Monowave Synthesizer

Published on Jul 2, 2015 Strat-1

I believe The Monowave was the first synth by Paul Maddox. It was basically a monophonic PPG. Paul Maddox of course is the man behind Vaco Loco and Modal Electronics.

The Modal Electronics Modal CRAFTsynth

It looks like Modal Electronics, makers of the Modal 002 and 008 line of flagship synth, is coming out with a new compact mini desktop synth. This comes as no surprise as one of the men behind Modal Electronics is Paul Maddox of Vaco Loco. I'm not seeing anything on their site yet.

Here are some details via Synth Anatomy:

"Easy Self-Assembly

The Modal CRAFTsynth Monophonic Synthesizer Kit allows you to build up the synthesizer from 5 separate boards, with its simple yet effective design making it easy to assemble. The assembly process requires no soldering, tools or specialist knowledge, everything you need comes straight out of the box and allows you to slot the pieces together with ease. You can assemble the synthesizer within 10 minutes, giving you a hands-on experience when it comes to building your synth.
Powerful Monophonic Performance

The CRAFTsynth features 2 oscillators per voice with a range of controls for in-depth manipulation such as detune and fine detune for OSC 2 as well as a selection of different waveforms including: Sine, Tri, Saw PWM, Noise and FM (OSC2 modulates pitch of OSC1). This versatile range of controls allows you to sculpt your own synth sounds with ease. The LFO features six destinations in total including: VCA amplitude, filter cutoff, FM amount, OSC mix, PWM amount and pitch/frequency. This wide range of parameters allows you to create your own sounds with extreme precision, giving you in-depth control over every part of the sound. There is also a mixer stage of OSC levels, allowing you to further edit your sound for added depth and clarity. The Unison/Spread mode splits the oscillators into four separate sub oscillators per oscillator, virtually expanding your synth to a total of eight oscillators which are also de-tunable for a massive sound. The Modal CRAFTsynth is also fully class compliant, meaning it can be controlled by a wide range of popular DAWs, offering seamless integration for your favourite programs and applications.
LFOs and Presets

The Modal CRAFTsynth features four LFO wave forms in total, with each LFO being invertible for added versatility. The LFO wave forms are as follows; Sine, Tri, Saw, Square. This standard range of LFOs allows you to create everything from atmospheric pads to in-your-face leads and more. The resonant low pass filter can become state variable when using the CRAFTapp (available end of 2016). The CRAFTapp that comes included with the synthesizer allows you to get in-depth with your synthesis, giving you the ability to control custom enveloped, low pass filters and more.
Intuitive Layout

The highly intuitive layout of the Modal CRAFTsynth places everything you need right at your fingertips. The eight front panel potentiometers offer unparalleled editing control with two pages of editing functionality, allowing you to control parameters with precision. The CRAFTsynth also features 16 path storage locations (expandable through CRAFTapp) as well as 16 recallable EG presets for ease of use (full editing control with CRAFTapp). The playable touch panel interface features five note keys plus controls for scale and glide time. The touch panel interface’s keys are clearly labelled with its primary function giving you the ability to change between scales and more. Delay and distortion effects are also included for adding harmonics and texture to your sound. A Headphone and Line output are included for direct monitoring as well as outputting the CRAFTsynth to speakers and other audio devices. The synthesizer itself is powered via a USB cable or an optional AA battery pack.

Modal CRAFTsynth specification:

Monophonic DSP based self assembly synthesiser, requires no soldering or electronics skills, tools or knowledge
Eight front panel potentiometers for editing control, with two pages of editing functionality
2 oscillators per voice (sine, tri, saw, pwm, noise plus FM (OSC2 modulates pitch of OSC1) - detune and fine detune for OSC2
Mixer stage for OSC levels
Unison / spread mode that splits the oscillators into four separate sub oscillators per oscillator
giving a total of eight oscillators, de-tunable for a HUGE sound
LFO with six destinations (VCA amplitude, filter cutoff, FM amount, OSC mix, PWM amount, pitch / frequency,
Four LFO wave forms, each invertibleSine, tri, saw, square
LFO auto syncs to MIDI clock if present
Resonant low pass filter
16 recallable EG presets for ease of use
Soon to be released, CRAFTapp will provide full editing control of EG’s for custom envelopes which can be stored within a patch
16 patch storage locations (manageable through Modal CRAFTapp)
Playable touch panel interface with five note keys plus controls for scale and glide time
Scale changes between major, minor, diatonic and blues
Delay and distortion (waveshaping overdrive, not bit crushing) effects
Headphone and line output
Class Compliant MIDI provided over USB connection to host computer or tablet
Powered by USB or optional AA battery pack
Modal CRAFTapp for iOS*, Macintosh and PC coming end of 2016 (subject to Apple AppStore conditions), Android support planned for Q1 2017.

Due to ship mid-December 2016, MSRP UK £79.99 including VAT, projected US and Euro pricing TBA. Pre-Order here: Gear4music.com" BTW, I included the Gear4Music pre-order link for you, but please do check with the shops on the right. They make this site possible. At the time of this post, Gear4Music does not.

Couple more pics:

CLICK FOR MORE »

E-scape June 11th 2016 Electronic Artists

Published on Jul 5, 2016 Synthasy2000

"Live at E-Scape 2016 11th June 2016.

Featuring:
The Glimmer Room http://www.theglimmerroom.co.uk/
Stefan Whitlan https://stephanwhitlan.bandcamp.com/
Ian Boddy http://www.din.org.uk/din/node/310
Andy Pickford http://www.andypickfordmusic.com/
Modal Electronics (Paul Maddox) http://www.modalelectronics.com/
Bernd Kistenmacher http://www.berndkistenmacher.com/

E-Scape is the annual all day festival of live electronic and ambient music held at ‘The Cut Arts Centre‘ in Halesworth, Suffolk. It is usually held at the end of May, beginning of June, the week after the bank holiday weekend. The event is hosted by UK record label AD Music to promote traditional electronic music from around the globe. It usually features AD Music artists but is not exclusive to the label and always includes non AD Music artists.

It started as “the Bungay Bash” in 2009 and moved to Halesworth in 2015 as the newly named E-Scape. A unique selling point for the event, as of 2015, is that the ticket includes an audio ‘download’ of the event in high rate MP3 or Flac, or on USB stick, available 2 weeks after the event. This means that fans of the electronic music scene from around the world who are otherwise unable to attend can still hear the concert, albeit afterwards, and are also actively supporting their favourite acts and the electronic music scene by so doing."

Zombie Nation - Left Rack (studio session)

Published on May 24, 2016 Zombie Nation official

"having fun with some classic gear from my studio. - unreleased

Ursa Major Space Station SST-282 / Delay
SND FB-14 Stereo / Filterbank
Vertigo VSC-2 / Quad Discrete VCA Compressor
Doepfer MS-404 / synth
Modulus Monowave / synth"

The Monowave was a Paul Maddox creation before Vaco Loco & Modal Electronics. It was a monophonic rack synthesizer featuring PPG waveforms (not full wavetables) and a Moog style filter. See this post (note there was an all digital Monowave II) followed by the Monowave label for more.

Modal 002 Animator Manual

Published on May 6, 2016 Modal Electronics

"A demonstration of the power of Modal 002's animator, shown by Modal wizard, Paul Maddox. The Animator is a core feature of the Modal 001, 002, 002r, 008 and 008r operating systems"

Modal 002 Sequencer Manual

Published on May 2, 2016 Modal Electronics

"Here Modal tech wizard, Paul Maddox, spends 10 minutes showing you how to use the multi-track sequencer built in to the OS of Modal 002, 001, 002r, 008 and 008r."

NAMM 2016: Modal's New Eurorack Modules Demo

Published on Jan 24, 2016 AskAudio Mag

"Paul Maddox shows us round the new Eurorack modules at NAMM 2016."

Modal Electronics 008 - 8 voice analog poly sounds

Published on Oct 12, 2015 sonicstate

"We catch Paul Maddox, chief designer at Modal Electronics for a little more quality time with the 008 - we want to hear some pads!"

Modal 008 and 002 together with their designers

Published on Oct 2, 2015 sonicstate

"We had a visit from the Modal Electronics team - Paul Maddox, the chief architect of the 002 and core OS at Modal, and George Hearn, the designer of the analog architecture of the 008, to talk differences and similarities. Product specialist Luca Mucci handled the playing duties."

Rare Monowave Wavetable Synthesizer for Sale

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

The Monowave was a Paul Maddox design which featured PPG wavetables. It was essentially a monophonic PPG Wave. Paul Maddox is the man behind the current Modal Electronics.

via the seller: "It's bulit with the board from Elby Designs. I didn't like the vcf's response from the board so I replaced it with one more appropriate to the original ladder filter."

via wikipedia: "This synth was first shown in 2001 by its inventor Paul Maddox on a PPG user/fan meeting. Because its attraction to some synthesizer players at the event, the project was started with 5 beta-test units to test the software and hardware. By spring 2002. the serial production of a 25-piece limited run started. About a year later, all units were sold.

Late in 2005, after many attempts at designing new products, Paul decided to close Modulus Electronics and its website (modulus-music.com). In order that people could still enjoy the Monowave, he worked with Elby Designs to create a kit version of the monowave offering the same features. The software was released at the same time under the GPL license, in the hope that others would continue to develop its features.

It features two digital oscillators with 256 different waveshapes selectable individually. There is also a unique de-res, a function to lower the digital waveshapes' sample resolution, to give a sound very much like the famous German PPG wave synthesizers from the eighties. The signal of these oscillators and their suboctave signals are mixed together and then feed in the pure analog part of the synth:a 24 db lowpass filter a la Moog synthesizer. and a VCA. Both of them controlled by their own ADSR envelopes. Depending on the EEPROM software, it may either have an arpeggiator or a midi velocity to wavenumber function.

The MonoWave has no patch memory. It can be played by ingoing MIDI signals from software, sequencers or MIDI keyboards."

VACO LOCO ZIRA

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Vaco Loco was Paul Maddox of Modal Electronics prior endeavor. Videos at the auction previously posted here.

"The Vaco Loco Zira came out of an idea to see how small a fully equipped and versatile synth could be built.

The Zira features Two oscillators, each with 48 waveforms that were favourites from the Monowave. A sub oscillator, linked to oscillator one. The Sub oscillator has a level control, oscillators one and two can be switched on or off. Note offset for Patch +/- two octaves, second oscillator has note detune of +/- two octaves and fine tune. Hard Sync of oscillator two to oscillator one's pitch.

The Zira is based on the Korg NJM2069AD Filter/VCA chip. This 4-pole low pass filter is the same filter chip used in the Poly800, DW8000, DW6000 and DSS-1

Zira comes fully assembled in a clear acrylic housing, and is a very limited edition release, never to be seen again once stocks are sold out.

Made by the same people as the new Modulus synth."

[Musikmesse] Modal 008, 002R & 001 Messe Floor Videos with Creator Paul Maddox

Published on Apr 15, 2015 Audiofanzine

Modal Electronics Introduces New Mini Three Octave 001 Synth, 002R Rack & 008 Black Analog Synth

Update: pics of the 002R rack & 008 added below.
Update2: 002 press release added below. 008 should follow soon. These are literally just coming in.
Update3: 008 specs added below.
Update4: additional preliminary US pricing from the distributor:
002R 12 voice retail $2995. shipping in 2 - 4 weeks
002R 8 voice retail $2595. shipping in 2 - 4 weeks
001 retail $1995. shipping in 30 - 60 days
008 retail $5495. shipping summer 2015
Update5: 008 press release added below.
Update6: more pics added.

CLICK FOR MORE »

The Producers Hangout episode 26 : Paul Maddox of Modal electronics

Streamed live on Mar 1, 2015 The Producers Hangout

"The Producers Hangout is a bi weekly show where we hangout and discuss all things music related. Join us on Facebook at Facebook.com/theproducershangout
Hosts Ken Flux Pierce of Fluxwithit.com and Mike of Padbangers.com
chat with guest Paul Maddox of Modal electronics about the Modal 002 synthesizer today!"

Nova Musik - Modal Electronics 002 Synthesizer with Paul Maddox at NAMM 2015

Published on Jan 28, 2015 Nova Musik

"Company co-founder and principal designer Paul Maddox of Modal Electronics (née Modulus) walks through the features of his Modal Electronics 002 analog/digital hybrid polysynth at NAMM 2015. After the overview he surfs through some example patches (with direct-in stereo sound).

Using high quality components, the Modal Electronics 002 is a premium product designed to be the flagship in the Modal Electronics range. The keyboard layout includes a semi-weighted, five octave key mechanism and has been ergonomically designed by musicians so that the hands fall naturally and intuitively to the controls. It provides twelve discrete voices of polyphony with full multi-timbrility if required. Adding to the ease of use is a large integral display screen that is context sensitive, i.e. it displays the control parameters of any control knobs immediately when touched by the user. Quick recall banks enable preset sequences and settings to be stored for instant use such as during a live performance. NCOs (numerically controlled oscillators) are used for stability and accuracy while an analogue transistor ladder filter provides classic ‘warm’ sounds."

Happy New Year From MATRIXSYNTH! - A Look Back at 2014

Happy New Year everyone!

I want to start by thanking everyone that comes to MATRIXSYNTH and helps make it what it is - the readers, the supporters, and of course all the sponsors on the right.

THANK YOU and have a GREAT 2015!!!

This site is a labor of love and a ton of work. This site is ultimately meant to be an testament to everything synth in the making. We have over nine years of daily synth history captured here, 119,983 published posts. I can't wait to see what the future brings us in 2015!

That said, here are a few interesting bits from 2014 in the longest post of the year. ;)

CLICK FOR MORE »

First Look at the New Modulus Synthesizer Keyboard - Video, Press Release & Price

video upload by sonicstate

And the press release:

"Breakthrough modulus.002 takes British synth power polyphonically to world stage

BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modulus is proud to announce availability of modulus.002 — the first analogue/digital hybrid polysynth to have been designed, developed, and manufactured in the UK for four decades — as of July 10...

Even though the technology for mass-market synthesisers was patently pioneered in the UK in the leafy London suburb of Putney at the tail end of the Swinging Sixties, the last time that a polyphonic/multitimbral analogue synthesiser was designed, developed, and manufactured in the UK — actually within Wales — was way back in the late Eighties. It is with utmost pride, therefore, that Bristol-based Modulus has not only succeeded in bringing back that pioneering spirit to Blighty with the mighty modulus.002 but has admirably succeeded in doing so by creating an amazing modern-day musical instrument that truly represents one giant leap for ‘synthkind’ with a sizeable number of notable new features to its innovative name. No easy task in climatically cynical conditions during an era of increasingly shortened attention spans, synth-wise or otherwise. Been there, done that, bought the (Moog) T-shirt, some might cynically say!

Yet surely soothsaying is a better bet in this case? Why? Well, modulus.002 even sports some world firsts! So what makes modulus.002 tick, then, and what, exactly, is it that makes it so special in comparison to today’s commercial and ‘boutique’ offerings from other manufacturers, both bigger and smaller? Let’s look at some straightforward facts for starters...

As an analogue/digital hybrid keyboard synthesiser (using an aftertouch-enabled premium Fatar semi-weighted, five-octave key mechanism), modulus.002 provides 12 discrete voices of polyphony with full multitimbrality if so desired. As such, it features two NCOs (Numerically-Controlled Oscillators) per voice for exceedingly high resolution and stability with wide-reaching waveform selections, together with two sub-oscillators, individually (and uniquely) switchable from a traditional square wave to having the same waveform as the main NCO to effectively produce four oscillators per voice; a Modulus-designed 24dB/octave four- pole transistor ladder filter featuring some very unusual morphing or ‘polesweeping’ effects, enabling ear-opening transitions from 24dB/octave four-pole to 6dB/ octave one-pole filtering and anywhere in between; one LFO per voice as well as a global LFO; wide-ranging modulation options, all accessible directly via the front panel — no navigating convoluted and confusing menus; a pure analogue signal path from the oscillators right the way through to the combined XLR/TRS balanced/unbalanced outputs (with all 12 voices individually available for external processing via a dedicated D-Sub connector); two audio inputs enabling internal audio processing from the VCF onwards... and that’s only scratching the surface. Not literally, of course!

While all voice control parameters are accessible via a well-thought-through front panel that is both attractive and intuitive in use thanks to sticking to traditional synthesiser workflow, what lies beneath is really remarkable. Radically departing from the norm, modulus.002 is blessed with an unrivalled user interface based around a high-quality 4.3-inch screen with wide viewing angle. It is context sensitive, whereby the control parameter of any control knob touched by the user is immediately displayed onscreen. Synthesiser savants and audio aficionados will surely unite in their appreciation of the sonic depths that this well-specified speedy dream machine can deeply dive into!

Forget about an analogue renaissance here, however; let’s talk truly revolutionary design features for a moment. modulus.002 represents a unique approach to synthesiser design, taking traditional analogue circuitry combined with modern, reliable digital developments and marrying it all to a completely new control platform. Phenomenally, modulus.002 brings cloud functionality to a synthesiser for the first time! The Ethernet port means modulus.002 can be connected to a network to enable updates via the Internet — no more MIDI SysEx dumps to get you down in the dumps — and access to the modulus.cloud means user profile settings, sound patches, sequences, and other content can be easily replicated to a cloud-based server platform to enable rapid resynchronisation to another modulus.002, regardless of whether it is owned by the same user or a collaborator at a remote location. Let’s be honest here. We’re well into the 21st Century now, so why not provide modulus.002 users with data management features that are expected as the ‘norm’ in modern consumer technology devices, yet have hitherto eluded the electronic musician? Makes sound sense to the Modulus team, that’s for sure! And we’re sure it will make sound sense to modulus.002 users, too.

So what other notable modulus.002 features are worth making a song and dance about? An inbuilt MIDI-sync-able 16-track, 12-row, 32-step sequencer with 16 front panel-positioned step-time editing controls can give any hardware rivals already out there a serious run for their money. For sequences can not only be transposed dynamically while running but sophisticated so-called ‘mini arpeggiator sequences’ created using the arpeggiator’s Hold mode can be speedily saved as sequences for latter recall and editing using the sequencer. Moreover, modulus.002’s Animator allows any control to be sequenced, enabling complex filter transitions, waveform changes, and modulation matrix changes to be sequenced. Lest we forget, 12 ‘quick recall banks’ are accessible directly from dedicated front panel buttons. Build up set lists of presets, sequences, and animations, making modulus.002 a live performance partner par excellence.

Plain and simple? Far from it, it seems! So who better qualified, then, to explain the whys and wherefores of taking a truly thrilling synthesiser design from the drawing board to an equally enthralling production-ready product launch like this in under a year than company co-founder and principal designer Paul Maddox, a top-tier talent with proven production pedigree, best known within the synthesiser industry for his well-received MonoWave, a limited-run, 19-inch rack-mountable, MIDI- controllable monosynth inspired by Germany’s legendary PPG Wave series — arguably amongst the most coveted high-end synthesisers of the early Eighties — featuring two digital oscillators with 256 samples per waveshape and an analogue 24dB transistor ladder filter, as well as his more recently-released VacoLoco range of ‘pocket synth’ designs. Do tell. Why now? Why the big step up to the brave new world of modulus.002? Muses Maddox: “This came about because I’ve had a long-held dream to build a polysynth since I was knee high. I’ve nearly got there several times, but it was a golden opportunity in July last year when my business partner, Philip Taysom, and myself sat together and said, ‘Now is a good time to do it.’ Both Philip and myself are passionate about synthesisers, and we feel that the synthesiser market has been neglected for a long time in terms of high-end, pro — in quality and feel — instruments. I quite often equate this to a PRS guitar. There is nowhere in the synthesiser industry that I’m aware of where you can go and buy the equivalent of a PRS. That’s what we’re aiming at — top quality, top to bottom.”

So there you have it, folks. With top-quality components sourced and designed throughout its robust, road-ready construction coupled with upmarket design flourishes like leather-bound end cheeks — quite possibly another world first, modulus.002 is a fighting force to be musically reckoned with. British synth power is alive and kicking, and Modulus has just fired its impressive opening synth salvo that more than lives up to its Machines for Musicians tagline. It’s aim is true, so watch this space...

modulus.002 is available to purchase for £2,995.00 GBP (plus VAT). EU pricing — correct at time of writing — is €3,795.00 EUR (plus VAT). US pricing — correct at time of writing — is $5,200.00 USD (plus local sales tax). Contact California-based agent Geoff Farr (geoff@modulusmusic.co.uk) for all United States sales enquiries. All other enquiries relating to the rest of the world should contact info@modulusmusic.co.uk.
Feel free to visit www.modulus.me for more detailed modulus.002 information"

Update: Full specs & press pics:

modulus.002 provides twelve discrete voices of polyphony with full multi-timbrality if desired
Two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice

Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes
modulus designed 24db per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between

Two LFO’s, one per voice and one global

Extensive modulation options, all accessed directly from the front panel – no menu options!
modulus.002 features a range of sequencing options – a built in 16 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running

A very highly featured arpeggiator with a wide range of different modes, including modulus ‘hold’ mode, enabling arpeggiator-based sequences to be created

The modulus Animator, which enables any control parameter on the modulus.002 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced

Superb UI, a great departure from the norm of synthesisers, featuring a very high quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed

Twelve ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle
VCF and VCA envelope generators

Four Key Modes – Poyphonic, Monophonic, Unison and Stack

Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch
All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesiser work flow

Pure analogue signal path with combined XLR/TRS sockets for balance / unbalanced outputs. Further, each of the twelve outputs can be brought out individually via a dedicated dsub socket

Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out

XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button

Ethernet port to connect your modulus.002 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modulus cloud features

CLICK FOR MORE »

New Hardware Keyboard Synthesizer Coming from Modulus

Teaser pic via modulusmusic.me where you'll find a couple of audio demos. Just look at it. Reminds me of a John Bowen Solaris, meets Synton Syrinx with a touch of Oberheim OB-12. Modulus is from Paul Maddox who brought us the Monowave. See the Modulus and Monowave channels for previous posts. We knew something was coming. This is the first glimpse. Some things you can clearly see from the pic: 5 octave keyboard, tons of knobs and sliders including two rows of knobs on the lower right that can be indicative of an onboard sequencer, and a display with what looks to be a larger data knob to the lower right.  Unless the PWM demo has been multi-tracked, this will be polyphonic.

Modulus will be at this year's SDIY UK event.

Update: I forgot to mention, Paul Maddox is also the man behind VacoLoco.  It looks like vacoloco.net now redirects to the new modulus website, but you can get in the back door here, and of course a bit of VacoLoco synth history is archived here on MATRIXSYNTH.  See the VacoLoco channel below.

Modulus Music - Rebirth of a Classic Synth Company by Paul Maddox

via Greg Cole on The MATRIXSYNTH Lounge

"Hey guys, show some support to Paul Maddox for the rebirth of his synth company Modulus Music. Paul's the man behind the Monowave wavetable synth and the awesome little VacoLoco boxes. Excited to see what he's working on!"

The Modulus name was in use by Paul Maddox with the Monowave as seen back in 2007 in this post.

Paul initially announced the new company on March 7th in The MATRIXSYNTH Lounge as well.

"Something big is coming, Follow us for updates, pictures, sounds and videos as they happen.
https://www.facebook.com/ModulusMusic"

I was going to hold off for a post until products where announced, but decided to put something up now.  I can't wait to see what Paul comes up with next.  You can see the vacoloco channel below for his latest up to now.

DIY UK 2014 Facebook Event Page

via Paul Maddox on The MATRIXSYNTH Lounge

"Synth DIY UK 2014 event is up, Saturday the 2nd of August 2014 -
https://www.facebook.com/events/648480221877072/"