Macbeth Mk1 - Oscillator A, Filter A, Dual EG

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"Three amazing sounding Macbeth 5U/MU Mk1 modules."

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ROLAND SC-D70 SOUND MODULE USB MIDI AUDIO INTERFAC

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Looks like an old school car stereo. Thought these were all phased out before USB.

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Freddy's Multimoog Repair (by Synthpro) SN 2243

Published on Jul 30, 2019 synthpro

"This is a video I made going over Freddy's Multimoog.

Thanks for watching and all the support!

Sincerely,
Jareth"

G-Storm Electro Pro VCF Eurorack Filter First Look [Demo #1]

Published on Jul 30, 2019 gstormelectro

Audio and Video by G-Storm Electro c. 2019

The Pro VCF is a faithful adaptation of a well-known 4-pole synthesizer filter in Eurorack.
The core of this design lies an Alfa AS3320 filter chip based on the original Curtis.
Let's put the Pro VCF through some paces.

Timestamps
0:00 Opening
0:23 Intro
1:01 Audio
0:19 Features
1:49 Audio
2:04 Input: analog PWM, Saw (Pittsburgh Synth Box)
2:43 Input: Digital Wavetable (E352) (PPG anyone?)
3:22 FM of Cutoff

Eventide Blackhole Reverb is Amazing on iOS!

Published on Jul 30, 2019 Electronisounds Audio

App Store: Blackhole Reverb - Eventide

Erica Synths Cowbell

Published on Jul 30, 2019 Erica Synths

"Erica Synths Cowbell module is an extended, modular version of Yocto (808) cowbell. For more sonic versatility we have added Tune and Decay controls, as well as Tune CV with an attenuator for nice vibratos. The module is developed in collaboration with the French company e-licktronic.

Features
Manually and CV controlled tune
Decay control
Manual trigger
Accent input
Module width - 6HP
Module depth – 35mm"

Innovative Raspberry Pi Synthesizer S³-6R (EsCube-6R) Ver. 5 Sound Preview

Published on Jul 30, 2019 R-MONO Lab

“Innovative Raspberry Pi Synthesizer” S³-6R (EsCube-6R)
English Page : https://r-mono-lab-en.tumblr.com/prod...

The S³-6R is originally developed by The Synth-Sennin (Hermit Wizard of Synthesizer) who was once a sound engineer of the Company “R”. It is innovative digital synthesizer which is clearly different from conventional any other analog modeling synthesizer.

Individual synthesis based on originally developed phase control and modulation method (αα-Phase Modulation). Driving in High-Resolution (24bit/96kHz) and 6-voice polyphony. Also the alias noise is very low even when extreme modulation is applied. RaspberryPi is used as the platform.

Roland SH101 & OTO Machines BIM

Published on Jul 30, 2019 3rdStoreyChemist

Kurt Ader "Ambient Waves Festival" Munich 25th May 2019 Trailer 1

Published on Jul 30, 2019 Kurt Ader

"Kurt Ader live in Concert at Nazareth Church, Munich

Visual Effects: Andreas Merz"

KORG KRONOS & KORG SIGMA

River Synths - Dendrites

Published on Jul 30, 2019 SchneidersLaden

This is the first post to feature River Synths.

"The Dendrites by River Synths is a highly versatile multimode filter with different resonance characteristics and a drive circuit. A very nice colouring audio processing tool, with a certain presence and a musical behaviour."

OVERVIEW
River's Dendrites is a true multi-multi-mode filter. A very nice colouring audio processing tool, with a certain presence and a musical behaviour. The filter modes (16), resonance (3) and overdrive (2) all have different options to choose from - a total of 96 different combinations. And then there are five CV inputs, additional switches, controls and attenuators. The “art” of Dendrites is to never appear overloaded with features, but to always be playable - and to sound very good.

DETAILS
Dendrites is a multimode filter AND phaser. Two of the 16 modes are designed as pure all-pass filters, which can produce a rather deep phaser sound despite being there being only four stages/poles available. Four more modes are a mixture of allpass and lowpass, bandpass and highpass. The remaining ten are one- to four-pole, "pure" variants of LP, BP and HP.

The dry, wood-like basic sound of the discrete transistor circuitry always shines through. By adjusting the input level and the resonance behavior, the Dendrites can be made sharper, softer, thinner, wider, firmer and more fluid. And with the drive activated, it's even quite aggressive.

Each of the three resonance settings plays a role in achieving said characteristics: "Vintage" for soft and round, stronger colouring behaviour. "Q-Comp" regulates the relationship between audio signal and resonance, providing a different presence. And "K-Style" means Korg classics sound and therefore also has a dominant resonance sound and a rather mid centered output.

At the center of Dendrites, however, is a click encoder with which the 16 different filter types can be quickly selected. This is also possible with CV. Also the resonance is CV controllable. AND Dendrites also tracks stable over at least four octaves and can be used as a sine oscillator (with Drive = Waveshaper). With exponential and - for filters rather unusual - linear FM. The FM/Cutoff input is switchable between lin/exp and is bipolar (+/-5V), while its neighbour "Envelope" is designed for unipolar envelopes (0-10V). Both have an attenuator for scaling the input signal.

Especially in the setting "K-Style" it is worthwhile to activate the drive. With the input-gain in the middle position in order to leave some air for the resonance. With vintage resonance on the other hand and especially in 4P-lowpass mode you can and should move the input gain to past 3 o’clock. "Q-Comp" has a different presence that allows for settings moving subtly between 9 to 12 at the input and thus working out different shades of saturation.

Dendrites reminds in many settings of classic synths. But you will also notice that it's a unique, self-designed and modern circuit - especially the way it saturates and how agile it can be with fast modulations ... and with how little background noise there is!