Oberheim OB-X "Somber Place"

"(c) 2016 vintage synthesizer demo track by RetroSound
all sounds: Oberheim OB-X Analog Synthesizer from 1979
recording: multi-track
fx: delay & reverb"

Yamaha Reface Short Multitrack with custom sounds

Published on Jan 27, 2016 Zaphyd

"Very short multitrack using some custom sounds of my Yamaha Reface DX. Processed with a Kurzweil KSP8"

Yamaha Reface DX Custom sounds (Pads)

Published on Jan 27, 2016

"Got it for 3 days now and made some sounds on the couch. It's really nice for pads and atmospheric stuff. Every sound at first 100% Reface with internal effects. Then with a reverb program added from the KSP8 (Immense Mosque)"

Reface on eBay | Reface on Amazon

Sound Diary #8 - Feedback Paths

Published on Jan 27, 2016 DivKidVideo

"Here's some fun I was having with a simple repetitive sequencing playing into the Make Noise - Echophon. I'm using the GOD's BOX Humpback filter in band pass mode in the feedback path of the Echophon to create some sweeping resonant feedback trails."

Hordijk Phantasma

Published on Jan 26, 2016 Todd Barton - listen in stereo.

"a little slide show to go along with my recent 'first piece' for the Hordijk modular system. better audio here:"

Hunting The Voidhawk

"The Reality Dysfunction"

All sounds except drums made with the DSI Pro 2.

Winter Meditation

Published on Jan 19, 2016 Sacred Synthesis

"A simple reflective melodic piece for mid winter. The Prophet '08 plays the melodies, while a second Prophet 08 supplies the first accompaniment and a Poly Evolver the second.

Instrumentation:
DSI Prophet '08 Keyboard (2)
DSI Prophet '08 Module
DSI Poly Evolver Keyboard
DSI Poly Evolver Rack
DSI Evolver Desktop
Hammond XPK 200L Pedalboard

Effects:
Reverb from Lexicon MX 300
Delay from Alesis Nanoverb 2

All music performed live and recorded directly to CD; no sequencers or arpeggiators were used.

All music property of Sacred Synthesis"

Roland Boutique Demo (The Long Ride Home) By PolyEvolver

"Hi Folks, I made this exclusively on the Roland JP-08, JX-03 and JU-06 Boutique synthesizers. I mixed and used drummer from Logic Pro X. This track highlights their strengths together. Please feel free to ask questions, yes I know it sounds retro, it intended ;)

Enjoy"

Roland Boutique on eBay | Roland Boutique on Amazon

A Touch Of Chaos (Korg DSM-1) (1987) - Don Muro

Published on Jan 18, 2016 jd wall

"Korg issued a series of DSM-1demo disks in different styles. This sequence uses some of the orchestral sounds. (The four-part multitimbral capability was a challenge.) The 2.8' demo disks were compatible with the the Korg SQD-1 sequencer."

New From Atomic Shadow - Shortwave Robot Pants

Atomic Shadow has a new album out, Shortwave Robot Pants. Click through for details and of course you'll find the embed above.

Korg Poly-800 Soundsheet Demo (1984) - Don Muro

Published on Jan 14, 2016 jd wall

"recorded on a 16 track tape recorder (no MIDI sequencers yet) with an Oberheim DMX drum machine."

Pittsburg Modular Officially Introduces Lifeforms Eurorack Systems

"Introducing Lifeforms Eurorack Systems
Our best sounding synthesizer yet, Lifeforms systems are available in three configurations. System 101, System 201, and System 301 are the perfect gateway to the eurorack modular synthesizer world.

Interactive inspiration machines. The next generation of our System line of eurorack synthesizers harnesses the power of the new Lifeforms modules and Structure enclosures. Designed around the Lifeforms SV-1 modular analog synthesizer voice and anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms Systems offer a rich sound palette with the flexibility of an open, fully patchable analog voice architecture.

The System 201 and System 301 also include the Lifeforms KB-1 pressure sensitive keyboard controller. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory, and more. More information on the entire Lifeforms line is available at lifeformsmodular.com.

Evolution of the Synthesizer Voice
The Lifeforms SV-1 is a fully patchable synthesizer module, destined to be the heart and soul of any eurorack modular system. It features two independent, full-range analog oscillators, and the unmistakeable sound of the Pittsburgh Modular filter paired with a highly curated set of modular tools designed to fuel the creative fire. More information on the Lifeforms SV-1 is available at lifeformsmodular.com/sv-1.

Control At Your Fingertips
Shape music like never before with the Pittsburgh Modular Lifeforms KB-1 pressure sensitive controller. The Lifeforms KB-1 eurorack module provides a multi-function, expressive, capacitive touch keyboard designed for performance. It contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable an unprecedented level of control over any eurorack system. More information on the Lifeforms KB-1 is available a lifeformsmodular.com/kb-1."

Lifeforms SV-1
Analog Modular Synthesizer
Suggested Retail Price $699

"The Heart and Soul of Modular Synthesis
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player
We’ve designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Integrated Synthesizer Components

MIDI
We started with the core of our rock solid MIDI 3 module then modified the source code to create a feature set specifically designed for the SV-1. This MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1. Volt per octave and gate outputs allow you to connect to your MIDI keyboard or DAW and take control of the SV-1 your way.

Extensive patch options give you access to glide, CC, and velocity. A digital clock-syncable LFO with triangle and quantized random voltage waveforms provides even more modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. A built-in arpeggiator provides all of the deep arpeggio responses from the MIDI 3, including as played, double triggered, random, and random with random gate. This unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

Oscillator 1 and Oscillator 2
Our next-generation dual analog oscillator provides the sonic framework for massive synth sounds or deep exploration of west coast style frequency modulation. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. As a bonus, Oscillator 1 also contains our unique blade wave. The shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator 2 is normalled to the FM of Oscillator 1, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two modern, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

Modulation and Tools
A wide-range utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator 1’s core frequency. Analog noise and sample & hold finish out the Tools section — the hold function is initially pre-wired to MIDI clock, and equips you to create perfectly timed, random voltage steps.

Mixer
This versatile four channel mixer comes pre-wired for fast access to Oscillator 1’s sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1. The mixer can be split into two independent two channel mixers simply by patching into the top output.

State Variable Filter
Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Four Stage Envelope Generator
Designed specifically for the Lifeforms SV-1 with a plucky, organic feel, our four-stage analog ADSR allows you to generate envelopes with remarkable, precise control over each stage. Pre-patched to receive gate signals directly from MIDI, the gate input may be overridden by any available clock, trigger, or square wave source.

Voltage Controlled Amplifier
The amplifier section not only controls the overall level of the output, but is voltage controllable. A clean, responsive VCA, capable of everything from transparent control to mild overdrive contours audio or CV signals. The ADSR is pre-patched to the level CV providing shape to the synthesizer audio.

Splitters
Two unbuffered audio or CV splitter sections allow you duplicate your signal in creative ways, routing a single audio or CV source to multiple destinations.

Line Level and Headphone Outputs
High quality stereo headphone amplifier and monophonic line level outputs controlled by a master volume knob.

User Manual
Coming soon...

Module Specifications
Panel size 48hp | Depth 35mm | Power consumption 230mA with reversed power polarity protection"

Lifeforms KB-1
Pressure Sensitive Keyboard Controller
Suggested Retail Price $499

"Take Control
Shape your music like never before with the new Lifeforms KB-1; a unique and intuitive set of tools designed for controlling your eurorack modular system. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave adjustable, pressure sensitive keyboard complete with arpeggiator, step sequencer, four voltage memory pads and two trigger pads. Eleven outputs and a deep feature set enable you to explore new sonic territory with an unprecedented level of control.

Monophonic and Duophonic response modes with user-selectable note priority and retrigger options let you customize the KB-1 specifically to your needs. Octave buttons provide quick selection of one of seven available octaves for a wide sonic range. Monophonic mode allows you to perform soaring leads, buttery basslines with legato, or classic arpeggios. Or, take control of two separate oscillators in Duophonic mode to create rich soundscapes, complex drones and arps, lush pads, and thundering bass.

Easily program melodic sequences with maximum flexibility. Along with immersive keyboard features, there is also a powerful ten note arpeggiator and sixty-four note sequencer, each focused around playability, empowering you to craft inspiring melodies, or utilize the stepped voltage as control for other parameters, such as filter frequency or VCA control.

The Next Step
The Lifeforms KB-1 features a playable, ten note arpeggiator. This robust arpeggiator can cycle through one to three octaves. The arpeggiator in the Lifeforms KB-1 contains three different arpeggiator modes, including single or double note trigger, and random monophonic or duophonic note cycling with random gates . Probability gate burst mode can trigger additional random gates to add complexity to arpeggios. This feature, unique to the Lifeforms KB-1, enables you to have rolling pulses divided by the clock source, allowing for dramatic rhythmic variations of your sequence.

A feature-packed sixty-four step sequencer with multiple play modes gives you precise control over the cycling of your sequence. Sequences can be played forward, reverse, or random. Sequences are quickly created by step programming and each step can have one of six step modifiers: pitch bend, tie, single trigger, double trigger, quad trigger, and whole note. Once the sequence is complete, the first note of a sequence can be shifted back or forward, resulting in generating new sequences out of your initial performance. Probability gate burst mode is also available to sequences adding realtime complexity to a performance.

Express Yourself
The two assignable trigger buttons enable you to unleash your creative potential in new ways. Trigger 1 and trigger 2 can be independently assigned to one of six different trigger button modes including pressure sensitive pitch bend, gate, latch enable/disable, trigger, pressure sensitive trigger burst generator, and a pressure sensitive clock divider.

Preset Voltage Memories
The programmable voltage memory section can function as a four channel sequencer, cycling forward, reverse, or randomly; or the active channel can be selected manually allowing the section to function as a 4 channel voltage memory. Voltages are unquantized analog voltages between 0 and 5 volts. Multiple clocking options are available to drive the preset voltage memory sequencer.

On the Beat
The Lifeforms KB-1 can be clocked internally via tap tempo or from an external clock source such as a sequencer, square wave, trigger, or clock divider. This allows you to either play on your own, or perform locked in time with external devices.

User Manual
Coming soon...

Module Specifications
Panel size 42hp | Depth 38mm | Power consumption 160mA with reversed power polarity protection"

Spectralis 1 Beta Jam

"During a betatest I often create new music. Most bugs occur, if you really work with the synth and if you simply produce some music. I created some basic Spectralis 1 pattern and did some overdub improvisations with the Accelerator above the backing. The Spectralis 1 is equipped with the factory soundset from 2004 only. It still sounds fresh after all these years;-)"

LushOne Mini Modular Hybrid Digital Analog Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"A nice little mini modular with a good selection of features -
2 DCOs each with 5 waveforms and a CV input. One useable as an LFO
2 ADSRs
1 LPF with 1 input and 2 CV inputs
2 Square+Triangle LFOs
1 Gateable square LFO
2 VCAs
2 Ring Mods
4 RCA Breakouts and 1 MiniJack breakout
1 Joystick controller with button out
1 noise source
1 sample and hold
4 imput signal mixer
Midi in

I think that's about it...

It's quite a fun piece of kit - good fun to use with a eurorack modular, or just freerunning on its own.
Here's a quick play around from today with it patched to itself doing some some fake stereo panning using the two VCAs and LFOs. The only external effect was a little bit of reverb [embedded above] - For some reason the ADSR knobs work in reverse - no idea why. But it's like that on both for some reason.

Powered by a 12v wall-wart type power supply which I'm including, and about 30 mini-banana patch cables and all topped off with a bunch of 1900 type knobs.."

CLICK FOR MORE »

Prophet 12 Patches by BoB SwanS

Published on Jan 10, 2016 BoBSwanS

"A brief demo of my bank of 99 patches for the DSI Prophet 12 that is now available to purchase for 16 Euro here :-

http://bobswanspatches.byethost3.com/..."

Being Boiled (Human League​-​cover)

"AN1X on bass,and Arp Oddity on dr and rhythm synth."

via ‏@LoFiElectronic

Hans Wurman - The Moog Strikes Bach [Original German Stereo LP] (1969)

Published on Dec 19, 2015 Vinil-o Philia

This one in via Soviet Space Child.

"Classical pieces transcribed to and performed on the Moog synthesizer.

There's a bit of crackle here and there, mainly at the end of B2 but I decided to leave it to avoid overprocessing.

General info:
Label: RCA Red Seal - LSC 3125
Format: Vinyl LP
Country: US
Released: 1969

Source: Original German LP
Process: ripped with Audacity 2.1.0 & declicked with ClickRepair 3.9.3. No noise reduction was applied.

Tracks:
A1 Chopin - "Black Key" Etude, Op. 10, No. 5 00:00
A2 Mozart - Turkish March (Rondo From Sonata In A, K. 331) 01:39
A3 Rachmaninoff - Vocalise, Op. 34, No. 14 05:08
A4 Prokofieff - Prelude, Op. 12, No. 7 11:35
A5 Wurman - Thirteen Variations On A Theme Of Paganini 13:34
B1 Bach - Toccata And Fugue In D Minor 23:47
B2 Mozart - Eine Kleine Nachtmusik (Serenade In G, K. 525)
a. Allegro 31.18
b. Romanze: Andante 36:50
c. Menuetto: Allegretto 42:33
d. Rhondo: Allegro 45:03

Performer:
Hans Wurman - Moog modular synthesizer

Notes:
Recorded at RCA Studios
Engineered by Roger Anfinsen
Produced by John Pfeiffer

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

This is NOT my work, and all credit for the music and album cover goes to the original copyright holders and other parties that may have anything to do with the songs."

Hordijk Free Jazz V

Published on Jan 7, 2016 Todd Barton

"ok . . . the final installment of these little experiments -- this time with some knob tweaking of this self-generating patch. for better audio:
http://soundcloud.com/user7621213/hor..."

Tracktion BioTek - New Organic Virtual Instrument from Wolframe Franke & Taiho Yamada

"This is a selection of demos from the new Tracktion BioTek virtual synthesizer. Each cue was performed live using a single BioTek patch in order to demonstrate the playability and expressiveness of the instrument. Wolfram Franke's powerful synth engine completely transforms sound between nature and technology via the central XY controller. It was an honor and pleasure to direct sound development for this project, and to contribute what I consider to be some of my best sound design work to date.

Special thanks to the entire BioTek sound design team, including Wolfram, Mike Wall, Sendy, justin3am, and Randy Lee. Check out electronic music from Wolfram Franke, Sendy and justin3am here on SoundCloud:

@wolfram-franke
@sendy
@justin3am"

Wolframe Franke was previously with Waldorf. He was the developer behind Largo, PPG Wave 2.V & 3.V, Attack and Steinberg's V1. He also created Stroke Machine for the iPad.

Taiho Yamada was the Project Manager and Head of Sound Design at Alesis. He worked on the QuadraSynth, QS series, A6 Andromeda, Ion, Micron, and the Fusion HD workstations. He was also the man behind the M-Audio Venom.

Anyone know who the girl with the whisky bottle is? [Update: it's Kristina Childs who designed the UI for BioTek. Thanks to Lima in the comments for the info and Anonymous for the link!]

You'll find more info on Tracktion's BioTek on their website here. They also have a Micro Synth Pack.

CLICK FOR MORE »

Dragonborn Alphasyntauri Synthesizer

Published on Jan 3, 2016 Heimðallr Himinbjörg

"Just me playing Dragonborn on the Alphasyntauri which is a weird little synth. I do not own this song I am just playing credit goes to the copyright holder."

An Alpha Syntauri demo.

Testbed 4Voice by BugBrand

"2 x 1Frame giving 4 Voices - each set up as VCO/VCF/VCA
Played with Roland 184 Keyboard + Sonic Potions LXR (Audio & Clocking)
Downloadable as .wav
Raw sounds, no effects, minimal edits."