"This is a DC coupled, four channel attenuverting mixer. It is expandable to eight channels.
The board features PC mounted pots, for less wiring and also mounting holes for flexibility. There are Eurorack and MOTM power connecters. It can be built in +/-12V or +/-15V systems without any modifications."
» Incredible sounds from the rare 48-voice KORG PS-3200
» Over 220 patches covering classic and modern styles
» Deeply editable instrument with pristine sound quality
UVS-3200 brings you the rare and exceedingly warm sounds of a complex and stunning piece of synthesizer history, the KORG PS-3200, perfectly restored and deeply sampled in all its vintage analog glory.
UVS-3200 features a 2-oscillator design providing users with a large selection of presets to build patches with. Each oscillator has a configurable amp, filter and stereo section along with a customizable 16-step arpeggiator. UVS-3200 also includes versatile modulation and effect sections allowing users to easily add movement to their sounds and add high-quality reverb, delay, …
With an extraordinary analog sound and fantastic set of patches, UVS-3200 delivers a collectors dream of an instrument with all of the convenience and flexibility of modern software.
"One take attempt at playing the riff from Daft Punk’s End Titles on x0xb0x with some mods(z0xb0x)
Lower left are the decay times for VCA, on the right thers ENV Attack mod.
I wanted to go through some of the distortions but accidentally pressed space by the end and this was meant as a one take excersice.
A little bit of reverb added in live for space, otherwise no processing, and clearly no plan of action
Notes are from https://www.youtube.com/watch?v=FvAYV...
with some tiny edits. Unfortunately I coulnd't find the MID file anywhere so I just copied into Live by hand.
"A quick document of some development which I am doing for a live set which I am performing next Month for the Data Doors event at the Adelaide Fringe Festival. for the set i'll be using both Euro rack and Clavia G2 modular synthesisers and mostly sequencing with the Sequentix Cirklon."
You can see when the Tom Cat triggers by the flashing pad.
"In this analog Drum Machine face-off, we have the Akai Tom Cat against the big news new comer; the Arturia Drumbrute. Peak levels have been matched with appropriate room for gain during tweaking of the drum parameters. The Tomcat will play a pattern for one bar then the Drumbrute will play the same pattern for one bar and repeat as I tweak parameters to give you a fair representation of the range of sound passible by each drum machine. I cannot cover every aspect of each due to time and inconsistencies in the different drum machines. Have fun watching and use it as one of many tools to help you gauge which analog beat box is best suited for your studio."
"An Enigma Sadeness-inspired tunage using Roland TR-909, JD-990, W-30, and the Vatican.va website.
A quick note just to make sure, as an FYI - Enigma didn't use these machines exactly (the JD-990 wasn't even out at that time), but yes, the construction of the song was probably somewhat similar ;-) It's just a silly tribute to a song and album that I really loved (and still do) - All kudos goes to the magical Michael Cretu!"
"Here, I revisit the sequence from my other video Stranded Thoughts of Levity-[posted here]. This time, I am using the 261e and the 208 from the Music Easel as the sound sources. The sequence is not exactly the same, but close enough. The 261e is panned left and the 208 is panned right. The sine from the 261e is going through the 285e and is center panned. I like the sound, but I think the 259 has a sweeter tone."
