MATRIXSYNTH

Roland SH-1000 Synthesizer

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Sequential Circuits Prophet-5 Keyboard Synthesizer with MIDI SN 1306

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Yellow Waldorf Q MIDI Synthesizer Rackmount SN 03025129

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Moog - Sub Phatty / 1st recording + sound test

Published on Jul 19, 2018 Genoslaw Uranus

other sounds:
beat: Korg ESX
beeps: Nord Lead 2X
pads: Roland Alpha Juno - 1

Published on Jul 19, 2018 SyntheticMachines

"3 tracks made with the MI Shruthi. Well known nice hybrid mono synth with digital osc + SMR-4 MKII 4 pole LP analogue filter.

As always multitrack recording + fx.

Intro : Shruthi
Part 1 : Shruthi
Part 2 : Shruthi + polyphonic chords from the Juno 106
Part 3 : Shruthi"

Kilpatrick Audio Phenol // 047 - SH101 Experiment

Published on Jul 19, 2018 DiscoverNoise

DiscoverNoise 154-
Kilpatrick Audio Phenol 047-

Little test of the Roland SH-101 running through the Deluxe Memoryboy into Ext.1 In of the Phenol.

Blade Runner Style

Published on Jul 19, 2018 Alex Ball

"Past to Future samples are one of my favourite developers. They recently put out a Kontakt library made with the holy grail that is the Yamaha CS-80 (1976).

It was recorded with a Lexicon 224 and baked onto a Studer A80 tape machine. It's about as authentic as you'll find. There's 12 patches all designed to capture the vibe of Vangelis and Blade Runner. They're seriously dreamy and huge, straight out of the box. And it costs just $15 to purchase!

Link here: https://gumroad.com/pasttofuturereverbs

I put some patches to use in an original composition that's a humble homage to the great composer. I experimented with his meandering and modulating style and if you're interested, the main chord pattern is: Cm, B2add#4, A2add#4, Abadd2, Gb6/9, Fm7 and then back around. The 12 bar phrase is open ended and so it's less obvious where it starts and ends, quite a useful technique. The JX-3P also has its second oscillators tuned a perfect 5th up, which creates some interesting bitonal harmony in some places and adds upper extensions in others.

Sounds used:
Yamaha CS-80 Blade Runner Synth for Kontakt - four patches
Roland JX-3P
Korg MS-20
Sequential Circuits Pro-One
Oberheim DX
Roland TR-606
Rhodes Mark I Seventy Three
Rhythmic Robot EMU Emulator II
Spitfire Joby Burgess Percussion
Orchestral Tools Metropolis Ark 3 timpani

Sequencer: Cubase 9 / Arturia Beatstep Pro
Plugins: Goodhertz Vulf-Compressor, T-racks, Waves, Past to future reverbs, U-he Satin

CS-80 images from this awesome archive: http://retrosynthads.blogspot.com/"

Sonic LAB: Moog Grandmother Synthesizer Review

Published on Jul 19, 2018 sonicstate

"We take a look at the new Moog Granmother Semi Modular Analog Synthesizer. With circuits taken from the classic Moog modules, Sequencer, arpeggiator and spring reverb."

Synthchaser #108 - Vintage Minimoog Repair & Tour Inside

Published on Jul 19, 2018 Synth Chaser

http://www.synthchaser.com

"Today we have a tour around the inside of a vintage Moog Minimoog Model D with a damaged and dangerously miswired power cord. I show you how to open up the synthesizer, what's inside, and how to change the power cord and power light.

Minimoog power lamps are available on my website. I also repair and restore Moogs and other vintage synths for customers around the world."

Ableton With Your Vintage Sampler

Published on Jul 19, 2018 The Daydream Sound

"In this video we’ll use Ableton Live Camera and the Akai S-950 sampler to create some interesting sounds. Vintage samplers can definitely be used regardless of your age or experience. Merging new and old technology is an ideal creative tool for your music.

Ableton Live is a fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features.

Max For Live puts the vast creative potential of the Max development environment directly inside of Live. It powers a range of instruments and devices in Live Suite. And for those who want to go further, it lets you customize devices, create your own from scratch, and explore another world of devices produced by the Max For Live community.

The Akai S950 soon followed the S900 and offered increased memory and sampling rates. The sample rate was now variable from 7.5 to 48kHz and it could hold up to 99 samples in memory. Memory could be expanded from 750KB to 2.25MB.

Akai S950 Specifications
Polyphony - 8 voices
Sampler - 12-bit linear, 7.5 to 48kHz sampling rates (63 seconds).
Memory - 750 kB (standard) to 2.25 MB RAM
VCA - ADSR
Effects - None
Arpeggiator/Sequencer - None
Keyboard - None
Storage - 2.25MB in S950
Control - MIDI plus optional 8 trigger-inputs via ME35T-board
Date Produced - 1988"