MATRIXSYNTH: Tuesday, December 23, 2008


Tuesday, December 23, 2008

Sequential Circuits Prophet 2002+


via this auction

"8 individual outputs, O.S. 4.0 expanded memory/ram. You can sample longer on this one than any other 2000/2002 version. the latest os fixed some bugs, too. This particular machine shines at making really cool synthesized samples, or basically turning your samples/ sampled in material into synthesized chords, basses, efx, etc.... not as punchy as Akai, but very warm and fuzzy and with that lofi crunch."

Not the best shots, but some of the inside. This one ended at $386.50. via brian c

Machine Project Synth


Machine Project Synth from Wade Harpootlian on Vimeo.
"Here's a demo of the synthesizer I built at the Machine Project learn to solder class. The class was great, and I can't wait to do more tinkering. It makes such a lovely sound, don't you think?"
flickr shots by Bearville here.

Sugar Bytes WOW Filter Demonstration


YouTube via gearwire
"Aside from it's definition as an astonished interjection, the word "wow" can also mean: "slow variation in the pitch of a sound reproduction resulting from variations in the speed of the recording or reproducing equipment." We wonder if Sugar Bytes knew that when creating their WOW Filter plugin.

Bill Holland checks this plugin out to see if the product's own name can predict his response to the fluctuating filter sounds.

See more on Gearwire.com."

Chroma front panels

via ron on the Rhodes Chroma list (User Group):

"I've been meaning to send Chris this photo for a while to include on the site. It shows 3 out of 4 membrane panels for the Chroma. The only one missing is the main production panel produced after the first 50 went out. AFAIK the only difference between the first 50 and the main run was parameter #2. Poly/Mono on the first 50, FSW(?) on the main run."


The bottom shot is a bit blurry. Hopefully a sharper image will come in.

La Invención del Sintetizador Moog


YouTube via funkberto

"Al igual q el del Mixer de Sun Records, este video también es de "Objetos Perdidos.." del History Channel. Aquí se muestra, mediante entrevistas a sus inventores, el proceso creativo de uno de los mas revolucionarios instrumentos musicales.

Aunque dudo de la veracidad de que los Beatles hayan usado uno, y al mediocre sonido del video; es muy interesante y entretenido para los "tecnomúsicos"."

Googlish:
"As the q Mixer Sun Records, this video is from "Lost .." the History Channel.

Here is through interviews with its inventors, the creative process of one of the most revolutionary musical instruments.

Although I doubt the veracity of the Beatles have used one, and the mediocre sound of the video, it is very interesting and entertaining for "tecnomúsicos."

BOSS SYB-3 BASS SYNTHESIZER DEMO


YouTube via kulten. See http://kulten.oldiblog.com for more. follow-up to these posts.
"this is a small demo : BOSS BASS SYNTHESIZER, an analog modeling (DSP) synth packed in a compact pedal, made by BOSS (from ROLAND synths maker), here trigged by great little BOSS DR-110 drum machine : you can hear PWM and SAW waveforms, and WAVE SHAPE filters."

Oxygene I


YouTube via samurailonewolf
"JMJ encore...
Oxygene 1 100% Analogique"
Live playing of the Alesis Andromeda A6 and Moog Voyager come in at 1:44.

Yamaha CS50

via this auction

Oberheim OB-8 Faceplate

via this auction

Minimoog Analog Synthesizer 1973

via this auction
"built in 1973, serial number 5339
Built in 1970, and released at the NAMM convention in 1971, Robert Moog’s Minimoog changed the course of electronic instruments forever. It was the very first compact and affordable synthesizer for musicians. Specifically designed for touring musicians, the Minimoog Model D synthesizer moved electronic music experiments from university labs out to the general public. Prior to the Minimoog synthesizers were huge modular designs that were expensive and built one at a time for large recording studios and electronic music labs. After the Minimoog, synthesizers were mass-produced making them much cheaper. The Minimoog was still able to recreate the thick warm sound of the large modular models and offered the most essential programming controls required for producing an endless variety of new sounds. The Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent of analog keyboard-based synthesizers. The Minimoog’s fat sound and unparalleled filters eventually became responsible for some of the best analog synth bass and lead sounds on the market. There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s. It is becoming increasingly more difficult to purchase an earlier model. Technical Specifications: 3 Oscillators, 1 External Input, 1 Noise Source_Oscillator Waveforms: Triangular, Sawtooth, Triangular-Sawtooth Mix, Reverse Sawtooth, 3 widths of Rectangular White or Pink random waveforms_Filter: Wide-range low-pass filter with variable-height resonant peak at cut-off frequency, and 24dB/octave cutoff slope._Range of Cutoff Frequency: Continuously variable from 40Hz to 20kHz (9 octaves). Glide (portamento) 44 note keyboard_Adjustable front panel that swings up and down for proper level of comfort by user._Size (with front panel down): 28-1/4'' x 16'' x 5-1/2''_Wieght: 28 lbs."

Plan B interview on VICMOD

"Peter Grenader is the man behind Plan B modular synthesizers. Plan B [http://ear-group.net/] have one of the stronger choices in the euro rack modular format and it continues to grow. I sent my questions in code to Peter and he deciphered them via his Heisnberg Generator."

You can find the full interview here. Be sure to check out the rest of VICMOD for more interviews.

The Bog Moog Foundation - A Remarkable Year of Progress and Impact

via The Bob Moog Foundation

"Dear Friend,

At year's end we look back on tremendous progress and the crucial elements that us got us here.

Thank you for supporting our historic cause and our unique mission. Our work would not be possible without your involvement.

Progress. We have stabilized and cataloged Bob's archives, garnering support from industry leaders who have championed our efforts. The GRAMMY® Foundation has recognized our worthy pursuit with a coveted grant. Some of the finest music museums around the country have expressed an interest in featuring the archives in their facilities.

Impact. Our outreach program has connected thousands of people to the power and possibilities of electronic music, opening their minds and sparking curiosity and intrigue at the intersection of music and technology.

Moving forward. Now, we make a tremendous stride forward and embark on the planning process for a Bob Moog Museum. Please lend us your voice and take our survey on this important project. Your input is crucial to our success. The more participation we have, the better informed we can be.

Support. The progress we have made comes from the hard work of a very lean organization. The Bob Moog Foundation has one paid employee, and scores of passionate, dedicated volunteers. We need your help to grow and we welcome your donation of any size. Our future depends on your generosity. Help us inspire and educate. Help us preserve musical, technical and cultural history. Help us carry Bob's legacy forward.

We wish you all a splendid and safe holiday season.


The Bob Moog Foundation

Make Waves by donating to the Bob Moog Foundation"

Buchla and Associates LIGHTNING III

"LIGHTNING III is a specialized MIDI controller that senses the position and movement of handheld wands and transforms this information to MIDI signals for expressive control of electronic musical instrumentation. In addition to functioning as a powerful MIDI controller, LIGHTNING III, with its self contained 32 voice synthesizer, comprises a complete, ready to play instrument.

The bulk of LIGHTNING III's electronics is housed in a half rack cabinet.

A remote head, designed to be mounted on a standard mike stand in front of a performer, contains specialized optics, as well as graphic and numeric displays.Based on principles of optical triangulation, LIGHTNING gathers its information by tracking tiny infrared transmitters that are built into baton-like wands. Unencumbered by wires, these wands provide complete freedom of movement within a performance space that can be as large as 12 feet high by 20 feet wide.


Basically, LIGHTNING III senses all three coordinates of each hand, for a total of six independent coordinates. From this information, LIGHTNING's digital signal processor computes instantaneous velocity and acceleration, and performs detailed analysis of gesture. An easily mastered, musically oriented interface language allows the user to define relationships between various gestures and potential musical responses.

In one sort of implementation, LIGHTNING's coordinates might be mapped to various MIDI controllers on multiple channels. Spatial pitch wheels, pan pots, level sliders and modulation wheels are easily defined and great fun to play. Performance gestures can be analyzed for direction and velocity and can be used to generate a variety of notes as well as other musical events. Multi-dimensional zoning capability can be used to create different musical responses in different regions. Everything you need to create the conceptual ensemble (an invisible, acoustic virtual reality).

User definable scale and tuning tables allow one to determine the range and selection of notes occurring along a horizontal or vertical axis. Pitches can be in any order, and the boundaries can be set where ever desired, facilitating the creation of spatial instruments and imaginary orchestras.

LIGHTNING III features a conducting facility that can analyze a conductor's gestures, display deviations from a preset tempo, and signal errors such as missed beats. Simultaneously, LIGHTNING can transmit a synchronous MIDI clock for controlling external sequencers and output programmed note data to accompany specific beats within a measure.

Those tiny, postage stamp size boxes hanging out with the peace dove are memory cards for storing presets. As many as thirty presets can be stored on one card. An additional thirty presets can be stored in RAM, and yet another thirty ROM based presets are provided as tutorial examples (good places to begin the LIGHTNING experience).

To facilitate its use in conjunction with other controllers, LIGHTNING possesses intelligent MIDI merging capability. A complete system exclusive implementation enables LIGHTNING presets to be stored and edited via external computers and sequencers."

via Lundi

Isaac and Daddy on the Roland SH-2


YouTube via koolknitter. "Isaac's first time on the keys. He's into it."

Empty BugBrand Case

via the BugBrand Blog

hmm...

Listening to an electric candle


YouTube via edwindertien. follow-up to this post.
"Using a BPW41 photo diode you can listen to various light sources. For instance a tube light will hum at 100Hz.. an LCD screen will whistle at its refresh rate.. and apparently this candle works as spacey synthesizer..."

Synthesizer Programming - Episode 3 - Harpsichord


YouTube via Thalassa77. Episode 2, Episode 1.
"How to create a Harpsichord Sound. From a basic patch to 18th century Harpsichord ;) This sound is very useful in a lot of music styles, just add some effects and you will get for example, funky clave sound.

The parameters values are approx. Values are expressed in %. The synthesizer is synth1 a free vst synthesizer"

Dueling VCAs


YouTube via boobtube356
"Cwejman VCO-6 sine output through Doepfer A-137 Wave Multiplier, then amplitude modulated by self oscillating MMF-1. The result is sent to the VCA-4MX for the high notes, and the Makenoise QMMG for the low notes. The sequence is chaotic, using the PH-4, the A-147 VCLFO, and the A-170 Slew Limiter. The notes are S&H LFO through the A-156 Dual Quantizer. Both the VCO-6 and MMF-1 are getting feedback modulation from the VCO-6 sine output."

EML 101


YouTube via zibbybone

Animal - Filtertest


YouTube via verstaerker

hungups


YouTube via MMTAKEDA55

Intermorphic Mixtikl V1 for Smartphone, Pocket PC, Windows & Mac

"Powerful & integrated suite of music making applications with integrated Noatikl generative music engine & Partikl modular synth

December 23rd 2008, UK: Intermorphic Ltd today launches Mixtikl V1, its powerful & integrated suite of music making applications for mobile and desktop computers, together with a range of 'add-on' Tiklpak content paks. On desktop, Mixtikl can run standalone, or as a plugin to a VST/AU enabled sequencer, giving users the freedom to create on mobile and remix on Mac or PC, or vice versa.

Mixtikl supports 12 track mixing at up to 44KHz stereo (device dependent), a wide range of user-configurable live sound FX and sound generators with the Partikl modular & DLS MIDI synth, a runtime of the Noatikl generative music engine and the Remixer, Performer, Partikl and Player applications. Mixtikl openly supports the use of users' own files in Ogg, WAV, AU, MIDI, MOD, partikl and noatikl content formats as well as user created add-on Paks.

Seven Windows Mobile screen sizes and orientations are supported at launch, from the smallest Windows Mobile Smartphone screen (176x180) to the largest currently available in the new HTC Touch HD Pocket PC (480x696). "Skins" for all supported screensizes are available in the Standalone versions for Windows and Mac desktops.

Pricing starts at $9.99 for the mobile versions, and at launch Intermorphic is also unveiling a number of special offers and bundles for Mixtikl as well as all its products. 30 day full save trial versions are available from the Mixtikl download page.

Versions for Symbian, iPhone and Antix Game Player are to follow from early 2009.

Intermorphic have an active and growing user forum."

More info including links here

kaoss 64 running in ableton live


YouTube via chinkial
"kaoss 64 drum machine running in ableton live the plugin itself is quite cpu hungry runs about 4o% in live
so as i was recording the quick capture
it glitches and stuuters and goes out of sync
oh and it takes about 30 seconds for thevid to start"

kaoss 64 nearly finished

"finaly fixed the problems i was having
visualising the leds correctly the y position wasnt changing but now its fixed
this is pretty much finished
although im gonna add stuff for the extrnal cntrl mode midi ccs
fx filters and loopers
and also try and get it less cpu hungry

ill put a link up shortly for a download
for people to give it a try
a christmas present from me"

Zn'shñ Live at Mudam (2008)


YouTube via znshn
"Zn'shñ (Elvire Bastendorff & Franck Smith) live at Mudam Luxembourg, Musée d'art moderne Grand-Duc Jean. Recorded December 10th 2008.

IF POSSIBLE USE HEADPHONES OR CONNECT YOUR COMPUTER TO A QUITE DECENT SOUND-SYSTEM.

Invented and defined by Franck Smith, the term Zn'shñ signifies: the gleam of dark colours. Deliberately antithetic and intentionally enigmatic, Zn'shñ is enthused by Butoh iconography, Japanese Gagaku aesthetic and Tibetan rituals codification. Operating as a dual electronic unit, Zn'shñ deepens a series of very specific works around phonocrafting and noise manufacturing.

http://www.myspace.com/znshn
znshn@hotmail.com"

N°2 of Zn'shñ Live at Mudam (2008)

Plugging in

flickr by poly915

full size

Music for the Holidays

Some more music for the holidays, via the forum:

Winter Lounge Compilation via intercorni
"Winter Lounge Compilation

Urania Man released 3 new tracks on the Winter Lounge Compilation.

Synthesizer:
PPG Wave2.2
PPG Waveterm A
PPG Prozessorkeyboard
PPG 360A
Roland Jupiter-8
Roland Jupiter-6
Roland JX10
Waldorf Microwave I
Casio VZ10M
Oberheim Matrix6
Sequential Pro One
KORG DW-8000
an many many digital Stuff (Native Instruments)

iTune Link
"

.
.
.

Live Streaming New Years Eve 2009 electro-music.com event via ocp
"We did it in 2006 and 2008 (I think we missed 2007) so why not do it again? Lets have an online electro-music.com international New Year's Eve party and electro-jam. Almost all cultures celebrate the January 1st New Year so this is sure not to offend too many people.

A floating concert is like a floating crap game, it moves around from location to location.

A shoutcast server will be set up to run all day Dec 31 through Jan 1. People in their studios are welcome to set up live streaming of performances, jam sessions, or any kind of musical expression for streaming. The electro-music.com members and lurkers can tune in and share the experience. Hopefully, people will be volunteering from all over the world to sign up for a time slot. Pick a time convenient for you - it doesn't have to be Midnight in your time zone, but that would be cool.

For those that haven't done live streaming, it is a lot easier than you might imagine. To do the streaming, all you need is a PC with Oddcast (now called Edcast), a free program. If you have a Mac, you can use the Nicecast program (free demo works for a month the last time we tried it) to stream.

If you are are interested in participating, a test server will be set up just for you to experiment on to make sure you can get it to work.

Once you get your own server assignment, you can test stream all you want. When your time comes up on New Years Eve, the radio.electro-music.com server will be switched to reflect you server. You have nothing to do.

If you are interested, please let us know. We'll pass out times on a first come basis. Why don't you join in? Don't worry about being polished and super professional, this is for fun. Hopefully, we can give some of our DIY synth builders a chance to have their music heard direct from their studios.

It's party time...

For more info go here: http://electro-music.com/forum/viewtopic.php?p=220958#220958"

Ensoniq Fizmo Rack

via this auction via the forum.
"The Fizmo is a 48-voice synthesizer which uses 2nd-generation Transwave technology to create very organic sounds unlike any other synth available. Every programming function has its own dedicated knob or button. The Fizmo features an Arpeggiator and 24-bit VLSI effects with 41 algorithms, including a Vocoder and the ability to process incoming audio through the Vocoder and effects.

Transwave synthesis uses wavetables of sound data with layered variations in harmonic structures such that their timbres progress naturally from one end to the other. This allows for sounds to modulate over time, or by velocity, wheel, pressure, or any number of other options.

There are 2 oscillators available for each of the 4 presets allowing for 8 unique oscillators at the same time, not to mention individual LFO and Noise generators for each Osc. Another wonderful feature is the ability to stack up to four individual presets together into one sound and map them across the keyboard. This synth is very capable of some very complex sounds.

The built-in Arpeggiator has 118 presets which can be easily edited to your liking, and 26 real-time control/editing knobs make mutating your sound a pleasure. All controls may be recorded in real-time to an external sequencer.

Performance features
* five F-I-Z-M-O real-time control knobs
* four dedicated Sound buttons allow convenient selection, layering and key range assignment of presets
* 17 dedicated Sound and Effect editing knobs
* all four zones can play local sounds or external MIDI sources
* 48 dynamically assigned voices
* four-pole dynamic digital low-pass resonant filters with key tracking (33 settings, including fractional scaling)
* three envelope generators that can be modulated by velocity, key scaling, and response to release velocity
* 22 modulation sources, 8 modulation destinations
* one LFO (seven waveform choices can sync to Arpeggiator or external MIDI clock)
* variable rate noise generator can sync to Arpeggiator or external MIDI Octave, semi-tone, and fine tuning
* pitch tracking (33 settings, including fractional scaling)
* 45 ROM pitch tables (256 steps per semi-tone resolution)
* glide mode, glide time
* mono/poly playback
* programmable pitch bend range
* sustain on/off

Ensoniq Fizmo Specifications:
#Polyphony - 48 voices
#Oscilators - 4 MB of 16-bit internal wave ROM, featuring Transwaves (created through digital synthesis and resynthesis technologies); 2 osc for each of 4 presets - total of 8 simultaneous - 58 waveforms
#LFO Time - 8 LFO's (7 waveform choices, can sync to Arpeggiator or external MIDI clock)
#Filters - Resonant LP & BP 4 pole filters. Non-Resonant 2LP+2HP, 3LP+1HP, 2LP+2LP, 3LP+1HP filters.
#Efects - 41 digital VLSI 24-bit effects (8 Global Reverbs, Chorus, Flanger, DDL, Distortion, Tunable Speaker, Chatter Box, Vocal Morph, Auto-Wah, Vocoder); Processes incoming audio
#Memory - 128 ROM sounds, Up to 128 RAM, 64 Presets
#Control - MIDI (up to 4 polyphonic channels)"

Natureza Morta

flickr by me esqueçam¿

DIY Synth

via CatSynth

find the cat.

Korg Wavestation + Roland JD-800 *Arctic Circle*


YouTube via retrosound72

"vintage synth demo track by RetroSound

'Arctic Circle'

pads and fx sounds: Korg Wavestation SR played with the DX7 II
CS-80 like brass sound: Roland JD-800

Thanks for over 2000 subscribers in the last year.
Matrixsynth, Tara Bush (Analog Suicide), Synthtopia, NonSoloSynth, Switched On Synthesizer and the others thanks for the support.

Happy Christmas!"

Sequential Circuits Pro-One

flickr set by transanalog
(click for more)

Be sure to see these full size by clicking on "All Sizes" when you get there.

Inside a Sequential Circuits Pro-One

Warren Burt interview on VICMOD

"Warren Burt has to be one of my favourite composers, up there with the likes of Sun Ra, Merzbow, Morton Subonick, Pierre Henry, Parmegiani etc yet his recordings have remained unheard by the masses. Even today people interested in early electronic music may have missed his recordings.Thankfully they are available via his web site http://www.warrenburt.com/"

You can find the interview on VICMOD.

mopho demo


YouTube via PHAEDRIDER
"i just got this little booger yesterday, and i must say ! wowie!
i'm still finding my way around the controlls, as i'm used to having a ton of sliders or knobs in front of me. bass provided by juno 60, drums from sequential drumtraks. all the weird ass other stuff is the mopho!
so.. here ya go iain.."

LED Flickering Candle Listening to Output


YouTube via circuitmaster
"Listening to the output of am LED flickering Candle. Seems fairly random."

harshal - me playing the flintstones theme music


YouTube via brio0909
"that's me playing the Flintstones theme music on my roland juno g synthesizer,
i haven't played the jazz riff 'cause it's a solo instrumental"
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