TMP-3-03 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:17 Introduction
01:27 Switched On 80s
16:14 Synthesiser Club
19:48 Commercial Break
23:57 Patching Today
35:04 Little Black Boxes
38:53 Video Lab
44:22 Outro

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Episode three of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches

LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s

VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode

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In THIS episode:

SWITCHED ON 80s - A detailed presentation on FM synthesis and its history, looking at the DK Synergy (as used on the Tron soundtrack), but mainly the Yamaha DX series of synths

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Nuremberg Wunderzeichen, 1561 C.E. EMS VCS3

video upload by Rhythmicons

"Upon learning that my new EMS VCS3 (Cornwall) was SN#1561, I looked up that year and learned that in Nuremberg, on Apr 14th, 1561, there was a report of a celestial phenomenon that was supposedly experienced by the townsfolk. This is an interpretive soundpainting performed entirely on the VCS3.

The primary source document is known as the Nuremberg Broadsheet. It was written and illustrated by Hans Glaser and translated by Isle Von Jacobi. The text describes an arial battle which ufologists have claimed is evidence of visitation by aliens. The primary source reads as follows:

'In the morning of April 14, 1561, at daybreak, between 4 and 5 a.m., a dreadful apparition occurred on the sun, and then this was seen in Nuremberg in the city, before the gates and in the country – by many men and women. At first there appeared in the middle of the sun two blood-red semi-circular arcs, just like the moon in its last quarter. And in the sun, above and below and on both sides, the color was blood, there stood a round ball of partly dull, partly black ferrous color. Likewise there stood on both sides and as a torus about the sun such blood-red ones and other balls in large number, about three in a line and four in a square, also some alone. In between these globes there were visible a few blood-red crosses, between which there were blood-red strips, becoming thicker to the rear and in the front malleable like the rods of reed-grass, which were intermingled, among them two big rods, one on the right, the other to the left, and within the small and big rods there were three, also four and more globes. These all started to fight among themselves, so that the globes, which were first in the sun, flew out to the ones standing on both sides, thereafter, the globes standing outside the sun, in the small and large rods, flew into the sun. Besides the globes flew back and forth among themselves and fought vehemently with each other for over an hour. And when the conflict in and again out of the sun was most intense, they became fatigued to such an extent that they all, as said above, fell from the sun down upon the earth 'as if they all burned' and they then wasted away on the earth with immense smoke. After all this there was something like a black spear, very long and thick, sighted; the shaft pointed to the east, the point pointed west. Whatever such signs mean, God alone knows. Although we have seen, shortly one after another, many kinds of signs on the heaven, which are sent to us by the almighty God, to bring us to repentance, we still are, unfortunately, so ungrateful that we despise such high signs and miracles of God. Or we speak of them with ridicule and discard them to the wind, in order that God may send us a frightening punishment on account of our ungratefulness. After all, the God-fearing will by no means discard these signs, but will take it to heart as a warning of their merciful Father in heaven, will mend their lives and faithfully beg God, that He may avert His wrath, including the well-deserved punishment, on us, so that we may temporarily here and perpetually there, live as his children. For it, may God grant us his help, Amen. By Hanns Glaser, letter-painter of Nurnberg.'"

ETI International 4600 Vintage Semi-Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"This is a large semi-modular synthesizer, designed in Australia and released as a kit by Electronics Today International magazine in 1973. The large aluminium panel pivots forward for maintenance. Its 22x22 matrix switchboard, joystick, complex modulation and feature set is reminsicent of a larger EMS VCS3, a comparison enhanced by the use of genuine Cliff "little Dalek" knobs.

The main modules in the 4600 design were repackaged for the (smaller) ETI 3600 and the lightly larger Maplin 5600 kit synthesizers. Its notable features are volts-per-herz VCOS (rather than volts-per-Octave linear VCOs), complex Transient Generators that are like simple three stage sequencers, and a different-sounding VCF.

This is a rare, powerful and unique synthesizer that needs some TLC from a competent builder to unlock its potential.

STORY

In the early 80s before it had been completely built, it suffered damage (the plaster ceiling collapsed on it, because of a shoddy repair job after the previous tenants, a punk gang, had a "demolition party" that destroyed all internal walls). The keyboard was destroyed and there seemed little reason to replace it (the first 4600 keyboard circuitry was problematic and had been replaced by a design from the Fairlight team.) There was some scratches to the case and a lot of dust, though the pots did not seem scratchy.

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Electronic Music Studios The SYNTHI Sequencer 256 Manual

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Rare genuine technical documentation on the Synthi Sequencer 256 EMS.
New condition, 12 thick sheets printed on one side with technical information and a photo of the Synthi Sequencer 256 in black and white. Pinch binding in 200g/m² paper"

Curious if this is the user manual or just a technical booklet on the 256.

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Rare EMS Vocoder 2000

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Beautiful Black version EMS vocoder 2000
Release in the early 80s."

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The Memetune Annual 2024

video upload by Memetune Studio

"Available now from the Memetune Bandcamp merch page - a very limited run of BOTH Annuals (2023 and the new 2024 edition) at a special price!

https://zackdagoba.bandcamp.com/merch...

The new Annual is also released today:

https://zackdagoba.bandcamp.com/merch...

The second edition of the Memetune Programme Annual - for the year 2024

Hardback book (A4 size) with 74 full colour pages and download code for the accompanying music album

Based on the second season of Benge's unique 6 part TV series focussing on his passion for vintage synths, studio gear and video production equipment

The Memetune 2024 Annual follows the TV series format, broken down into the following categories:

LITTLE BLACK BOXES looks at some classic 80s and 90s rack mount synths, instruments that are often overlooked due to their utterly bland appearance. Their sounds, however, are anything but

SWITCHED ON CYBERSYNTHS features a brief history and description of abstract electronic music, in particular sounds created on modular synths, taking in randomness, chaos theory, feedback loops, nonlinear modifiers, plus stochastic and algorithmic ideas. It ends with perhaps the largest modular synth patch ever attempted, featuring 11 of the Memetune modulars containing over 430 modules

SYNTHESISER CLUB points a vintage video camera at various synthesisers and systems, and focuses on ‘families’ of synths, meaning a group of instruments made by one manufacturer in a particular time in synth history

PATCHING TODAY is a deep dive into patching on a selection of vintage modular systems, namely the Modcan A-Series (the most versatile modular ever made?), the Polyfusion 2000 (the simplest modular?), an EMS rig containing a VCS3, TKS sequencer, 8-octave filter bank and dual Synthi 100 HPF (the most English modular?), a Paia 4700 (the worst modular ever made?), the Buchla 100 (the first modular ever made?) and a hybrid Roland “green” modular system containing a modified System 100, SH5 with special modular panel and RE201 Space Echo (the ‘wonkiest’ system ever made?)

VIDEO LAB begins by presenting a short film called Proof of Hypertravel made entirely in the Lab, and then goes on to detail the lengthy process that went into making it, covering such things as Storyboarding, World-Building, Green Screening, Compositing, Special Effects, and types of vintage video cameras

There is also the Memetune Puzzle Page, the legendary Memetune Dictionary of Words, and a tour of the Memetune garden in a 1980 Lotus Esprit

The music on the download album that accompanies this annual has been selected from the second series and contains all the tracks made in the Synthesiser Club, Patching Today and Little Black Boxes sections respectively, approximately 60 minutes of original synthesiser compositions to enjoy whilst perusing the Annual

To watch the series search on YouTube for 'Memetune Programme by Benge'"

Black Corporation Introduces KIJIMI MK2

Priced at $4,299

Check with the dealers on the right for upcoming availability.

Details follow:

KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.

Shipping in July 2024.

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EMS Synthi Sequencer 256 - Genuine technical documentation

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Rare genuine technical documentation on the Synthi Sequencer 256 EMS. New condition, 12 thick sheets printed on one side with technical information and a photo of the Synthi Sequencer 256 in black and white. Pinch binding in 200g/m² paper

Careful packaging - Ad Valorem insurance"

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Black Corporation Kijimi SN 1209 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

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BLACK SKY - EPIC SYNTHESIZER MADE IN THE USSR FORMANTA EMS 01

video upload by OBUKHOVAUDIO

RESONANCE 24/II - EPIC SYNTHESIZER MADE IN THE USSR FORMANTA EMS 01

video upload by OBUKHOVAUDIO

TMP-2-05 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:32 Introduction
01:19 Little Black Boxes
04:41 Switched On Cybersynths
17:31 Synthesiser Club
20:38 Commercial Break
23:02 Patching Today
37:24 Video Lab
41:15 Outro

////////////////////////////////////////////////////////

Episode five of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Korg Wavestation was released in 1990. This rack mount module version, called the Wavestation A/D, was released in 1991

SWITCHED ON CYBERSYNTHS - Ramdomness Tamed. A look at the EMS Random Voltage Generator and the Buchla 200 version of the Magnetic Freak Gaussian module

SYNTHESISER CLUB - Today, its Club Crumar! Featuring the DS2, the Multiman Mk2 and the Synergy digital system

COMMERCIAL BREAK - Some adverts for Memetune related goodies

PATCHING TODAY - on the Buchla 100 - trying to tame the beast!

VIDEO LAB - In this episode we look at some SFX shots and the Ultimatte chromakey system


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LINKS:

Polyrythmic Electronica vinyl / Systems of Objects: https://systemofobjects.bandcamp.com/...

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @ memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com


////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2024

TMP-2-03 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:32 Introduction
01:29 Little Black Boxes
05:54 Switched On Cybersynths
13:24 Synthesiser Club
16:24 Commercial Break
17:33 Patching Today
31:51 Video Lab
36:22 Outro

////////////////////////////////////////////////////////

Episode three of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Roland Super JV-1080 layersynth from 1994

SWITCHED ON CYBERSYNTHS - Electronic Tonalities and The Krell. We go deep underground on the planet Altair IV to explore the beguiling "Krell Patch" on a giant Buchla 200 system

SYNTHESISER CLUB - An assortment or Arps!

COMMERCIAL BREAK - Brand new Memetune Merch - T-Shirts, Tote Bags and Badges - support this channel and search for BENGE BANDCAMP and look for the merchandise section

PATCHING TODAY - The EMS VCS3 (and friends) from the late 1960s

VIDEO LAB - In this episode - a look at ALIEN WORLD BUILDING, based upon the world of Benge’s short film “Proof of Hyper-travel”

////////////////////////////////////////////////////////

LINKS:
Todd barton & the Krell Patch (Buchla tutorials): http://www.toddbarton.com
Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com
Memetune Studio Instagram: https://www.instagram.com/memetunestudio
Benge / Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com

////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2023

UVI Introduces Synth Anthology 4

video uploads by UVI

Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.

Details on Synth Anthology 4 follow:

The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more

Synth Anthology 4 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-4

Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Théo & Thomas

"The Best Keeps Getting Better

What's new in version 4?

Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!

Real Hardware Sounds There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.

Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.

You won't find a more complete collection anywhere else."

The list:

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ERICA SYNTHS SYNTRX // EMS SYNTHI A SYTLE MATRIX SYNTH // IBANEZ UE-305 ANALOG MULTI FX

video upload by LESINDES

"New to my studio ERICA SYNTHS SYNTRX. A synth basically inspired by EMS SYNTHI A. Erica has presented a black und more reasonably priced version 2 of SYNTRX with enhanced features but I think this one gets closer to the original. In the new one there a digital multi FX unit instead of the classic spring reverb and also filters were told to be different...
This was the first time I ever played this type of synth. I did not have not even a software model to train with. Since it is a bit unusaul to connect the components of this synth via matrix (nothing prewired as in other semi modular synths like ARP 2600 or ARTURIA MATRIXBRUTE ) it tok me a while to be productive.
SYNTRX with a littel help from IBANEZ UE-305: analog delay and chorus.
No keyboard. Only one patch + joy stick action. Internal
spring reverb is doing a very good job.
This is an amazing instrument!

Contents:
Min. Chapter
00:00 Intro
00:09 Session 5 / In Space
03:11 Bizarre Melody Pool
05:04 The Heavy Hum
07:56 Steel Factory
08:46 In A Crammed Place
10:10 Geysers
11:18 Classic Space
13:00 Jumping Balls
14:57 Entering The Factory
17:16 Laser Battle
19:20 Going Home After All
20:00 Credits"

Analogue Solutions Colossus Quartz Synthesizer Expanders

video upload by Analogue Solutions

Press release follows:

Analogue Solutions ‘splits’ Colossus AS200 Slim synth into ‘quarters’ to create Colossus AS250 Quartz range of expanders with possible piecemeal purchase

SHATTERFORD, UK: having shed some pounds off its ‘against-all-odds-created’ Colossus AS100 Classic super-synth (that took its inspirational design cues from the colossal classic personified by the rarefied Seventies-vintage Synthi 100, bravely built by British trailblazing entity EMS as one of the largest and most expensive examples ever birthed by anyone anywhere) to create Colossus AS200 Slim as a comparatively slimline version pitched as being a perfect fit for those with a little less studio space to spare or more restricted access for installation, British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Colossus AS250 Quartz as a range of add-on expanders — effectively ‘splitting’ Colossus AS200 Slim into ‘quarters’ to enhance existing Colossus systems or other modular synthesisers while also allowing for piecemeal purchase benefitting those wishing to build a complete Colossus system over time to spread the cost — as of May 2…

As a range of add-on synth expanders, each Colossus AS250 Quartz ‘quarter’ has a specific set of general features and is named accordingly: AS250-VCO — comprising a bank of 12 voltage-controlled oscillators (OSCILLATOR 1 through to OSCILLATOR 12), plus two noise generators (NOISE GENERATOR 1 and NOISE GENERATOR 2), RANDOM VOLTAGE GENERATOR, SAMPLE AND HOLD, and a 31 x 15 ANALOGUE PIN MATRIX ROUTING panel; AS250-Scope — comprising four discrete voltage-controlled amplifiers (VCA 1 through to VCA 4), four envelopes (ENVELOPE SHAPER 1 through to ENVELOPE SHAPER 4), two low frequency oscillators (LFO 1 and LFO 2), LCD (Liquid Crystal Display) OSCILLOSCOPE as standard or CRT (Cathode Ray Tube) OSCILLOSCOPE optionally available, and TOUCH KEYBOARD CONTROL / SEQUENCER; AS250-VCF — comprising eight voltage-controlled filters (with FILTER 1 through to FILTER 4 each of a SEM-type 12dB multimode design and FILTER 5 through to FILTER 8 each of a Moog-type 24dB low-pass design) with an associated VCA each, four envelopes (ENVELOPE SHAPER 1 through to ENVELOPE SHAPER 4), two spring reverbs (REVERBERATIONS 1 and REVERBERATIONS 2) with three real mechanical springs each, two RING MODULATORS, two SLEW LIMITERS, and a 31 x 15 ANALOGUE PIN MATRIX ROUTING panel; and AS250-Seq — comprising a 64-step analogue SEQUENCER (capable of operating in four different playback modes), four backlit moving-coil SIGNAL METERS, two JOYSTICKS, two MULTIPLES, MAIN MIXER, and two SUB MIXERS.

Modular by nature, it goes without saying, though, that each expander in the Colossus AS250 Quartz range features extensive patching capabilities with almost all parameters connectable via dedicated 3.5mm jack sockets, which when used in combination with those 31 x 15 ANALOGUE PIN MATRIX ROUTING panels — patch using (included) 3.5mm mono mini-jack leads to/from the synth circuits themselves to any matrix channels to be used, then patch using (included) red (10 kΩ) and black (0 Ω) pins accordingly — allow signals to be easily split and sent to multiple destinations with minimal cabling. “It is impossible to test every combination of patch,” proclaims Analogue Solutions Founder Tom Carpenter, before adding: “Some patches might produce unusual but still interesting results, or you could get something not mixing or buffering in quite the way you expect — just remember this is a living analogue synth, not a giant software controller that has clinical ‘perfection’.”

Put it this way: all voice and modulation circuits involved in Colossus construction are 100% analogue; in fact, Analogue Solutions steered purposefully away from digital technology to the extent of avoiding any MIDI (Musical Instrument Digital Interface) connections — those in need can, after all, always turn to third-party MIDI-to-CV boxes or Eurorack modules — though there are, of course, digital elements to the sequencer control involved in the aforesaid AS250-Seq expander that are unavoidable. As a brief aside, it is worth noting here that classic analogue sequencers like ARP’s advanced-for- its-time Model 1601 (launched in 1976) deployed digital logic chips while the colossal EMS Synthi 100 — itself inspiring Analogue Solutions’ Colossus concept from the get-go — even featured a digital sequencer that was truly ahead of its time.

Each expander in the Colossus AS250 Quartz range is — in keeping with that Colossus concept — large scale... think large knobs controlling metal shaft potentiometers, multi-turn vernier-VCOs, and panel-dominating pin matrixes constructed from eye-wateringly expensive Swiss-made broadcast-quality signal routers. Reality has it that the Colossus concept is a no-expense-spared super-synth. Indeed, it is fair to say that high-quality-constructed synthesisers such as the ‘complete’ Colossus AS100 Classic or Colossus AS200 Slim — also art and architecture incarnate, incorporating beautifully engraved wood cabinetry creating exquisite studio furniture in itself — only come around once in a decade, or, possibly, a generation. It is, of course, also fair to say that this comes at a cost. Thanks to the timely introduction of Colossus AS250 Quartz — effectively ‘splitting’ Colossus AS200 Slim into ‘quarters’ to create a range of add-on expanders enhancing existing Colossus systems or other modular synthesisers, piecemeal purchase benefitting those wishing to build a complete Colossus system over time to spread the cost is now an option.

Limited quantities of the Colossus AS250 Quartz expander range are available to order — priced (excluding VAT and delivery) at £6,900.00 GBP (AS250-VCO); £5,500.00 GBP (AS250-Scope); £6,900.00 GBP (AS250-VCF); and £5,500.00 GBP (AS250-Seq) — directly from Analogue Solutions’ dedicated webpage here: https://www.analoguesolutions.com/colossus-quartz"

Analogue Solutions COLOSSUS CLASSIC - (Limited Edition w/ Black Wood Sides)

Note: Auction links are affiliate links for which the site may be compensated.

via SYNTH CITY Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"This demo unit was featured at Knobcon 2022, now on display here in our showroom. Can be freighted anywhere in the country, please contact us for more info!

Analogue Solutions is excited to introduce Colossus, an exciting new mega-synth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.

Design inspiration is of course from the 1970’s EMS Synthi 100, however, no circuit from the Synthi has been cloned or copied. We prefer to make our own designs. We have chosen some of our favourite circuits from our own large back catalogue synths such as Polymath, Telemark and Vostok.

Colossus is not a Synthi 100 clone - all circuits are non-EMS, Analogue Solutions’ design.

The original Synthi was so large it wouldn’t fit through a standard doorway. We didn’t make that mistake but don’t underestimate it’s size. It will be prominent in your studio, or art gallery!

It is sized at 1585mm wide, 700mm deep and 655mm high and weighing in too big to fit on the scales. It’s not entirely practical, but to be impressive physically and in sound. It will be an awesome centre piece to your studio.

*diagonal dimension is a little less for those with tight door ways - about 620mm effective width.

Also we have found putting Colossus on its end, you can pivot it through narrow doorways (more details in the manual).

All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, it doesn’t have MIDI or USB (there are plenty of MIDI converter boxes out there should you need that facility). This wasn’t designed to be the solution to your modern digital studio but rather a serious analogue power house of sound. There are of course digital elements to the sequencer control - that is unavoidable - even classic analogue sequencers like the ARP sequencer using digital logic chips. In fact the Synthi 100 features a digital sequencer.

This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production.

Colossus is large scale, featuring large knobs that control metal shaft potentiometers. VCOs have multi-turn verniers. The two enormous pin matrix panels dominate the horizontal panels - these are incredibly expensive Swiss made broadcast quality signal routers - 1 for CV and 1 for Audio.

There are two spring reverbs, touch keyboards, step sequencers, moving coil meters, joysticks and so much more. An immense expanse of jack sockets for additional patching within or without the system.

There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.

Synthesisers like this only come around once in a decade, or possibly a generation."

Rare EMS Vocoder 2000

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Beautiful Black version EMS vocoder 2000
Release in the early 80s.
It will be fully serviced prior to sale."

CLICK FOR MORE »

Loula Yorke - Busy Visits.. EP005

video upload by ALM TV

Note the eurorack log cases.

"Loula Yorke is a live artist and composer who uses sound, video and participation to create noisy artworks. Dancing in the spaces where the personal meets the political, her electronic music practice conjures moments of revolt as well as revealing hidden systems of control.

We met up with Loula at Asylum Studios to chat about her unique improvisational process, relationship to music and art, and her influences along the way.

https://loulayorke.com
https://loulayorke.bandcamp.com
http://instagram.com/iamloula"

Black DIY synth with banana jacks at 4:02. Similar in shape to an EMS VCS3 Putney / SYNTHI.

P.S. I did a search on black EMS to see if it was ever mentioned before. I didn't find it but some other interesting posts came up. Every now and then you can find interesting things in the archives just searching on radomn stuff.

NEW! AJH Synth DUAL RVG Random Voltage Event Generator

An Introduction to this Eurorack Generative CV Source video upload by AJH Synth Official

"This is the all-new, Limited Edition DUAL RVG module for Eurorack modular. It is based on the original EMS Random Voltage Generator, providing the functions of the original, but adding substantially more. It uses the same uni-junction transistor ramp & hold circuitry of the original, incredibly rare vintage unit. It produces 2 separate random voltages, that can be triggered by it's internal clock or external gate signals. However, unlike a a common Sample & Hold, it also has random variation of it's internal clock, the amount of which can be added/adjusted manually, or controlled by CV. Additionally, it has a gate output that can be used to trigger other modules in time with it's internal LFO, and also has Triangle and Sawtooth outputs, which are also affected by the internal LFO, although these can also be used as a voltage-controlled LFO, as the module's internal clock speed can also be controlled by CV.

This super-flexible Eurorack recreation is both authentic to the technology, character and behaviour of the original, whilst offering a serious amount of random goodness for experimental, generative music, whilst also having provision for more controlled duties, from regular twin Sample & Hold duties, to voltage controlled frequency modulation.

00:00 Intro
00:27 Overview
03:27 A Closer Look

10:49 Some usage examples"

Video by DreamsOfWires

The Dual Random Voltage Event Generator (Dual RVG) is a faithful replica of the vintage EMS Random Voltage Generator. It is an all analogue design which generates two separate random voltages that can be timed either from the internal LFO or from an external clock. However, one of the most interesting features is that varying amounts of randomisation can be added to the internal clock rate with the Time Vary control - so with this we can randomise time period in addition to voltage.

The TR-IN input allows an external clock to be used instead of the internal LFO. When the LFO is stopped two new random voltages can be generated with each press of the manual Trigger button.

We have added many useful features that were not present on the original design, including Level and Offset controls for both outputs, adjustable Slew on Output 1, control of internal LFO run / stop from an external Gate signal, control of LFO rate using an external CV, and the LFO output is brought out to the front panel as both a Sawtooth and Triangle wave and both of these waveforms are skewed as Time Vary is added to the LFO rate. We have also added a gate output that produces a gate for each internal clock pulse, and this gate length changes in proportion with the time variance. The duty cycle of the gate can also be varied from 1% to 99%.

Module Width: 14hp

Module Depth: 26mm (Including power lead)

Current Usage: 95mA Positive, 70mA Negative

Provisional Information
We have taken the original EMS RVG design and re-created it in Eurorack format, and added many extra features that make it a considerably more useful in a modern day modular system, but of course it can also be used with other synths too and with a suitable conversion cable it can be used with the original EMS VCS3 and Synthi A or Synthi AKS.

Limited Edition
The Dual RVG will be available with either a Black (Dark Edition) or Silver front panel. Just like the original EMS RVG the circuitry uses vintage unijunction transistors for both the ramp and hold and LFO circuits, these are quite rare and we have only obtained enough UJT's to build a limited number of modules, Therefore the Dual RVG module is being released as a once only, strictly Limited Edition of 250 units worldwide.

Expected delivery in first quarter 2022, and it can be pre-ordered from many AJHSynth retailers.

See the dealers on the right.

The Gmebaphone Concept and the Cybernéphone Instrument

This one is in via Asbjørn Blokkum Flø. "Here is an interesting synth produced in various forms from 1973-2001. It was produced in various analogue and digital forms. If you do a Google image search for 'Gmebaphone' you will see a few different versions. The music of Christian Clozier and Françoise Barrière probably includes the instrument. I tried the instrument at the Bourges festival in 2004, and it was quirky but fascinating."

via https://ur.booksc.eu/book/43779232/b24219

"The Gmebaphone is an instrumentarium consisting of amplifiers, sound-treatment systems, loudspeakers, a console, and a processing system designed and built for live diffusion and performance. The specifications for the instrument were dictated by musical criteria. The musical interpretation of a work is based on analysis of the work and on analysis of its physical signals. Thus, the instrument is able to provide a pertinent acoustic rendering of a work’s sonic complexities (in terms of timbre, time, and space) directly under the performer’s control, thereby allowing transparent and expressive interpretations. The Gmebaphone is a processor/simulator of sonic electroacoustic space, as well as a polyphonic acoustic synthesizer of musical spaces. It is an instrument comprised of the hierarchical combination of a control system with memory, tablatures, and combinatory modes of play that give rise to a rich and workable system of interpretation and expression."

Also see https://collectionsdumusee.philharmoniedeparis.fr/

Image below with an E-Mu Modular in the back ground, and EMS Putney on the left via here.  Not sure what the black system on the farl left is.  If you know feel free to leave a comment. Also if you know if any demos of the Gmebaphone let us know!

P.S. The design reminds me of various equipment featured in synth rorschach posts.

See the exclusive label for more of the rare of the rare in the synth world.

Update: additonal info in via Asbjørn Blokkum Flø:

I've looked further into the Gmebaphone.

It basically looks like a system for live surround sound for electronic music, or as it is called "diffusion" of electroacoustic music. The surround setups could be very complex with up to 50 loudspeakers of various shapes and placements, a bit like the Acousmonium (GRM 1974-) [link]

The term 'acoustic' is used several times in the article. This seems to describe how loudspeakers interacts with the acoustics of the space, and not acoustic sound sources in the traditional meaning the word.

Being built as a custom instrument for live performance of electronic music, it is more of a musical and compositional tool than a conventional analogue or digital mixer.

It evolved over the years, but the latest model seemed to have a 76 channel mixer with 8 inputs and 16 outputs, with the possibility of digital treatments (phasing, delay, reverberation, and detuning).

From the article:
'The console has a total number of 76 channels of diffusion (36 are touch-controlled and 40 are digitally controlled via the screens) spread over 16 master outputs and eight master inputs. [..] Pull-down menus control digital treatments (phasing, delay, reverberation, and detuning).'

The article describes 6 different models (with photos):
Gmebaphone 1 (1973)
Gmebaphone 2 (1975) - 6 inputs, 2 "networks" (outputs?).
Gmebaphone 3 (1979) - 8 inputs, 22 outputs. Manual analogue control as well as digital computer control.
Gmebaphone 4 (1983) - Digital playback of soundfiles. Digital treatments (phasing, delay, and timbre).
Gmebaphone 5 (1992) - sequencing, graphical interface, automation.
Gmebaphone 6 - (renamed Cybernéphone) (1997) - 8 inputs, 16 outputs, 50 loudspeakers. Possible to save files to CD-ROM.

This page mentions the Gmebaphone number 7 / Cybernéphone (2005): [link]

The convoluted language of the article reminds me of the writings of French composer Pierre Schaeffer, and can be a bit hard to decipher.
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There is also some information on a large number of synthesizers that they produced between 1973 and 2008. called Systhysysop (1976), Charybde (1985), Gmebogosse (1972-1999) and Cybersongosse (??-2008?).

They are described in this article (with images): [link]

Many nice images here: [pdf link]

Another article: [link]

More images: [link 1 Also captured here] [link 2] [link 3 Also captured here]

These instruments was also made at the International Institute of Electroacoustic Music at Bourges /IMEB. Read more about IMEB here (use Google translate). [link]

You have written about the Cybersongosse before: [link]

I could not find any audio clips.

All the best"