Moog Minimoog D Synthesizer SN 2507

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Korg Electribe 2 SN 001255

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Black Novation Novation KS Rack Synth

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OSCiLLOT Modular: Video Tutorial 2

Published on Feb 18, 2015 max forcats

"Tutorial 2: The OSCiLLOT AFX Audio Effect
http://www.ableton.com/en/packs/oscil...
Max for Cats crafts Software Instruments, Effects, MIDI devices, Sound Design and Samples for Ableton Live."

SoundScaper Experimental Sound Lab Tutorial for iPad

Published on Feb 17, 2015 thesoundtestroom

iTunes: SoundScaper - An experimental sound mini lab - iMusicAlbum

Cantor Digitalis on a Soundplane

Published on Feb 18, 2015 Mark Harris

"A short demo of cantor digitailis which Ive adapted to use with a Madrona Labs Soundplane.

Cantor Digitalis is an open source real time singing synthesiser, giving you control over many aspects of a vocal performance, including pitch, vocal effort, vowels etc.

The controls are pitch (X), larynx position (Y), vocal effort (pressure) on the right section of the soundplane, and the vowel space in X/Y on the left side.

Its a great piece of work, the Max code is really well written, and vocal synthesis engine is amazing... well beyond my understanding :)

Its hard to play well, but easy to get some fun sounds out of, and the voices can be eerily realistic when you get it right.

lots of fun, go check it out : http://cantordigitalis.limsi.fr
(the website has some fantastic examples of skilled players of it)"



"Cantor Digitalis is an open-source real-time singing synthesizer controlled by hand gestures. A wide variety of voices are available, from the classic vocal quartet (soprano, alto, tenor, bass), to the extreme colors of childish, breathy, roaring, etc. voices. All the features of vocal sounds are entirely under control, as the synthesis method is based on a mathematic model of voice production, without prerecording segments.

The instrument is controlled using chironomy, i.e. hand gestures, with the help of interfaces like stylus or fingers on a graphic tablet or computer mouse. Vocal dimensions such as the melody, vocal effort, vowel, voice tension, vocal tract size, breathiness etc. can easily be controlled during performance, and special voices can be prepared in advance or using presets."

Chorus Digitalis - Performance excerpts from 2011 to 2013

Published on Oct 4, 2013 Audio Acoustique

MPC Software v1.8 - Available Now (Feat. Needlz & Donut)

Published on Feb 18, 2015 AkaiProVideo

"MPC Software version 1.8 is now available! MPC Software comes with our flagship MPC Renaissance and MPC Studio, combining cutting edge hardware with innovative software for creating music at your peak.

DOWNLOAD: bit.ly/RENAISSANCE

DOWNLOAD: http://bit.ly/MPCSTUDIO

FEATURES:

► NON-DESTRUCTIVE CHOP

A super-flexible way to use parts of your samples without destructive editing. MPC v1.8 provides two types of non-destructive chop: per-sample chopping saves your slices into the sample file for use in other projects, and per-pad slicing uses different start/end points within each pad


► BUILT-IN LIVE LOOPER

Allows you to record, overdub, and manipulate audio in real time


►PAD PERFORM MODE

Assign musical scales, modes, chords, and progressions to the pads for more creative performances


►VASTLY IMPROVED SAMPLE EDIT, CHOP WORKFLOW

· Audition pads from within your program in the sample editor

· Sleaker trim. chop, and audition workflow

· Live sample chop

· Audio cue point audio preview


► RECORD AUDIO THROUGH INPUT INSERT EFFECTS

In the sampler and looper


► VINTAGE MODE EMULATION CAN BE USED AS AN INSERT THROUGHOUT THE PROGRAM

Place different MPC sound on different pads


► NON DESTRUCTIVE SAMPLE REVERSE PAD PARAMETER

Pad sample offset pad parameter

Plus many workflow enhancements, including one-touch sequence half/double, project preview, BPM calculation, an improved audio path, and much more.

Big thanks to: Needlz & Donut"

Synthesizer presets

Published on Feb 18, 2015 chippie461

"Combinations of waveforms, LFO's, filters and effects were made and stored as presets. Also the arpeggiator melodies have eight preset memories."

Make Noise RxMx & Cadavre Exquis

Published on Feb 18, 2015 MAKEN0ISE

"Vactrol-based 6-input, 3-output macro-lowpass gate and signal crossfader, based on Grant Richter’s circuit idea for applying “cadavre exquis” (aka exquisite corpse, a technique of serial blind composition) to modular synthesis. If modulated by a Wogglebug, one will achieve modular “cadavre exquis.” If patch programmed using a sequencer such as the Pressure Points/ BRAINS or René, modular “mélanger automatique” (automatic re-mixing) could be achieved. The Level and Strike parameters are similar to those of the Optomix where Level is controlling amplitude and frequency content simultaneously and Strike triggers the LPG (Low Pass Gate) circuit by “plucking” or “pinging” the vactrol, thus allowing it to impart its magically slow response time upon the amplitude of the signal being processed. The Channel parameter selects which of the 6 Low Pass Gate circuits is driven by the Level and Strike parameters and the Radiate parameter turns on channels adjacent to the selected channel. At maximum Radiate settings all six channels become active simultaneously. Radiate therefore allows for voltage control of the complexity of the mix ranging from 1 to 6 active sound sources, while Channel selects the focal point of the mix.

http://makenoisemusic.com/RxMx.html"

The GSi DMC-122 Dual Midi Console Keyboard Controller

Published on Feb 18, 2015 zioguido

GSi DMC-122 - Live Demo with Max Tempia

Published on Jan 23, 2015

"In this short video, Max Tempia uses the DMC-122 in what can be an example of a live situation where the USB port of the DMC-122 is connected to a small netbook running the Editor and playing the VB3-II sound, and MIDI OUT 2 is connected to a PC running Cubase that plays a sequence (drum and bass) and allows to play some virtual instruments. Max can switch between instruments by using drawbars and buttons on the DMC-122 control panel."

via GSi

"Your dream controller

Have you ever dreamed of the perfect MIDI controller for the studio,
the stage and every kind of instrument you wish to play?
Your dream has just come true.

More than just a MIDI controller

The GSi DMC-122 not only is a very solid yet portable dual manual MIDI controller with an organ-style interface.
It offers a full set of features that you won't find in no other controller.
It's a dual manual organ. It's a dual keyboard controller. It's a MIDI mixer, a control surface.

Your creativity's new home.

20 Drawbars, 6 Potentiometers.
1 Encoder, 22 buttons.
1 multiple button.
Pitch bender and modulation wheel.
Two 61-key "waterfall" keybeds
with Channel aftertouch.

Everything totally programmable.

4 individual MIDI outputs.
1 USB-MIDI connection.
2 inputs for continuous pedals.
Assignable sustain pedal input.
Power for your USB device.

Connects to your musical world.

Not only a mute keyboard

The GSi DMC-122 comes with a software editor application compatible with Windows and OS X. The editor allows to edit every single control and all global options, store and organize up to 32 complete setups, create and store three custom velocity curves, and much more.

At the simple press of a button, the editor program becomes the sound engine for the DMC-122 offering the sound of VB3 Version 2.

This means that the DMC-122 is not only a 'mute' MIDI controller. It can be your next full featured dual manual tonewheel organ simulator. And everything is based on the most realistic Hammond B3® simulation ever.

More voice to the choir

On the back of the DMC-122 there's an expansion slot. If no expansion is installed, the cover offers the fourth MIDI output. When filled with our powerful DSP engine the DMC-122 becomes a stand-alone keyboard bringing you the best of the most realistic physically modeled and sampled sounds from the decennial experience of GSi. We care for your future

The DMC-122 software can be easily updated at any time thanks to the Editor's built-in upgrade function."

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