Sensel express MPE presets examples

"The express MPE presets pack is a set of over 40 beautifully designed presets for Xfer Serum, Arturia Pigments, Madrona Labs Aalto and Kaivo, Audio Damage Quanta, Bitwig Studio, Ableton Live 11, and the ASM Hydrasynth. These sounds can stand on their own, or mix it up in your productions: there's something for soundtrack, techno, hip-hop, pop, ambient, and whatever new genres you're inventing!"

Playlist:
1. Sensel express MPE: Arps and Pads for @bitwig studio
2. Sensel express MPE: Bell and Grain for @Audio Damage, Inc. Quanta
3. Sensel express MPE: Drops and Dated for @ASM Ashun Sound Machines Hydrasynth
4. Sensel express MPE: Glass and Steel for @XferRecords Serum
5. Sensel express MPE: Plunk for @ASM Ashun Sound Machines Hydrasynth and Mbira for Madrona Labs Kaivo
6. Sensel express MPE: "Texture Explorer" for @Arturia Pigments
7. Sensel express MPE: "FFT Contact" for @Audio Damage, Inc. Quanta
8. Sensel express MPE: "Oooo" for @Audio Damage, Inc. Quanta and "Dirt" for Madrona Labs Kaivo
9. Sensel express MPE: "Poppin" for @XferRecords Serum
10. Sensel express MPE: "Texture and Pulse" for @XferRecords Serum

Audio Damage Introduces Continua Virtual Analog Synthesizer for Windows, macOS & iPad

Introduction Published on Jan 8, 2020 Audio Damage, Inc.

"A brief overview of Continua, a virtual analog synthesizer for your Windows, macOS, or iPadOS music-making. Continua bucks the current trend of Robocop wavetable synths to bring you a somewhat more chill environment. Morphing oscillators and filters ease your sonic environment in to place, while custom chorus, delay, and reverb algorithms blend it in to a huge and complex soundspace.

Full MPE implementation and modulation routing for days make Continua an incredibly expressive synthesizer, while TUN file loading allows explorations outside equal temperament. A true player's synth, Continua is both bedrock and atmosphere. Try the demo at http://www.audiodamage.com today!"

Audio Damage Continua: A Wavetable Synth with RMR Presets

Published on Jan 8, 2020 Red Means Recording

"Audio Damage Continua is a wavetable synthesizer for Windows, OSX, and iOS. I made some presets for it. Let's check it out!"

Update: Two more user demos.

NOIR - Presets for Continua (Desktop and iOS)

Published on Jan 8, 2020 SonalSystem

SonalSystem Presents:
https://sonalsystem.com/products/noir

Continua - Audio Damage - Red Sky Lullaby presets demo

Published on Jan 8, 2020 redskylullaby

"Demo of my presets included in Continua a new 3 osc virtual analog synth from Audio Damage for iPad and desktop
Loads of really deep modulation options in Continua and MPE too."

Audio Damage Releases Pumphouse for iOS

Audio Damage Pumphouse Overview

Audio Damage, Inc.
Published on Aug 15, 2017

iTunes: Pumphouse - Audio Damage, Inc.

"What do you do when you need the sidechain pumping effect in an iOS DAW that doesn't have sidechaining? Pumphouse to the rescue!

Pumphouse is a simple and excellent compressor (taken straight from our RoughRider 2 codebase) coupled with a step sequencer driving an envelope generator. In this manner, you can sidechain-compress your pads or bassline against a 1-measure pattern, no other inputs required.

With an easy-to-understand interface, Pumphouse is a quick method for getting That Sound.

Pumphouse requires transport information to work. Please note that some iOS AUv3 hosts do not have a transport. (At this time, Auria Pro that we're aware of.) There is an Inter-App Audio version supplied, but it also requires transport info.

We have tested and approve the AUv3 with AudioBus 3, Cubasis, GarageBand, AUM, ModStep, Zmors Modular, and Beatmaker 3."

CLICK FOR MORE »

Audio Damage Releases Eos 2 for iOS

On the heels of Grind, Audio Damage has ported Eos to iOS.

via iTunes:
Eos 2 - Audio Damage, Inc.

"A long-time studio standard, now finally available for iOS! This is a direct 1:1 port of Audio Damage's Eos 2 desktop plug-in, identical in every way to the Eos you know and love. This download includes an AUv3 App Extension for use in AUv3-savvy hosts like AUM, AudioBus, GarageBand, Cubasis, and Auria Pro. Also included is a stand-alone application with Inter-App Audio.

Eos 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.

Want a traditional dark plate reverb? Eos 2 can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos 2 really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos 2 thrives, something that is not possible with convolution 'verbs.

Features

> Four reverb algorithms designed for Audio Damage by ValhallaDSP, including three separate plate algorithms and our own unique SuperHall, a rich, densely modulated, extra-long hall algorithm designed for ambient and synthesizer music.

> Full control over the reverb early reflections and tail, with modulation and equalization control, to sculpt the density and tonal characteristics to your needs.

> All presets from the desktop version included, and you can even share presets among all versions of Eos 2 using the copy/paste mechanism.

> AUv3 and IAA standard.

> Note that Eos 2 is a dense, heavily modulated algorithmic reverb, and as such may be somewhat heavy on the CPU, especially on older devices. For best results, use a single instance as a send."

1st Annual Moog Circuit Bending Challenge

"Enter the First Annual Moog Circuit Bending Challenge

Moog Music was born when a young Bob Moog, who considered himself a geeky, socially awkward kid with a passion for electronics and music started tinkering with electronic circuitry. As a boy, Moog built small radios, amps and three note organs in his basement workshop with his father & the rest is history. In celebration of this creative curiosity, Moog and Moogfest 2010 are sponsoring a circuit bending challenge, to honor all those that lick and stick, modify signals and jump traces.

How to Enter:
1. Procure a battery-powered sound-making device
2. Bend it by any means necessary.
3. Document the bend process and outcome with video with audio (required). The better you document, the better we can judge. All videos must be uploaded by midnight eastern time on Monday October 18th, 2010.
4. Upload the video to YouTube and tag with “moog circuit bending competition 2010” and “Moogfest 2010”.
5. Send an email with the subject Moog Circuit Bending Challenge 2010 to info@moogmusic.com with the YouTube links to your entry.

Finals:
The top 3 contestants will be chosen as finalists on Friday, October 22, 2010 and win weekend passes to Moogfest 2010 as well as a Moog merch package. At Moogfest the 3 finalists will be given a workstation in the Moogaplex, the same toy and the same bag of tools (which includes a soldering iron, wire, switches, potentiometers of varying degrees, resistors, capacitors, heat shrink, bread boards, diodes, plus more surprises). Each finalist will have from 8 a.m. - 4 p.m. on Saturday, October 30 & Sunday, October 31 to bend the toy at their workstations. Grand prize winner will be chosen by a Moog Music Engineer at 5 p.m. on Sunday, October 31.

Grand Prize:
Grand Prize winner receives a Moog Pedal Board which includes one of each Moogerfooger (MF-101 Low Pass Filter, MF-102 Ring Mod, MF-103 Phaser, MF-104Z Analog Delay, MF-105M Midi MuRF, MF-107 ) and a Multi-Pedal (MP-201). [and a Slim Phatty]

NO PURCHASE NECESSARY. PURCHASE WILL NOT IMPROVE CHANCES OF WINNING.

All winners must be 18 years of age or older, unless otherwise stated and/or posted.

1. Entering Contest and Choosing and Contacting Winners:

CLICK FOR MORE »

Audio Damage Releases Circa Looper

video upload by Audio Damage, Inc.

"A very basic noodle with Circa, our six-track looper plugin. In this instance, Circa is on the iPad, hosted in AUM. MIDI CC from the Quad Cortex's foot switches is being routed to Circa in order to control the layers."

via Audio Damage

"Equal parts workhorse and abstract creative tool, Circa is a six track multi-layer looping environment that can do most of the things your popular floor pedal looper can while also paying homage to the serendipitous world of ambient looping.

Each layer can sync to the host, a master loop, or free run, and can be triggered in sync, with an audio signal, or freely. Circa has seven stereo outputs (including a dedicated cue output for monitoring) and built-in reverb and delay. Add in a complete MIDI control system and Circa is a full looping workstation."

CLICK FOR MORE »

Nagra Loop Through Audio Damage Eurorack Effects...

Published on Sep 15, 2013 Audio Damage, Inc.·19 videos

"This is a quick demonstration of the first three Audio Damage effects for Eurorack. Source is a tape loop on a Nagra III. First, DubJr is demonstrated, then Grainshift, and finally Errorbox.

Information about these effects and where to purchase them at the Audio Damage site, http://www.audiodamage.com"

Audio Damage Sequencer 1 LFO Test...

Published on Aug 19, 2014 Audio Damage, Inc.

"This is a quick demo of the various features of the three LFOs in Sequencer 1. Note that we are not quite finished coding these, so some minor details may be different in the shipping unit.

Patch:

Sequencer 1 Pitch (1v/Oct) out: PDO 1v/Oct in. PDO to Doepfer VCA to Audio Damage Digifilter.

Sequencer 1 Gate out: WMD Multimode Envelope in. Env out to Doepfer VCA CV in.

Sequencer 1 CV1 out: Audio Damage Digifilter frequency CV in. Digifilter is set to Lowpass mode, mild resonance.

In this manner, Sequencer 1's LFO1 is affecting the frequency of the Digifilter, so that you can plainly hear what is occurring."

Audio Damage Phosphor 2 with StudioMux and Ableton Live

AfroDJMac USA
Published on Aug 2, 2017

"Audio Damage's Phosphor 2 is a cool additive synthesizer for the iPad. In this video I use StudioMux to run a few Audio Damage iPad apps into Ableton Live and create a short jam."

iTunes: Phosphor 2 - Audio Damage, Inc.

Audio Damage Releases Grind Distortion for iOS

iTunes: Grind Distortion - Audio Damage, Inc.

"A true powerhouse of audio warfare, Grind puts the "damage" in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design. This effect consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter with eleven different topologies, from your favorite four-pole lowpass ladder filter, to the 18dB screaming acid, to more subtle toolbox filters like notch. Driving it all is a tempo-synced LFO for rhythmic filtering and grinding.

Grind is code-identical to our VST/AU/AAX version, and can even load its presets. Take your favorite destruction plug on the road with you in this AudioUnits v3 version. Also includes a stand-alone app.

FEATURES

> Input gain and gate

> Wavetable lookup distortion module with LFO modulation over 15 wavetables, and control over window size and phase. This replaces the input sample with one chosen from the selected wavetable based on input level.

> Algorithmic distortion module. Apply one of eleven different distortion/saturation algorithms to the signal, for everything from subtle tube-style harmonic saturation to full sine driver craziness.

> Multi-mode filter with eleven different topologies, from popular vintage synth filters to studio carving tools. The filter frequency is an LFO modulation target, making this worth the price of admission for the filter alone.

> Tempo-synced LFO. In an AUv3 host, Grind's LFO automatically syncs to your host, and can provide rhythmic interest to virtually any track. Mod the filter, for timbral interest, or mod the wavetable, for the full Grind destructo-effect!

> A mix control rounds out this easy-to-use, yet deceptively intense effect. Add a little or add it all, Grind is a multi-effect that will bring any sound to life."

CLICK FOR MORE »

Audio Damage Enso - looper plugin for AU, AAX, VST, VST3, and iOS AUv3

Published on Mar 10, 2019 Audio Damage, Inc.

via Audio Damage

FEATURES

Full Automatic Looping Engine
Enso's looping engine is simple to learn, but exceedingly powerful, with "one button" looping control, both host-synced and free time.

Dub In Place
Enso can either work like a traditional digital looper, where the input is mixed with the buffer contents, then sent to effects, or like a tape looper, where the effects and speed changes are included in the feedback path.

Sector Crossfading
Define four different start and end points. Crossfade between them, and overdub or re-record within them.

Effects Section
Enso has user-controllable "tape style" saturation and hiss, high- and low-pass filters, and a stereo chorus for thickening and carving your loop.

CLICK FOR MORE »

Audio Damage Replicant 2 for iPad

Published on Dec 11, 2017 pantsofdeath

iTunes: Replicant 2 - Audio Damage, Inc.

"One of the original buffer effects, and still one of the best, Replicant is essentially a randomized looper/buffer reverse, with a randomized stutter effect inside the loop. From a simple delay or panning effect, on up to massive random "instant Autechre" beat mangling, Replicant is a capable plugin well in line with today's electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you're looking to add some chance to your production, you've come to the right place!

IMPORTANT!!!! PLEASE READ!!!

Replicant 2 is a tempo-based effect, and requires a host that provides transport information. A standalone application is supplied, but it requires an Inter-App Audio connection to a host with a transport to work. We strongly advise using the (identical) AUv3 instead. We recommend BeatMaker 3, AUM, Cubasis, ModStep, GarageBand, AudioBus 3, and similar AUv3 hosts that have a transport.

And finally, we have made an iPhone version available for cross-compatibility, but note that the controls are very small. It can be difficult to use in this context, and we do not recommend it.

Replicant 2 is an aggressive buffer-rearranger. It is primarily meant for percussive straight-time material such as drum loops. If the track has a lot of swing, we suggest using loop sizes no smaller than 1/8, as shorter times will nip off the front of the off-beat slices. Furthermore, on legato material Replicant 2 will inevitably choose slice times that contain non-zero-crossing samples. Hence, you will hear clicking on duller material with long decays. This is expected and known. It is a glitch effect. :-)

Replicant 2 for iOS is otherwise identical to our Replicant 2 desktop plugin. Visit the Audio Damage website for audio samples, a video overview, and a full manual.

FEATURES:

» Tempo-based delay and looping effects, from 1/128th note to an entire measure.

» Stutter adds further subdivisions, down to a 1/16384th note (otherwise known as a "tone".)

» Seven independant randomization controls, for subtle changes or extreme aleatoric madness, including a global randomize button.

» Our unique "Hold" feature, to store a random sequence you like.

» Resonant low-pass and high-pass filters that change over time.

» Pan position that changes over time.

» Two separate direction modes, for entire events or individual repeats, with randomization.

» Front panel triggering of loop events for live playing of effects."

Audio Damage's Replicant 2 Now Available on iOS

iTunes:
Replicant 2 - Audio Damage, Inc.

"One of the original buffer effects, and still one of the best, Replicant is essentially a randomized looper/buffer reverse, with a randomized stutter effect inside the loop. From a simple delay or panning effect, on up to massive random "instant Autechre" beat mangling, Replicant is a capable plugin well in line with today's electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you're looking to add some chance to your production, you've come to the right place!

IMPORTANT!!!! PLEASE READ!!!

Replicant 2 is a tempo-based effect, and requires a host that provides transport information. A standalone application is supplied, but it requires an Inter-App Audio connection to a host with a transport to work. We strongly advise using the (identical) AUv3 instead. Ableton Link will be added in the near future for true standalone operation.

Also note that AudioBus 3 does _not_ provide transport information. Hence, Replicant will not work correctly in AudioBus 3. We recommend BeatMaker 3, AUM, Cubasis, ModStep, GarageBand, and similar AUv3 hosts that have a transport.

CLICK FOR MORE »

Audio Damage Dubstation 2 Released for iOS

iTunes: Dubstation 2 - Audio Damage, Inc.

"The original dub delay effect, Dubstation has been a go-to effect in the production toolbox for over a decade and a half with good reason. Now available on iOS, this 1:1 code-identical port of the desktop version of Dubstation brings this classic effect to the mobile production studio.

Easy to use and understand, Dubstation works just like a hardware delay pedal. True stereo operation and a nice saturated feedback path provide an instant-classic delay effect that has been used in thousands of commercial tracks.

Features

>> Tempo-synchronized or millisecond timing.

>> True stereo dual time mode, single time mode, or ping-pong.

>> EQ and saturation control on the feedback path, for tonal control.

>> LFO to delay time, for chorus and tape effects.

>> Tempo-synced stereo looping ("infinite mode") with sound-on-sound and reverse.

>> Heavily optimized for extremely low CPU usage. Use as many as you want, even on an older device.

>> Factory and user presets that can be copied to and from the desktop version.

>> Audio samples and manual available at the Audio Damage website"

CLICK FOR MORE »

Audio Damage & Industrial Music Electronics Event Coming to Control Voltage Portland Aug 6

via Control Voltage.

"Join us! We're hosting another eurorack module demo, this one is going to be awesome, featuring two manufacturers: Audio Damage and INDUSTRIAL MUSIC ELECTRONICS (a.k.a. The Harvestman).

Chris Randall will be demonstrating the latest new module releases from Audio Damage, Inc., and showing off prototypes of three upcoming products, while demonstrating his own Eurorack-centric production techniques.

Industrial Music Electronics will be demonstrating small-system multi-voice sequencing basics with the STILLSON HAMMER MARK II. The PISTON HONDA wavetable oscillator will also be shown with new and improved firmware.

After the demos, both manufacturers will answer questions and provide hands on demonstrations.

Control Voltage
3742 N Mississippi Ave, 97227
08/06/16 from 2-3:30pm
Free"

Audio Damage Pumphouse Teaser

Audio Damage, Inc.
Published on Aug 9, 2017

"Just a quick look at Pumphouse, a sequenced compressor for iOS AUv3 coming soon from Audio Damage."

Some Audio Damage AUv3 Action in Beatmaker 3

Published on Jul 24, 2017 Audio Damage, Inc.

"The beginnings of a track in BeatMaker 3. Only Audio Damage AUv3 plugins used. Plugins include:

Replicant 2
Phosphor 2
Dubstation 2
Eos 2
RoughRider 2
Grind

Available in the App Store."

Audio Damage ADM17 Proton Overview...

Published on Sep 23, 2016 Audio Damage, Inc.

"A discussion of the highlights of ADM17 Proton, the new Karplus-Strong / Tuned Delay Line module from Audio Damage."

Audio Damage Sequencer 1 Testing...

Published on Aug 17, 2014 Audio Damage, Inc.

"This test shows Sequencer 1's ability to drive Hz/V and S-Trig gear.

Sequencer 1 is being driven from the Silent Way Sync plug-in in Ableton Live via an Expert Sleepers ES-4. (The orange module you see to the left of the sequencer.)

Pitch is set to Hz/V, and Gate is set to Inv Gate (Yamaha monosynths use an inverse gate, not an S-Trig gate. Seq 1 will send all three flavors: normal, inverted, and S-Trig.)

Pitch and Gate are patched directly to the Yamaha CS-5's "Control Voltage" and "Trigger" inputs. The CS-5's output is sent directly back to Ableton Live.

The drums are from Audio Damage Tattoo.

Once the sequencer is running for a moment, as you can see in the video, we start hitting the REP and RAT buttons on Seq1. The buttons are labeled REP 8, REP 4, REP 2, REP 1, and RAT 2 and RAT 4. They repeat the last 8, 4, 2, or 1 steps, or ratchet the current step 2 or 4 times. These can also be controlled via control voltage to Seq1's "CV1" or "CV2" inputs, and RAT 1 and RAT2 can also be programmed per note."

Audio Damage AUv3 Plugins In Beatmaker 3

Audio Damage, Inc.
Published on Aug 8, 2017

"A brief use-case demonstration of some AD plugins in a BeatMaker 3 project."

iTunes:
BeatMaker 3 - INTUA
Audio Damage