Tuesday, April 05, 2016
SuperBooth 2016: Dave Smith OB-6 Audio Demo
Published on Apr 5, 2016 Synth Anatomy
"I was on SuperBooth this year for creating video content. More gear news will coming soon. Please support me on Patreon if you enjoy my content. https://www.patreon.com/synthanatomy?...
On the booth of Dave Smith Instruments, I make some audio demos of the new Hardware Synthesizer OB-6. OB-6 is an absolute stunning polyphonic Synthesizer."
Tubbutec Introduces UniPulse Universal MIDI Interface for Vintage Drum Machines
Rhythm Ace FR-3 midi (Tubbutec UniPulse demo)
Published on Apr 5, 2016 tubbutec
"Ace Tone Rhythm Ace FR-3 midi triggered with full velocity control via Tubbutec UniPulse. UniPulse is an universal midi interface for drum machines."
"uniPulse – universal drum machine midi interface
Main features
Highly customizable, compatible to almost any drum machine
16 pulse outputs
Full velocity sensitivity
5 different pulse shapes
Outputs positive and/or negative pulses up to 12V/-12V
Voltage and length can be mapped to velocity, controller or CV-input
4 Digital outputs for gates and clocks
Up to 21 simultaneous clock outputs with different midi dividers
Analog output with various functions
Potentiometer / CV input to control length or voltage of pulses
Internal clock multiplier for DIN sync
Easy to use configuration app with preset database for common drum machines
Very small, fits in most drum machines
Various midi socket configurations
Runs off a single supply voltage between +15 and +25V, generates negative voltage internally
Some features in more detail
PULSE SHAPES
Various pulse shapes can be selected for each output: Rectangular, Triangular, Decay, Gaussian and Open Rect. The latter is similar to the rectangular pulse, with the exception, that instead of returning to zero volts, it goes into a high impedance state. This allows it to make use of the characteristics of an existing pulse shaping network, such as an RC network built into the drum machine.
The pulse shapes have different sonic characteristics, experimenting which suits best is recommended. The Gaussian pulse for example contains less higher harmonics and can be used to simulate drums hit by a felt headed mallet.pulseshapes
CLOCK AND SYNC GATES
The analogue output and the four digital outputs can be configured to act as sync clocks and gates. This allows it to sync the drum machine to the midi clock. Clock dividers and polarity are adjustable in order to achieve compatibility with all drum machines. Clocks speeds between 48PPQN (din-sync 48) and 1PPQN (one pulse per quarter note) are possible.
By using the 16 pulse outputs, the uniPulse can output up to 21 different clocks simultaneously.tempo-small
CONFIGURATION PROGRAM
The uniPulse configuration program, available for windows and OSX, uses midi sysex to configure the uniPulse. We are constantly working on expanding a database of presets for common drum machines.
For each channel, you can select pulse shapes, polarity, length, midi channels, note numbers and mappings. For sync outputs clock dividers can be chosen.
A velocity sensitive test button an be used to instantly listen and refine your configuration, and thus choose what sounds best for your particular drum machine and taste."
You'll find additional details at https://tubbutec.de/unipulse.
Published on Apr 5, 2016 tubbutec
"Ace Tone Rhythm Ace FR-3 midi triggered with full velocity control via Tubbutec UniPulse. UniPulse is an universal midi interface for drum machines."
"uniPulse – universal drum machine midi interface
Main featuresHighly customizable, compatible to almost any drum machine
16 pulse outputs
Full velocity sensitivity
5 different pulse shapes
Outputs positive and/or negative pulses up to 12V/-12V
Voltage and length can be mapped to velocity, controller or CV-input
4 Digital outputs for gates and clocks
Up to 21 simultaneous clock outputs with different midi dividers
Analog output with various functions
Potentiometer / CV input to control length or voltage of pulses
Internal clock multiplier for DIN sync
Easy to use configuration app with preset database for common drum machines
Very small, fits in most drum machines
Various midi socket configurations
Runs off a single supply voltage between +15 and +25V, generates negative voltage internally
Some features in more detail
PULSE SHAPES
Various pulse shapes can be selected for each output: Rectangular, Triangular, Decay, Gaussian and Open Rect. The latter is similar to the rectangular pulse, with the exception, that instead of returning to zero volts, it goes into a high impedance state. This allows it to make use of the characteristics of an existing pulse shaping network, such as an RC network built into the drum machine.
The pulse shapes have different sonic characteristics, experimenting which suits best is recommended. The Gaussian pulse for example contains less higher harmonics and can be used to simulate drums hit by a felt headed mallet.pulseshapes
CLOCK AND SYNC GATES
The analogue output and the four digital outputs can be configured to act as sync clocks and gates. This allows it to sync the drum machine to the midi clock. Clock dividers and polarity are adjustable in order to achieve compatibility with all drum machines. Clocks speeds between 48PPQN (din-sync 48) and 1PPQN (one pulse per quarter note) are possible.
By using the 16 pulse outputs, the uniPulse can output up to 21 different clocks simultaneously.tempo-small
CONFIGURATION PROGRAM
The uniPulse configuration program, available for windows and OSX, uses midi sysex to configure the uniPulse. We are constantly working on expanding a database of presets for common drum machines.
For each channel, you can select pulse shapes, polarity, length, midi channels, note numbers and mappings. For sync outputs clock dividers can be chosen.
A velocity sensitive test button an be used to instantly listen and refine your configuration, and thus choose what sounds best for your particular drum machine and taste."
You'll find additional details at https://tubbutec.de/unipulse.
XILS-lab Launches StiX by Xils V1.0 Virtual Analogue Multi-Synthesis-Driven Drum Machine Plug-In
StiX by Xils Overview
Published on Mar 19, 2016 xilslab
"GRENOBLE, FRANCE: after almost a year of diligent development, music software specialist XILS-lab is proud to announce availability of V1.0 of StiX by Xils — a virtual analogue and multi-synthesis-driven drum machine with sophisticated sequencer plug-in for Mac (OS X 10.5 and later) and PC (Windows XP, Vista, and 7/8), inspired by a whole host of trailblazing drum machines that have helped make music technology what it is today, all adapted to the modern-day digital paradigm and fast-footed user workflow with ease — as of April 5…
35 years is a veritable lifetime when it comes to music technology. Today’s computer-based music-makers bombarded by staggering software developments on an almost daily basis may mock at the idea of hefty hardware blazing the trail back in the 1980s. But breakthroughs came throughout that genre-defining decade — often at a prohibitive price. Take the wonderful world of drum machines, for instance. Innovative American designer Roger Linn’s revolutionary Linn LM-1 Drum Computer was first to use digital samples of acoustic drums — albeit at 8-bit/28kHz — and also one of the first fully-programmable drum machines to boot. But back in 1981 most musicians could only dream about accessing a $5,000 USD digital drum machine, revolutionary or otherwise!
Only programmability in itself would be a dream come true for many musicians of the time, tied to realistically restrictive constraints when it came to auto-accompaniment budgets. But the technological tide turned in their favour that same year with the timely arrival of the STIX PROGRAMMA ST-305 from (now-long-lost) Italian manufacturer SoundMaster as one of the first affordable analogue drum machines to feature programmable patterns rather than just presets. Proactively, perhaps, the STIX PROGRAMMA ST-305 included individual outputs for several sounds — unlike its main competitor, the breakthrough Boss DR-55, though, similarly, ‘programmability’ was restricted to basic bar-based patterns, which would soon become its downfall. Within a year, Roland’s radical TR-606 Drumatix was a better buy as an affordable analogue drum machine offering a higher number of fully-programmable patterns and, crucially, an ability to chain them together into songs, such was the speed of technological change… before long, the advent of MIDI (Musical Instrument Digital Interface) and affordable digital drum machines changed everything. Endgame? Paradoxically, an ‘analogue renaissance’ is still being felt (and heard) today — a fact far from lost on XILS-lab CEO Xavier Oudin.
Obviously, times change as, of course, does technology — music and otherwise. Today, then, StiX by Xils takes the best ideas (and subtly-different, yet strangely contemporary-sounding sounds) from the likes of the STIX PROGRAMMA ST-305 and Roland TR-606 Drumatix — and many more notable drum machines besides — and successfully transports them to a virtual analogue and multi-synthesis drum machine plug-in for Mac and PC, pumped up for a truly 21st Century computer-based music-making experience that is second to none.
Central to the StiX by Xils workflow with fast-footed users in mind — and centrally positioned in a GUI that’s as easy on the eye as it is to understand — is its engagingly-expressive XoX Sequencer, boasting a multitude of fanciful features, including a multilane editor with customisable steps per beat; per step division trigger (for fills and stutters); customisable beats per bar; and global swing, as well as a single line editor (for in-depth editing of individual sequencer lines), plus pattern and song modes (for speedy song building).
Building upon traditional analogue drum machine design, several sounds — BD (bass drum), SNARE, HH CL (hi-hat closed), HH OP (hi-hat open), TOM L (tom low), TOM H (tom high), and CRASH — are always accessible — alongside additional user-definable PERC 1 (percussion 1), PERC 2 (percussion 2), and MISC (miscellaneous) ones — via the drum pads bar at the top of that intuitive GUI. There the similarity ends, though, as StiX by Xils takes things to another level entirely as an inspired piece of contemporary software design that leaves the historic hardware from which it took its initial inspiration standing (way back in the early-Eighties)! Fit for today, StiX by Xils comes complete with 10 full-featured synthesisers — one for each sound being hosted by those 10 drum pads, each of which can call upon several sound engines, including virtual analogue (with components closely modelled upon a selection of prestigious and rare analogue synthesisers for percussion and drum sounds with unmatched analogue authenticity) and FM sine oscillators (with wave shaping and a third oscillator that can load samples), as well as easy and advanced synthesis pages. Put it this way: yesteryear’s hardware drum machine users couldn’t have imagined such heightened levels of control in their wildest dreams!
Desirable StiX by Xils features well worth noting in that regard include MIDI output (for controlling virtual instruments or recording MIDI data within a DAW); MIDI learn (with full automation of all synthesis parameters of each drum pad and associated mixer, etc); multi-criteria database (for finding the right preset efficiently as well as creating custom tags); randomise (drum kits, sequences, and full patterns); live control (for chaining patterns, plus muting/un-muting tracks on the fly); multi outputs (with volume, groups, and pan preservation); high-quality effects (including natural-sounding reverb, analogue delay, and analogue phaser, plus per drum crusher and distortion); sample-accurate synchronisation and audio engine (to create the tightest beats imaginable); hundreds of simultaneous modulation targets; and gang mode (to edit sequencer lanes, mixer, and effects sends).
Stacked with 390 exclusive samples — including 15 drum kits sourced by production partner Wave Alchemy from classic drum machines of the past (including Roland’s revered TR- series as well as trailblazing digital dream machines such as the E-mu SP-12 and LinnDrum); 2,000 presets; 120-plus global presets; 720-plus patterns; 700 drum pads; and 60 drum kits, StiX by Xils means more sounds and styles are available to the modern-day discerning (virtual) drum machine user than ever… roll on some truly 21st Century computer-based music-making!
StiX by Xils is available to purchase as a USB eLicenser or iLok (soft or USB iLok dongle) protected plug-in for an introductory (30% discounted) price of €125.00 EUR until April 30, 2016 — rising to €179.00 EUR thereafter — from the XILS-lab web store here: https://www.xils-lab.com/products/StiX-by-Xils.html
StiX by Xils can be directly downloaded as a multi-format (AAX, AU, RTAS, VST), 32- and 64-bit-compatible virtual drum machine plug-in for Mac (OS X 10.5 and later) and Windows (XP, Vista, and 7/8) from here: https://www.xils-lab.com/pages/StiXbyXils_Download.html"
Published on Mar 19, 2016 xilslab
"GRENOBLE, FRANCE: after almost a year of diligent development, music software specialist XILS-lab is proud to announce availability of V1.0 of StiX by Xils — a virtual analogue and multi-synthesis-driven drum machine with sophisticated sequencer plug-in for Mac (OS X 10.5 and later) and PC (Windows XP, Vista, and 7/8), inspired by a whole host of trailblazing drum machines that have helped make music technology what it is today, all adapted to the modern-day digital paradigm and fast-footed user workflow with ease — as of April 5…
35 years is a veritable lifetime when it comes to music technology. Today’s computer-based music-makers bombarded by staggering software developments on an almost daily basis may mock at the idea of hefty hardware blazing the trail back in the 1980s. But breakthroughs came throughout that genre-defining decade — often at a prohibitive price. Take the wonderful world of drum machines, for instance. Innovative American designer Roger Linn’s revolutionary Linn LM-1 Drum Computer was first to use digital samples of acoustic drums — albeit at 8-bit/28kHz — and also one of the first fully-programmable drum machines to boot. But back in 1981 most musicians could only dream about accessing a $5,000 USD digital drum machine, revolutionary or otherwise!
Only programmability in itself would be a dream come true for many musicians of the time, tied to realistically restrictive constraints when it came to auto-accompaniment budgets. But the technological tide turned in their favour that same year with the timely arrival of the STIX PROGRAMMA ST-305 from (now-long-lost) Italian manufacturer SoundMaster as one of the first affordable analogue drum machines to feature programmable patterns rather than just presets. Proactively, perhaps, the STIX PROGRAMMA ST-305 included individual outputs for several sounds — unlike its main competitor, the breakthrough Boss DR-55, though, similarly, ‘programmability’ was restricted to basic bar-based patterns, which would soon become its downfall. Within a year, Roland’s radical TR-606 Drumatix was a better buy as an affordable analogue drum machine offering a higher number of fully-programmable patterns and, crucially, an ability to chain them together into songs, such was the speed of technological change… before long, the advent of MIDI (Musical Instrument Digital Interface) and affordable digital drum machines changed everything. Endgame? Paradoxically, an ‘analogue renaissance’ is still being felt (and heard) today — a fact far from lost on XILS-lab CEO Xavier Oudin.
Obviously, times change as, of course, does technology — music and otherwise. Today, then, StiX by Xils takes the best ideas (and subtly-different, yet strangely contemporary-sounding sounds) from the likes of the STIX PROGRAMMA ST-305 and Roland TR-606 Drumatix — and many more notable drum machines besides — and successfully transports them to a virtual analogue and multi-synthesis drum machine plug-in for Mac and PC, pumped up for a truly 21st Century computer-based music-making experience that is second to none.
Central to the StiX by Xils workflow with fast-footed users in mind — and centrally positioned in a GUI that’s as easy on the eye as it is to understand — is its engagingly-expressive XoX Sequencer, boasting a multitude of fanciful features, including a multilane editor with customisable steps per beat; per step division trigger (for fills and stutters); customisable beats per bar; and global swing, as well as a single line editor (for in-depth editing of individual sequencer lines), plus pattern and song modes (for speedy song building).
Building upon traditional analogue drum machine design, several sounds — BD (bass drum), SNARE, HH CL (hi-hat closed), HH OP (hi-hat open), TOM L (tom low), TOM H (tom high), and CRASH — are always accessible — alongside additional user-definable PERC 1 (percussion 1), PERC 2 (percussion 2), and MISC (miscellaneous) ones — via the drum pads bar at the top of that intuitive GUI. There the similarity ends, though, as StiX by Xils takes things to another level entirely as an inspired piece of contemporary software design that leaves the historic hardware from which it took its initial inspiration standing (way back in the early-Eighties)! Fit for today, StiX by Xils comes complete with 10 full-featured synthesisers — one for each sound being hosted by those 10 drum pads, each of which can call upon several sound engines, including virtual analogue (with components closely modelled upon a selection of prestigious and rare analogue synthesisers for percussion and drum sounds with unmatched analogue authenticity) and FM sine oscillators (with wave shaping and a third oscillator that can load samples), as well as easy and advanced synthesis pages. Put it this way: yesteryear’s hardware drum machine users couldn’t have imagined such heightened levels of control in their wildest dreams!
Desirable StiX by Xils features well worth noting in that regard include MIDI output (for controlling virtual instruments or recording MIDI data within a DAW); MIDI learn (with full automation of all synthesis parameters of each drum pad and associated mixer, etc); multi-criteria database (for finding the right preset efficiently as well as creating custom tags); randomise (drum kits, sequences, and full patterns); live control (for chaining patterns, plus muting/un-muting tracks on the fly); multi outputs (with volume, groups, and pan preservation); high-quality effects (including natural-sounding reverb, analogue delay, and analogue phaser, plus per drum crusher and distortion); sample-accurate synchronisation and audio engine (to create the tightest beats imaginable); hundreds of simultaneous modulation targets; and gang mode (to edit sequencer lanes, mixer, and effects sends).
Stacked with 390 exclusive samples — including 15 drum kits sourced by production partner Wave Alchemy from classic drum machines of the past (including Roland’s revered TR- series as well as trailblazing digital dream machines such as the E-mu SP-12 and LinnDrum); 2,000 presets; 120-plus global presets; 720-plus patterns; 700 drum pads; and 60 drum kits, StiX by Xils means more sounds and styles are available to the modern-day discerning (virtual) drum machine user than ever… roll on some truly 21st Century computer-based music-making!
StiX by Xils is available to purchase as a USB eLicenser or iLok (soft or USB iLok dongle) protected plug-in for an introductory (30% discounted) price of €125.00 EUR until April 30, 2016 — rising to €179.00 EUR thereafter — from the XILS-lab web store here: https://www.xils-lab.com/products/StiX-by-Xils.html
StiX by Xils can be directly downloaded as a multi-format (AAX, AU, RTAS, VST), 32- and 64-bit-compatible virtual drum machine plug-in for Mac (OS X 10.5 and later) and Windows (XP, Vista, and 7/8) from here: https://www.xils-lab.com/pages/StiXbyXils_Download.html"
04.04.2016 Moog Mother 32 and Korg Volca FM
"this is a sketch i created by using the cv gate i/o on the korg volca fm and the moog mother 32 wherein both synthesizers are running sequences, creating cross-talk of sorts between each device. my intention with this piece being so minimal was to put a number functions on display by iterating slowly through different parameters on each synth. the effects used were a line 6 echo pro into an alesis midiverb ii. recorded live and without overdubs coupled with some rough mastering on april 4, 2016.
headphones or stereo setup recommended to hear entire spectrum of sound"
AKAI AX60 Analog Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The AKAI AX60 is a 6-voice polyphonic programmable analog synthesizer with a 5-octave, 61-note (C-C) keyboard. It's in an excellent shape for its age, all knobs and sliders are operating as they should, no missing slider caps or knobs. Powerful "Dark" sounding synth with an extraordinary aggressive Filter. This is a VCO (Voltage Control Oscillator) Synth not a DCO (Digitally controlled)
One of the nice features about this synthesizer is that it has a 13-pin input that allows you to hook it up to an AKAI sampler (S612/700, X7000) and input the samples to be processed with the AX60's internal synth engine (VCF's, VCA's, effects, etc...). Combined with the keyboard splitting capabilities, this allows you to play the sampler via one of the split sides. The sampler/AX60 combination is unique in that it is one of the few ways that samples can be treated with real analog filters."
via this auction
"The AKAI AX60 is a 6-voice polyphonic programmable analog synthesizer with a 5-octave, 61-note (C-C) keyboard. It's in an excellent shape for its age, all knobs and sliders are operating as they should, no missing slider caps or knobs. Powerful "Dark" sounding synth with an extraordinary aggressive Filter. This is a VCO (Voltage Control Oscillator) Synth not a DCO (Digitally controlled)One of the nice features about this synthesizer is that it has a 13-pin input that allows you to hook it up to an AKAI sampler (S612/700, X7000) and input the samples to be processed with the AX60's internal synth engine (VCF's, VCA's, effects, etc...). Combined with the keyboard splitting capabilities, this allows you to play the sampler via one of the split sides. The sampler/AX60 combination is unique in that it is one of the few ways that samples can be treated with real analog filters."
1984 SEQUENTIAL CIRCUITS SIX-TRAK SYNTHESIZER SN 000486
ROLAND RS-505 Paraphonic Strings SN 821316
ROLAND SYNTHESIZER MODEL 101 SYSTEM 100
Modal Electronics 002 Polyphonic Multi Timbral Synthesizer SN 002-0131
Korg Maxi-Korg 800dv SN 0423
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Univox maxi korgs are identical to korg 800dv sold in USA under license
c1975
A very powerful vintage duo-phonic synthesiser with a highly playable keyboard similar to the mini korg 700 But with two voices and extra functions
Very compelling vocal sounds and unearthly strings and drones
Can be retrofitted with cv/gate filter socket for computer control
If required I can also supply blank pcbs to modify the synthesiser. For cv gate controls lap hz to volts /octave convertor boards
As used by kitaro vangelis astronaut travel service
working 100%"
via this auction
"Univox maxi korgs are identical to korg 800dv sold in USA under license
c1975
A very powerful vintage duo-phonic synthesiser with a highly playable keyboard similar to the mini korg 700 But with two voices and extra functions
Very compelling vocal sounds and unearthly strings and drones
Can be retrofitted with cv/gate filter socket for computer control
If required I can also supply blank pcbs to modify the synthesiser. For cv gate controls lap hz to volts /octave convertor boards
As used by kitaro vangelis astronaut travel service
working 100%"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
