MATRIXSYNTH


Tuesday, March 31, 2009

Musikmesse: New from Akai

"AKAI PROFESSIONAL ANNOUNCES MINIAK SYNTHESIZER

Virtual-Analog Synthesizer with Vocoder Developed in Partnership with Alesis

Cumberland, R.I. (April 1, 2009) – Akai Professional, the name synonymous with music production, announces the MINIAK, the synthesizer specifically designed for today’s music production and performance styles. The MINIAK will make its debut in Akai Professional's stand, B 21 in Hall 5.0 at Musikmesse, April 1 - 4, 2009. Held in Frankfurt am Main, Germany, Musikmesse is the world's largest fair for musical instruments, live music and the music business.

The MINIAK is the first synthesizer from Akai Professional developed in partnership with the world-renowned Alesis synthesis team. The MINIAK brings together Akai Professional’s excellent control feel with powerful DSP sound-generation technology. The MINIAK is a perfect synthesizer for producers in the studio and live performers on stage because, while it is extremely compact and portable, it is also a powerful instrument for creating sounds for performance and production.

The MINIAK enables users to create programs with up to eight multi-timbral voices, each with three oscillators. The user can create interesting and unique sounds and take advantage of the synthesizer’s more-than-600 preset sounds. Users can create complex and refined sounds using the MINIAK’s two multimode filters, three envelope generators, two LFOs, stereo effects and 40-band vocoder with gooseneck microphone. The MINIAK also has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine/rhythm sequencer and an arpeggiator.

Users will appreciate the MINIAK’s high-resolution, 24-bit balanced quarter-inch inputs and outputs for excellent sound quality. The MINIAK has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software and keyboards via MIDI.

“We have been watching a trend in music production towards using more synth sounds alongside samples,” said Adam Cohen, Director of Business Development, Akai Professional. “The MINIAK is the perfect way for anyone to get into synthesis, yet it is powerful enough for any professional to create the precise sonority they are after.”

The MINIAK will be available from musical instrument and professional audio retailers Q3, 2009."
"AKAI PRO FURTHER EXPANDS MPK LINE WITH 88-KEY MODEL

MPK88 Performance Controller Features Exclusive MPC Technologies

Cumberland, R.I. (April 1, 2009) – Akai Professional, the name synonymous with music production, announces the MPK88, a new addition to its popular MPK series of keyboard controllers with MPC pads and technology. The MPK88 will make its debut in Akai Professional’s stand, B 21 in Hall 5.0 at Musikmesse, April 1 - 4, 2009. Held in Frankfurt am Main, Germany, Musikmesse is the world's largest fair for musical instruments, live music and the music business.

The new MPK88 draws on the design of its siblings in the MPK series. The MPK49 and MPK25 each combine a MIDI-over-USB keyboard controller with genuine MPC pads and a sampling of the technologies that have made Akai Professional’s MPC series such an iconic music-production tool. The MPK88 brings the utility and creative control of its siblings to more dedicated piano and keyboard players, thanks to its fully-weighted, hammer-action keyboard with assignable keyboard split and aftertouch. Akai Professional designed this performance keyboard controller to specifically deliver the feel that serious keyboardists demand in a high-quality instrument.

In addition to the premium keybed, the MPK88 gives the player 16 MPC pads that are velocity and pressure sensitive and can access four banks of sounds each, for access to 64 sounds at any time. The MPC pads are the most recognizable feature of the MPC series, which has been among the most influential devices in the creation and production of music for the last two decades. The MPK88 also puts the player in command of their software with assignable Q-Link faders, knobs and buttons. The user can assign any Q-Link to control nearly any parameter in their software for hands-on, mouse-free performance. The MPK88 also has two assignable footswitch inputs and an expression pedal input.

Two technologies pioneered in the MPC series and built into the MPK88 are MPC Note Repeat and MPC Swing. These note-modifying features can be heard in many of the most popular tracks over the last two decades. MPC Note Repeat is a capability that enables the MPK to automatically play a rhythm pattern, such as 16th notes on a hi-hat, for accuracy and speed of entry. MPC Swing is sometimes referred to as "the heart and soul of hip hop," because it turns perfectly aligned sequences into human feeling time alignments. Users can specify exactly the degree and timing of swing they want to apply for the perfect feel. The MPK88 also has an arpeggiator, which enables performers to build creative riffs instantly.

The MPK88 sends MIDI values over USB and a traditional MIDI jack. The controller works with most MIDI recording, sequencing and performance software as well as sound modules, synthesizers and other MIDI-compliant hardware, for musical performers from keyboard players to producers to DJs and VJs.

The MPK25 and MPK88 come with Ableton Live Lite Akai Edition software, one of the most popular and powerful performance and production programs in the world. Ableton Live Lite enables musicians to spontaneously compose, record, remix, improvise and edit musical ideas in a seamless audio/MIDI environment.

“Professional keyboard performers now have the control they need on stage and in the studio,” said Adam Cohen, Director of Business Development, Akai Professional. “The MPK88 has weighted keyboard action plus the performance flexibility and control of the MPC pads and technology.”

The MPK88 joins the semi-weighted MPK49 and MPK25 controllers, which have 49 and 25 keys, respectively.

The MPK88 will be available from pro audio and musical instrument retailers in Q3, 2009."

"AKAI PRO MPD18 BRINGS MPC PAD CONTROL TO ANY SETUP

MIDI-Over-USB Pad Controller is Small and Portable for Versatility

Cumberland, R.I. (April 1, 2009) – Akai Professional, the name synonymous with music production, announces the MPD18 portable pad controller. The MPD18 will make its debut in Akai Professional's stand, B 21 in Hall 5.0 at Musikmesse, April 1 - 4, 2009. Held in Frankfurt am Main, Germany, Musikmesse is the world's largest fair for musical instruments, live music and the music business.

The MPD18 is the smallest-sized model in Akai Professional’s line of MPD pad controllers. DJs, programmers, producers and other musicians will find this MIDI-over-USB controller to be perfect for triggering samples, controlling software, and a variety of other applications. Its small footprint makes the MPD18 easy to integrate into any setup for stage performance, studio production or musical creation on the go.

The heart of the MPD18 is its bank of 16 velocity and pressure-sensitive genuine MPC pads, an Akai Professional exclusive. Users can access three different banks of sounds from the pads for a total of 48 sounds at once. The MPD18 also borrows the MPC series' assignable Q-Link controllers, enabling users to control nearly any parameters in their software in real time on an assignable Q-Link fader and an assignable Q-Link button.

Users will find the MPD18 to be convenient, sending MIDI information over its plug-and-play USB interface for use with Mac or PC without installing any drivers. The USB connection also powers the MPD18 so musicians can use the controller with no power supply. The MPD18 can control nearly any MIDI software, as well as MIDI hardware, such as synths, sound modules, samplers, sequencers, drum machines and more.

“The MPD18 gives you the iconic control feel of the MPC in a compact footprint that's easy to fit in any setup,” said Adam Cohen, Director of Business Development, Akai Professional.


The MPD18 will be available from musical instrument and professional audio retailers Q3, 2009."
I missed the press release on these, so credit goes to Failed Muso for this one.

Musikmesse: New Alesis Electronic Drum Kits



DM6 Electronic Drum Set [left]
"The Alesis DM6 Kit is an excellent choice in electronic drum sets for price-conscious drummers and aspiring players. The set features a completely new sound module with 108 quality drum, cymbal and percussion sounds. The DM6 Kit’s pads feel natural and its hardware and rack system are high quality."


E-Practice Pad [right]
"The Alesis e-Practice Pad is the fun way to learn and practice the drums. This electronic drum pad has 65 different drum sounds, a built-in metronome with six different sounds and more than 50 practice games and exercises. Drummers will find playing the e-Practice Pad to be fun and rewarding. It feels natural, its sounds are inspiring and it gives drummers a full range of dynamics from the lightest touches through the loudest accents."

BTW, Europe's NAMM, the Musikmesse starts tomorrow! Can't wait to see what comes in. Be sure to click on the Musikmesse link below for posts. I looks like Sonic State arrived.

stg/soundlabs Signal Amplifiers

"This module has 3 independent VCA elements. Two logarithmic-response AC-coupled VCAs with an initial gain control, and one linear-response VCA. The linear section is calibrated so that 5v on the control input is unity gain and 0v is null. On the logarithmic sections, 5v will achieve unity when the dial is around 3 o'clock, and distortion will be presented above that."

You can find more info including price at stg/soundlabs. Prototype pictured.

Thus (Neil Feather and John Berndt) "Helecopter Soufflé" (Vibro Wheels & Melocipede)


YouTube via highzerofoundation
"Experimental musicians and instrument inventors John Berndt and Neil Feather have developed their own musical language since 1992 as THUS. Here they perform "Helecopter Soufflé"in Baltimore, 2008. Neil Feather plays his Vibro Wheels and Melocipede instruments and John Berndt also plays Vibro Wheels."

Neil Feather Melocipede Solo, Baltimore 2008

"A short solo by instrument inventor, composer and improvisor Neil Feather on his Melocipede instrument. Like many other Feather instruments, it uses Doppler shifts and unusual mechanical relationships to produce eerie, uncanny sounds."
You can find more vidoes on highzerofoundation's YouTube Channel

The Bedford Jam- part 3, take 1...


YouTube via filbyhyde22
"After such a promising start too........;-)"

Electro Bunker - Live Teaser


YouTube via SuicideServer
"This is a evil teaser for the upcoming electro Bunker @ Frankfurt / Germany featuring Air Liquide, myself and a lot of other nice musicians.

In this Video Ni´s Maschine is doin the Drums and some fx stuff and the mpd32 is controlling Ableton Live. I used Natives Massive for the strange synth sound at the beginning and phosycon for the Acid Stuff. As always everything is live. Enjoy !"

Sequential Circuits TOM


YouTube via fuckingharpsichord
"Arrived today with its contemporay and latin cartridges, this is a rather messy rhythm-demonstration. But the end is cool, I think.

Tom 1's trigger is broken, if someone can help me with fixen this ? Be my guest !"

SYNTH JAM with ARP Odyssey + Roland TR-606 + Korg SQ-10


YouTube via AnalogAudio1
"My brother Gabriel rocks the ARP Odyssey, which is controlled by the KORG SQ-10. The SQ-10 is synced with the Roland TR-606. A spontaneous jam..."

Jackson Pollock Inspired Modded Commodore C64 Synth for Mssiah Cynthcart

via this auction via the forum
"Up for sale is a Commodore 64 which has been heavily modified for use with Mssiah or Cynthcart. For those of you not familiar with the cartridge that turns your C64 into a midi integrated synthesizer can check out it out by clicking HERE. This is probably one of the most unique and impressive looking Commodores ever assembled. With a later revision motherboard and tightly gripping cartridge port, there were no expenses spared during it construction. This attention to detail has resulted in a long list of cosmetic and hardware modifications.

- A all over flat black paint job using high quality automotive trim paint designed to adhere to all kinds plastic and metals. The white paint is high quality PPG White Gloss automotive paint. And I have also taken the proper time to do the professional prep work to the commodore’s surface to ensure complete adhesion of the paint to the plastic.

- All the keys have been painted black and accented with non-glaring white on black keyboard stickers, with the only exceptions of the cursor and commodore keys which have been replaced with original white C64c keys.

- The whole keyboard has also been recessed about a 1/4” deeper into the commodore. This custom positioning feels so much more comfortable by eliminating the feel of a full stroke keyboard.

- A complete SID2SID installation with (1) 6581 R3 and (1) 6581 SID chip. The combination of the later revision 6581 SID chip with the classic 6581 creates a uniquely dynamic sound. I have also taken the extra effort to replace the filter caps for Sid #1 to eliminate the old failing caps common in C64’s.

- There are (2) 1/4" Audio outputs jacks and (2) Audio inputs jacks, one for each SID's in and out. In addition the proper components have been added to the input of SID #2 to ensure the utmost sound quality. And all of the audio jacks have been labeled.

- (2) Red "kill" switches for the audio inputs have been added for each SID. This feature reduces the ground noise when switched on.

- A Sync24 In or "Din sync" female connector has been added which enables this C64 to be slaved to the many popular drum machines and synths such as the TR-606, TR-808, TR-909, TB-303, and MC-202.

- The boring stock red LED has been replaced with a cool new white LED. Also a white LED has been installed inside the case creating an interior glowing effect in the dark.

- A white colored RCA composite video jack has been added for increased clarity and compatibility.

- The addition of (4) 500k Potentiometers with nice black and white knobs that provide full control over the X/Y’s on controller port 1 and 2. The overall natural feel and the smooth ranges of the pots is an enormous upgrade to the bulky paddle controllers. Their placement is based off of AlphaMod.

Click HERE to view a slideshow of many more shots." Jackson Pollock on Wikipedia

Update:
C64 Vader II White Acid Jam Demonstration with Mssiah and Renoise
YouTube via kilobyte242
"Demonstrating the C64 Vader II White w/ Mssiah .... check out kilobytemodshop.blogspot.com for more info"

Redshift Studio

Redshift Studio
"Housed in a 150 year-old timber-framed sheep barn set on a riverfront property in historic Essex, Connecticut, Redshift Digital Audio provides the perfect setting for music composition, audio recording, and digital editing.

The floor plan includes a control room and two- story tracking room with views of the pond and Connecticut River, and a loft for music composition, video editing, and 5.1 audio editing.

The studio is in walking distance to downtown Essex, featuring pubs, eateries, shopping, and a celebration of rich maritime tradition."
via leave luck to heaven.
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