Playlist:
1. Bastl Kalimba: An Expressive Instrument for Intuitive Electronic Music Exploration
2. Bastl Kalimba - Demo Overview
3. Bastl Kalimba is such a fever dream - HAINBACH
4. WTF did they make? Bastl Kalimba! - ANDREW HUANG
Press release follows:
Bastl Instruments are very proud to announce the release of their new instrument - Bastl Kalimba, a unique desktop instrument that combines microphones, touch sensors, and an accelerometer, with a user interface inspired by the traditional kalimba and its main interaction element: the tines.
We believe that this combination of features and physical interface leads to intuitive creativity and easy musical expression.
"Dive into the ethereal, otherworldly sonic universe of the Fred’s Lab Manatee — the powerful 4-part multitimbral spectral synthesizer that’s taking sound design to new dimensions!
In this 13-minute deep jam, I explore the Manatee’s unique spectral engine (a clever blend of additive + wavetable synthesis), formant-shifting magic, spectrum rotation, virtual analog sub-oscillators, FM tones, lush pads, crystalline textures, eerie drones, and everything in between.
From mellow ambient soundscapes to psychedelic leads and shimmering digital atmospheres — this little beast delivers crystal-clear, inspiring tones that feel like nothing else on the market.
Perfect for fans of advanced digital synths, MPE expression, spectral synthesis, and anyone looking for fresh inspiration beyond the usual virtual analog suspects"
"Happy New Year my friends! 🎹🔊
May 2026 bring you endless jams, wild synth waves, and machines that push the limits of what's possible. Thanks for jamming with me—here's to more electronic adventures ahead!
For this first jam of 2026, after having used the Arturia Minifreak as only instrument in my 2 last videos, I wanted to try it with a couple of other instruments.
In this jam, only the DRUMS (TR-6S) have been sequenced, I'm playing the BASS (Minifreak) and CHORDS (J-6) in real-time 😉
The jam starts with me triggering some CHORDS on the J-6 and adding the cool new granular effect (Grainmod) from the Eventide H90 pedal.
I then fade in the DRUMS and finally play the BASS in real-time.
I'm using the AUTO FILL feature of the TR-6S so that there's a break at the end of each 8-measure.
** Hardware used **
// 🥁 DRUMS:
Roland TR-6S (Digital Rhythm Performer)
// 🎸 BASS:
Arturia Minifreak (polyphonic hybrid keyboard with dual digital sound engines and analog filters)
// 🎹 PADS:
Roland J-6 (Chord sequencer with the tones of the renowned JUNO-60 synth)"
"A couple of years ago, I made a video about the La 67 Mort’s Barge, which is a replica of a set of five Buchla 100 series modules from the 1960s. Now I’ve expanded it with five more DIY modules that La 67 recently made available again: the 144 dual square wave generator, the 111 dual ring modulator, the 106 six-channel mixer, the 156 control voltage processor, and the 191 sharp cutoff filter. In this video, I do a quick tour of the new modules, then I run through a few patches to let you hear how they sound in context.
Note: this video is not sponsored; La 67 has no involvement."
Chapters: 00:00 Patch previews 01:41 Introduction 03:44 144 Dual Square Wave Generator 06:25 191 Sharp Cutoff Filter 09:17 106 Six Channel Mixer 09:42 111 Dual Ring Modulator 10:00 156 Control Voltage Processor 11:10 Resonant band-pass filtering 15:41 Square wave FM and resonant low-pass filtering 18:32 Square wave techno jam 20:32 Four-oscillator mega-drone 25:57 Sci-fi ring-mod sequences 29:44 Polymetric sequencing with external gear 34:00 Robotic ring-mod electro jam
"Here we have a new Eurorack DIY stereo filter from Thonk Synth. It's a stereo analogue multi mode filter made for creative modulation. Whether it's dual parallel channels, series filer routings, mono to stereo, stereo in and out or even mono filtering with a separate filter modulator (a filter modulator? What? - heads up, it's ace!). Check out the patches below."
"Double Bubble is a 16HP Eurorack dual analog multi‑mode filter designed for creative sound design and flexible signal processing. Each channel features an analog filter core that can operate in one of four modes – Low‑Pass, High‑Pass, Band‑Pass, or Notch. The input of Channel A is normalled to Channel B so its easy to create stereo filter patches from a mono sound source.
The two channels of Double Bubble can run as independent dual mono filters or be linked together for stereo operation. The filters can also be routed in serial configuration to create more complex signal paths such as a variable width bandpass or notch phasing effects. The SPACING control and wide range of CV inputs give deep modulation possibilities such as dynamic formant style filtering.
The FEEDBACK and XMOD (cross‑modulation) controls add further interaction between the two channels, ranging from subtle harmonic enhancement at low settings to more extreme, self‑modulating textures when increased. The dedicated V/OCT inputs for each channel allow the filters to function as FM oscillators or tone sources when pushed into self‑oscillation. This flexibility allows the Double Bubble to cover a wide range of roles, from precision cascading filter patches to dynamic stereo filtering and experimental feedback adventures!
Features:
Dual analog VCF with LP, HP, BP & Notch outputs Resonance control per channel with switchable compensation Mono, serial, parallel, stereo link routing options. Cross modulation (XMod), FM and V/oct inputs per channel Feedback with positive & negative phase Frequency Offset Spacing with CV control LED indicators for visual feedback on modulation and modes. Designed in-house at Thonk"
Part one of three episodes covering the Technics SX-K200 from 1982. In this episode we examine its current state and hear some sounds before moving on to cleaning and evaluation. Let's go!
Chapters: 0:00 A little sketchy 0:09 Opening titles 0:17 Intro 1:53 Power on 2:43 It makes sound 3:01 Three dead keys & problem buttons 3:32 More sounds 4:32 A look at the cartridge 4:59 Chorus effect and solo synth sounds 8:18 To the workbench! 8:42 Cleaning time! 11:50 Disassembly time! 12:48 The innards 15:23 Forensic files 18:57 Outro 19:14 Pinot's Corner
2. Adventures in Audio - Technics SX-K200 - Repair
We return to the vintage Technics SX-K200 keyboard as it undergoes minor repairs and servicing to restore functionality. Not much 'audio' this time around, but you'll see a good deal of the inner workings.
Chapters: 0:00 These come off pretty easily 0:20 Titles 0:27 The innards, freshly cleaned 1:07 Restoring the non-working keys 4:54 Removing the key-bed for cleaning 6:04 Removing the control board 8:11 Cleaning the switches and faders 10:43 Repairing the start switch 11:56 Progress report 12:25 Removing residue from a circuit board 13:24 Replacing the control board 14:38 Testing button connectivity 15:14 Removing the dead speaker 16:43 Replacing the key-bed 17:12 Cleaning under the good speaker 17:53 Repairs complete 18:23 Outro 18:58 Pinot & Ivy's Corner
3. Adventures in Audio - Technics SX K200 - Post Repair Test
In the final part of our look at the Technics SX-K200 keyboard/synthesizer, we find out how successful the repairs were and check out the sounds and functions. Let's go!
Chapters: 0:00 That didn't work 0:08 Titles 0:15 Intro 0:55 Testing the keys 1:45 'One finger' 2:44 The sliders 2:55 Rhythms 4:22 Fill in & intro 5:04 The sounds 9:56 Organ tremolo 10:39 Celeste & chorus 12:01 The solo synth sounds 13:37 Green LEDs 13:55 Transpose 14:50 Technichord 15:59 Demo tunes 18:06 The memory pack 18:47 Outro 19:32 Pinot & Ivy's Corner
"We are delighted to introduce Tonverk. A machine primed for adventure. An instrument to propel you towards extraordinary music-making and boundless sound exploration. It is packed with 16 varied tracks full of polyphony, multisampled instruments, auto sampling, never-ending routing possibilities, a mass of FX options to play with (including plenty of newcomers), deep modulation, an extended 256-step sequencer, and lots more fun features to get stuck into. All in one special box."
"Today we look at the Talking Typewriter by Petite, circa 1981. What does it do? How does it sound? And what's rattling around inside...? Let's find out!
Chapters:
0:00 What's rattling?
0:12 Titles
0:20 Leaking batteries
1:01 Cleaning the battery terminals
3:52 New batteries
4:55 Power on!
6:00 It speaks the letters
7:42 I try to spell some words
12:52 It speaks the numbers
14:19 Some revelations
15:33 I attempt to open it up
17:13 It keeps its secrets for today
18:29 Outro
18:52 Ivy's Corner"
"I did not expect this playlist to grow with yet another grainmaker. I am quite happy with the ones I already have and my Intellijel stealth case is already completely full. So when you already have plenty of options and no room, what better excuse is there to just get it? So here we are.
I can't just objectively use MultiGrain on its own, without considering the alternatives and Arbhar as a reference module. Is it even fair to compare it with what's already around? I think so. Objectively, MultiGrain covers a lot of ground. It's versatile and musical, but it can also do microsound adventures. However, I had to go back and forth between manual and module to find out how typical granular techniques are implemented. For instance, there's no spray, no panning, no dubbing, etc, etc. Well, it's there, but it's implemented in a completely different way. If you're familiar with granular synthesis, MultiGrain is simply not intuitive to use, even though the user interface is amazing. If you want a spray, you'll need to randomize start and length. If you want panning, you'll need to randomize level and tone. Need a threshold to start your recording? You'll need to go to the advanced sampling page which complements the main and ALT pages.
Still, MultiGrain is in my favorite top 3, but Arbhar and Morphagene are 1 and 2 respectively. I think Arbhar is more suited for musical adventures, and the Morph still wins when it comes down to splicing virtual tape and making weird sounds. MultiGrain provides a lot of both, but it will take time and patience to find what you're looking for.
I hope Intellijel will listen to their end users and work on firmware updates to streamline the experience. It would be great to splice a drum loop over the eight sounds using transient detection. It would be great if two or more sounds could play together, and it should be able to dub over a sound to make layers. MultiGrain has the potential to become the best granular module in eurorack, but not today. Not yet."
"The MultiMod is now officially my favorite module of 2025, but the year is still young and spring is in the air. Between you and me, I got a second one because of the audio processing. Yes I know it's a 1 to 8 CV processor but when you speed up an LFO, it becomes sound and when you spread it up, it becomes a cluster. I'll add chapter markers later because it's a long video.
I've been inspired by the works of Allen Strange and Curtis Roads, so you can expect some strange recipes and microsound adventures. It must be a coincidence but MakeNoise also covered gate delays. I'll use the 281t for mixed envelopes triggered by Pams, and the MM will make variations from it.
It's great fun to send all kinds of CV to the Morphagene and it's even more fun to use two MM's, one for modulation, and one for sound 'surrealization'. I picked a new word so I will not give the false impression 'it can do audio rate'. It's more like experimental 'abuse' of the 24 bit AD/DA converter that just happens to respond extremely well with any sound source.
In the final scene I'll use a Lyra-8, which is a dream combo because the Lyra-8 is mono and it becomes a stereo Lyra-64 with MM."
The Super 8 is a 16-voice polyphonic, bi-timbral analog-hybrid performance synthesizer. Employing superior hands-on controls, an expressive 61-note weighted keyboard with polyphonic aftertouch and all the powerful, flexible and addictive sound of the UDO Audio family.
Overview
Introducing the next evolution in the Super series. At the core of the Super 8 is two independent binaural analog-hybrid synthesizer signal chains using UDO’s proprietary and proven synthesizer technology. With up to 16 voices of polyphony and two unique timbres each with their own independent effect chain, this instrument is analog reimagined. Like its larger sibling the Super Gemini, voices and timbral layers can be split, dualled, sequenced all at the touch of a single control.
Powered by complex FPGA digital oscillators, the Super 8 is decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and an all-analog signal path to the output, inspired by the analog poysynth heavyweights of lore. Equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, left hand performance controls and 256 performance and patch slots, 32 interchangeable waveforms and 16 sequences, the Super 8 balances power, playability and performance.
Sitting in between the Super 6 and the Super Gemini in size and power, the Super 8 puts the player first using high quality tactile control elements with our user-centric intuitive design philosophy that inspires exploration and sonic play. Adopting a similar true-stereo Binaural signal path with dual FPGAs and twin effects processors like the Gemini, and yet retaining the portability and road-friendly personality of the Super 6. The Super 8 will be a long time friend and partner in your adventures in sound.
Super. Evolved.
As the next evolution in the Super family, the 16-voice Super 8 sits confidently between the Super 6 and the Super Gemini. This synth is the distillation of the UDO philosophy of the power of play — with the dual cores and playability features of it’s bigger cousin, all in a more compact and simplified presentation — it’s the best of both worlds.
Duality in Sound
The Super 8 allows you to effortlessly transition between two independent synth layers, inspiring textural, deep and rich soundscapes at a touch. With UDO’s championed powerful, flexible and immediate sound, this synthesizer is designed to take you on a sonic journey.
Respected Tradition Meets Cutting-Edge Innovation
Using the tried and tested UDO framework of state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology, the Super 8 is a harmonious meeting of old and new in ideas and techniques. All contained within a no-expense-spared build with the highest quality components, The Super 8 is an instrument for life.
At a Glance
Price (RRP) € 3,749 £ 2,995 $ 3,699
Availability First units shipping July 2024
top-line spec – 16 voices (8 voice in binaural mode) – Bi-timbral – Analog-hybrid – 61 note semi-weighted polyphonic aftertouch keybed – High quality control elements
Supamix is a compact Eurorack mixer designed to fuel your sonic adventures. This versatile module as 6 channels and a unique mute automation engine into 10HP, making it perfect for live performances, space-conscious setups, and creative mixing.
Mix with Precision and Expression: Dedicated Pan Controls: Craft your stereo image with 2 individual pan knobs for manual placement.
Dynamic Panning: 2 CV-controlled pan inputs let you add movement and dynamism to your sources.
Seamless Integration: Stereo inputs with dedicated gain allow effortless connection of stereo modules.
Dedicated Mute Buttons: Take instant control with individual mute buttons, featuring a freeze function for sustained muting when using the swap engine.
Automate Your Mutes with Creativity: Supamix feature a unique swap engine made to control the mutes states manually or via cv to Build Evolving Patches. 12 modes of for controlling your mutes are available:
1A: Trigg Invert: Instantly flip mute states with a trigger.
1B: Gate Invert: momentary flip mute states with a gate.
2A: Turn Off: Momentarily silence all channels with a gate
2B: Wave On: Progressively unmute channels as a CV rises.
3A: Binary Counter: trigger to increment a 6-bit binary sequence, turning mutes on/off.
3B: CV to Binary: Transform a CV signal into a 6-bit binary pattern, precisely controlling the state of each mute based on the CV value.
4A: Trig Rotate: Shift mute positions with a trigger. each trig shift the mute position one step further.
4B: CV Rotate: Shift mute positions with CV control. at 0V the mute are in their original position, at 5v mute will be shifted 6 position forward.
5A: Trig Sequencer: Control a step sequencer who invert the mute state where the playhead is. each trig will move the playhead one step further
5B: CV Sequencer: Control a step sequencer who invert the mute state where the playhead is. at 0v, the playhead is on the first mute, at 5 V on the 6th
6A: Randomize: Shake things up with a trigger that scrambles all mute states.
6B: Random solo:each trig will turn off all the mute exept one selected randomly Beyond the Modes: Freeze & Override: if you long press one off the mute, it will be freezed on bypassing the swap function on this track
Module Expansion: Connect Supamix to the "O" line/phone output module for additional functionality (sold separately). More Than Just Mixing:
Subtle Saturation: Crank the level pots for a hint of distortion to add bite to your sound.
This one is making the rounds. The big reveal may be coming tomorrow per the screenshot further below, sent my way via Soviet Space Child. .
Details:
"With Digitakt II, you can weave splinters of sound in stereo, ripped from the moment and brought to your fingertips for marvelous audio manipulation and beat arraying. Enjoy easy to use sample-crafting and spectacular sequencing. Preserve or distort reality as you so desire with 16 tracks ready for stereo or mono samples, or MIDI and all kinds of modular adaptability.
Key Features
• Digital drum computer & stereo sampler • 16 audio tracks all ready for stereo or mono samples, or MIDI • Swappable filters: 1 Base-width filter and then 1 from Multi-mode, Low pass 4, Comb, EQ, or Legacy LP/HP • 3 assignable LFOs per track • Delay, reverb, chorus, bit reduction, sample reduction, and overdrive per track • Updated modular workflow • Euclidean sequence generator • 128-step Elektron sequencer • Expanded memory and power • 4 × Trig modes • Song Mode create, edit & play full compositions with ease"
"Here we're checking out VCO's Little Helper (the VLH) by Takaab (who are SIAM Modular too). It's a small 2hp module that can work like an expander for any oscillator you want to use it with. There's two inputs giving you two octaves of sub oscillators (-1 and -2), ring modulation, a noise source and thru outputs to save multiples or stacking cables to keep patching with your inputs.
Here's what Takaab have to say 'VCO’s Little Helper is a eurorack module that supercharges your existing oscillators by adding a ring mod, sub and noise. The VLH was designed in collaboration with journalist and musician Steve O'Hear following a conversation asking how we could squeeze the features found in the VCO section of many vintage synthesizers into a eurorack system.'
VLH is also a affordable addition to a Eurorack system priced around £/€/$100 (it's 4040 Thai Baht). It's available direct here // https://www.siammodular.com/takaab-vl...
Here's the mini documentary on how the VLH came to life"
Takaab VLH : VCO's Little Helper: The making of ... euroack ring mod | sub oscillator | noise
"MKS80 Super Jupiter - All the Sounds from Andy's Session Days!
During the 90s - Andy Whitmore was one the UK's top session keyboard players playing on over 50 hit records including
Boy George Elton John Cathy Dennis Peter Andre Brother Beyond Lemar Atomic Kitten Danni Minogue & many many more!
Here are the sounds he used from the Roland MKS80.
Don't forget to subscribe to our channel for more captivating musical adventures!
The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.
"PS-3300 Features Exactingly faithful virtual analog emulation of the semi-modular analog polyphonic synthesizer released by Korg in 1977
Three independent "signal generator" panels, each with an oscillator, lowpass filter, three-peak resonators, envelope with velocity, amp, two mod generator LFOs, and per-note tuning:
3X VCOs with six waveforms: triangle, saw, rectangle (square), two preset pulse waves (with different widths), and PWM (variable-width pulse)
3X resonant VCF 12 dB/oct lowpass filters with the option to select between the standard "clean" PS filter or the "crunchier" MS-style filter
3X modulatable "triple resonators": 12 dB/oct bandpass filters to produce vowel and phasing tones
3X discreet ADSR-type envelope modulators with velocity control, and amplitude modulation
3X two syncable "mod generators" (LFOs) with output jacks: one with triangle, saw, ramp, rectangle, pink noise, and white noise, and the other with triangle waveform
3X temperament section with individual tuning knobs for the 12 chromatic notes, and temperament presets for Equal Tempered, Mean Tone System, Hepatonal System, and Just Intonation
Copy/paste settings from one signal generator panel to another
Polyphonic mode with up to 24 voices of polyphony and three monophonic modes: last, low, and high note priority
Semi-modular synthesizer with virtual jack and cable system, featuring unlimited mults per jack and customizable (color, transparency, animation) cables
Master signal mixer panel with sample & hold, general envelope generator, and two control voltage (CV) processors
Individual channel panning
User-selectable bend range and master tune
Studio-quality integrated effects: chorus, echo with sync, and three types of reverb (spring, plate, and Galactic)
Over 360 professionally designed presets in a dozen categories. These include a bonus Legacy collection of basic presets based on the patch sheets in the original PS-3300 Owner's Manual, a 3100-based Glissando patch, and a 432 Hz Equal Temperament patch, all to get your started in your own sound design adventures.
Standalone virtual instrument and plug-in versions
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI Learn and mapping
Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
User-adjustable oversampling control
Also available: With its three-synths-in-one architecture, unique resonators, and semi-modular nature, the PS-3300 is truly a behemoth of synthesizers. Sound designer James Dyson's Resonation Preset Pack (sold separately) includes additional presets that go further into the relative dimensions between light and shadow and all the way to the outer limits."
"Spectraphon is a module with many faces and a big mustache. It can have a classic additive spectral processed sound, but it also offers sub oscillators and two basic sinewaves, one clean, and one a bit saturated. It's a big module with a big sonic spectrum (duh!). But an even bigger world unfolds when you patch it up with some old friends, in this case Maths and Erbe-Verb. It's a module that needs to be explored and discovered. Like Strega, Telharmonic, Mysteron and Erbe-Verb I don't really like Spectraphon's raw raspy sound which can easily dominate a patch and makes it very recognizable. However, the many output options can suit your needs for more gentle sounds. You just need to know how, so hopefully my patch adventures can offer some new perspectives. Welcome to the Unexpectraphon!
Fun fact, this video includes Shared System Tutorials 44 with different captions, explaining half-rectification of a simple sine with Maths. I always see the Shared as a reimagination of the classic Buchla 200 series with a twist so I always think of it as 'vintage' instead of 'advanced'. Sure, it's an expensive powerhouse flagship but if you ignore the black & gold panels, you may also see a collection of basic modular functionality like LFO, Envelope, Polarizer, dual VCO, VCA, tape echo, reverb, clock division, randomization, 16 step sequencing, human interaction and basic sampling/looping. It's a template for a complete modular setup, only missing a filter. Even if you don't own a Shared, my 44 episodes can still bring you plenty of inspiration for similar modules and functions. I would never say 'everyone should own a Shared', but it helps to look at what it does - and all the things you have to do yourself, like making white noise from scratch.
00:00 Introduction 00:10 Rectification with Maths 02:21 Charming snakes again 04:02 Odd and Even output normalization and sound 05:48 Unexpected bowed strings 06:48 Erbe-Verb reverb trail feedback patch 09:09 Explicit Noise"
"Welcome to the enchanting world of vintage synthesizers! Join us on an extraordinary journey through time as we unveil the captivating history of the Formanta Faemi 1-M, a rare gem of Soviet engineering.
In this video, we delve into the rich tapestry of the Soviet Union's musical landscape during the 1980s, where cutting-edge electronic instruments were a marvel to behold. We take a deep dive into the history and sound of this synthesizer.
The Formanta Faemi 1-M, known for it's polyphonic prowess, emerges as the centerpiece of this captivating tale. Explore its unique features, from the three oscillators with diverse waveforms to the enchanting filter section with its myriad sound-shaping possibilities.
While navigating the challenges of creating musical instruments under a planned economy, the Formanta Faemi 1-M triumphs as a true testament to ingenuity and creativity. Unveil its raw, bold, and characterful sound, and understand why it has earned its place in the hearts of musicians and collectors worldwide.
Join us for insightful interviews with individuals who share their firsthand experiences with this iconic synth. Discover the allure of the Faemi 1-M through their stories and see how its scarcity has transformed it into a coveted collector's item.
So, if you're a music enthusiast, history buff, or just someone seeking unique sonic adventures, hit that play button and immerse yourself in the compelling world of the Formanta Faemi 1-M."
"I have owned the Waldorf Q for a while, but only in recent times I have had the opportunity to really sink my teeth into its very powerful synthesis architecture.
The first batch of patches that I have programmed includes several well-known synth timbres, plus a few more adventurous sounds. I find this an excellent approach to familiarize with an instrument.
I didn't try to directly imitate the warmth of analog vintage synths; the Q has a strong personality in itself, and a big, aggressive basic sound. All the mod routings allow for very complex timbres of a special kind, cold and precise, but also full and satisfying.
What you hear in this video is all single patches, no multis. Only the internal effects were used, with no external processing except a little bit of eq."
Playing the Waldorf Q - Carlo Mezzanotte (Part 2)
"Here's the second part of my Waldorf Q programming adventures, where I try my hands at more complex sounds, plus a short multitracked improvisation at the end. With FM, ring mod, wavetables, oscillator sync, four multi-stage envelopes, comb filters, and plenty of modulation options - there's a lot of ground to explore. In particular, I like to ride the fine line between tonal and non-tonal timbres, where the sidebands build up in a dynamic way, creating groups of partials which can grow until they 'almost' become noise, but always keeping the original root clear. (well - almost always. : - ) ) Very often, I have programmed aftertouch and the mod wheel to change important details of the harmonic spectrum.
For some reason, several of these sounds ended up with a strong ambient/hypnotic connotation... I guess it's just an inclination that I have. : - )
Again, what you hear in this video is all single patches, no multis. And again, only the internal effects were used, with no external processing except a little bit of eq.
At 15:52, I did a brief improvisation using some of these sounds, plus a couple from Part 1. I used 4 stereo tracks, without adding any external effects.
I had some fun with video editing, but I'm a total amateur at that.... the moral: better to focus on the sounds! : - )"
"I got the urge to make something with a really dramatic, melodic lead line - so I paired up the Eventide Misha sequencer with the Modbap Modular Osiris oscillator, the Eventide H90 pedal, and The Godfather multi-channel audio processor from Enjoy Electronics to get there! WOOT! Really happy with how this one came out - the Polyend Play is a fantastic sequencer and Groovebox that helped me sequence and arrange everything! All Sounds from the Play are from my sound bank, "The Sandbox".
Recording Date: 02/02/2023
Tempo: 104bpm
Key: ummmmm...... things got a little grey on that - lol"
