MATRIXSYNTH

Christos craft synth sounds and editor for ipad

Published on Jan 9, 2017 Christo Roppolo

"Some noises and some editing with the newapp"

Blocks - ES-3 - AJH Synth

Published on Jan 9, 2017 DivKidVideo

"Here's a first patch walkthrough jamming with the AJH Synth MiniMod voice controlled and expanded through the Expert Sleepers ES-3 with Reaktor Blocks running the show."

Møffenzeef Mødular Deviant Scøpe Shøts

Published on Jan 9, 2017 Møffenzeef Mødular

"Here's a closer look at what the Deviant's output looks like. The "smooth" parameter slowly filters out the noise in the signal while adding slew to the output. With smooth all the way down the output is rather noisy giving parameters associated with timbre a mild ring mod-esque sound."

11-The Yamaha CS-15: Part 11 - FILTER MADNESS - The LH Controller

Published on Jan 9, 2017 AutomaticGainsay

"Here is a demonstration of the LH controller of the Yamaha CS-15. Specifically, here is the sound and functionality of the extremely-useful 'Brilliance' function."

All parts here.

"100% No Coast"

Published on Jan 9, 2017 Lost For Words

"All sounds from the Make Noise 0-Coast.

Today I caught up on all the 0-Coast videos on the Make Noise Channel - very inspiring and I wanted to create a track using only the 0-Coast.

So here's my little accumulative track. Even the kick drum is from this thing and I've shown the patch as the video backdrop. It's played on a low key obviously and I made it even kick-ier with EQ (Ableton's standard Kick EQ 1 in this case). The "hats" are modulated by the slope to give an open and closed effect. Soundtoys Echoboy and Valhalla VintageVerb for FX.

I hope you like it."

And a two previous tracks from Lost For Words featuring the 0-Coast:

"Makes Three" Make Noise 0 Coast, Moog Mother 32, Roland JX-03

Published on Jan 7, 2017

"Headphones and closed eyes recommended :)

A dark, spacey track made with these three beauties. Drums are samples of Vermona DRM1 Mark iii (because I haven't got an analogue drum machine yet). There is a mix of 3 bar and 4 bar loops here for some randomness.'

Year We Go Again ( 0 Coast Mother 32 JU-06 JX-03 )

Published on Dec 28, 2016

"Track made with Make Noise 0-Coast, Moog Mother 32, Roland JU-06 and JX-03

My 0-Coast is new so just getting to know it :) It plays the arp throughout this track. Some random slope time settings going on at the start and towards the end of the track I mix the 0-Coast's square osc into the Mother 32's external audio which provides some cool results.

All sounds from these 4 synths (1 track each + 1 recorded JU-06 Bass) and drums from Ableton. Plenty of reverb and delay :D

Copyright 2016. No reproduction permitted.'

Beautiful Light Blue Studio Electronics Omega 8 w/ Hard Case

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Custom built by Greg and Marc St. Regis at Studio Electronics in El Segundo , CA. This synth sounds as good as it looks. It has enjoyed a clean smoke free studio environment and is looking for a new home. Will ship with a Roadie Hard Case to ensure safe travels.

8 Voices with
+8x CS80 Filters
+8x Moog Filters
+8x Oberheim SEM Filters
+Discrete OP amps"

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Make Noise Black And Gold Shared System

Published on Jan 9, 2017 Perfect Circuit Audio

"Demo of the Make Noise Black And Gold Shared System eurorack modular synthesizer at Perfect Circuit audio."

MATRIXSYNTH members get a %10 discount at Perfect Circuit Audio! See the membership page for details.

UPDATES TO THE KARPLUS-STRONG SOUND DESIGN TUTORIAL ~ Synthesize This! Ep.07

Published on Jan 9, 2017 once upon a synth

"In this episode we continue with the Karplus-Strong algorithm but this time I make some tweaks as suggested by you guys. This results in accurate pitch tracking as well as a pretty nasty sounding bass fuzz patch which is surprisingly simple to make."

All parts here.

Improvisation LXXV: Prophet '08 PWM Pad

Published on Jan 8, 2017 Sacred Synthesis

"As often happens when I sit to improvise, I start at the massive eight-voice Poly Evolver Keyboard with the intention of creating both a new patch and a new piece of music. The habitual presumption is that the greater the resources the greater the outcome. Then, at some point, I turn to the much simpler Prophet '08 for a few chords or a little melody, and the next thing I know, I'm thoroughly engrossed with that instrument, both sonically and musically. This is what happened tonight, so here's another piece of Prophet '08 music.

I find two qualities constantly helpful in composing: simplicity and limitation. I find complexity terribly distracting to creativity, like trying to write the next line of a difficult poem in a messy room. So, I would never want the sort of instrument that "does it all." As much as I love working with the fairly sophisticated Poly Evolver and its wide range of tones, I far prefer the simplicity and directness of the Prophet '08. The limitations of its design help to get and keep me focused on music, rather than on other technical tangents. Limitation challenges the mind to work extra hard and doubly search and strive for beauty with a smaller set of resources; and in so exerting itself, the mind achieves a higher good, a nobler beauty.

This piece uses a complex pulse width modulation pad that includes four oscillators of pulse width, each being slowly modulated at different rates. Between the four oscillators and the two P'08 units, there is an immense amount of detuning, making for a rich if slightly nasal end result. As usual, the modulation wheel is set to open the filter.

The musical idea behind this piece is simply contrary stepwise motion - the keyboard lines descending, with the pedal lines often ascending, or vice versa.

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