and envelope CVs to up to 4 Eurorack filters for true analog filter polyphony
Clocking multiple Korg Volcas at different speeds or divisions of a master clock
Sequencing analog synthesizers with volt-per-octave (VPO) signals
Receiving multiple DC signals from hardware controllers like CV joysticks and ribbon controllers for ultra-high-resolution control over your digital synthesizers
Receiving, quantizing, and sending out analog VPO signals
Generating LFOs and envelopes of any imaginable shape
Using stompboxes on a send & return within your Audulus patches
Cloning, adapting, and modifying true work-alikes of digital and analog Eurorack modules
Generating quadraphonic or surround-sound-style effects for keyboards and guitar
Receiving an analog master clock and generating divisions, probability triggers, or Euclidean-style rhythm sequencing (or mix of all!)
Storing, recalling, and rapidly switching between different modular synth patch routings
Analyzing a guitar’s pitch and volume envelope within Audulus and converting them to an analog VPO and envelope signal
Using Audulus as a multi-effect rack with 4 mono inputs and outputs or 2 stereo inputs and outputs (with an Expert Sleepers ES-8)

These are just a few of the possibilities Audulus users have explored so far. To keep up with patches and modules using the new ADC and DAC nodes, sign up for the Audulus user forum and download and share your patches there - http://forum.audulus.com

An example of Audulus sequencing VPO signals and envelopes through an Expert Sleepers ES-8:



Users can also follow Audulus on Instagram, Twitter, Youtube, Soundcloud, and Facebook @audulus for tutorials, video clips, and sound samples of what the ADC and DAC nodes can do.

If Audulus users have any questions about how to implement the ADC and DAC nodes, they can contact Audulus at support@audulus.com

Happy patching from all of us at Audulus!

* Audulus iOS requires the Apple Camera Connector Kit to connect to the Expert Sleepers ES-8.

**Most normal audio interfaces are AC-coupled. AC-coupling prevents a constant DC offset from damaging speakers and headphones. DC-coupled audio interfaces like the Expert Sleepers ES-8 are not required to use all 16 inputs and outputs of an audio interface or aggregate device. DC-coupled audio interfaces are required to send and receive accurate DC-offset analog signals such as gates, VPO signals, and envelopes.


Example Videos of Audulus + ES-8

This picture shows a self-oscillating filter entering Audulus through audio input 4 of the Expert Sleepers ES-8 using the ADC node, and sending two oscillators through outputs 7 and 8 of the ES-8 using the DAC node to the Mordax DATA oscilloscope in XY mode."

App links for Audulus:
iOS | Mac | Windows/Linux

Endangered Audio Research AD4096 + Funk Box

Published on Jan 28, 2016 Bimini Road

Playlist:
Endangered Audio Research AD4096 + Funk Box TR77 Drum Machine
Endangered Audio Research AD4096 + Funkbox TR-808 Drum Machine
Endangered Audio Research AD4096 + Funkbox TR-909 Drum Machine
Endangered Audio Research AD4096 + Funkbox Rhythm Ace Drum Machine
Endangered Audio Research AD4096 + Korg iMS20

"This is a demo of the now legendary, long-out-of-circulation Endangered Audio Research AD4096, with the Funk Box TR77 running through it. Very few videos show what the AD4096's Infinity Mode is useful for, which is crazy to me, because I feel like that's the best, most unique part of this pedal. Infinity Mode can be tuned to creep on the edge of self-oscillation in a really organic way. New signal pushes old signal out - and in that way it's almost like a looper, or even a tape bleed emulator.

Although a guitar pedal, mixing artists contact us all the time to tell us how they use the AD4096 on drum busses - especially for dub music! I think the AD4096 is killer on drums. You can get a really loose spring-reverb-like tone from short delays.

The Momentary Expand switch shorts the Depth pot and sends it into self-oscillation - the faster the clock speed (the Time knob turned to the right - "backwards" of how most pedals work), the faster it will run wildly into speaker-blasting range. However, with Infinity Mode engaged, you don't get the ever-louder-and-louder signal - it's "limited" because the new incoming signal pushes out the old. Also, if the Depth is turned all the way down, it becomes a momentary off switch.

The Delay line is a more traditional dark, fat analog delay sound, whereas the Echo line has a elevated, rarefied glittery tone. It's almost like an LPF and an HPF line. It also arrives just barely later than the Delay line. It overdrives beautifully, and thanks to its FET transistors, it has an almost tube-like breakup. The combination of these characteristics, along with the totally unique Infinity Mode, makes this the most tonally flexible and musically useful analog delay pedal ever made.

We get almost daily emails about these pedals at Endangered Audio Research. This unit is going to be donated to Oberlin College's TIMARA program when I'm done making demo videos for it, so don't bother trying to buy it from me. We are going to add more delay time with an aftermarket mod that will be available to the public, but first, I'm making a bunch of videos with different sound sources to show what the original sounds like.

EAR is also making a new, updated version of this later this year with expanded functionality, but gotta love the original unit - named one of the best 30 guitar effects in the world by Premier Guitar Magazine.

I don't deal in unprocessed, "clean" demos, because I don't believe it shows you more about the effect you're using. Nothing exists in a vacuum, especially music.

Signal Chain:
iPad - AD4096 - Universal Audio Apollo 8 Duo - Neve 1073 Unison Preamp - Studer A800 - Ampex ATR-102 - A.O.M. Invisible Limiter

http://www.biminiroadelectronics.com/...
http://www.endangeredaudioresearch.com
http://www.timara.oberlin.edu/

Contact me at mark@endangeredaudioresearch.com to reserve a new version of the AD4096, or to inquire about the aftermarket added delay time modification.

By the way, if you're a hater who thinks $375 is too much for 300ms of delay, you should get a digital delay and run it through a LPF. This pedal is not about time - it's all tone, baby.

Here's a link to Funk Box - a total must-have iOS drum machine. It's a fully featured drum machine with a bunch of different sounds from all sorts of classic analog and digital drum machines. It's only $5, and you are fooling yourself if you think the "real thing" sounds better.

https://itunes.apple.com/us/app/funkb..."

Moog semi-modular synthesizers meets Universal Audio UAFX (DFAM, Subharmonicon, Mother 32 live jam)

video by MidiWareVideo

🎛 Live performance di Enrico Cosimi con la famiglia Moog semi-modulare e i pedali Universal Audio UAFX, il tutto collegato con l'efficientissimo mixer Solid State Logic SiX. Enrico Cosimi è tra i massimi esperti internazionali di sintesi sonora.

🎛 Enrico Cosimi Live performance, featuring Moog semi-modular synthesizers and Universal Audio UAFX effect pedals. Everything is routed through a Solid State Logic SiX mixer. Enrico Cosimi is one of the main international synth experts.

UAD Opal Morphing Synth

video upload by Universal Audio

"Exclusively for UAD Spark, Opal is our epic-sounding flagship synth that's perfect for producers, sound designers, and musicians. This analog-meets-wavetable synth gives you huge-sounding morphing filters and powerful UA effects — yet always keeps you close to album-ready sounds, no matter how deep you explore."

Opal Morphing Synth Sound Examples | UAD Spark

video upload by Universal Audio

UADx Opal Morphing Synth - Sonic LAB Overview

video upload by sonicstate

"Universal Audio recently announced their Spark subscription, a curated and expanding range of their plug-ins from the extensive UAD and Luna platforms. But these are now available as Native format plug-ins, so you don't need the DSP platform to use them (Mac only for now)

As part of the new package, UA have introduced Opal - an all new synthesizer instrument with 3 hybrid analog/wavetable oscillators, two morphing filters, 2 LFOs, 2 multi-segment function generators (per voice) and 3 envelopes.

Throw in a mod matrix and some tasty FX and you have the size of it.
We take a look at the new instrument.
https://spark.uaudio.com/

00:00 Intro and overview
3:00 sounds examples
05:29 Oscillators
08:35 More sounds
10:00 Filters
16:20 Modulation
18:40 FX and more sounds
23:50 Thoughts"

Dialog Audio Announces SQ4 Sequence Processor Plug-In

"Dialog Audio unleashes unique sequenced modulation pattern possibilities with SQ4 Sequence Processor plug-in

COLOGNE, GERMANY: hot on the heels of its innovative MP3244 Modulation Processor synchronisation and modulation plug-in (and advancing update subsequently launched late last year to widespread critical acclaim), specialised performance tools developer Dialog Audio is proud to announce availability of its SQ4 Sequence Processor audio software plug-in — pushing processing boundaries beyond what has been previously possible with the creation of advanced sequences to modulate and synchronise audio hardware and software parameters from within a DAW (Digital Audio Workstation) host application — as of January 15…

As implied by name, SQ4 Sequence Processor permits users to create unique sequenced modulation patterns — four sequences with up to 128 steps per sequence, so not so much one small step for man, but rather one giant leap for music-kind when it comes to the creation of advanced sequences to modulate and synchronise audio hardware and software parameters from within a DAW host application!
As such, the basic setup for most host applications is similarly straightforward, with only two tracks usually required. On one track the user needs to add SQ4 Sequence Processor itself, then add the target device — be that an external hardware or software instrument — to the second track, with a virtual MIDI (Musical Instrument Digital Interface) connection also needing to be made from the SQ4 Sequence Processor track to the target device track.

Thereafter, like its innovative MP3244 Modulation Processor software sibling, SQ4 Sequence Processor provides different connection capabilities (depending, of course, on the audio hardware setup it is being used with), which, interestingly, includes: controlling hardware synthesizers (or other hardware) with MIDI inputs via MIDI CC (Continuous Controller) messages, RPN (Registered Parameter Number) and non-RPN messages, or MIDI SysEx (System Exclusive) messages; modulating any analogue synthesizer capable of receiving CV (Control Voltage) signals simply by patching spare outputs from an audio interface (if DC-coupled) is perfectly possible, generating high-resolution audio rate CV modulation, or, alternatively, a MIDI-to-CV converter could always be pressed into play for any audio gear that can be controlled via CV. Owners of software-only setups need not feel left out of the picture, for SQ4 Sequence Processor can capably modulate soft synths and audio plug-ins within the host DAW to provide extended modulation possibilities.

Whatever way whatever user chooses to work, SQ4 Sequence Processor places a raft of fanciful features at their ever-more- expressive fingertips, including variable synchronisation options, which can be set from free running to hard sync. Note events can re- trigger a sequence and several running directions can be selected. SWING, SLEW (limiting), PHASE (offset), and GAIN controls can be adjusted to accommodate modulations for the target device.

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SERGE MODULAR ANALOG SYNTHESIZER

images via this auction

"Each of the two panels was designed as a complete system or voice in and of itself but combined together there is an exponential increase in sonic power. The other important thing to remember is that with the Serge many of the modules can perform a number of different functions and the concept of "patch programmable" is inherent in the design. Based on how you patch the modules this system could have over 10 oscillators, 10 LFO's, 4 Envelopes, 6 Filters, 2 Sample and Holds, 5 VCA's, all sorts of cv and audio modifiers, mixers, sequencer and a whole lot more. The power is unmatched in any other system and would require a much larger system from other manufacturers to provide this level of functionality.

TOP PANEL:

* 8x2 Sequencer: This is an eight by two manual and clocked sequencer with some unique functions. The main CV outputs are "A" for the first set of 8 knobs in Row A and "B" for the second set of 8 voltage knobs for Row B plus a third output that is the difference of A and B. There is a main Clock Input that can be manually toggled on/of with the toggle switch. The sequencer can be clocked buy any red jack output as well as some of the blue outputs that have sharp positive going signals. The other inputs are for "Hold" which will stop the sequencer at what ever stage it is at when a trigger or gate is input. The Up/Down Input reverses that direction of the sequencer whenever it receives a pulse and the Reset input resets the Sequencer to the first stage when a pulse is applied. Each stage has a manual select button which can be used to select that stage when used as a manual CV programmer and when being clocked the buttons can be used to set the length of the sequence dynamically from between 1 to 8 steps. This allows for some amazing rhythmic patterns and dynamic changes. Really powerful and great for TB-303 type use.

* Active Processor: This module is basically a dynamic voltage controlled mixer and cross fader an can be used with either control voltages or audio signals. A cross fade mod input allows you to dynamically mix and or fade between the signals coming in the two inputs. You can also use this as a VC switch by allying a gate to the input. The bottom section is a cv inverter with the addition of a knob to further bias the output + or -.
* Dual Transient Generator: This module is one of the most powerful in the Serge system and uses the same circuit as the Dual Universal Slope Generator but is only 2" wide. Each side of this module can perform the following functions: Attack Decay Envelope, Attack Sustain, Decay Envelope, Low Frequency Oscillator, Audio Oscillator, Positive/Negative CV Slew, Audio Filter, Envelope Follower. Each side has a modulation input with a knob to determine if the incoming mod signal will modulate in a positive or negative direction. The left side has a black Input Jack the provides for filtering, slewing and envelope following. The right side has a 3 position switch that allows you to define if the incoming modulation signal at the bottom will modulate the Attack Time only, Decay Time Only or both Attack and Decay. You can get voltage controlled wave shape modulation as well....all amazingly cool!Note that the arrows for the switch and the Input jack are backwards on this module only and that is the way it came from the factory. Nothing wrong, you just need to keep that in mind.
* NTO New Timbral Oscillator: The NTO is one of the most powerful oscillators ever and has incredible sonics and versatility...like most Serge Modules. There are simultaneous Sawtooth, Triangle and Sine wave outputs in addition to a Variable Waveform output whose waveform can be CV selected, modulated and controlled. There are (3) control inputs...a 1volt/octave, a mod input with a knob to determined + or - direction and a voltage controlled portamento input. This is a cv input with voltage controlled slewing or glide with the addition of a manual knob to set the basic amount of slewing!! Last but not least is a voltage controlled FM input with an offset knob. There is also a Sync input to allow for syncing to another audio signal. This single oscillator can make truly incredible sounds and can be modulated out the wazoo.

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Bleep Labs HSS3jb Audio Video Synthesizer

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via this auction

"The Hard Soft Synth 3jb is the new audio / video synthesizer by noisemaker extraordinaire, Gieskes.

It features 15 modes of audio/video excellence, each with 4-5 variables of control. There are also 8 video-only modes designed for use with the trigger and audio inputs. An adjustable analog filter keeps everything smooth (or as gnarly as you’d like).

The HSS3jb can produce all the same audio and video as the HSS3i, but it adds many more color options and controls as well as a more stable and and colorful video output.

Features

15 audio + video modes and 8 video-only modes.
Audio, IR, and trigger input as well as trigger out. IR with Handmade Music Austin or Gieskes devices, hook it up to a modular via trigger or use the audio input to control the sounds and video of the HSS3i.
Analog low-pass filter controlled via photocell.
MIDI input controls device parameters.
Circuit bending, color switching, fade, and individual color controls for video.
New enclosure and more compact design (5.5″ x 3.5″ x 2.5″).
Outputs NTSC and PAL
The device outputs analog RCA, S-video and VGA but only the RCA is guaranteed to work with any device it is plugged into. Some devices don’t like the peculiar VGA it produces, unfortunately.

Power Supply is included: A 7.5 V DC power supply with a 2.1 mm positive tip that delivers at least 750 mA is required. The one provided only works in the United States. International customers are advised to get a universal power supply with the necessary specs.

Frequently Asked Questions

jb?

Gieskes sells a version called the HSS3j. The HSSjb adds glitch switches, the “stable” mode which makes the output solid blocks of color rather than lines, as well as an enclosure.

What does the midi input control?

You can control some variables of the HSS3i over midi. See the user guide for the implementation chart.

What does the audio input do? Is this thing an effect? Can I run my guitar through it?

It’s not an effect but it does allow you to hook up an audio source to trigger off of. The audio input works best with rhythmic sources, but all kinds of sources can create interesting effects. The list of what the inputs do in different modes is in the user guide.

Can the HSS3jb do everything the HSS3i could?

Yes, and more!"

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Musikmesse: Cakewalk announces the SONAR V-Studio 100 portable music production studio

"Cakewalk® Announces SONAR V-Studio 100™

—Second product in the SONAR V-Studio line of integrated hardware and software from Cakewalk and Roland provides a compact, feature rich music production studio that enables musicians to create, record, produce, and perform music with or without a computer. SONAR V-Studio 100 integrates a USB 2.0 Audio Interface, DAW Controller, Digital Mixer, SD Recorder, and VS Production Pack for Mac & Windows—

Frankfurt, Germany, Musikmesse (Hall 5.1, Walkway B, Stand 56) (1 April, 2009) - Cakewalk, the world's leading developer of powerful and easy to use products for music creation and recording, announces the SONAR V-Studio 100 portable music production studio.

Essential tools for music production in one affordable package

SONAR V-Studio 100 elegantly combines the most essential tools needed by today's modern music producers and performing musicians in a compact and affordable package.

* High Speed USB 2.0 Audio Interface
* Universal DAW Controller
* Personal Digital Mixer
* SD WAV Recorder
* VS Production Pack suite of virtual instruments and effects (Mac/Win)
* SONAR VS digital audio workstation (Win)

Use SONAR V-Studio 100 with or without a computer

Customers can take control of their music productions by using the VS-100 as a 24-bit/96 kHz high speed USB 2.0 audio, MIDI interface and universal DAW controller. SONAR V-Studio 100 also includes the VS Production Pack, a powerful suite of high quality instruments and effects. The VS-100 hardware and VS Production Pack have been designed to enhance productions on both Mac and Windows in conjunction with popular DAW software including SONAR, Cubase, Logic, Ableton Live, and others. For PC customers just getting started with digital recording, SONAR V-Studio 100 includes the SONAR VS digital audio workstation.

When inspiration strikes, the VS-100 is the ideal tool to get ideas down fast, without the need to boot up a computer. In standalone mode, the VS-100 hardware functions as a personal digital mixer and SD Wave recorder. Customers can use the VS-100 to record and mix rehearsals and live gigs and can also use it to play backing tracks (even while recording). Customers can then simply transfer the stereo recordings to their favorite DAW software to use as the basis for new tracks or for further editing and sweetening, to upload to the Internet, and more.

Second product in the next generation SONAR V-Studio line

SONAR V-Studio 100 is the second product in the next generation V-Studio line of Cakewalk branded hardware and software solutions from Cakewalk and Roland. Following the release of the flagship SONAR V-Studio 700, two great music technology leaders have again combined the best in hardware and software engineering to address the varied needs of today's modern music producers and performing musicians.

SONAR V-Studio 100 Hardware Features

High Speed USB 2.0 Interface

SONAR V-Studio 100 is a high quality USB 2.0 audio and MIDI interface utilizing world-class Roland engineering design and component technology.

* 8 in + mix / 6 out, 24-bit/96 kHz quality
* 2 mic pre-amps w/phantom Power, hi-z guitar input; MIDI I/O
* ASIO, WDM, WASAPI, Core Audio support
* Compatible with DAWs such as SONAR, Logic, Live, Cubase, and Digital Performer

Universal DAW Controller

SONAR V-Studio 100 is a universal DAW controller that supports all popular digital recording software for Mac/PC via Mackie control protocol, including Logic, Live, Cubase, and Digital Performer. Additionally, V-Studio 100 provides extended control capabilities over SONAR through the implementation of Cakewalk's Active Controller Technology (ACT).

* 100 mm motorized, touch-sensitive fader
* 5 rotary encoders, 11 buttons and transport control
* Use with any DAW through Mackie Control protocol
* Advanced control of SONAR through Active Controller Technology

Personal Digital Mixer

SONAR V-Studio 100 is an ideal digital mixer for small groups or solo performers who need easy control of few instruments and vocals mics; DJs, MCs, and any electronic musician who needs to mix multiple sound sources. All users can enhance their live sound with the pro-quality on-board effects which offer easy routing and accessibility.

* Ideal for mixing small bands, solo musicians, DJs, home studios
* 8 inputs, 6 outputs plus headphones
* 4 types of reverb and 6 channels of EQ and Compression

Mobile SD Recorder Live Player

SONAR V-Studio 100 can capture that creative moment whenever inspiration strikes by providing high quality digital recording that can be used without being connected to computer. Record directly to the VS-100's SD-card to capture song ideas, rehearsals, or live performances. Create backing tracks on your DAW of choice and transfer them to the VS-100's SD-card for playback during live performance (even while recording). Likewise, recorded performances can be easily transferred from the VS-100's SD-card for additional editing, tracking, and sweetening.

* Record away from your computer
* 2 channel wave recording and playback
* Capture rehearsals and live performances
* Play and record along to backing tracks
* Built-in metronome
* Insert markers during record and playback
* Loop a region for practicing parts or jamming
* Easily transfer audio to and from any computer via USB

SONAR V-Studio 100 Software Features

VS-100 Production Pack (Win/Mac) suite of effects and instruments includes:

VX-64 Vocal Strip is a seven-stage processor designed specifically for shaping and sculpting incredible sounding vocal tracks. Each of the VX-64's stages have been fine-tuned to be vocal-specific, taking the work out of dialing in an entire chain of vocal processors. The VX-64 features a new Cakewalk technology that employs phase-coherent, multi-band saturation to avoid unwanted distortion; unique filtering to avoid harsh artifacts at extreme high and low frequencies; and an auto-leveling circuit that prevents the tube saturation from sounding too harsh when high gain transients are processed by it. VX-64 also employs a new de-essing algorithm designed with Cakewalk's LP64 linear phase effect filtering technology to remove sibilance without creating any frequency smearing.

Processing stages include:

* Input — simulates a tube pre amp
* De-esser — removes sibilance without smearing
* Compander — vocal compressor with an expander to reduce unwanted background noise
* Tube EQ — for adding character ranging from subtle warmth to intense heat to the vocal
* Doubler — advanced doubling effect providing the quality of actual re-tracking
* Delay — preset delays useful for vocal tracks with tempo sync
* Output — provide saturation control with a built in soft-clipping filter
* Order of processor stages is user definable with click & drag reordering

Channel Tools — provides easy and powerful control over individual placement of the left and right channels anywhere in the stereo field. Ideal for adjusting L/R channel placement, gain, pan/width, and phase; also provides a widening or narrowing effect to stereo recordings through adjustments to mid-side gain.

Boost 11 Peak Limiter — gives your tracks radio-ready punch through transparent peak limiting and volume maximization without additional coloring of the source material. Boost 11 employs a "look-ahead" limiter and PDR (Program Dependent Release) to provide professional results with a simple interface.

Native Instruments Guitar Rig 3 LE — built on the latest award-winning guitar amp modeler from Native Instruments; 3 amps and cabinets, 11 effects, tuner, metronome, and over 50 presets.

Dimension LE — a streamlined version of the acclaimed Dimension Pro instrument from Cakewalk. Dimension LE features over 400 sound programs, ranging from bass, organ, and electric piano samples to cutting-edge synth sounds, rhythmic grooves, and a special edition of Garritan Pocket Orchestra.

Rapture LE — is a special version of the award winning Rapture wavetable synthesizer. It includes over 200 programs and hundreds of oscillator shapes. Rapture LE is perfect for performing the modern synthesized sounds igniting today's pop, dance, and electronic music.

Cakewalk Studio Instruments — a collection of four virtual instruments that provide a fast and easy way to create backing tracks using a photo-realistic, interactive user interface. Instruments include a Drum Kit, Bass Guitar, Electric Piano, and String Section.

SONAR VS digital recording software (PC only) — a special entry level DAW based on the powerful SONAR 8 audio engine but offering a streamlined user interface.

Availability

SONAR V-Studio 100 will ship with the VS-100 hardware (Mac/Win), the VS Production Pack (Mac/Win) and SONAR VS (Win) software available in English, German, French, Spanish, and Italian; Online Help contained in all versions in English, German, French, Spanish, and Italian; printed documentation is in English.

SONAR V-Studio 100 will be available through select music and sound retailers throughout the world beginning in June 2009. For more information on SONAR V-Studio 100 please visit www.sonarvstudio.com . Local prices may vary, please check with your local Roland or Edirol distributor, or SONAR V-Studio 100 retailer for more details."

Doepfer Modular A-106-1 Xtreme Korg MS-20 Filter

via this auction

"below is the manufacturers info:
[possibly the longest ever]

Module A-106-1 has it's origin in our experiments to built a MS20 filter clone. The famous original MS20 included two filters: a 12 dB lowpass and a 6dB high pass filter connected in series both with a very special design (the MS20 highpass if very often described as 12dB high pass, but this is not true). During our researches we found a way to use the same circuit simultaneously as lowpass and highpass for 2 different audio signals (a bit similar to the A-101-1 Steiner Vactrol filter that has even different audio inputs available, but with the special MS20 circuit). For this two separate audio inputs for lowpass (LP) and highpass (HP) with separate level controls are available. The sockets are normalled, i.e. the signal applied to the LP input is available for the HP input too provided that no plug is inserted into the HP input socket. The level control of the HP input is realized as a polarized input. This means that the signal can be added with the same polarity (+ range) or opposite polarity (- range) compared to the LP input. This feature enables notch (+) and bandpass (-) filter functions too. From our point of view this is the most flexible solution that enables e.g. these functions: Lowpass: the audio signal is fed to the LP input, HP level control is set to zero, LP level control is set to the desired levelHighpass: the audio signal is fed to the LP or HP input, LP level control is set to zero, HP level control is set to the desired level (in this special case it does not matter if positive or negative amplification is chosen with the polarizer control)Lowpass/highpass mix with one audio signal: the audio signal is fed to the LP input, LP and HP level controls are set to the desired levels. special setting 1: if the level controls for LP and HP are set in a way that both levels are identical with the same polarity (i.e. + range of the HP level control) and no or little distortion only one obtains ~ a notch filter (the "~" indicates that the notch is far from beeing perfect, the attenuation in the passband is not as good as for other filters of the A-100 system, look at the frequency response curves at the bottom of this decoment for details)special setting 2: if the level controls for LP and HP are set in a way that both levels are identical with the opposite polarity (i.e. - range of the HP level control) and no or little distortion only one obtains ~ a bandpass filter (the "~"

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Serge Dual Q Filters

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Audio Mixer w/ phase switch (3x1) (AMX)

The Audio Mixer is a three-in/one-out manual mixer with a phase switch on input 3.

Variable Q VCF (VCFQ)
The VARIABLE Q VCF (VCFQ) is an excellent general-purpose VCF offering simultaneous low-pass, high-pass, band-pass and notch (band-reject) outputs.The resonance (Q) of this filter is dynamically variable by manual or voltage control. The VCF Q has two signal inputs. One incorporates an automatic gain control to prevent the filter from overloading at high Q settings. The second input has a level control so that the percussive effects of overloading the filter can be exploited. When a pulse is applied to the Trigger input, the filter will ring, producing a damped waveform similar to that produced by striking a resonant object. The nature of this ringing is controlled by the Q and the filter frequency. Percussive effects ranging from clicks to the soundof wood blocks and bell tones can be produced and controlled. This ringing effect can be used in conjunction with signals applied to either of the audio inputs to achieve highly controlled complex tonal qualities.

Other comments:
A nice bit of flexibility is the "LO" setting that turns it into a CV processor! ... Recent updates to the filter's circuitry are noticeable as well- Its much easier to get tube-type harmonic warmth just by nudging the gain control. The feedback and overdrive characteristics have also been tweaked to be more musically useful... This filter will not oscillate unless you patch it up for feedback... Hi-Lo range switch for fantastic and unique audio/cv applications - hit it with a pulse, get an unbelievably slow damped sine wave.Calibrated 1 v/oct and attenuated cv inputs, just like the oscillators... Since it's a multi-mode filter, it's 12 dB/oct roll-off. You may want a LPF with more 'bite' in some applications. I think the bandpass and all pass sections of this filter have 6 dB/oct roll-off.

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UDO Audio SUPER 6 Now Available

Check with the dealers on the right for availability. See the UDO label for previous posts including demos.

The official press reelase:

'UDO Audio announces availability of new take on traditional analog synthesizer with SUPER 6 show-stopper


BRISTOL, UK: having made a show-stopping splash upon its introduction to the musical masses assembled at SUPERBOOTH19 in Berlin, the trade fair for electronic musical instruments presenting the latest developments in (modular) synthesizers, keyboards, effects, studio equipment, and software, subsequently resurfacing somewhat closer to home at SynthFest UK 2019, the UK’s biggest synthesizer event held annually in Sheffield, then taking an award-winning transatlantic trip this year to The 2020 NAMM Show in Anaheim, California, the world’s largest trade-only event for the music products, pro audio and event tech industry, new musical instrument company UDO Audio is proud to announce availability of the eagerly-expected SUPER 6 — its inaugural release representing a new take on the traditional analog synthesizer as a 12 VOICE POLYPHONIC BINAURAL ANALOG-HYBRID SYNTHESIZER WITH SUPER-WAVE TECHNOLOGY tendering some unique sound design functionalities, featuring state-of-the-art FPGA (Field-Programmable Gate Array) digital hardware oscillators coupled with analog filters and amplifiers — as of September 1…

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A Tasty Pixel's Loopy HD for iOS Updated with Pro Level Features

Loopy Tutorial Series #1: Introduction

YouTube Published on Jul 28, 2012 by ATastyPixel

"This is the introductory tutorial for Loopy, the live-looper for iOS: Recording the first track, count-in, tempo and clock length controls and track-twisting."

iTunes:
A Tasty Pixel
iPads on eBay
iPod Touch on eBay


"Major Update to iPad and iPhone Looper “Loopy” Brings Pro-Level Capabilities

A major update to indie developer A Tasty Pixel’s app Loopy has hit the App Store today, bringing both enhanced usability for inexperienced users, and professional-grade enhancements for more advanced musicians. Loopy lets musicians and tinkerers alike rapidly build multi-layered musical pieces by recording or importing looped layers of sound.

Dover, UK (PRWEB) July 30, 2012

Independent software developer A Tasty Pixel today announces the latest major update to its live-looping iOS app Loopy. The update includes a big overhaul of the app’s sophisticated audio engine, bringing an entirely new level of audio quality, responsiveness, and audio hardware support.

Loopy is an app that brings live-looping, an innovative music creation technique previously limited to the realm of expensive hardware and complicated computer setups, to anyone with an iPad or iPhone. Furthermore, the app does it in style, with a sleek and tactile interface.

'The big audio engine improvements in this update are going to make Loopy an even more appealing candidate for replacing the expensive equipment previously required for live-looping,' said Loopy developer and independent software company A Tasty Pixel founder Michael Tyson. 'The changes bring a lightning-fast 6-7 millisecond response time, top-quality audio mixing, and support for a wide range of multichannel audio hardware including the Alesis iO Dock and IO4, and the Tascam US range.'

Loopy introduced MIDI support in an earlier update, which allows it to be extensively controlled by foot pedals such as the Roland FC-200 or the Behringer FCB 1010, or tempo-synchronized with other equipment.

Device Requirements: iPad, iPhone 3Gs or newer, or 3rd-generation iPod Touch or newer (microphone accessory recommended) running iOS 4.0 or later.

Pricing and Availability: Loopy, the iPhone-only version of the live looper app, is available for $2.99 exclusively through the App Store in the Music category. Loopy HD, the iPad and Universal version of the app, is available for $7.99 through the App Store.

About A Tasty Pixel

A Tasty Pixel specializes in apps with beautiful and functional user interfaces – software that works like an extension of oneself, with the charm and elegance that make it a pleasure to use. A Tasty Pixel currently has two iOS apps available on the App Store -- The Cartographer and Loopy. A Tasty Pixel products have been extensively featured by Apple and have been finalists on several occasions for the prominent iPhone industry competition, Best App Ever Awards, hosted by 148 Apps.
A Tasty Pixel can be found on Facebook and Twitter."
http://loopyapp.com/

"What's New in Version 1.2

Loopy HD has been taken apart, given a good spit-and-polish and put back together! This version features a brand-spanking new audio engine with improved mix quality, much lower latency, better synchronisation, and support for multi-channel audio interfaces.

- Multi channel audio interface support
- Retina support (New iPad)
- Big improvements in punch in/out interaction and track gestures, generally
- Count-in quantize length setting
- Toggle track sync via MIDI
- SoundCloud update
- Added Japanese localization, and updated Italian one
- Many assorted interface and workflow improvements"

iTunes:
A Tasty Pixel
iPads on eBay
iPod Touch on eBay

STS Serge Modular (5 panels) Plus Accessories For Sale on MATRIXSYNTH CLASSIFIEDS

Note: Auction links are affiliate links for which the site may be compensated.

via MATRIXSYNTH CLASSIFIEDS

"#1 Animal (Oakland)
New Timbral Oscillator, Precision Oscillator, Wave Multiplier, Audio Mixer with phase reverse switch, noise source with mod to bring S/H Source out, SSG, Dual Transient Generator with signal in mods, Variable Q VCF, Universal Audio Processor

Panel was tuned and upgraded by Rex shortly after M-Class line released to meet or exceed latest specifications.

Very clean and gently used.

Note: VCM bottom VC IN jack is loose. Functionality is not affected. These are easy to replace and I have an extra new jack to throw in with the order.

4.5" boat

#2 Custom (Hartland)
Scaling Buffers, Scaling Processor, Active Processor, Extended ADSR, Extended ADSR, Variable Bandwidth VC Filter, Dual Audio Mixer, Variable Q VCF, Resonant EQ

2.5" boat

#3 Custom (Oakland)
New Timbral Oscillator, Triple Waveshaper, Ring Modulator, /NCOM, Active Processor, Dual Random Voltage Generator, Dual Transient Generator with mod to one half for signal in and Rise/Fall/Both switch, Variable Slope VCF, Dual Phaser

Panel was tuned and upgraded shortly after M-Class line released to meet or exceed latest specifications.

Very clean and gently used.

Note: RING SIG IN jack is loose and VCFS HI output jack needs replacement. These are easy to replace and I have a couple of extra new jacks (from Rex) which I'll include.

4.5" boat

#4 Custom (Hartland)
Preamp/Envelope Detector, Dual Schmitt Triggers, Precision Oscillator, Frequency Shifter (External Carrier Input), Control Module, Wilson Analog Delay, Audio Mixer with phase reverse switch, Quadrature Oscillator, Dual Channel Stereo Mixer

Very clean and gently used.

4.5" boat

#5 Custom (pre-STS)
New Timbral Oscillator, Wave Multipliers, Variable Q VCF, Dual Universal Slope Generator, Phaser, Dual VCA, Dual VCA, Control Module, Control Module

1980 Serge panel re-panelled and serviced in Oakland. After I purchased this panel I sent it to Kevin Braheny Fortune who completely overhauled and upgraded many aspects bringing it up to STS specs wheverever possible but leaving certain aspects relatively untouched to maintain the uniqueness and flavor of the pre-STS circuits.

This panel has some minor cosmetic defects near one of the corner screw holes. Otherwise it is in clean and nice condition.

4.5" boat
- Wiard 1206B Joystick with 9v battery power and banana jacks in faux-granite veneer
- 3 panel cabinet in faux-granite veneer (the cabinet is optional if you don't want to incur the shipping charges)
- 2 x PS4 (power supplies)
- 2 x PSD (power distribution)

$15,995 + shipping and PayPal fees (if used)"

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Alesis StudioDock Pro Audio Dock For iPad

"Connect all of your audio gear to the entire world of apps for iPad.

The StudioDock is the first device that enables anyone with an iPad to create, produce, and perform music with virtually any pro audio gear or instruments. The StudioDock is a universal docking station specifically designed for the iPad, and it gives musicians, recording engineers, and music producers the connectivity they need to create and perform with iPad. Connect all your pro audio gear to virtually any app in the App Store with the StudioDock.

FLEXIBLE FUNCTIONALITY
Songwriters, music producers and performers of all kinds will find that the StudioDock connects the iPad’s powerful processor, touch-screen interface and extensive library of apps to their collection of microphones, instruments, professional speaker and PA systems, MIDI controllers, sound modules, video projectors and much more.

With the StudioDock and an iPad, musicians and producers can record, perform, craft and create music in virtually any situation or location. Built to accommodate all current app-development standards including Core MIDI, the StudioDock is a universal device that bridges your choice of music-creation apps, instruments, and devices.

COMPLETE CONNECTIVITY
The StudioDock provides microphone and instrument users with two combination XLR and 1/4-inch inputs, each with its own gain control and switchable phantom power for condenser microphones. Guitarists and bassists will appreciate the StudioDock’s guitar-direct switch, enabling them to play, perform and record right into amplifier- and effects-modeling apps. Bands can connect outputs from their mixer and easily record their performances and rehearsals or use the StudioDock as a metronome or loop-playback device. Producers can use the StudioDock’s MIDI jacks to sequence external keyboards, samplers, drum machines and synthesizers, or perform using the StudioDock as the sound module and their favorite MIDI-compliant keyboard, drum pad or other controller. An assignable 1/4-inch footswitch input enables remote control of any app-defined function such as stop/start or record. Users can also connect the StudioDock to their Mac or PC using the USB port to send MIDI back and forth for creative, new applications of the iPad and computer used in tandem.

Users can connect the StudioDock’s stereo pair of 1/4-inch main outputs to studio monitors for critical listening, or to PA systems for use in performance settings. They can monitor on headphones, and independently control the levels of the two outputs, each on its own knob. Recording musicians will appreciate the StudioDock’s direct-monitor switch, which enables them to toggle between the incoming and playback signal on their headphones. Rounding out the StudioDock’s output section is a composite video connector, enabling users to employ the StudioDock as a source for video projection behind bands on stage, or for connection to most televisions and computer monitors.

RUGGED RELIABILITY
The StudioDock was built for the real world. Whether you're keeping it in the safety of the studio or taking it out for recording or performance use in the club or on tour, the StudioDock will not only deliver the connectivity you need for audio applications, but it also serves as a rugged, protective case for the iPad. The StudioDock completely houses the iPad on the bottom and three side surfaces. It also encases the iPad's screen in a protective bezel on three of its four edges, further shielding the mobile computing device from the potential for damage in punishing environments.

The applications of the iPad for music creation, production, and performance are limited only by your creativity. As an imaginative, cutting-edge music maker, the StudioDock empowers you to seamlessly connect the world of pro audio gear and instruments to the iPad and the massive collection of apps.

Apple Certification Pending.
iPad™, App Store™, Apple® and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries."

Additional details: http://www.alesis.com/studiodock
iPad prices on eBay
Don't forget to check out The NAMM List and NAMM Label below for more. Quite a bit came in today.

Update:

Alesis StudioDock for the iPad

YouTube via HarmonyCentral | January 13, 2011 |

"It's such an obvious idea no one else thought of it: Create a pro audio dock for the iPad, including USB, MIDI I/O, video out, balanced XLR, I/O, and 1/4" audio connections. Very cool."

Endangered Audio Research AD4096 + Funkbox TR-808 Drum Machine

Published on Jan 29, 2016 Bimini Road

Follow-up to Endangered Audio Research AD4096 + Funk Box TR77 Drum Machine

"This is a demo of the now legendary, long-out-of-circulation Endangered Audio Research AD4096 Analog Delay, with the Funk Box TR-808 running through it. Very few videos show what the AD4096's Infinity Mode is useful for, which is crazy to me, because I feel like that's the best, most unique part of this pedal. Infinity Mode can be tuned to creep on the edge of self-oscillation in a really organic way. New signal pushes old signal out - and in that way it's almost like a looper, or even a tape bleed emulator.

Although a guitar pedal, mixing artists contact us all the time to tell us how they use the AD4096 on drum busses - especially for dub music! I think the AD4096 is killer on drums. You can get a really loose spring-reverb-like tone from short delays.

The Momentary Expand switch shorts the Depth pot and sends it into self-oscillation - the faster the clock speed (the Time knob turned to the right - "backwards" of how most pedals work), the faster it will run wildly into speaker-blasting range. However, with Infinity Mode engaged, you don't get the ever-louder-and-louder signal - it's "limited" because the new incoming signal pushes out the old. Also, if the Depth is turned all the way down, it becomes a momentary off switch.

The Delay line is a more traditional dark, fat analog delay sound, whereas the Echo line has a elevated, rarefied glittery tone. It's almost like an LPF and an HPF line. It also arrives just barely later than the Delay line. It overdrives beautifully, and thanks to its FET transistors, it has an almost tube-like breakup. The combination of these characteristics, along with the totally unique Infinity Mode, makes this the most tonally flexible and musically useful analog delay pedal ever made.

We get almost daily emails about these pedals at Endangered Audio Research. This unit is going to be donated to Oberlin College's TIMARA program when I'm done making demo videos for it, so don't bother trying to buy it from me. We are going to add more delay time with an aftermarket mod that will be available to the public, but first, I'm making a bunch of videos with different sound sources to show what the original sounds like.

EAR is also making a new, updated version of this later this year with expanded functionality, but gotta love the original unit - named one of the best 30 guitar effects in the world by Premier Guitar Magazine.

I don't deal in unprocessed, "clean" demos, because I don't believe it shows you more about the effect you're using. Nothing exists in a vacuum, especially music.

Signal Chain:
iPad - AD4096 - Universal Audio Apollo 8 Duo - Neve 1073 Unison Preamp - Studer A800 - Ampex ATR-102 - A.O.M. Invisible Limiter

http://www.biminiroadelectronics.com/...
http://www.endangeredaudioresearch.com
http://www.timara.oberlin.edu/

Contact me at mark@endangeredaudioresearch.com to reserve a new version of the AD4096, or to inquire about the aftermarket added delay time modification.

Here's a link to Funk Box - a total must-have iOS drum machine. It's a fully featured drum machine with a bunch of different sounds from all sorts of classic analog and digital drum machines. It's only $5, and you are fooling yourself if you think the "real thing" sounds better.

https://itunes.apple.com/us/app/funkb..."