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Wednesday, November 09, 2016

VGM #92: Astral Observatory (Majora's Mask)


Published on Nov 9, 2016 Ace Waters

"Zelda Month continues. Have a calm and pretty rendition of Astral Observatory to take your mind off things for a moment."

MFB DOMINION X /non SED // EVENTIDE ECLIPSE // ARTURIA KEYSTEP


Published on Nov 9, 2016 LESINDES

"This is more or less the MFB DOMINION 1 without keyboard, arpeggiator and ribbons. Analog synth triggered with ARTURIA KEYSTEP Sequencer via Midi.

The filter mostly engaged in theis session is the LP number 3 which is a 12 dB VCF with excellent character!
The session is rounded up by the stunning professional EVENTIDE ECLIPSE multi FX processor. The MFB is routed directly through the Eventide FX and then into the soundcard.

It is the original Mk. 1 DOMINION X without the SED modification!"

Dreadbox Murmux V2 and Korg SQ-1 are playing a short sequence


Published on Nov 9, 2016 Rickinger B.

"And a little bit chorus and reverb. This Murmux is a beast and drives me crazy ;-)"

Ned Rush = 0-Coast noise jam.


Published on Nov 9, 2016 Ned Rush

"Self patch noise experiments."

4ms - DLD / Dual Looping Delay


Published on Nov 9, 2016 DivKidVideo

"Hands down one of the best modules I think I've ever touched. Seriously. Dual entirely independent delays (yes you can even lock the "ping" and use another clock for the other side). Everything is so well laid out and easy to get around changing behaviours and settings. Audio rate is killer, makes for an awesome tonal audio rate mangler for things like drums and vocals. Add a filter or two to the feedback path and you can add all the colour and character you wish. Delay feed with CV makes for easy patches where you'd usually put a VCA in the front of the input to fire accents and little dub delay trails off over CV. Clocks as you'd expect from 4ms like an absolute trooper, gives it's divisions / multiplications as gate outputs to feed the rest of a system. I'll stop banging on and just watch the video (and the other supporting 'extras' videos linked below)."

DSM03 Part 2 (errata) - Filter Self-Oscillation & DSM03 Part 3 - Artificial Space


Published on Nov 9, 2016 Beige Maze

"Short demonstration of the DSM03's filter self-oscillation, and a couple things that can be done with it.

Thanks to Tracy at Dave Smith Instruments for calling my attention to the error."

DSM03 Part 3 - Artificial Space


"Using the DSM03 as a reverb-like effect."

All parts here.

SYINSI Euclidean Polyrhythm Generator Eurorack Module


Published on Nov 9, 2016 THX2112

"A demonstration of a Euclidean polyrhythm module for Eurorack. Based on the "Tombola Euclidean" module.

In this demo an Alesis DM5 drum trigger brain is being triggered by the Euclidean running on its internal clock. All drum sounds are stock Alesis DM5 samples.

Euclidean trigger 1 out is going to the kick, offbeat (triggers whenever trigger 1 isn't being triggered) is going to the snare.

Triggers 2 and 3 are triggering the low and high toms.

It's available as a PCB/Panel kit: http://syinsi.com/product/euclidean-p...

or complete module: http://syinsi.com/product/euclidean-b...

More neat stuff: http://syinsi.com/shop/"


"A version of the “Tombola Euclidean Polyrhythm Generator”.

Feed it a clock signal and it generates four rhythmically-related triggers because math.

The first trigger also has an “offbeat” that is triggered whenever the first trigger isn’t being triggered. Works great on kick/snare or closed/open hats.

Four trigger outs including an “offbeat” for the first trigger.
Clock and Reset inputs
10 HP Eurorack
+12V 250mA."

04-The Tom Oberheim Two Voice Pro: Part 4- Sync and Envelopes


Published on Nov 9, 2016 AutomaticGainsay

"In this video, both the sync function and the envelopes are explored."

All parts here.

Rheyne - Sequenced Jam #2 (Mother-32, 0-Coast, Ableton Live)


Published on Nov 9, 2016 Rheyne

"Moog Mother-32 and Make Noise 0-Coast synthesizers receiving MIDI loops from Ableton Live. Reverb is from Ableton. Delay on the Moog synths is from Ableton, and delay on the 0-Coast is from a Roland Demora."

Unique Custom Vintage Analog Drum Synth

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

via the seller: "this is a one-off special, constructed in North London around 1983. I acquired it from the dude that built it. By coincidence, he lived at the end of my street at the time, 20 years earlier! I believe it's made from E&MM modules (Maplin), e.g. Syntom, Synbal, Synchime etc? not sure which exactly. it has 2 'toms' (pitch/sweep/decay/volume) and 2 'noise' (pitch, resonance, decay, volume), so 4 modules total. I know these modules are super rare now and sought after if you are inclined to raid it for parts (>sniff<) to 'evolve' it. it works pretty well, tho it can be temperamental, one channel is quiet and it may crackle a bit when you turn the pots, or not.. getting it warmed up and running is part of the fun. you can play on it but it needs some tlc or a service let's say. you buy it 'as is' and it will be sent fully insured at cost price (unknown at present, your choice) for full bid value, for your own reassurance. no returns accepted under any circumstances. pro production is not the point of this machine. i have been time travelling with it. it's rare and special and tons of fun live, with a polymoog for example. it doesn’t sync to anything; that's just a 5 pin din audio out (untested) and 1/4" jack out (working), you can see on the side. it runs from 240v mains and i cannot vouch for the safety of that. I've been using it 12 years without problem but I do not accept responsibility in any way, to any extent from any consequences of its use. the sequencer has one channel per sound, 16 steps switched on or off by switches... like a proto simmons sds 6. It has 2 tempo controls, which you can switch between. you can make bars 8, 12 or 16 steps long instantly. you can switch a channel permanently on, or off, or just to respond to steps that are switched on, on the fly. it has a stop/go button. that's it. there are tons of new things out now that do loads more than this but in some indescribably ways this remains a perfect piece of history, encapsulating the first synth DIY era. It's very odd, from the people that brought you 5600s & spectrum... and worth it just for the classic E&MM modules, which I'm basing the start price on."

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